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After a weekend of speculation sparked by mysterious billboards in Phoenix and other major cities, the wait is over: My Chemical Romance has officially announced new live dates across North America to celebrate the 20th anniversary of their landmark third album. “The Black Parade 2026” tour will bring the band to stadiums across North America, the UK, and Europe next year.
Among the tour stops is a highly anticipated show in Phoenix, AZ, where My Chemical Romance will perform at Chase Field on September 6, 2026, joined by Jimmy Eat World, a hometown favorite.
The pairing highlights a long-running connection between the two bands, who first toured together in Australia in 2005 and have since appeared on the same lineups at numerous festivals, including multiple years at When We Were Young Festival. Their parallel trajectory underscores a shared legacy in shaping the alternative and emo scenes, and brings added resonance to what promises to be a standout night for Arizona fans.
Tickets for all dates on the “Black Parade 2026” tour go on sale Friday, September 26 at 12:00 pm local time on Ticketmaster.
The announcement confirms what fans suspected when they spotted the cryptic Keposhka glyphs and teaser images on billboards in Phoenix, Los Angeles, Minneapolis, New York, and Nashville: My Chemical Romance is marching back, bigger than ever.
My Chemical Romance 2026 US Tour Dates
August 09, 2026 – New York, NY – Citi Field – with Franz Ferdinand
August 13, 2026 – Nashville, TN – Nissan Stadium – with Pierce The Veil
August 18, 2026 – Washington, DC – Nationals Park – with Modest Mouse
August 21, 2026 – Detroit, MI – Comerica Park – with Iggy Pop
August 24, 2026 – Minneapolis, MN – Target Field – with Sleater-Kinney
August 27, 2026 – Denver, CO – Coors Field – with The Breeders
August 30, 2026 – San Diego, CA – Petco Park – with Babymetal
September 06, 2026 – Phoenix, AZ – Chase Field – with Jimmy Eat World
September 12, 2026 – San Antonio, TX – Alamodome – with The Mars Volta
October 21, 2026 – Los Angeles, CA – Hollywood Bowl
October 23, 2026 – Los Angeles, CA – Hollywood Bowl
October 24, 2026 – Los Angeles, CA – Hollywood Bowl
Festival Appearances
May 10, 2026 – Daytona Beach, FL – Welcome to Rockville
May 14, 2026 – Columbus, OH – Sonic Temple
September 18, 2026 – Louisville, KY – Louder Than Life
PHOENIX — The golden hour bathed Talking Stick Resort Amphitheatre as fans of all ages gathered for a triple bill of nostalgic icons: The Offspring and Jimmy Eat World co-headlining, supported by New Found Glory. The “SUPERCHARGED Worldwide in ‘25” tour follows The Offspring’s 2024 studio release, Supercharged, promising a night of their signature high-energy punk. Anticipation hummed through the amphitheatre, decades of beloved hits ready to be unleashed. Each band carried their own unique legacy of anthems and reputations to uphold.
New Found Glory
When the stage went dark for the first time, Phoenix was greeted by a “Y’all ready for this?” from vocalist Jordan Pundik of New Found Glory. Surrounded by the yellow and pink neon glow, the band tore across the stage faster than high school summers.
Pundik was an energetic force, one of the most physically demanding performances I’ve encountered, and his bandmates didn’t miss a step keeping up with him. Did they age? With moves like that, they seem to be just as on-point as they were in the early 2000s.
August 27, 2025
August 27, 2025
August 27, 2025
August 27, 2025
Jordan Pundik (vocals), Ian Grushka (bass), Dan O’Connor (guitar), & Cyrus Bolooki (drums) – New Found Glory
The crowd followed his every command, clapping and jumping to old favorites like “Dressed to Kill.” A new favorite, “100%,” was played as Pundik did a hurdle jump and encouraged the amped fans to open up the pit. The song was fresh but still the NFG we know and love, with a strong message about authenticity and perseverance: “My word is cement, I’m gonna give you one hundred percent.”
The band gave their shout-outs, with the most important being to missing guitarist Chad Gilbert, explaining that he couldn’t make it tonight because “cancer is kicking his ass.” Filling in for Gilbert was Dan O’Connor of Four Year Strong, with Dave Knox of Real Friends also joining on rhythm guitar.
They closed their set with “My Friends Over You,” where Pundik donned a large yellow finger, still never missing a beat despite what seemed to be a struggle with the soundboard. NFG gave Phoenix 100% until the very last moment on the stage.
The entirety of the amphitheatre went dark as hometown heavy hitters Jimmy Eat World took the stage in Phoenix for the first time since their 20th anniversary show for the album Futures. They began their set with a “What’s up y’all?!” from lead vocalist Jim Adkins, before leaping into “Pain,” the first single they dropped from Futures back in 2004. If anyone there was feeling any kind of pain that night, it would have been easy to let it wash away in Jimmy Eat World’s emotionally mesmerizing performance.
