Tag Archives: Music Video

LINKIN PARK Announces New Music and Tour

LINKIN PARKMike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong [of critically acclaimed band Dead Sara] as co-vocalist and Colin Brittain [songwriter/producer for G Flip, Illenium, One OK Rock] as drummer—share their first brand new music in seven years. 

FIRST NEW MUSIC IN SEVEN YEARS “THE EMPTINESS MACHINE” — LISTEN HERE 

The iconic band has shared a deluge of treats for fans:

A new single and video (premiering today at 4pm PT/7pm ET) for “The Emptiness Machine,” plus a global livestream performance (available only for 24 hours), and the launch of 6 upcoming arena shows in Los Angeles, New York, Hamburg, London, Seoul, and Bogota as part of the “From Zero” World Tour.

Stay tuned for the premiere of a Joe Hahn-directed video
immediately following the livestream HERE

LP Underground fan club exclusive pre-sales start September 6 and general on-sales September 7. Go to LinkinPark.com for more info.

LOS ANGELES, NEW YORK, HAMBURG, LONDON, SEOUL & BOGOTA ARENA SHOWS ON SALE BEGINNING SATURDAY: HERE

These surprises herald the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15. Pre-order/Pre-save the album HERE (via Warner Records). 

Linkin Park with Apple Music host Zane Low
Linkin Park with new members and Apple Music host Zane Lowe

Tomorrow, Friday September 6th, the band joins long-time friend and Apple Music host Zane Lowe for an in-depth candid conversation about the incredible legacy of Linkin Park, the 7-year long journey to new music and their excitement for the future. Fans can tune in at 6AM PT to watch the full interview HERE.  

NEW ALBUM FROM ZERO

FROM ZERO album artwork

From Zero Tracklist

  1. From Zero (Intro)
  2. The Emptiness Machine
  3. Cut The Bridge
  4. Heavy Is The Crown
  5. Over Each Other
  6. Casualty
  7. Overflow
  8. Two Faced
  9. Stained
  10. IGYEIH
  11. Good Things Go

Without expectations, Shinoda, Delson, Farrell, and Hahn quietly began meeting up again in recent years. Rather than “trying to restart the band,” their instinct was to simply spend more time together, and reconnect with the creativity and camaraderie that has been at the core of their friendship since college. During this time, they invited various friends and cohorts to join them in the studio; among the guests, they found a special kinship with Armstong and Brittain. A natural chemistry drew these musicians back into its gravitational pull as they logged more and more hours in the studio. It was the sound of lifelong musicians rediscovering the uncontainable energy of a new beginning once again. Over this season, FROM ZERO was born.

About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.

Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums. 

Shinoda elaborated, “The more we worked with Emily and Colin, the more we enjoyed their world-class talents, their company, and the things we created. We feel really empowered with this new lineup and the vibrant and energized new music we’ve made together. We’re weaving together the sonic touchpoints we’ve been known for and still exploring new ones.”

Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun. 

“FROM ZERO” WORLD TOUR 2024

  • September 11, 2024 | Kia Forum – Los Angeles, CA
  • September 16, 2024 | Barclays Center – New York, NY
  • September 22, 2024 | Barclays Arena – Hamburg, Germany
  • September 24, 2024 | The O2 – London, UK
  • September 28, 2024 | INSPIRE Arena – Seoul, South Korea
  • November 11, 2024 | Coliseo Medplus – Bogota, Colombia

Follow LINKIN PARK: 

BRIDGET BARKAN Emerges From Grief With “GOOD THINGS” NEW SINGLE & MUSIC VIDEO

NEW YORK — 

“My intention writing this song was to get myself out of deep, heavy, painful feelings and move towards the light,” NYC-based art pop singer/songwriter BRIDGET BARKAN says, sprinkling positivity and support on our breakfasts this morning with her new single and music video “GOOD THINGS,” released May 21, 2024.

Sonically glam/pop meets Grizzly Bear meets Pat Benatar, this “actress of music” and former Scissor Sisters backup singer says, “theatrical performance is always there for music videos, and my dance background always finds its way back in, as well.”

Bridget Barkan “Good Things” Music Video

Emotionally weighted by personal tragedies, loss, and challenges exacerbated by the events of October 7, 2023 and the ongoing war in Gaza, Bridget was mired deep in a dark place. “I was going through a lot emotionally and personally that October, as were a lot of people in the world with the attack on October 7th and the impending war,” she explains. “All that I was going through personally exploded out of me, and I found connections between a lot of the experiences: the duality of sorrow and relief, as well as the heart’s true compassion… No matter the perspective, you can see that many truths exist at the same time.” 

