Award-winning Italian vocalist / multi-instrumentalist NeroArgento is sharing with fans the new music video for the full length’s second single “Shed My Skin”, featuring singer/musician Brandon Ashley from The Dark and Caitlin Stokes from Corlyx.
‘Shed My Skin‘ is a more industrial-oriented song, based on heavy and low-tuned guitar riffs, plus huge and catchy layered vocals that give the song a killer radio attitude.
Watch the “Shed My Skin” Music Video
The music video was directed once more by Fabio Brunello (Director, CGI, FX, and editing).
Circles is NeroArgento‘s fifth studio album and it takes a step back to the original “industrial” roots as well as a step forward into a more mature and experimental sound. Known in the crossover scene as a solo artist, and founding member of the industrial metal act The Silverblack, NeroArgento has been involved in over 40 records to date including the Princess Ghibli compilation, a very well known collection in Japan that has sold several thousand copies along with performing multiple times at the New Years World Rock Festival, an event by Yuya Uchida.
NeroArgento’s tracks have also been featured in several official gameplay trailers, displayed on renowned websites as Warcraftmovies and Machinima plus his solo albums were released as special editions in Japan.
Among many collaborations as a producer, musician, and remixer, NeroArgento has worked with artists such as Dead By Sunrise, Vamps, Disarmonia Mundi, Rise To Fall, The Stranded, Massive Ego, Lady Faith alongside remixed songs for fan clubs of KORN, The Prodigy, Gorillaz.
Circles is set to be released via Rockshots Records on September 18th, 2020.
“Lucky Cat” is the first single from DRMAGDN Cyborg Drummer/DJ’s upcoming debut album, aptly titled Escape From NYC. The song literally came to him complete in a dream three years ago. In the dream, it went massively viral, had its own dance, and came at a time of real human need – which is right now.
DRMAGDN says, “The whole process was surreal. I have never been given an entire song complete in a dream with melody, lyrics and even a dance that went viral around the world before. I met K-pop singer Josephine Cho at another session I was producing. When she started singing, I was shocked cause it was literally the voice from my dream. I had another deja vu flashback to the second half of my dream when the worldwide shutdown happened because the song came at a time of massive human need. So, I bumped my song ‘RIOT!’ to be released on June 5 and fast tracked ‘Lucky Cat’ for a May release. The song is currently almost to the one million total view/play mark across all socials and streaming services since being released a month ago. I am excited to finally drop the fun viral music video.”
The song is a catchy female K-Pop EDM hit available in five Asian languages and English. It features Korean pop singer Josephine Cho and was mastered by Huntley Miller (Grammy for Zedd’s “Clarity” Record and Lizzo) with mix consulting by Johnny Nice (Rihanna’s “Umbrella” and Evanescence). Additional keyboards by Plastic Cannon/Alan Markley (Maggie Rogers and Ramin Karmiloo) and lead “meow” vocals by Sophia Angelica (singer/songwriter/activist). All other production, songwriting, keys, programming, drums and mixing by DRMAGDN Cyborg Drummer/DJ aka Charlie Zeleny.
“Lucky Cat” has total combined views/plays of 835,000+ in just a month since the release. It is considered a Big Trend on TikTok with 635,000+ views, plus has garnered 55,000+ views on YouTube, 21,000+ Spotify plays, 12,500+ Spotify monthly listeners, 121,000+ SoundCloud plays and 5,000+ “Likes”/shares across Instagram, Facebook and Twitter. The song has been placed on 30+ Spotify playlists and is now on major label Sony Music’s FILTR Emerging Electronic playlist.
DRMAGDN gave $100 to charity on the day of the release to start things off ($50 to Mount Sinai’s Coronavirus Fund and $50 to friend Chris Rybin’s Kidney Transplant Fund). He also donated $3,500+ worth of medical supplies he found in storage to Elmhurst Hospital in Queens, New York. View his Instagram post about it here:
Maynard James Keenan-fronted Band Releases First New Music since 2015
Jerome, AZ — Puscifer, the Arizona-born, “exceptionally groovy” (Entertainment Weekly) band that Revolver dubbed “Maynard James Keenan’s… indescribable musical/performance-art collective,” release the eerily topical “Apocalyptical” single and video:
A message from Keenan arrives alongside the track: “Manipulated information disseminated by kings, queens, dictators, so called leaders, supposed professionals or outliers and conspiracy theorists living underground, or in basements, is not new or unique to this generation. Misdirection is Power Struggles’ conjoined twin but the speed at which it now travels in this digital age is dangerous and destructive on many levels. This rapid distribution of poison and its immediate impact will be the hallmark of our generation. Even In light of all this, and all the noise the digital landscape generates, all I keep asking myself is ‘what is it with the whole hoarding toilet paper thing?’”