A brief storytime about mid-set with Adkins, complete with an important lesson:
“That’s my people right there,” he said, referring to the grassy GA section under the night sky. “I remember charging the barricade when Green Day was playing at Lollapalooza … They played, like, second that year, and I made it all the way down here, like from the GA down here.” He pointed toward the full pit. “And I was like, ‘Cool! There’s 10 more hours of this. I’m going back up there!’”
“Jim, that’s a great story. Your rock and roll talk is the best,” Adkins says to himself.
“If you think my rock and roll talk on stage is the bomb, everyone yell some shit!” The crowd was right along with him for the ride. “That’s right! I used the word ‘the bomb’… because I’m old!” he laughed, strumming his guitar.
“Anyway, aging is not a choice… Acting like a crotchety old bastard is, but aging isn’t. This song’s about everything that makes music special. It’s called “Something Loud.” Come on!”
And there you have it, folks—a truth for everyone as we grow older. Jimmy Eat World is still holding a mirror up, showing us who we choose to be.
The lighting team mirrored the emotion of each track, from the glow of mint green during “Lucky Denver Mint” to golden warmth and deep blues across their biggest anthems like “Sweetness” and “The Middle,” illuminating each musician with care. The air was thick with heat and the crowd’s passionate response, the songs pouring from the stage in the way so many once imagined while listening on the radio.
The Offspring
An abrupt countdown began when Jimmy Eat World left the stage, and the chaos of The Offspring began to be unleashed in waves, showing just how much they cherish their fans and a good time. A series of feature cams lit up the screens, including the “Kiss Cam,” “Fuck You Cam,” “Headbang Cam,” and “Booty Cam.”
During Offspring trivia, shirts were launched into the excited audience. A “GET LOUD” meter appeared on-screen as the band prepared to take the stage, and the fans were ready, wild, and dare I say, supercharged. A crew member ran around in an ape mask, upgrading fans to better seats.
Everything went dark, the final countdown began, and the fans chanted the numbers as they appeared. Blue electricity filled the screen, epic music swelled, and guitarist Kevin “Noodles” Wasserman stepped out, showering the crowd with love.
The band blasted into the first song, the anthem “Come Out and Play.” Vocalist Dexter Holland’s voice was better than the recording — with a little more grit and age, it was perfection.
Dripping with nostalgia and opening a bag of new tricks, the show’s props were next level: two gigantic blue-lit skeletons were moved on stage during one of the songs, confetti was blasted, and huge beach balls were tossed around the pavilion during “Pretty Fly For A White Guy.” The cams on fans kept rolling, making the audience a central part of the experience. The huge screens showcased the band members in different filters, changing with each song, adding an unexpected visual flair. The high-energy punk rock momentum continued all over the stage throughout the night, including the hilarious wacky waving inflatable tube “pretty fly” white guys.
In all of this rowdy fun, The Offspring did break for emotional segments like the beautiful performance of “Gone Away” and paying a touching tribute to the recently departed Ozzy Osbourne.
They told their electrified legion that Arizona always gives them the best shows, and they played like they believed that in their souls. The Offspring were playful and unexpected in the best ways. They pulled out all the stops for this tour, with the crew executing it exceptionally.
The triple bill delivered the type of concert people recall when asked what their favorite show was. The Offspring, Jimmy Eat World, and New Found Glory are a dream lineup, reminding us why this music is still embedded in our hearts decades later. The “SUPERCHARGED” tour is a timeless collision of past and present, still providing the soundtracks to our lives.
Setlists
See what each band played during the Phoenix stop on Setlist.fm:
My Chemical Romance and Fall Out Boy to Headline with A Day to Remember, Jimmy Eat World, Pierce the Veil, The Used, Simple Plan and more!
LAS VEGAS FESTIVAL GROUNDS SATURDAY, OCTOBER 19, 2024
PRESALE BEGINS FRIDAY, NOVEMBER 17 AT 10AM PT
When We Were Young will return for a third year to the Las Vegas Festival Grounds on October 19, 2024 with headliners My Chemical Romance and Fall Out Boy leading the massive lineup. In 2024, over 50 bands will each perform an album front-to-back with highlights including My Chemical Romance performing The Black Parade, A Day To Remember’s Homesick, Jimmy Eat World’s Bleed American, Pierce The Veil’s Collide With The Sky, The Used’s In Love and Death, Simple Plan performing No Pads, No Helmets… Just Balls, Dashboard Confessional’s Dusk and Summer, Coheed and Cambria’s Good Apollo, I’m Burning Star IV, along with Nada Surf’sLet Go, in addition to rare reunions from Cobra Starship performing ¡Viva La Cobra! and Chiodos performing All’s Well That Ends Well and much more. View the entire lineup with dedicated album performances below.
Fans can sign up now for the festival SMS list at WhenWeWereYoungFestival.com to receive an access code for the presale that will beginFriday, November 17 at 10AM PT. Any remaining tickets following the presale will go on sale to the general public at 2PM PT. GA, GA+, VIP, and VIP Cabana Tickets will be available, with layaway payment plans starting at $19.99 down.