Losing her father (the celebrated songwriter/producer Marcus Barkan who wrote for Nat King Cole, Lesley Gore and even wrote the Banana Splits theme song “Tra La La”, among many others) during the pandemic meant she had to struggle with the loss in isolation due to the quarantine. Bridget also suffered a great deal of personal trauma in the last year from a miscarriage and a difficult breakup. “Good Things” finds her emerging from the grief to celebrate life and overcome all this hardship. The accompanying video is an incredibly beautifully shot and dramatized expression of the song, really showcasing her artistry and vision, capturing the beauty and wonder in life while also grappling with the inevitable pain– reminding everyone they are not alone.

Bridget Barkan "Good Things" artwork
Bridget Barkan
Photo credit: Will Polanco

Written from a 5-step songwriting process Bridget invented as a songwriting workshop instructor at Carnegie Hall where, for the last seven plus years, she has taught incarcerated youth and NYC teachers, “Good Things” holds onto the glimmer of light in a dark and hardened world. 

Bridget explains about a line from the song: “I used to love October changing leaves on Halloween, but this is the month I was almost a mother, now little pumpkins mean something different to me“:

“This lyric is probably the hardest to sing, but it came without effort and it rhymed without thinking. It’s such an honest feeling, and describes all of the fun things you imagine doing with your children on Halloween (putting your baby in a pumpkin costume, taking them trick-or-treating)… a deep sense of longing through a very simplistic description.” While expressing a very poignant take, the song remains upbeat and encouraging.

A regular in the NYC artsy pop underground that includes Bright Light Bright Light, Xavier Smith, and John Cameron Mitchell among many others, Bridget is a “Jill of All Trades” on a one woman journey through love and loss. She also formerly toured the world with Scissor Sisters and can be seen in their earth-shattering “Let’s Have A Kiki” video as one of Ana Matronic’s crew. Having inherited her father’s knack for songwriting, Bridget’s intrinsic artistry and talent is a legacy she proudly carries.

More About “Good Things”:

The video, directed and edited by Bridget, herself, and co-edited by Isabel Del Rosal and co-starring “twin-dancer” Casey Urban, shows Bridget using “dance to move energy and emotion through me. I feel it’s healing, so I consider this video a ritual to release the sadness,” she expresses. “The Boom Box Room was a perfect location. It has so many different light options, so I just went with it. There were some unplanned, organic things that happened with one rainbow light set up, which showed a more expressive and fun side of the song…”

Still image from Bridget Barkan's "Good Things" music video
Still image from Bridget Barkan’s “Good Things” music video

“…My co-director Isabel said she could see me outdoors in part of the video, and I realized,Of course! Rain makes things grow, and sadness can make things grow!So, we went to the botanical gardens and stole some shots of the blooming flowers before we got kicked out.”

Still image from Bridget Barkan's "Good Things" music video
Still image from Bridget Barkan’s “Good Things” music video

More About Bridget: 

Bridget Barkan is a chameleon artist who shape-shifts through genre and style with a thread of raw truth and soul, woven into every melody and lyric. A native New Yorker, she has toured the world with pop/glam band Scissor Sisters, opened for Lady Gaga with them, and has performed with Bright Light Bright Light and Slow Knights. Starring in LGBTQ romantic classic “Walk with Me,” as a singer/songwriter, Bridget was featured on the original album, as well.

As a singer, she has shared the stage with Drag legends Joey Arias, Murray Hill and more and has released singles with the House DJ/producer legend Todd Terry, as well as numerous of her own singles. She worked closely with Baz Luhrmann as the voice of Misty Holloway on the Netflix show “The Get Down.” As a child actress, she has appeared in countless commercials and Sesame Street. She has starred in HBO’s Everyday People, Sherrybaby, Redacted, God’s Pocket, Steven Soderbergh’s The Knick and had a recurring role as a one-legged “hooker” on Law & Order: SVU.

On stage, Barkan has appeared in numerous productions including Dog Sees God and alongside Lea Michelle in a workshop of Spring Awakening.

Follow Bridget Barkan Online

Featured photo (top) by Will Polanco

Taiwanese Extreme Metal Band CHTHONIC Livestream Event at The Megaport Festival, April 1

CHTHONIC will play Megaport Festival‘s main stage today, April 1, and metalheads all over the world can watch the livestream online at 21:00(GMT+8) = 09:00(EST). (Invitation link below.)

Live Stream Invitation: Click Here

Click the link above on April 1, 2023, and the livestream link will be on the page you are directed to.


About CHTHONIC’s Newest Music Video

After a five year wait for new music from CHTHONIC, the band premiered the music video for their new single “Pattonkan” March 1 at KnotfestPattonkan was then released on all digital platforms on March 2.