The ”Apocalyptical” release follows social media breadcrumbs hinting at imminent moves amongst the Puscifer camp. As had been speculated, and can now be confirmed, the band’s fourth full-length studio album will arrive this Fall via Alchemy Recordings, a partnership with BMG. Alchemy Recordings is a new record label created in partnership between Dino Paredes, former American Recordings Vice President of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.
Vocalist Carina Round sheds light on the darkly prophetic timing of the song: “’Apocalyptical’ was one of the very first musical ideas for the new record that we put our voices on out in Arizona in late 2019. It was simultaneously very fresh and also felt like we had never been apart.”
“For the initial writing process of ‘Apocalyptical,” we relied heavily on a Fairlight IIx (an early musical computer using 8 bit samples), and a Synclavier II (another early digital workstation that relied on FM synthesis),” explains guitar player and co-producer Mat Mitchell of the behind-the-scenes creation of the song. “These were heavyweights in early digital music productions and defined a generation of music. We decided to set modern computers aside by working within the limitations of these early computer technologies. This created a unique space for us to explore and the results can be heard throughout this track.”
Puscifer has released three full-length studio albums: “V” is for Vagina (2007), Conditions of My Parole (2011) and Money Shot (2015). Maynard James Keenan initially used the moniker in a 1995 episode of “Mr. Show,” bringing the band to life in 2007. Keenan’s companions in the electro-rock outfit have been Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting). The band brings a unique mix of recorded output and on-stage theatrics, pairing each release with a conceptual live show, from a “Hee Haw”-infused performance featuring recurring Puscifer characters Billy Dee and Hildy to 2017’s luchadores-themed outing.
Video Features Archival Footage from the Last 15+ Years
Lucky Boys Confusion and Mutant League Records have dropped an unofficial music video for LBC’s song “Arizona Stand.” The track appears on the limited-edition double vinyl release of the band’s 1998 debut album Growing Out Of It, which is out today. Featuring archival footage of the band from over the last 15+ years, the clip was edited by Alex Zarek.
1998 Debut Album Growing Out of It Out Now on Vinyl for The First Time Ever
Available for the first time ever on vinyl, the collectors edition deluxe double LP is limited to 500 copies and includes other fan favorites such as “Fred Astaire” and more. The record includes a double insert with song-by-song liner notes from the band.
200 copies – Solid Orange
300 copies – Blue & yellow starburst
Purchase the Limited Edition Growing Out of It Vinyl here.
GFM (Gold Frankincense & Myrrh), a trio of teenage sisters who have already mastered the art of balancing a Paramore style of melodicism with a Slipknot-like ferocity, have debuted a new video for the single “Taking Over.” “Taking Over” is premiering today, exclusively via Alternative Press.
“’Taking Over’ is a song about standing up for yourself and for others,” says bassist/vocalist Maggie English. “We’re not taking no for an answer and nothing is going to stand in our way. The time to join Team GFM is now before it’s too late.”
Visualizing the young band’s sound, which they have dubbed “beautycore,” director Dale Resteghini juxtaposes images of military tanks emblazoned with GFM’s pink logo with aggressive performance footage of the band in their trademark pink GFM cheerleader uniforms, as the sisters proclaim, “Get up, stand tall If we fall, then we fall together/Take your shot, the best you got/We won’t stop, and we’re taking over.”
“The girls crushed the video,”Resteghini says. “I love helping hot new bands breakthrough the noise. One listen to the single ‘Taking Over,’ I knew I had to do this. These young girls have already shown they can handle the rigors of tour life and are destined for greatness!”
The Joey Sturgis (Of Mice & Men, The Devil Wears Prada, Attack Attack!, Asking Alexandria) produced “Taking Over” is the second single from an upcoming EP.
“Prepare to hear GFM at their heaviest,” says Sturgis. “Working on this song was all about capturing the girls at their heaviest moment, shattering your ears while allowing their melodic ability to continue to shine through the rubble.”