VIP packages include preferred viewing areas, charging stations, a dedicated entry lane at the festival entrance, air-conditioned restrooms, and more. VIP Cabanas are available with exclusive viewing areas, featuring VIP service including food vouchers and select complimentary beverages, expedited entry and more. When We Were Young has partnered with Jampack to offer hotel and ticket packages with exclusive amenities, including discount rates on select Las Vegas hotels. For the full list of available tickets, packages, and the amenities included in each, visit WhenWeWereYoungFestival.com.
Sign up for official When We Were Young SMS and email lists to be the first to receive new information on the WWWY website.
Follow along on social media to stay in the loop for all festival announcements:
Pelham, TN — If you were to ask any emo fan who spent their formative years in the early 2000s, “Which bands would make up the tour lineup of your dreams?”, you would get a plethora of answers with combinations that sound much like the When We Were Young Festival happening this fall. But, more than likely, two bands’ names would pop up in nearly every combination provided: Jimmy Eat World and Dashboard Confessional.
These bands, who have provided the soundtrack to the lives of countless individuals over their 20+ years of existence, have accomplished much over the years. However, there is one achievement they were missing until this year: hitting the road together on a tour. This “oversight” was rectified when these two powerhouse bands joined forces, and asked Sydney Sprague to open for them on the tour dubbed “Surviving the Truth,” which is a mash-up of Surviving, Jimmy Eat World’s 2019 album, and Dashboard Confessional’s newest album All The Truth I Can Tell, released on February 25th of this year.
Fortunately, they also added another new experience and scheduled two back-to-back nights of shows in The Caverns – a unique venue near an area known as TAG – a place where Tennessee, Alabama, and Georgia all converge. Being about an hour away from every major city, a bit of travel is required to get to the venue – through a tiny town where the livestock that disinterestedly watch you drive by likely outnumber the human residents, down Charlie Roberts Road until you reach the end, and find yourself facing a black building with a massive painting of a Big Mouth Cave Salamander named Sally painted on the side of it. This is not the end of the journey, however, as you must now walk down a sloping path into the mouth of a cavern, and then step through enormous wooden doors where the words “Welcome to The Caverns where the Great Spirit brings all people together through music” are carved, using the Sequoyah script of the Cherokee. It is here your journey ends and the adventure begins…
Sydney Sprague – an Arizona based musician who first started writing and playing at 11 and performing at 14 – would be first onstage. Before the band kicked off the show with “i refuse to die” – the first track of 2021’s maybe i will see you at the end of the world – she gave the audience the first of many puns of the night: “If you haven’t heard of us, that’s ok. we’re pretty…underground.” As the crowd chuckled, she deadpanned: “it gets worse.”
This could not have been further from the truth, as Sprague and her band – comprised of Chuck Morriss III (keyboard, bass), Larry Gast III (guitar), Sebastien Deramat (guitar), and Tom Fitzgibbon (drums) – are all exceptionally gifted musicians and artists who bring an enormous amount of energy that complements her laid back nature. Sprague has a quick, dry wit and the ability to capture the audience’s attention and form a bond that both her and the crowd feed off of as the set goes on.
While some may compare her vocal timbre to Michelle Branch or Taylor Swift, and it should be noted these are fair and valid comparisons, it would be a mistake to attempt to shove Sprague’s sound into a box and slap a label on it. Her vocals and sound defy conventional expectations, she writes songs that are relatable, and her performances are simple and straightforward – leaving the audience wanting more in the future. Her 8-song set included most of the tracks on her debut album, which had the paradoxical effect of leaving the audience both wishing for a bit more, and yet satisfied with what we were able to witness from this budding star.
Between sets, one of the quirks of the cavern became quite obvious: it had the audacity to form without giving a backstage for the bands and their crews to work with. There is no easy access to move the equipment on and off, nor to unload and then load everything back into the waiting vehicles outside. This unusual set-up meant the audience was able to watch the pre-show rituals of the bands and view what the hard-working (and often underappreciated or forgotten) crews do with the equipment they hastily move off and onto the stage.
Dashboard Confessional was up next, with Chris Carrabba singing “The Brilliant Dance” with an acoustic guitar while the rest of the band stood just off stage. As he finished, they joined him, and a jovial Carrabba asked the audience if anyone had been in attendance last night. There were surprisingly few affirmative replies. Carrabba then asked, “Is anyone here tonight?” and as the cheers faded, he exclaimed, “Me too!” as the first notes of “The Good Fight” started to play. At the end of the song, he asked the audience to give a round of applause for Sprague and her band, and then caught himself cussing when he spotted a kid at the front of the crowd. Asking the young fan if he had ever been to a show in The Caverns, he stated with a huge grin, “I’ve only been to one other show here, and it was last night!”
