All posts by Brianne Dunn

Live Sound Audio Technician in Los Angeles. WordPress Editor for SoundGirls.org. Trained in Music Marketing and Promotions for 14 years. Guitarist, Makeup Artist. Lover of concerts, skateboarding, animals, and the horror genre. Believes in the Oxford comma.

Classically Infused Metal Collective Lost Symphony Reveals “A Murder of Crows”

Lost Symphony, the classical-metal ensemble headed up by multi-instrumentalist and producer Benny Goodman with a host of accomplish guest musicians, has released the third single from their upcoming Chapter II album – a track entitled “A Murder of Crows,” was inspired by the memory of late guitarist Oli Herbert, who was an early contributor to Lost Symphony.

During the funeral for the All That Remains guitarist nearly two years ago, a group of crows were said to have collective above the gathering. “It was often thought that a large group of crows decided the outcome of other birds,” Goodman says. “A large gathering is called a murder of crows and was often an omen of bad things to come.”

Watch the video for “A Murder of Crowshere:

A Murder of Crows” features guest appearances by guitarist Jon Donais (Anthrax, Shadows Fall) and Jimi Bell (Autograph, House of Lords).

“Working with Lost Symphony was such a blast for me,” says Donais, “It’s an honor to play on a project with some of the best heavy metal and rock guitarists out there. This is a must for anyone who loves shred guitar!”

Just months after Lost Symphony raised the bar on classical-infused metal with their debut, Chapter I, the ensemble has returned with a new single, “Conflagration,” from the upcoming Chapter II (set for release on October 16).

Chapter II pre-orders are available here.

Primarily composed before, yet eerily perfect for the age of the Pandemic, the eight-track opus of Chapter II strains beauty through aural apocalypse. The collective founded by multi-instrumentalist and producer Benny Goodman and comprising his brother Brian (compositions, arrangement), Cory Paza (bass, guitar), Kelly Kereliuk (guitar), Paul Lourenco (drums), and Siobhán Cronin (violin, viola, electric violin) has once again welcomed a revolving cast of virtuosos to join them for the next phase. This installment includes Marty Friedman, David Ellefson, Jeff Loomis and many more.

The album’s first two singles, “Conflagration” and “No Exit,” feature performances by Oli Herbert, Matt LePierre and Conrad Simon, and David Ellefson, Jeff Loomis and Marty Friedman, respectively.

Listen to “Conflagration

Watch “No Exit

Lost Symphony was set in motion when Benny Goodman invited guitarists Kereliuk and Simon to add another dimension to the classical demo he had composed. An early recording of “Leave Well Enough Alone,” which appears on Chapter II, made its way to All That Remains co-founder and guitar hero Oli Herbert, who quickly jumped aboard as a chief collaborator. Upon arrival, Chapter I immediately received widespread critical acclaim. Metal Insider described it as “the great collision between metal and classical music,” and BraveWords claimed it has “taken the scene by storm.”

Lost Symphony Online:

Website | Facebook | Instagram
| YouTube | Twitter


Featured photo (top) by Eric Snyder



Jane N’ The Jungle Announce Upcoming New Single “Lucky 7”

LOS ANGELES – It’s not often that a song can make you feel lucky, unless you’re Jane N’ The Jungle from Phoenix, AZ, who are back with their infectious new song “Lucky 7”, releasing October 2, 2020. It’s the follow-up to their killer track “Animal”, continuing to get attention.

Watch their previous single, “AnimalHere

Jane N’ The Jungle is Jordan White, leading the band with her powerhouse vocals, Brian Dellis flame throwing on guitar and “Big B” slaying on bass.

White says, “Lucky 7” was written about a night the band had while playing a show in Las Vegas and hanging out at Longhorn Casino in East Vegas. It’s a free-spirited song that captures one of the band’s favorite memories.”

Lucky 7” was produced by Grammy Award winning Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter).