Catch GFM Now on the First Ever Social Media E-Tour
While spending time at home during the quarantine, the trio is finding unique ways to connect with Team GFM. GFM is hosting the first ever “e-tour,” virtually touring a variety of different social media pages and platforms. The first round of tour dates have been announced on GFM’s social media pages, with more dates quickly being added. An entire acoustic performance will be featured along with a Q&A session during each livestream. Additionally, fans with a good eye will notice a phone number within the artwork for “Taking Over.” This Easter egg is an active number that is being used as fun and unique way to interact with fans.
GFM’s first album,Identity Crisis, was released in 2016, followed byOh, The Horror! in April 2019. After touring the US multiple times, the group headed overseas to Germany in 2018, where their energetic performances established GFM as a festival favorite. A new EP is scheduled for release this spring.
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The first single from the EP, “I Don’t Need Your Fantasy” was released earlier this year. Listen to the track here.
Members of GFM are endorsed by PRS Guitars, Sinister Guitar Picks, Schecter Guitars, SJC Drums, Sabian Cymbals, 64 Audio, Orange Amps, Gator Cases, Enki USA, Pig Hog Cables, Coffin Cases, TUK Footwear, Cheerleading Company and Boathouse Sports.
CJ Sanders English – Guitar, Vocals
Magdalene “Maggie” Rose English – Bass, Vocals
Evie “LuLu” Louise English – Drums, Background Vocals
Baroness share a new video for the song “Tourniquet”. Dubbed “Tourniquet (Socially Distant)” the footage features the four band members playing the six-and-a-half minute song at their respective homes, showcasing the band’s ability to both socially isolate and come together to share the message of unity amidst the COVID-19 crisis. Watch the video here.
The band issued a collective comment:
“Hey everyone! Here’s an as-live-as-possible performance of ‘Tourniquet’ that we made over the course of a couple days during this period of isolation.
We have all maintained a rigid policy of social-distancing since becoming aware of this pandemic; which has unfortunately deprived us of our much preferred means of playing music. Throughout this crisis, the overall safety and responsibility of our global human community far outweighs the individual value of any show, festival or tour. We’re refocusing and redoubling our energy to adapt to this situation as it unfolds.
As difficult as it seems to navigate the effects of this virus, the isolation has not stripped us of our passion for Baroness’ music. Playing music so far from our bandmates will never be particularly natural. However, the experience of making this video through emails, texts and phone calls has been a powerful reminder of how inspiring and invigorating music can be in times of stress, struggle and confusion.
We hope you enjoy this performance. It isn’t meant to highlight musical perfection or precision. Personally, it serves as a reminder that, no matter what situation we face, we are still able to enjoy friendship, family and community through something as simple as a song. Isolated but never alone… Baroness.”
The video closes with a message to fans: “Be safe. Be good to each other. Act with personal and civic responsibility. We’ll see you again soon.”
“Tourniquet” is featured on the album Gold & Grey, which arrived in June of 2019 with Stereogum saying the collection “is the best thing Baroness has ever done… a masterpiece,”NME declaring it “a work of art in the truest sense of the word” and NPR, noting the synchronicity between Baroness’ music and imagery, observing that “Gold & Grey feels like a callback to the heyday of the rock album as art object.” The 17-track release debuted atop Billboard’s Hard Rock Albums Sales and Independent Albums’ Charts and found the band gracing the covers of both Revolver and Kerrang! magazines. Baroness has taken fans behind-the-scenes into the making of the Dave Fridmann (The Flaming Lips, At War With The Mystics) produced album, releasing an 11-part web series dubbed “Making Gold & Grey”. Watch here.
The Philadelphia-meets-New York based band have grown to be one of rock music’s most critically-revered as well as one of the most inventive artists of the modern era with each release in their kaleidoscopic canon seeing the band further defining their unique musical vantage point. Baroness’ catalog of studio recordings is: Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record(2009), Red Album (2007), A Grey Sigh in a Flower Husk (Split LP, 2007), Second (EP, 2004) and First (EP, 2004).
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PHOENIX — Singer-songwriter Mark Greenwalt took the opportunity to make a music video during the government mandated stay-at-home policy. With a crew of one, he propped his prosumer camera on a tripod to film himself at the piano and behind a guitar playing his original song, “Don’t Cry Angel.” The video was released on his YouTube channel on April 4th, Greenawalt’s 53rd birthday.
The Making of the Video
He co-wrote the song with songwriter Angel Pizzaro in 2011. Pizarro presented the heart-felt lyrics about a personal friend of his who had tragically passed away. The songwriting team crafted the story to discuss the relationship between a new angel and the grieving friends and family they have left behind. “It seemed to have a message,” he said, “for people to relate to who are suffering from losses during our current pandemic.”