Carrabba – joined onstage by Armon Jay (guitar), Scott Schoenbeck (bass), Abigail Kelly (back-up vocals), Chris Kamrada (drums), Dane Poppin (keyboard, guitar) – mixed the nostalgic hits like “Stolen” and “Vindicated” with “The Better Of Me,” the only song from All The Truth I Can Tell. Through it all, Carrabba radiated joy and excitement, possibly because he was playing inside of a cave, but also because, as he noted multiple times, it was just so good to be back together with everyone again. Carrabba is just under two years removed from a motorcycle accident that nearly ended his career, and to be back on stage after all he has endured during his recovery must feel like a miracle he celebrates nightly on this tour with 1,500 or so of his closest friends. His energy radiated out across the audience, many of whom sang along with him during the 17-song set.
Jimmy Eat World took the stage during the opening notes of “Futures,” the title track from their 2004 album. It only takes a few verses of watching frontman Jim Adkins pour everything he has out in front of the enchanted audience while drummer Zach Lind, guitarist Tom Linton and bassist Rick Burch effortlessly provide the canvas on which each song is painted anew on each night.
This is the magic of Jimmy Eat World and perhaps the secret of their longevity: their ability to take the songs that helped emo kids grow into slightly less emo adults and make the nostalgic magic that you feel hearing “Sweetness” on the radio disappear during a live show, and make it feel like you’re hearing and experiencing the songs for the first time. Other favorites like “Pain,” “Hear You Me,” “23,” and “Lucky Denver Mint” were included in the set list as well.
Halfway through the show, Adkins switched over to an acoustic guitar to play “555” – a song that has not only inspired a comic book, but also a near-cult-like following among some fans, including a small Facebook group dedicated to posting solely about 555 found in daily lives. Adkins, like Sprague and Carrabba, expressed awe and disbelief that they were playing in a cave, and then threw in a joke about telling a distant relative that he was in an underground rock band. If there were any surprises from the night, it would be that the bands didn’t end up making more bad cave and rock puns.
The level of exertion that Jimmy Eat World puts into each show can evoke the image of a fighter who has gone 10 rounds with their opponent, leaving the ring glistening and triumphant. As Jimmy Eat World closed the show with their most well-known hit “The Middle,” towels awaited them just off-stage. The song generated the the perfect energy to end the incredible evening… the best way to end the adventure at the bucket-list worthy venue, and to send those lucky enough to bear witness a once-in-a-lifetime show on a journey through the improbably cold pre-spring night to wherever their roads may carry them.
PRESALE STARTS MONDAY, JAN. 31 AT 10AM PT FOR FANS WHO SIGN UP FOR EARLY ACCESS TO PASSES ONLINE AT WHENWEWEREYOUNGFESTIVAL.COM
The When We Were Young Festival has announced a third date has been added to the highly anticipated fest, taking place on Saturday, Oct. 29, 2022 at the Las Vegas Festival Grounds.
The festival will feature the same lineup on all three dates, with the exception of Alex G replacing Wolf Alice on Saturday, October 29th and La Dispute will not be performing on the newly added date.
The full lineup for October 29th includes:
My Chemical Romance, Paramore, AFI, The Used, Bring Me The Horizon, Taking Back Sunday, Dashboard Confessional, Alkaline Trio, Manchester Orchestra, A Day To Remember, Pierce The Veil, I Prevail, The Story So Far, Dance Gavin Dance, The All American Rejects, Boys Like Girls, Car Seat Headrest, Sleeping With Sirens, Knocked Loose, JXDN, Avril Lavigne, Motionless in White, Black Veil Brides, Ice Nine Kills, Senses Fail, Bayside, Mom Jeans, Mayday Parade, The Maine, Neck Deep, Silverstein, Palaye Royale, Bright Eyes, Poppy, Nessa Barrett, Wolf Alice, Acceptance, Story of the Year, Atreyu, PVRIS, Saosin, Glassjaw, Lilhuddy, TV Girl, The Starting Line, Thursday, Anberlin, Jimmy Eat World, 3OH!3, State Champs, Four Year Strong, We The Kings, The Wonder Years, Royal & The Serpent, The Ready Set, Kittie, Hawthorne Heights, The Red Jumpsuit Apparatus, The Garden, Horrorpops, Meet Me At The Altar, The Linda Lindas, Prentiss and Alex G.
There will be a presale beginning Monday, Jan. 31 at 10am PT for fans who sign up for early access to passes online at WhenWeWereYoungFestival.com. Following the presale, any remaining tickets still available will go on sale to the general public beginning Monday, Jan. 31 at 2 pm PT.
General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older.
Due to overwhelming demand, a second date has been added to the When We Were Young Festival at the Las Vegas Festival Grounds on Sunday, Oct. 23, 2022. Tickets for the new date are on sale now.
The festival will run the majority of the day, from 11am to 12am. There will be multiple stages of varying sizes placed around the festival grounds with several bands performing at the same time. The length of set times will vary. Opening acts will have shorter set lengths while headlining performances can range up to an hour or more.
Full lineup details including set times and performances by stage will be released closer to the festival.