Stream their album Concrete Jungle Here

Jane N’ The Jungle Online:

Website | Facebook | Twitter
Instagram | YouTube


Next Round of ‘Live From the Drive-in’ Concert Series Announced, with Jason Isbell and the 400 Unit, Blackberry Smoke, Indigo Girls, Yacht Rock Revue

Today, Live Nation announced the return of the Live From The Drive-in concert series, the fan favorite live music tailgating experience. Jason Isbell and The 400 Unit, Blackberry Smoke, Indigo Girls, and Yacht Rock Revue will headline the shows live on stage each night across two weekends, October 16-17 & October 23-24, in Alpharetta, GA at Lot A at Ameris Bank Amphitheatre.

Tickets will go on sale to the general public beginning this Friday, September 11th at 10am local time here. Tickets will be available to purchase as car passes. Fans will only need to purchase one ticket per car, with a maximum of four (4) people permitted in each car.

Live Nation is reimagining the live music experience during a time of social distancing by allowing fans to enjoy concerts in a one-of-a-kind drive-in setting from their own private individual tailgating zones next to their cars. This exclusive outdoor concert series gives attendees the chance to enjoy live music performances from some of their favorite artists while partying in the lot, socially distanced. Guests are allowed to bring chairs, food and drinks to party in their zone and truly make the experience theirs and unique to them. More details including event guidelines can be found via Live Nation here.

Citi is the official presale credit card of Live From The Drive-In. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, September 8th at 12pm local time until Thursday, September 10th at 10pm local time through Citi Entertainment®. For complete presale details go here.

“We are thrilled to have live music returning safely to the Atlanta area for a great weekend of Live From The Drive-In. We’ve seen such a great demand from fans to get back to concerts in a safe manner and from artists to get back on the stage to perform again,” said Peter Conlon, President of Live Nation Atlanta. “It’s also really great to be bringing live event jobs back to some local crew and workers who have been out of work since March. We can’t wait to see everyone come out!”

Each event will comply with all health and safety standards per local jurisdictions and state regulations in order to protect fans, artists, crews and staff. This includes thorough sanitation throughout the event and hand-sanitizing stations will be available, along with a number of other preventive measures.

For more information on the health and safety precautions we are taking, event guidelines and FAQs, visit here.

Live From The Drive-in Upcoming Dates:

Alpharetta, GA @ Ameris Bank Amphitheatre

  • Friday, October 16 – Jason Isbell and The 400 Unit
  • Saturday, October 17 – Blackberry Smoke
  • Friday, October 23 – Indigo Girls
  • Saturday, October 24 – Yacht Rock Revue

Ingridi Verardo Joined By Daniela Serafim On “Read Between The Lines” Single

Ingridi Verardo just released her second single, entitled “Read Between The Lines“, which features the guest vocals by Daniela Serafim (Autopse, Monster Side Project). This track will be featured on Imperfection, her debut album which should released until the end of the year and will feature Samurai da Silva (As Do They Fall, Super Sonic Brewer) on guitars and bass, and Kelvin Salvetti (As Do They Fall, Black Adder) on drums.

Listen to “Read Between The Lineshere.

About the single Ingridi said: “It has something much more personal than the previous song. As can be heard on ‘28 Days‘, I am proud of my scars but in this one, talking about a ‘relationship’ that existed and didn’t exist is much more difficult because I’m not used to share these stories with anyone. ‘Read‘ is a mix of good memories, but also recurring thoughts of how I wish that distance didn’t keep us that far from each other and it didn’t have a double life.”

Ingridi Verardo

Imperfection alludes to the fragility and experience of recording an album for the first time. In addition to the singles “28 Days” and “Read Between The Lines“, the album will have a total of eight tracks and will address personal themes from Ingridi’s life, with a sound inspired by her influences that include symphonic metal, anime tracks, opera and musicals.

The album is being produced by Roger Fingle (Blood Tears, Seduced By Suicide), who commented: “I am sure that in the beginning Ingridi didn’t have much of an idea of how hard it would be to record an album with this quality and how much I would push her. Despite that, unlike many other bands, no matter how emphatic I am, she doesn’t get offended with my criticism and she truly tries to understand what is wrong and she always comes back better for the next recording session.”