Although the song “Pattonkan” is completely in Taiwanese, English subtitles are available on YouTube:

CHTHONIC’s lead vocalist and sitting member of Taiwan’s Parliament, Freddy Lim, has invested most of his time in parliamentary works, yet inspirations for music have still popped up from time to time when he felt depressed. However, he didn’t have time to sit down quietly and write them down. “I feel anxious sometimes, there are so many things I want to do, but I feel I don’t have sufficient time in my life to do everything,” he said. “How would those who came before us think of us in Heaven if we don’t move forward?” 

With such emotions in mind, Lim once met Mr. Kao Ying-chieh(高英傑, son of an indigenous victim of Taiwan’s White Terror authoritarian period Kao Yi-sheng(高一生, and his family. Lim listened to him telling the story of how his father advocated for democracy and was eventually executed, and read the over 60 letters that Kao Yi-sheng sent to his family before he was executed.

“The very strong emotional bonds between Kao Yi-sheng and his wife, as well as with his children were an inspiration to me,” Lim said. “As long as we don’t give up, defend the people and land we love, and move as hard as we can, we’re on the right track.” 

Guitarist and backup vocalist Jesse Liu, who co-composed the music, said that they first wrote a lot of complicated stuff, but later simplified it as the emotions flew. “We found that the simplified version actually really hit the spot!” So the new song was born.

The title Pattonkan is the indigenous Tsou name for “Yushan(玉山)” or “Jade Mountain”. Jade Mountain is the highest peak in northeast Asia, and considered as a sacred mountain to the Taiwanese. The name Pattonkan” is meant to be a reminder of the inspiration for the song. The line 風起田地 過溪山野 吾魂四時看顧守護 actually echoes a line in Kao Yi-sheng’s final letter “田地和山野都有我的魂守著”, meaning that his soul will safeguard the fields and mountains of Taiwan. 

CHTHONIC worked with film director Hung Po-te once again for the music video for “Pattonkan”. The actors in the video are the same ones that acted in the videos for “Kaoru“, “Defenders of Bú-Tik Palace“, and “Millennia’s Faith Undone“. Hung Shih-hsun acted as the male lead Tsing-guan, and Wang Ting-chu acted as his wife Kaoru. The actress who played the daughter in the music video of “Millennia’s Faith Undone (the Aeon’s Wraith Version)” appeared as an adult. Lee Hsueh, who played a role in the movie Untold Herstory also appeared in the video. 

The painting that appeared in the “Pattonkan” video is Looking at Jade Mountain from Alishan by Chen Cheng-po (陳澄波). Chen Cheng-po and Kao Yi-sheng were both key players during the 228 Massacre. Chen was executed openly in the street, while Kao was arrested and executed years later. The production team decided to make it more powerful artistically through the connection of the painting and music. 

The director, Hung Po-te, pointed out that previous videos in the same series gradually turned from the husband Tsing-guan’s perspective to his wife Kaoru’s. This time, he wished to show the kid Kiku’s perspective. The child’s story was inspired by that of Kao Yi-sheng’s daughter Nana. After Kao was executed, his family was still under long-time surveillance and repression by the authoritarian regime. Nana, who dreamed of becoming a singer, became a controlled “toy” for high-ranking officials.

Band lead and bassist Doris Yeh is very supportive of the director’s interpretation of the storyline.

“The song is not about praising a hero, but to see a family through a person, and see a generation of people through a family,” Yeh said. “This is a song that’s full of brevity, yet also sorrowful.” 

About CHTHONIC

While Taiwan is considered home of Austronesian peoples and a mystic island nation in the Orient, the image of Taiwan also encompasses advanced technologies, modern cities, and upholding human rights and progressive values. The metal band CHTHONIC has given the best interpretation of the contrasting images of the country.

CHTHONIC’s lyrics are inspired by Taiwanese mythology, folk stories, and history, and their music incorporates elements of traditional Taiwanese folk music, enka, and sorrowful melodies from Taiwanese opera, accompanied by traditional Taiwanese musical instruments, such as hena, zheng – also known as “box zither” – and pgaku flute. Elements from contemporary symphonic black metal, melodic death metal, blood-boiling riffs and solos are also integral parts of CHTHONIC’s music . Critics have tried to label CHTHONIC’s music as black metal, death metal or folk metal, but CHTHONIC has opted for simply “metal” for its simplicity and authenticity.

From the festivals Fuji Rock and Summer Sonic in Japan, to Ozzfest in the US, to Download festival in the UK, and Wacken Open Air (WOA) in Germany, CHTHONIC has been to major music festivals around the world, and has had toured hundreds of shows in Europe, North America, and Asia. They have also worked with many internationally renowned artists. Lamb of God’s Randy Blythe, Trivium’s Matt Heafy, guitarist Marty Friedman, Japanese folk singer Hajime Chitose, and Hong Kong diva Dennise Ho have all appeared in CHTHONIC’s works.