The festival will feature the same lineup on both dates, which includes:
My Chemical Romance
Paramore
AFI
The Used
Bring Me The Horizon
Taking Back Sunday
Dashboard Confessional
Alkaline Trio
Manchester Orchestra
A Day To Remember
Pierce The Veil
I Prevail
The Story So Far
Dance Gavin Dance
The All-American Rejects
Boys Like Girls
Car Seat Headrest
Sleeping With Sirens
Knocked Loose
JXDN
Avril Lavigne
Motionless in White
Black Veil Brides
Ice Nine Kills
Senses Fail
Bayside
Mom Jeans
Mayday Parade
The Maine
Neck Deep
Silverstein
Palaye Royale
Bright Eyes
Poppy
Nessa Barrett
Wolf Alice
Acceptance
Story of the Year
Atreyu
PVRIS
Saosin
Glassjaw
Lilhuddy
TV Girl
The Starting Line
Thursday
Anberlin
Jimmy Eat World
3OH!3
State Champs
Four Year Strong
We The Kings
The Wonder Years
Royal & The Serpent
The Ready Set
Kittie
Hawthorne Heights
The Red Jumpsuit Apparatus
The Garden
Horrorpops
Meet Me At The Altar
The Linda Lindas
Prentiss
General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older.
What health & safety protocols will be implemented for the festival?
The safety of fans, artists and staff is thoroughly planned for among event organizers and in coordination with local authorities.
They will follow all guidelines as set forth by the city of Las Vegas and state of Nevada at the time of the festival. Preventative health measures (e.g. proof of negative COVID-19 test or full COVID-19 vaccination, etc.) may be required for this show. Details of any necessary measures will be communicated as early as possible and will be shared on the event/venue website and social media channels.
Yesterday, the second Twitch Goes Emo musician streamer festival was held on the Twitch platform. In celebration of primarily early 2000’s emo and pop punk music, the line-up included artists from all over the world: Kintsuku, SabySpark, Sayanoe (dropped out), TylerLevsMusic, GabiStreams, JordinLaine, CERIANmusic, JulienBelhumeur, Andrewcore, AnnaCarmela, ClosureClub, and JonLiMusic.
The first Twitch Goes Emo took place on December 5th, 2020 and featured many of the same artists, as well as MattWaldenAC and Annelle:
Ellie, who goes by the alias Kintsuku, is a musician based in Manchester, Northern England. She writes, produces and performs atmospheric / experimental pop, playing guitar, keys and vocals. Kisuku has been streaming on Twitch since December 2019. Hoping for a release later this year, she is currently writing her debut album.
Saby is a singer-songwriter from Slovenia, “trying to spark some joy in the world”, who has played the guitar for 10 years, ukulele for 3, and is slowly learning piano. By starting to stream last year, she is conquering shyness and self-consciousness, and following her deepest dreams.
Budapest-based singer-songwriter Mimi – stage name Saya Noé (pronounced: sigh – ah – no – ay) – was unable to make the event (for reasons outside of her control). She plays the guitar and keyboard, and performs originals and covers, with acoustic, live production, and looping.
Tyler Levs is a singer/songwriter from Maine USA. With a taste for multiple genres and a passion for music, he performs live loop tracks as well as unplugged. Tyler has streamed live on Twitch.tv since 2017, and has been featured on the Twitch front page for approximately 23,000 people. He has performed for various causes through Saving Music Live (a Twitch charity stream) as well as talent shows (The Austin Talent Show and “Gamers Got Talent” Luminosity gaming). Twitch helped enable his transition to full-time musicianship in February of 2019.
Gabi Belle is from the East Coast of the US, and she has been streaming since February 2020. Not only does she produce her own music, sing, and play the keyboard and guitar, she also directs and edits her music videos. She was vocally trained for theatre, and she has experience playing the flute, trumpet, and saxophone. Gabistreams is also a gamer who loves Nintendo games – her favorite being The Legend of Zelda: Breath of the Wild.
Singer-songwriter JordinLaine has been focusing heavily on writing music, creating content, and live streaming since 2018. Through the universal language of music, she has shared that she found the power to express herself in the most open and authentic form.
Cerian is a singer-songwriter from London that plays harp, piano, and guitar. She plays a mixture of originals and covers, switching it up between instruments. Cerian(a Welsh name, pronounced: Kerry-Anne) released her debut EP in April 2020. She has worked as a musician for many years with an impressive resume, singing backing vocals and playing harp for lots of incredible artists, like Radiohead, U2, Sam Smith, Imogen Heap, Thom Yorke, David Attenborough, Neneh Cherry, Charlotte Church and games like The Sims, Guitar Hero Live and Those Who Remain. Although she has been streaming for a while on other platforms, she is new to Twitch.
Hailing from Québec, Canada, Julien Belhumeur is a singer, musician, and loop artist that plays both originals and covers. With a minimalist bio, he lets his prowess speak for itself!
Andrew has, in his humble words, ‘been faking his way through playing drums for about 20 years’ – beginning with learning completely by ear, and focusing on learning more basic principles and improving overall now that he’s streaming. He is a member of the band Fable Cry, which includes another popular music streamer, joplaysviolin. He began touring in 2006 and has hit the road and recorded with a number of metal, rock and hip hop artists.