Ingridi Verardo Online:

Facebook | Instagram | SoundCloud
YouTube | Twitter

Featured photo (top) by Gean Ghellere


Model Prisoner’s Debut EP Piss Universe Out Now

Philadelphia’s Model Prisoner recently released their politically-fueled debut EP Piss Universe, a mélange of metal, hardcore, and hip hop. In addition, Metal Injection unveiled the music video for their title track – a song about our society being a hot mess like a f*cked up beauty pageant where fake images and lies prevail, corruption rules, and it’s all just a game about money. Also, Model Prisoner’s bloodline includes influential bands such as Nowhere Roads, Swarm of Arrows, and Label the Traitor. Watch the “Piss Universe” video here.

Piss Universe was engineered, mixed, and mastered by rapidly rising producer Wyatt Oberholzer (Year of the Knife, No Option, Fixation, Struck Nerve) at The Knife Lair in Philadelphia, PA. Additional production and beats were provided by Jack Mickelson. The duo consisting of Keats Rickard and Jay “Lanky” Mallory tracked with Oberholzer in staggered sessions across a few months during quarantine. Influenced by the current state of our country, the result is explosive music with violent vocals and angry lyrics.

Model Prisoner Piss Universe EP Art

Their debut EP Piss Universe was released on August 28, 2020 and is available everywhere for streaming and download via Bandcamp with a vinyl release planned for the fall.

Model Prisoner Is:

  • Jay “Lanky” Mallory (lead vocals, drums)
  • Keats Rickard (guitar, bass, samples, backing vocals)

Model Prisoner Online:

Facebook | Instagram | Twitter

Featured photo (top) by Lydia Peterson


Art-Pop Chameleon Valerie Lighthart Explores “Intrinsic Femme Nature” In New Single/Music Video “Love & Money”

Milwaukee-based art-pop artist Valerie Lighthart is debuting a new self-directed music video for her latest single “Love & Money,” which includes a featured spot from queer Latinx pop artist Solana. The video was directed by Lighthart herself and also features a cameo by drag-queen Melee Mcqueen.

The “Love & Money” official music video, which premiered yesterday on Black Book, is now streaming here:

Stream the track on digital platforms here.

Love & Money” is a pop-romp created to celebrate femininity and reclaim the ideals women and femme-identifying folks are vilified for -vanity, yearning for love, and self-interest. Valerie has created a safe space wherein femmes could express those traits euphorically, harkening back to the circles that witches danced around naked in the early American wilderness. Worshiping evil ideals, loving themselves wildly, and exuding power.

“I yearned to create a gilded realm to escape inside. I sought and found safe spaces to unpack the difficult feelings I had about womanhood, femininity, sexuality, and autonomy. As a young teenager, a dance class I took with my older sister helped me begin to unravel the complicated web of internalized misogyny I learned. It taught me to connect to my body in a new way and learn to embrace my thoughts and desires in a group of supportive femmes. We would spin in circles, laughing and talking. We showered love on each other, and the tone of acceptance, body positivity, and optimism was freeing. Through this joyful space, I grew the stability of identity to unpack my ideas on femininity, and analyze the shame that had it in a stranglehold. Women and femmes don’t have a monopoly on shame, but I felt empowered to think about what I knew best: feminine performance in relation to a hyper-sexed and shame-based culture,” says Valerie.

Having designed the set and coordinated the costumes to harken back to the restrictive and debauched 18th century, Valerie’s music video opens up the stage to include femme folks who’s artistic flair, drive, force, and ownership of their autonomy she deeply admires.

“Whilst celebrating this ambition in “Love & Money“, I also explore why these materialistic and capitalist desires are even important, by creating this over-the-top alter-ego. I think it’s fun to ask questions from a first-person perspective, and through this song, I was able to do a bit of soul searching and exploration of the femme experience in our society, the roles we’re encouraged to assume, and the spectrum of desires and goals we have and why we have them. Ultimately this project is about shining light on multi-dimensionality as an intrinsic part of femme nature,“ says Solana.