In Taiwan, several of CHTHONIC’s albums have been on the pop-music charts, and the band has been awarded the “Golden Melody Award” – the Taiwanese version of the Grammy Award. Besides being CHTHONIC, band members are also active in different fields: Doris Yen, the bassist and the band leader, has been advocating for women’s rights, acted in movies, and has curated major rock music festivals. Drummer Dani Wang is working in music education to bring up younger generation musicians, Guitarist Jesse Liu and the keyboard player CJ Kao are involved in the production of many albums from Taiwanese bands. Lead vocalist Freddy Lim is active in public affairs relating to human rights and social justice issues, and now he is a member of the Taiwanese parliament, elected in 2016, and re-elected in 2020.

With exception of its earlier works, CHTHONIC’s albums – including Seediq Bale (2007), Mirror of Retribution (2009), Takasago Army (2011), and Bú-Tik (2013) – were all released worldwide, with positive feedback from music critiques. 

Since the Lim was elected, CHTHONIC continues to operate, but in a low-profile manner, without tense performance, and they still released the album Battlefields of Asura and won another Golden Melody Award. In 2019, CHTHONIC worked with an orchestra to perform in the “Taiwan Victory Live” concert on Ketagalan Boulevard in front of the Presidential Office in Taipei, which attracted an audience of over 50,000 and from which a live album was released.

CHTHONIC online:

Arch Enemy Launches New Video for “Poisoned Arrow”; Prepares to Kick Off Worldwide Touring This Weekend

After releasing their latest record, Deceivers, last year to critical acclaim, extreme metal masters Arch Enemy have returned today with a new video for the album track, “Poisoned Arrow“. Produced by Mirko Witzki (Witzki Visions), watch “Poisoned Arrow” today at 9AM PT//12PM ET//6PM CET here.


Michael Amott comments as follows: “I almost can’t believe we’re releasing a 7th (!) video off our recent ‘Deceivers’ album. Yet here it is, ‘Poisoned Arrow’, a mid-tempo track drenched in melodic guitar work and a somewhat different vibe overall compared to the other singles we’ve had out.

“The video was shot in Berlin, Germany during a hectic whirlwind schedule with director Mirko Witzki and his talented crew – they even made it snow in the middle of the sweltering German summer heat!

“Here’s another Deutschland connection for you; our German friend Raphy played the beautiful cello part on the intro and outro of the song, thanks again mate!

“2023 is upon us and Arch Enemy is back on the road again, we launch the proceedings in New Zealand, Australia and Japan and have a big European summer run too.

Who knows where we’ll go after that…but for now, check out ‘Poisoned Arrow’!”

Starting this weekend, Arch Enemy will hit the road, touring the world in support of Deceivers. The quintet will first appear in New Zealand and Australia before heading to Japan; this summer, fans will have the chance to catch Arch Enemy at the biggest festivals across Europe (with more EU shows to be announced soon!). See below for all dates!

Arch Enemy New Zealand/Australia tour 2023

  • Feb. 12, 2023 – Auckland, NZ – Powerstation
  • Feb. 14, 2023 – Adelaide, AU – Governor Hindmarsh
  • Feb. 15, 2023 – Brisbane, AU – Tivoli Theatre
  • Feb. 17, 2023 – Sydney, AU – Metro Theatre
  • Feb. 18, 2023 – Melbourne, AU – Forum Theatre
  • Feb. 19, 2023 – Fremantle, AU – Metropolis

Arch Enemy Japan tour 2023

  • Feb. 22, 2023 – Koto City, JP
  • Feb. 24, 2023 – Hokkaido, JP
  • Feb. 27, 2023 – Aichi, JP
  • Feb. 28, 2023 – Osaka, JP
  • Mar. 1, 2023 – Fukuoka, JP
  • Mar. 3, 2023 – Koto City, JP

Arch Enemy EU festivals 2023

  • June 2, 2023 – Metalfest (CZ)
  • June 3, 2023 – Rock Im Park (GER)
  • June 4, 2023 – Rock Am Ring (GER)
  • June 6, 2023 – Laiterie (FR)
  • June 7, 2023 – La Belle Electrique (FR)
  • June 9, 2023 – Greenfield Festival (CH)
  • June 10, 2023 – Nova Rock Festival (AT)
  • June 13, 2023 – Le Splendid Festival (FR)
  • June 14, 2023 – 013 Tilburg (NL)
  • June 15, 2023 – Graspop Metal Meeting (BE)
  • June 17, 2023 – Hellfest (FR)
  • June 21, 2023 – Tvornica Kulture (HR)
  • June 24, 2023 – Alpen Flair Festival (IT)
  • June 25, 2023 – Rockhal (LUX)
  • June 29, 2023 – Provinssi Festival (FI)
  • June 30, 2023 – Tuska Festival (FI)
  • July 1, 2023 – Hard Rock Laager (EST)
  • July 3, 2023 – Art Factory Loftas (LTU)
  • July 5, 2023 – B90 Club (PL)
  • July 6, 2023 – Studio Krakow (PL)
  • July 7, 2023 – Rock Harz Festival (GER)
  • Aug. 6, 2023 – Rockstadt Extreme Fest (RO)
  • Aug. 10, 2023 – Leyendas del Rock (ES)