Anna Carmela is a self-described “hyper-active singer/songwriter” and music student with musical theatre training as a youth in her background. She has toured in the US and Canada. A bit of an autodidact, Carmela is self-taught on guitar, bass, piano, ukulele, kazoo, and mouth trumpet. She certainly does have energy to be contended with, and with a voice well-suited for it, loves performing blues, rock, and soul music.
Full-time artist, songwriter, and musician Heathy goes by ClosureClub, and is referred to by many more names (ex. j, lostcause, jarebear, red, clo) as he has streamed across multiple platforms for several years. His experience shows through his performance, and his music is “inspired by 80’s tones, dreamy lo-fi aesthetics, and melodic intervals drawn from the moody years of never escaping ‘the punk phase’.”
Jon Li, arguably the headliner – if not co-headliner – of Twitch Goes Emo 2021, closed out the night with a respectable 4 hour and 40 minute stream, despite having performed a bachelor party gig prior. The expanse of his catalogue is impressive, to say the least, and what he doesn’t know, he can offer quite a decent Live Learn performance.
Li started performing by ear in high school after many years of studying and performing classical piano. While in the process of earning his math and music degrees in college, he was introduced to the world of Dueling Pianos that set him on a career path that led him to travel the world and play with hundreds of talented musicians. Li released Finding February in 2010. In 2020, COVID-19 began his live streaming journey on Facebook, followed by Twitch.
March, 2020 – in just a few short months, the world went from whispers about a mysterious new virus overseas to a growing buzz around the virus and some signs of concerns. In mid-March, the unthinkable happened: the bars, concert halls, stadiums, and every other live music venue went dark as the virus took root and started to spread quickly worldwide.
As the music world reeled from the sudden and shocking shutdown – and as it became painfully apparent that we would likely be throwing a birthday party for the “two weeks to flatten the curve” promise – bands started looking into different ways to stay relevant during the shutdown.
During the past year, we have seen releases of coffee, graphic novels, and wine from the likes of Lamb of God, Jimmy Eat World, and Incubus.
Jimmy Eat World recently made their 555 graphic novel with z2 Comics, conceptualized from the uncharacteristically sci-fi music video for “555”, available for pre-orders with an expected release date of May 21, 2021.
Incubus’Make Yourself Foundation has a long history of partnering with various organizations over the years – at least 47 since 2003 – and is partnering with Rebellium Wines on the limited stock “Our Love” Rosé. The label was designed by artists at Secure the Arts, an organization whose ethos is described simply as: “Rebels, trouble makers, the round pegs in the square holes.“
One might think it is possible that Claudio Sanchez of Coheed and Cambria with The Amory Wars comic series, and Maynard James Keenan (Tool, A Perfect Circle, Puscifer) with Caduceus Cellars and Merkin Vineyards, largely paved the way for such releases from musicians. Each of Coheed and Cambria’s studio albums (except The Color Before the Sun) tell a chapter of The Amory Wars, beginning with the release of the album Second Stage Turbine Blade in 2002. As a descendant of northern Italian winemakers, Keenan’s passion for winemaking is in his blood: the aptly titled 2010 documentary Blood Into Wine offers insight into his journey, creativity, and personal growth involved in this fruitful endeavor.
This begs the question as to whether these were aspirations of other artists prior to the pandemic.
Comics & Graphic Novels
Long before becoming frontman of the legendary My Chemical Romance, a young Gerard Way found his passion in comics. Pursuing a career in comics, in 1999 Way graduated with a Bachelor of Fine Arts from the School of Visual Arts in New York City. He created Eisner-award winning The Umbrella Academy series (2007) – which went on to become a wildly popular series on Netflix that has a third season in the works – followed by comic mini-series The True Lives of the Fabulous Killjoys (2013) and co-founded DC Comics’ Young Animal imprint (2016).
Canadian electropop artist Lights wrote and illustrated her own comic Skin&Earth – a story of a girl looking for hope in a hopeless world – along with her album by the same name in 2017. Following suit, dancing electronic violinist Lindsey Stirling, well known for editing her own music videos, creating the costumes she wears, and having a huge hand in the choreography of her videos and shows, released her own comic book Artemis in 2019. In it, the story of her album of the same name comes to life, adding another layer of complexity to the already fantastic album.
In 2004, Courtney Love co-wrote the manga series Princess Ai about a female rock star that Love described as, “like my alter ego, bust in a fantasy setting.” The manga was illustrated by Ai Yazawa, the acclaimed artist behind the award-winning music-based manga NANA(2000-2009), which focuses on the pursuits, rise, relationships, and mentality of members of the fictional bands Black Stones (aka BLAST) and Trapnest.
z2 Comics actually specializes in helping musicians tell stories through graphic novels. In addition to Jimmy Eat World, they have worked with Poppy, Gorillaz, Machine Gun Kelly, Dance Gavin Dance, and Ice Nine Kills, to name a few.