About Valerie Lighthart:

“Surging eccentrically out of Milwaukee, WI is the glorious curiosity that goes by the name of Valerie Lighthart. At just 22 years of age, the cultural polymath has already dabbled in filmmaking, poetry, acting, modeling– and of course… her true raison d’être, making music. But with her new single, it might be said that she has also crossed over into feminist philosophy.” – Black Book

Imbibed with the different flavors of visual and sonic characterization, Valerie Lighthart is a pop songstress that tempers fun melodies with a sense of something a few shades darker -punctuations of melancholy and unique stories centered around folklore, empowerment, travel, or personal trials. In some tracks, she embraces her personal identity and in some she subverts it altogether, creating an entirely new character in which to enact her ideas. Yearning to create a larger-than-life feeling of mythology within her new work, she is diving fully into chamber pop-inspired dance songs and floating through soundscapes of ambient and longing folk croons.

Valerie Lighthart | Photography Ryan Yatso

“Love & Money” is the introduction to the “By Moonlight” series, a careful cultivation of the opposing worlds of pop and folk to tell a story about the historical positionings of women. Different elements held within the trio of EPs intend to empower, awaken, question, and introspect. Her vehicle is the shining moon, eternal in her orbit, the fluttering tulle skirts of femme goddesses shaking the leaves from the trees, the monsters braying past the moonbeams in the darkness, and the murky waters of outcry and confusion. The lyrics are feminist, subversive, analytical, romantic, and lofty. The “By Moonlight” series is a trio of EPs, each in a different sub-genre, intended to analyze a different facet of femme existence: empowerment, transformation, performativism, sexuality, oppression, and rage

The project, set to release in installments over the next year, is a collaboration with N43 Records, a Midwest-based independent label empowering diverse voices.

Valerie Lighthart Online:

Facebook | Instagram | Twitter
Spotify | Apple Music | Deezer

Featured photo (top) by Ryan Yatso

The OBGMs Set Oct. 30 Release for The Ends; Debut “Fight Song” Video

TORONTO The OBGMs, the Canadian trio who “spit fire” (Punk News) and “boast classic punk vibes with contemporary garage rock” (Alternative Press), have set an Oct. 30 release date for The Ends (Black Box Music).

“This album is about death, wanting to die, and fighting for something to live for — it’s the end of all things. I feel this is the one of the most important cross-genre albums this century,” says the always quotable singer/guitar player Densil McFarlane. “We are Nirvana, we are The Beatles, and The Stones. We are really changing the dimensions of which the game is played like the Steph Curry of this rock shit. We all have feelings of doubt, uncertainty, and I used to live there. I’m trying not to die there. If I’m going out, I’m going out shooting.”

News of the album’s release arrives as the band debut a new single from the 10-song collection, sharing a video for the cathartically combative single “Fight Song”. Watch here.

McFarlane says of the motivation behind the track: “You ever sitting in your 9-5 and someone talking reckless and you really want to punch them in their head top? You ever get that passive aggressive email from that disrespectful person and you want to walk to their cubicle and tell them about their mom? I wrote this song so I wouldn’t have to hold my tongue. We want the smoke. All of it. You don’t like us, fight me, or get the hell out of the way. You can’t stop us, this is how we die.”

The OBGMs (that’s The oOoh Baby Gimme Mores) — rounded out by drummer Colanthony Humphrey and bass player Joseph Brosnan — aren’t your typical rock band. “This is a black-fronted punk band, and that’s really important,” McFarlane says. “Rock n’ roll is mostly white suburban kids—that’s what gets promoted. But we are Black and we out here. I was inspired to make rock music when I saw a Black guy on stage, and if someone sees that in us, I hope it will inspire a new generation to go after this.”

The Ends was produced by GRAMMY and Juno award winning Dave Schiffman (Rage Against The Machine/The Bronx/Pup) and recorded at Dream House Studios (Toronto). Album pre-orders, which include a 180g red/yellow splatter vinyl variant, are available now here.

“You can love us or hate us,” says McFarlane. “I’m aiming for that. We’d prefer the love — we’re full of love — but I’d rather you hate me than feel indifference.”  