Deceivers

A collection of 11 tracks that are ruthlessly catchy and mercilessly violent, 2022’s Deceivers stands toe-to-toe with the highlights of the band’s storied catalogue. Roaring to life with “Handshake With Hell“, Arch Enemy make it clear they are out for blood, and every track is a hit, from the moody “Poisoned Arrow” to the titanically anthemic “One Last Time“. Sounding more energized than ever, the quintet is operating at the highest level, delivering a maelstrom of diamond-hard riffing wrapped around cinematic melodies, thunderous drumming and towering vocals. Arch Enemy has proved, yet again, that they are unstoppable.

Purchase and stream Deceivers now here

Arch Enemy Deceivers Charts

Deceivers achieved enormous chart success in many countries and received international high praise from media!

“Arch Enemy have always been reliable, every few years dropping a solid collection of catchy, chunky melodic death with at least a handful of real bangers to chew on. With ‘Deceivers’, they have surprisingly managed to up their game, delivering an album that slays from start to finish and is essential listening for metalheads yearning for a soundtrack to wreck their necks to.”Kerrang!

“…the band’s strongest work since 2001’s ‘Wages of Sin’.”Decibel Magazine

“With all the turmoil in the world, we can be happy that Swedish legends Arch Enemy are back with their long-awaited 11th album ‘Deceivers’ which once again raises the bar for anyone in the melodic death metal genre.” The Hard Times

“Arch Enemy are not just another metal band. They are the metal band, and if you disagree, give this record a spin.” The Aquarian

“This is great, fucking great, fucking heavy! Get it in ya earholes!”Heavy Magazine

“(…) when listening to it twice, you begin to understand what a monster of an album you are dealing with here.”Metal Hammer (GER)

“First of all, ‘Deceivers’ is a record where many bands can only dream of.” Aardshok (NL)

“Not only does ‘Deceivers’ earn its place in one of the most reliable discographies in modern metal, it does so by being amongst the bravest and most entertaining to date.” Metal Hammer (UK)

“‘Deceivers’ brilliantly plays the card of diversity. Stunning production, powerful choruses; Arch Enemy know how to convince and climbs a step higher.”Rock Hard (FR)

“Once again they have turned melodic death metal upside down, proving that they are one of the greats of the genre.” La Heavy (ES)

Arch Enemy is:

Alissa White-Gluz – Vocals
Michael Amott – Guitars
Jeff Loomis – Guitars
Sharlee D’Angelo – Bass
Daniel Erlandsson – Drums

Arch Enemy online:



Featured photo (top) by Katja Kuhl

Jeremiah Moon Debuts “Kinds Of Light” Video from Debut EP

For Fans of Elliott Smith, Father John Misty, Sufjan Stevens

“With his cello playing bringing the required atmosphere, “Kinds Of Light” is the new single from Seattle-based Jeremiah Moon. A stylistic meeting place between Elliott Smith and Sufjan Stevens, there’s both sophistication and songcraft here.”Songwriting Magazine

Seattle-based singer/songwriter/classically-trained cellist and illustrator Jeremiah Moon has released a companion music video for his latest single “Kinds Of Light,” off his forthcoming debut EP ‘Sputnik‘ to be released via Enci Records (The Joy Formidable, Beach Goons, Fences). After making its premiere yesterday on Week In Pop, the gorgeous clip is now streaming here.

“…serene, sacred and solemn.. carefully crafted mix of restrained rhythms and chamber pop string progressions deliver a subtle baroque arrangement that conjures a sense of cabin essence, setting the tone for a reflective work on the meaningfulness of others that reaches outward from the confines of home.”Week In Pop

Stream “Kinds Of Light” here

Jeremiah Moon Kinds of Light


Jeremiah says, “(Kinds of Light) is about opposing selves, the way relationships with other people compel us to reckon with our own identity, the way our stories gradually become histories, and the things we choose – or don’t choose – to carry with us. The underlying thread, like all 5 songs on the EP, is connection between people – the ways that we try to understand each other, and the ways we change each others’ orbits.”

The tracks that make up the ‘Sputnik‘ EP were recorded with friend and producer Adam Black in a remote cabin in Florence, OR. He says, “We laid down the main tracks during this time and pieced together the rest of the EP and arrangements over the next couple of years.”

Moon’s music bears the mark of the musicians that inspired it, channeling the energy of a diverse list of influences that range from Peter Gabriel, Kate Bush, Thom Yorke, Blake Mills, Sufjan Stevens, Claude Debussy, and Nick Cave, to Mahler, Dvorak, Stravinsky, Ravel, and the poetry of Christian Wiman, all while simultaneously carving its own path.