In May of 2017, MentalFloss.com offered “10 Musicians Who Have Also Written Comic Books”, detailing some interesting releases from Tom Morello (Rage Against the Machine, Audioslave), Rob Zombie, Tyrese, Jane Wiedlin (The Go-Go’s), and more. Interestingly, many of the musicians mentioned explore post-apocalyptic themes in their comics in their pre-pandemic releases.
Coffees
Touring is a grind in and of itself, and many bands turn to coffee to wake themselves up in the morning and keep themselves going throughout the day. Indeed, DrinksFeed.com posted “Metal bands with coffee brands” in February 2020, confirming that many bands have offered their own branded brews, including Korn, Metallica, and Judas Priest. Separate from their bands’ branding, David Ellefson of Megadeth owns the coffee business Ellefson Coffee Co., and Joey Kramer of Aerosmith offers a subscription for his coffee brand Rockin’ & Roastin’.
Lamb of God’s second signature coffee, the Overlord dark roast, was revealed in December of 2020. Frontman Randy Blythe mused, “I like my coffee strong, dark, and BLACK like my soul.” Both blends’ beans were grown in El Salvador. In collaboration with J Gursey Coffee, Korn first offered nu metal fans the chance to “Wake the F Up” with some fair trade Korn Koffee in 2018.
Green Day dropped a sustainably grown organic coffee through Oakland Coffee Works in 2019, which was named “Father of All… Dark Roasts” – a name derived from their thirteenth studio album Father of All Motherfuckers (censored as Father of All… or FOAMF) released in 2020, but recorded prior to the game-changing year.
Wines, Beer, & Liquor
Wines that Rock boasts the production of wines for many artists, such as All Time Low, Pearl Jam, Grateful Dead, Pink Floyd, AC/DC, The Rolling Stones, KISS, and for Graceland and Elvis Presley’s estate. Made for The King of Rock ‘N Roll’s 86th birthday, the limited-edition wine is quite reasonably priced at only $24 a bottle.
Slayer’sReign in Blood red wine comes in tantalizing packaging consisting of blood-like red wax dripped from the cap, Slayer branding, an inverted typographical cross, a limited edition coffin-shaped box, and other features, resulting in quite a work of art inside and out that appeals to both wine aficionados and music memorabilia collectors.
Over the last two decades, craft beer has enjoyed an explosion in popularity. Unlike wine and many other alcoholic drinks, many beers take two weeks or less to go from the raw materials to a cold, refreshing beer. As the turnaround time is much shorter, it is far easier to set up a collaboration that is still relevant when it comes out. A great example of this is the ongoing collaboration between the Deftones and San Diego-based Belching Beaver. By far, the most popular of the six beers to come out of this is the “Phantom Bride,” first brewed in 2016.
Dogfish Head created “American Beauty,” a Grateful Dead-inspired beer with granola and wildflower honey which was first released in 2013. Less Than Jake offered a limited edition beer by JDub’s Brewing Co. in 2018. Last, but certainly not least, is the Queen creation appropriately named Bohemian Lager. Brewed in Pilsen – the Bohemian now-Czech Republic city where the Pilsner style originated from – the limited edition beer was brewed in 2015 for the 40th anniversary of “Bohemian Rhapsody“.
Finally, we have liquor. First is theMotorhead vödka made in Malmköping in Sweden since 2019. Motorhead also partnered with Hillrock to make some very limited bourbon, retailing for a whopping $275 per bottle.
Bob Dylan unveiled a line of whiskeys called Heaven’s Door in 2018. Multiple artists have their own tequila brands, such as Justin Timberlake, Rita Ora, Sammy Hagar, and Nick Jonas. Timberlake entered the tequila business in 2009, co-founding 901 Tequila – which was rebranded as Sauza 901 when Beam Inc acquired a stake in 2014. With hopes to push boundaries in the industry as a female-founded brand, Ora launched Próspero Tequila in the US in 2019.
Rita Ora
Hagar has been in the tequila business for almost 30 years, having launched the award-winning Cabo Wabo brand in 1991. In contrast to the once-Van Halen frontman, Jonas is the most green of the listed musicians, having joined the game in 2019 with Vanilla One.
These are just a few of the many types of alcoholic beverages that musicians have owned, made, or collaborated on. Ultimate Classic Rock shared an impressive list of “73 Rock Star Beer, Wine and Booze Brands.”
While the pandemic has indubitably unleashed a tsunami of projects that fall outside the typical domain of the music industry, the question one must ask when examining said projects for originality is: are these artists trailblazers, going down a path none have tread before, or are they innovators in their own right who take a path others have cut before them to bring a product to market that the world might not have expected from the source? The overwhelming body of evidence is that in the decade or so before the pandemic began, the trends in the industry were increasingly leaning toward this path. As such, releasing coffees, graphic novels, and wines during the pandemic may not be a unique course of action, but it does allow for creative release in a different medium, and perhaps an opportunity for many of them to manifest a once-dormant dream into a delectable reality.