The chords and melody of the song were developed while Pizarro sat with Greenawalt at his piano nearly ten years ago. The opportunity to record the song came from a mutually beneficial relationship with the Conservatory of Recording Arts and Sciences (CRAS) in Phoenix, who needs bands and musicians to help their students learn the ropes of professional recording techniques. The core players in the session were Pizarro on drums, Webb Pickersgill on bass, and Greenawalt on keyboards, guitars, and vocals. Student engineer, Daniel Armijo, later stated that he ended up getting a grade of 97 on the project and a song was born.
While in the studio, Greenawalt had shot some video of Pizarro playing drums. “It wasn’t the greatest of quality,” he said, “but it seemed to be a good way to get started on the music video.” There wasn’t any usable footage of Greenawalt and Pickersgill from the studio, and at this point Pickersgill had moved to Colorado to be a game director with Deck Nine (Life Is Strange). Pickersgill, however, was very interested when asked if he would be willing to film himself playing the song. “I’ll bring my bass to work”, he said, “and just ‘Milli-Vanilli’ a few takes on video for you.”
When it was time for Greenawalt to perform his sequences, he envisioned singing in front of a stained glass window. At a loss for where to find one that he could record in front of, he went to YouTube to find a DIY way to make his own. After a trip to the hobby shop to get glass paint and faux leading, he created a mosaic image of angel wings with sun rays reminiscent of the Arizona state flag.
Watch Mark Greenawalt’s Time-Lapse Video
Another project behind the scenes was getting the overhead shots of the piano. For this, Greenawalt build an iPhone carrier and hung it from fishing string over a raised backdrop stand. The raising and lowering was accomplished by reeling the string around a rotating electric drill bit. “It seemed to be a good idea,” said Greenawalt, “but most of the footage was shaky and unusable. It was worth a try and a few clips actually made it into the video.”
“I wanted to include an aerialist in the video who would be spinning up high in hoop,” he said, “And I envisioned filming them over water and wearing angel wings. With the quarantine if full swing, it didn’t seem like I was going to have the opportunity to get that footage.” The eureka moment came when he found a video on a friend’s page on Facebook that was as beautiful as he had envisioned. I wasn’t over water and aerialist Dakoa O’Kane wasn’t wearing angel wings, but the imagery was stunning. He reached out to videographer Glen Goldblatt for permission to use the footage was thrilled when it was granted. This footage ended up being the bookends of the fade in and fade out of the video.
Greenawalt had a guest vocalist come to his home studio to record some harmony vocals on the song after the initial recordings at CRAS. She also “sang” some angelic whispers saying, “Goodbye, I’ll be waiting for you.” This was such a feature in the song that it seemed important to have it performed in the video. Keeping social distancing to a minimum, Greenawalt reached out to his daughter-in-law Savannah Greenawalt to play the part of the angel in the video. There were just a few short takes of her behind the stained glass and some extreme closeups of her singing the harmonies and it was a wrap for Savannah on the home “set.”
The rest of the shots were self performed and filmed by Greenawalt in his living room including a “martini shot” of him playing a “keytar” in the recently renovated tile bathroom. He culled on his knowledge from his day job as a lighting designer to successfully illuminate the sets and his brief education from film classes at The Film School at Scottsdale Community College for the editing process.
The video was completed in time for a premiere on the evening of his 53rd birthday where friends and family joined in on the chat to speak with songwriters Greenawalt and Pizarro.
“Don’t Cry Angel”
Written by Mark Greenawalt and Angel L. Pizarro Jr.
Future-Class X Publishing, ASCAP
Faded Periwinkle Publishing, ASCAP
Mark Greenawalt is both a Senior Concert Photographer and part-time Music Journalist for Burning Hot Events!See his concert photography here, and writing here.
Italian alternative metal band Ravenscry has revealed a video for the first single, “Maybe,” from the upcoming album, 100, set for release on May 15. The “Maybe” video was directed by Salvatore Perrone (Fleshgod Apocalypse, Bring Me the Horizon).
“‘Maybe’ is a sort of manifesto of the human condition,” says vocalist Giulia Stefani. “It talks about resilience, willingness and finding a way to carry on without any doubt. We hope that anyone listening to this song can find the same energy that we feel in it. ‘Maybe’ it will help somebody to find his/her inner strength.”