Jeremiah Moon

The son of a classically trained violinist mother, Moon would start taking cello lessons at age 7, playing music (solo, chamber music, and orchestra) all through high school.

After graduating, Moon studied cello performance at Boston University. He recalls, “I started writing my first songs when I was home on summer vacations.”

In 2013, Jeremiah moved to Seattle and started accompanying guitarists for live shows and recording sessions, as well as working on his illustration skills and building a portfolio of his work. He says, “I started seriously working on songwriting in 2018 after being challenged by a friend to take myself more seriously as an artist. The 5 songs on my EP were a direct result of the momentum from this burst of inspiration.”

Jeremiah Moon Online:

Mr. Bungle Debut “Loss of Control” Video (Van Halen Cover)  

Murder Mountain, CA – Mr. Bungle have released “Loss of Control”, a Van Halen cover that the band debuted during their Halloween 2020 streaming special, “The Night They Came Home” (June 11, Ipecac Recordings). The single is available now, while a live performance video of the song was unveiled earlier today via Guitar World.

Mr. Bungle tried to play this song in the ’90s and we scrapped it because we sucked at it,” explains Trey Spruance. “I think it worked this time for a lot of reasons. My own is that, thanks to the new Raging Wrath era, I’ve had to re-approach the guitar like I did when I was 13 and 14. It was all about Eddie Van Halen for me back then, so circling back at this moment felt really natural. Those riffs and lead parts at least are super fun! I’m just glad Scott took the palm-mute breaks. Jesus!

Scott Ian adds, “I generally don’t get nervous about learning someone else’s riffs. When it’s an EVH riff it’s a whole different story! I was terrified! With ‘Loss of Control’ I did my best to just hold on and go for the ride. What a riff!!! As a fan I’d have to say it’s a PERFECT SONG for Mr. Bungle to cover. I hope you enjoy listening as much as I did getting to play it.

“The Night They Came Home” Concert Experience Arrives Physically & Digitally on June 11 via Ipecac Recordings

“The Night They Came Home,” which was directed by Jack Bennett, finds the Northern California-born band performing songs from their recently released album, The Raging Wrath of the Easter Bunny Demo.

The two-hour film is available on CD + Blu-Ray, CD + DVD, VHS, and digitally. The film portion features Bungle’s performance, Neil Hamburger’s opening set, three official music videos (“Raping Your Mind,” “Eracist,” and “Sudden Death”), as well as extended behind-the-scenes footage including several surprise cameos. The VHS release, limited to 1000 collectible copies, is an edited, performance-only portion of the film.

“The Night They Came Home” cover

The Night They Came Home Track List:

  1. Won’t You Be My Neighbor (Mr. Rogers cover)
  2. Anarchy Up Your Anus
  3. Raping Your Mind
  4. Bungle Grind
  5. Methematics
  6. Hell Awaits/Summer Breeze (Slayer/Seals & Croft medley/cover)
  7. Eracist
  8. World Up My Ass (Circle Jerks cover)
  9. Glutton For Punishment
  10. Hypocrites/Habla Español O Muere (S.O.D. cover)
  11. Spreading The Thighs of Death
  12. Loss for Words (Corrosion of Conformity cover)
  13. Sudden Death
  14. Loss of Control (Van Halen cover)

News of The Raging Wrath of the Easter Bunny Demo arrival, the band’s first new music in over 20 years, was met with great fanfare. The album news followed a spate of sold out 2020 live performances, which saw Mr. Bungle playing to some of its biggest audiences ever.

The album, which is a proper recording of Mr. Bungle’s much traded, yet unreleased, 1986 demo cassette of the same name, was declared “one of the best thrash albums of the year” by Decibel, Rolling Stone said “their reboot is a feast of ingenious riffs, unexpected tempo shifts, and pure manic energy…,” and Stereogum offered “…Mr. Bungle are reliving their very earliest days and kicking a whole lot of ass in the process.

Revolver featured Mike Patton on their Fall cover, saying “After 15 years of inactivity and 21 since their last album, avant-metal weirdos Mr. Bungle reappeared from the mists of time to re-record their 1986 demo. Not content to merely rehash their high school days, core trio Mike Patton, Trey Spruance and Trevor Dunn enlisted help from Anthrax guitarist Scott Ian and former Slayer drummer Dave Lombardo. The result is — in the words of super fan Eric Andre — pure, awesome ‘carve 666 into your desk and get in detention’ metal.

Mr. Bungle Confirmed for Riot Fest

Mr. Bungle have also confirmed their first live outing of 2021, performing at Riot Fest (Chicago) in September. The festival marks the first time Mike Patton has performed on the same bill with both Mr. Bungle and Faith No More, and marks the band’s first tour date since the Fall album release.