A year, a week and a day from their last live performance at KROQ’s Almost Acoustic Christmas, critically acclaimed alternative rock band Jimmy Eat World are excited to announce Phoenix Sessions, a global stream performance series in partnership with Danny Wimmer Presents.
Performing Surviving, Futures, & Clarity in their entirely over three nights…
To kick off 2021, the band will come together for one-of-a-kind performances of three “chapters” in their storied career. Beginning January 15th with a performance of their 10th studio album Surviving (Chapter X), which has only been seen live by the lucky fans who made it to the shows last October, followed by Futures (Chapter V) on January 29th and Clarity (Chapter III) on February 12th.
“We are always looking for ways to challenge ourselves, to do things as music fans that we think would be cool for OUR fans. We came up with the idea of presenting a series of concert films centered around a few specific albums (for now) and performing them on a different level. It isn’t the way we normally play a show and it’s definitely something new for how we approach a performance, but we haven’t been able to share the experience with our fans in over a year… so here we go!” – Jim Adkins, frontman of Jimmy Eat World
Recorded at the Icehouse in Phoenix, AZ, the virtual events will feature the band performing each album in its entirety for a full concert experience. Each show will start at 2pm PST / 5pm EST / 10pm GMT / 11pm CET and will be available on demand for 72 hours post stream at JimmyEatWorldLive.com.
Tickets for these events are on sale NOW and can be purchased as a single show or in a three-pack bundle. Early bird pricing begins at $14.99 for a single performance (through the Sunday prior to each show) and $39.99 for the bundle of all three through January 10th. Other bundles, merchandise and VIP meet and greets will be available at a variety of price levels. For more information on tickets and bundles please visit JimmyEatWorldLive.com.
Danny Wimmer Presents recently entered the digital content curation space, promoting pay-per-view concert streams and creating the popular digital series Offstage with DWP. DWP is known worldwide for their stellar portfolio of music and lifestyle events, which includes Aftershock, Bourbon & Beyond, Epicenter, Hometown Rising, Louder Than Life, Sonic Temple Art + Music Festival, and Welcome To Rockville.
Jimmy Eat World announce their Criminal Energy Tour today. The 20 date summer run will start in Atlanta, GA on August 6th and culminate in a hometown gig in Phoenix, AZ, Labor Day Weekend, on September 5th. New Jersey based The Front Bottoms will join the tour as direct support with Turnover and Joyce Manor splitting the duties of opening the festivities on select dates (noted below). Tickets for the tour will be available to the general public starting on Friday, March 13th at 10AM local time with various presales beginning as early as Tuesday, March 10th at 12pm local time. The tour is produced by Live Nation, For more information and tickets please visit www.JimmyEatWorld.com.
Jimmy Eat World continue the 2020 roadshow in support of their “bold, brave and ultimately defiant” (NME)10th studio album, Surviving (listen here). With 10 records to pull from, the sets will prove to satisfy all fans new and old… As the band proclaims:
“Whether we’ve slept on your floor after the ‘97 basement show or you’ve just only recently heard about us, we will have something you’d be into catching live!”
Not to be missed, The Front Bottoms recently returned with “Camouflage,” a standalone single teasing a larger body of work on the horizon in 2020. The FADER declared the song, “…a celebration of sorts for a band perennially on the fringes of a major breakthrough.”
Criminal Energy Tour Dates 2020
August 6thAtlanta, GA – Coca Cola Roxy*
August 7thCharlotte, NC – Charlotte Metro Credit Union Amphitheatre^
August 8thRaleigh, NC – Red Hat Amphitheatre^
August 9thBaltimore, MD – MECU Pavilion^
August 11thNew York, NY – The Rooftop at Pier 17 (co-headline The Front Bottoms)*
August 14thAsbury Park, NJ – Stone Pony Summer Stage (co-headline The Front Bottoms)*
August 15thPhiladelphia, PA – The Met Philadelphia (co-headline The Front Bottoms)*
August 16thBoston, MA – Rockland Trust Bank Pavilion (co-headline The Front Bottoms)*
August 18thToronto, ON – Rebel^
August 20thIndianapolis, IN – Amphitheater at White River State Park^
August 21stDetroit, MI – The Fillmore Detroit^
August 22ndCincinnati, OH – PNC Pavilion^
August 26thMinneapolis, MN – The Armory#
August 27thMilwaukee, WI – The Rave (non-Live Nation produced show)#
August 28thChicago, IL – Byline Bank Aragon Ballroom#
August 29thKansas City, MO – Arvest Bank Theatre at The Midland#
August 31stDenver, CO – Fillmore Auditorium#
September 1stSalt Lake City, UT – The Complex#
September 4thSan Diego, CA – Cal Coast Credit Union Open Air Theatre at SDSU#
September 5thPhoenix, AZ – Arizona Federal Theatre#
*with Turnover ^with The Front Bottoms & Turnover #with The Front Bottoms & Joyce Manor