The female-fronted, melodic metal band is launching back onto the global metal scene with the highly anticipated 100. Featuring dramatically soaring vocals, bone-shaking rhythms and dark songwriting, for nearly a decade this fierce group has been hooking millions of listeners worldwide with their infectious anthems. Their first album in three years, 100 attests to Ravenscry’s bold return. With more energy, more melody and even smarter lyrics, 100 stays true to the core of Ravenscry’s sound while remaining accessible enough to hook even more new listeners. Sincere, intelligent and brutally honest — the album sums up the human experience to a tee, from epic highs to soul-crushing lows.
100 was produced by Ravenscry, mixed by Roberto Laghi (In Flames, Hardcore Superstar) and mastered by Dragan Tanasković (In Flames, Dark Tranquillity). The album features artwork by Spanish artist Mario “Aégis” S. Nevado.
100 Track Listing:
The Door Inside
Light You Up
All My Faces
Pre-order 100 now via the Ravenscry webstore here.
Ravenscry first made a mark on the world in 2011 with their debut album, One Way Out, and began steadily grinding their way up the ranks of the global metal scene. In 2014, the band spearheaded a campaign to raise awareness about violence against women with the release of The Attraction of Opposites and the single “Alive,” released on International Women’s Day. 2017 saw the release of the concept album The Invisible, which told a complex and mystifying coming of age tale, followed by numerous European festival appearances and tours with Angra and Geoff Tate’s Operation: Mindcrime.
Australia’s Victoria K is sharing their new video for “The Haunting” in support of their forthcoming debut album Essentia – due out April 24, 2020 via Rockshots Records. The full length was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).
The band comments about the song: “‘The Haunting‘ is about a tortured past that relentlessly plays on your thoughts and keeps you captive at that point in time. These memories and thoughts haunt you continuously until you can learn to let go of them, if you ever can. Only when you do let go of these torturing thoughts and feelings can you actually move forward again.”
Although Essentia was originally a solo project, it has now developed into the current band structure with each member bringing their own energy and experience to the collective. The band is looking forward to collaborating on future releases and is now heavily focused on the release of this debut full length in April.
Shroud of Solitude (feat. Michalina Malisz – Eluveitie)
Mist Filled Sky
About Victoria K
Victoria K’s talented songwriting and compositional influences include” Evanescence, Within Temptation, Nightwish and Kamelot amongst other current bands in the European metal scene, and her music has been likened to a blend of these influences.
Victoria K has racked up hundreds of thousands of views on YouTube with her own original creations and through featured videos alongside a number of talented musicians covering a plethora of songs. Victoria K’s covers include Iron Maiden’s “The Trooper”, Nightwish’s “Last Ride of the Day”, Metallica’s “Nothing Else Matters” and Kamelot’s “Insomnia”, the latter of which received attention from the band themselves on Twitter and led to a meeting of talents when the American power metal band found themselves in Melbourne during their 2018 ‘The Shadow Theory’ Australian tour.
Victoria K Is:
Victoria K – Vocals
Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
Julia Mammone – Guitar (Enlight)
Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
Up and coming singer-songwriter Clio Cadence has revealed an empowering new video for the track “Drive.” A song about building the courage to leave a toxic relationship, “Drive” embodies the teenager’s wise-beyond-her-years lyrics and musical maturity.
“‘Drive’ is a song about the struggle to stand up for yourself and leave a relationship that has become toxic,” Cadence says. “Sometimes we get trapped by possessions, people, and worry about what others will think. Sometimes you have to leave everything behind to save yourself. The video shows the struggle of staying with someone with a drinking problem. The happy times vs. the bad.”
About Clio Cadence
The 18-year-old multi-instrumentalist began playing in bands since the tender age of 12 and has developed a style and stage presence that far exceeds her years. Her musical background includes playing fiddle, guitar, bass and drums, as well as the study of music theory. Drawing influences from a wide range of artists, from No Doubt to We Came as Romans, Cadence‘s sound can be described as hip-hop-infused metal with an authentic rock ‘n’ roll vibe. Cadence not only transcends genre stereotypes, but also sees the future of the music industry as boundlessly fluid and unsegmented.
For her debut album, Cadence has enlisted a multifaceted array of production talent, including Michael Orlando (Dead Girls Academy) Alex Asche (Dangerkids) and Kris Crummett (Sleeping with Sirens, Dance Gavin Dance, Issues).
Cadence has played in many cities across the United States, and several dates in Canada and Ireland.