Mr Bungle
| Photo Credit:
Buzz Osborne

About Mr. Bungle

Mr. Bungle was formed in an impoverished lumber and fishing town by a trio of curious, volatile teenagers. Trey Spruance, Mike Patton and Trevor Dunn beget the amorphous “band” in 1985 up in Humboldt County, Calif., sifting through a variety of members until around 1989 when they settled on a lineup that managed to get signed to Warner Bros. Records. No one really knows how this happened and it remains a complete mystery that even the algorithms of the internet can’t decode. Up until 2000 they released three albums (Mr. Bungle in 1991, Disco Volante in 1995 and California in 1999), toured a good portion of the Western hemisphere and avoided any sort of critical acclaim. Some argue that the band subsequently broke up but there is also no proof of this. What is true is that they took 20 years off from performing under said moniker while they pursued various other music that, in contrast, paid the rent.

Mr. Bungle Online:

South Texas Metalcore Act Scarlett O’Hara Returns with “Friction”

Don’t let the name fool you – anyone familiar with legendary South Texas metalcore act SCARLETT O’HARA knows that their name may be dainty but that’s where any trace of delicacy disappears, as evidenced by the band’s first single in three years, “Friction.”

Watch the video for “Friction” here:

“Growth is commonly seen as a good thing, but oftentimes, the road to get there is harder than we expect,” says guitarist Logan Burns. “‘Friction’ is about that road. It’s about the difficult path to your goals, the constant obstacles in your way, and the incredible people that you meet along the way. We hope that ‘Friction’ will help people with identifying their unique struggles associated with growth and inspire them to endure.”

“Friction” is available today via digital music providers.

Formed in 2008, SCARLETT O’HARA has pushed the metalcore genre further with a high-paced signature style, now known as South Texas Metalcore, an unrelenting barrage of sound that evokes images of being kicked in the face by an angry bull.

After the release of their highly praised 2010 Rise Records debut Lost in Existence, the McAllen, TX-based band went on hiatus, finally regrouping for the 2018 release of their sophomore album, Welcome Back To The Brodeo. The critically acclaimed album debuted on several US Billboard charts including: #19 Hard Rock Album Sales, #20 HeaterSeeker Albums and #1 Heatseeker (South Central), as well as #25 on the iTunes Metal chart for its release week. 

The band has most recently teamed up with Grammy nominated producer Erik Ron (GodsmackPanic! at the DiscoNew Years Day) to deliver another molten slab of pure platinum rock in “Friction.” Stay tuned for more new music from SCARLETT O’HARA!

Scarlett O’Hara is:

  • Arnie Bernal – Drums
  • Logan Burns – Guitar
  • Moses Lopez – Lead Vocals
  • Alek Samodouroff – Rhythm Guitar

Scarlett O’Hara Online:

Serj Tankian Shares “Your Mom” Lyric Video

LOS ANGELES – Serj Tankian, whose recently released Elasticity EP displays “the full range of Tankian’s writing talents” (The Ringer), and has been dubbed a “symphonic metal masterpiece” (Paste), has unveiled a lyric video for the song “Your Mom” here:

The video was directed by artist and animator David Bradford, who has worked with Tankian on solo projects as well as projects with System Of A Down.

Bradford explains his concept for the “Your Mom” clip: “As I listened to the beginning of the song, with the more mellow acoustic guitar, I envisioned a brave bird flying over a countryside, unaware of the danger waiting in the ashen, war-torn lands ahead. This didn’t stop the bird from gliding into danger and took the form of ‘Your Mom.’ As the fighters continue their campaign of destroying the Earth with their bombs and chaos, the mom summons the strength from her connection to Mother Earth and becomes the personification of justice against the fighters. She kicks their asses and returns to the form of a bird, perched on the carcasses of the destroyers and restores the Earth’s balance.”

“Your Mom” is the third song from the five-track EP to receive a visual accompaniment, with the Los Angeles and New Zealand based musician previously releasing both the Vlad Kaptur-directed video for “Elasticity” and the politically-charged “Electric Yerevan” video.

Vinyl Arrives April 30

Elasticity is available now digitally and on CD, with the galaxy-colored vinyl version of the album arriving on April 30. A collection of autographed, and limited-edition Elasticity themed merchandise can also be found on the Tankian webstore.

Serj Tankian
| Photography:
Travis Shinn

Tankian was recently profiled in the Oscilloscope Laboratories/Live Nation Productions’ film “Truth to Power”, The film, which features exclusive interviews, adventures, and some original footage personally filmed by Tankian, is available via VOD services on April 27. “Truth to Power” follows Tankian’s journey, as he has pursued social justice, harnessing the power of his songs and celebrity for real political change. His voice is equally likely to take on American corporate greed as lambast the corrupt regime of his homeland. Tankian’s decades-long campaign for formal U.S. recognition of the Armenian Genocide was finally adopted by Congress in December of 2019.

Connect with Serj Tankian

Jane N’ The Jungle Release New Video “Trouble”

Los Angeles, CA — What is “Trouble“? It’s Jane N’ The Jungle‘s new, stunning and in-your-face rock song out TODAY! These Phoenix, AZ natives won’t be silenced in any regard and have proven to be a powerhouse in the music world making their mark with “Animal” and “Lucky 7“, which are both still gaining attention. Watch “Trouble” here:

Jane N’ The Jungle is Jordan White, who leads the way with her intense and memorable vocals, while Brian Dellis belts out his crunchy licks on guitar and “Big B” hits you hard on bass.

White says, ““Trouble” exemplifies the influence of other people’s perception of you that attracts trouble based on false assumptions of your own personal traits and past experiences.” She also states, “We wanted to write a song that embodied our live performance energy and rock ‘n’ roll vibe and to give listeners a record with our passion and excitement that we have in our show performances.”

Jordan White (Vocalist), Jane N’ The Jungle
| Photography:
Jim Louvau

“Trouble” was produced by Super Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter). Video was produced by Jim Louvau and Tony Aguilera.

Jane N’ The Jungle Is:

Jordan White – Vocals
Brian Dellis – Guitar
Big B – Bass

Jane N’ The Jungle Online:

REVIEW: Arshenic’s Brooding “Where Did You Sleep Last Night” Music Video

Arshenic

Arshenic’s new single and music video for “Where Did You Sleep Last Night” was released on April 12th and can be enjoyed on any listening format. It is a beautifully haunting cover of the classic Lead Belly song. Arshenic is a melodic metal band from Poland, formed in 2007 by the vocalist and songwriter, Oliwia “Ofilia” Bartuś-Staszak. The other current members of the band include electric guitarist Włodzimierz “Vlad” Czuba and drummer Bartosz Staszak.

The name of the band is a reference to arsenic, which is generally thought of as a poison, however it can also be a cure. The duality between the strong female vocals, both singing and screaming, matched with clean and distorted guitars, powerful bass, and zestful drums, with a pinch of cellos, electronics, and orchestral sounds rounding out the background can be heard throughout the group’s catalogue of songs.

The music was produced by Dawid Gorgolewski, Studio Osso. The music video’s script was written by Ofilia, and Creo Official was the video producer.

As the video begins, the camera focuses on the coastline near a wooded cliff. It briefly transitions to Ofilia facing the camera wearing a gas mask — a perfect reference to the meaning of the band name — while cradling a black and white cat in her arms.

Returning to the coastline, the camera follows Ofilia as she sings and walks along an empty coastline wearing a black dress, a crystal necklace, a belt with three pentagrams, skeleton tights, and black combat boots as waves crash near her feet. The instruments, her voice, and the beach give the video a nostalgic vibe. Interspersed slow-motion footage of her footsteps lends itself to an ominous atmosphere in the video, paired with the brooding tone of the song.

Włodzimierz “Vlad” Czuba (Guitars), Arshenic

The instrumentalists are slowly revealed during the music’s buildup. Closeups zoom in on black-gloved hands sliding on the guitar with a skeleton head on the frets. The drummer plays while wearing a white gas mask with the eyes covered in black Xs. The electric guitarist wears a black mask with silver studs covering all but his eyes with a backward baseball cap on his head. The band members wearing masks stare deadpan at the camera.

Bartosz Staszak (Drums), Arshenic

As the melody sways, Ofilia walks down a dirt path in the woods wearing another gas mask, the hood of her black dress up, with scenes cutting between the woods and the beach. The transitions of water breaking over the sand and clips of rocks with the soft music are soothing. 

As the song explodes, Oflilia walks through a graffiti-covered hallway of an abandoned building. These clips are entangled with footage of a forbidden romance, lit by a red-hued light.

The scenes cut back and forth with fluidity. The musicians flicker with high-speed cuts as they play with intensity — a duality of pacing between this point and the beginning, matching the vocals and instrumentals. The video concludes as it began, pulling away from the deserted coastline.

Many elements of this video can certainly speak to viewers that are currently practicing social distancing during the pandemic. Whether that was the intention or not, the video is an emotionally evocative, powerful watch that rolls out slowly and leaves the viewer impacted.

Arshenic’s latest album, Final Collison, released by Sliptrick Records, came out in August of 2019. With their new single out now, hopefully, there’s a new album coming out sometime in 2020. Until then, “Where Did You Sleep Last Night” will be playing on repeat.

Fans can find out more information about upcoming shows and announcements through the band’s website, Instagram, and Facebook page.

Arshenic Online

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