The Ends Track List:

  1. Outsah
  2. Cash
  3. All My Friends
  4. Fight Song
  5. Not Again
  6. Triggered
  7. WTFRU
  8. Karen O’s
  9. To Death
  10. Move On

Densil McFarlane delivers his self-deprecating lyrics with the sneer and bulldozing attitude of Keith Morris-era Black Flag, but his riffing and hooks could give even the Billie Joe Armstrongs of the world a run for their money. Keep these guys on your radar for sure.” – Guitar World

“The OBGMs barrel through hook-laden, guitar forward, tracks reminiscent of the early aughts garage rock revival. Underpinning that sound is feverish punk energy coupled with shout sing vocals. It’s something like The Hives by way of The Germs. Or the Strokes covering The Stooges.” – Vice

The OBGMs Is:

  • Densil McFarlane (vocals/guitar)
  • Joseph Brosnan (bass)
  • Colanthony Humphrey (drums)

The OBGMs Online:

Website | Facebook | Twitter | Instagram

Featured photo (top) by Amanda Fotes

(HED) P.E. Announces Twelfth Studio Album “Class of 2020”

Legendary SoCal artists (HED) P.E. have revealed details for their twelfth studio album, Class of 2020, set for release on August 21 via legendary Californian independent label Suburban Noize Records. The date also marks the 20th anniversary of the group’s breakthrough album, Broke.

Class of 2020 Cover Art

On Class of 2020, (HED) P.E. gets back to the raw essentials, utilizing old-school punk-rock guitar tones and aggressive, unfiltered vocal stylings at the core of their trademark sound. Longtime fans will find that Class of 2020 is a return to the classic sound of early (HED) P.E. albums.

“We were on the road in the middle of a tour when the COVID-19 pandemic hit full force,” comments frontman Jared Gomes. “Like everyone else on the planet, we were faced with some unprecedented challenges. As a small business owner of an independent band, I was faced with an additional set of challenges with the tour being canceled and making it back home from Rhode Island to Idaho. When I got home, I immediately got inspired creatively and hit the studio to smash out this record. For this one, we took it all back to our roots with a back-to-basics approach to try and capture that true G-Punk sound of our earlier albums.”

In an effort to bring Class of 2020 around full circle and connect it with (Hed) P.E’s impressive back catalog, the album cover is an homage to the group’s breakthrough album Broke, which celebrates its 20th anniversary a day after the new studio album is released. While planning to the milestone anniversary for (Hed) P.E., Jared was able to connect with former members DJ Product and original guitarist Chad “Chizad” Benekos and rekindle their creative flame. DJ Product created artwork for the Class of 2020 album and added his trademark scratching over some tracks, while original (Hed) P.E. guitarist Chizad blessed the band with a blazing solo on “Greedy Girl“. The unholy union that many fans never thought possible came together to connect the past and present incarnations of (Hed) P.E. and to enhance Class of 2020 in a meaningful way.

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When discussing the album, Gomes talks about the moniker “Class of 2020” having dual meaning for him and the band. “I had the title ‘Class of 2020’ as a working title for some time now,” he explains. “We had made hoodies with the Class of 2020 on them, but it was originally intended to be a statement about the band being here 20 years later. A whole new Class of (HED) P.E., so to speak. Once the pandemic broke out, this title took on a new profound meaning. The Class of 2020 never really graduated. The Class of 2020 will go down in history for several different reasons.”

(HED) P.E. are the pioneers of the G-Punk sound, which fuses together punk-rock, metal, hip-hop and reggae. The band has toured the world for 20 years sharing the stage with the likes of Suicidal Tendencies, System of a Down, KORN, Tech N9ne, Tool as well as the original Black Sabbath on the iconic Ozzfest tour. (HED) P.E. experienced a creative resurgence after signing with Suburban Noize Records in the early 2000s and was instrumental in developing the booming underground scene.

Preorders for Class of 2020 are available now here.

Class of 2020 track listing:

  1. First Blood
  2. Watch It Burn
  3. No Days Off
  4. Death Awaits
  5. Last Call
  6. Ole Time Sake
  7. Greedy Girl
  8. Nothing Lasts 4ever (The Ballad of C19)
  9. We The People
  10. Overdue

(HED) P.E. Online:

Facebook | Twitter | Instagram | YouTube


Victoria K Shares “Mist Filled Sky”, Twitch Live Stream Scheduled

Australia’s Victoria K is sharing their new official audio track “Mist Filled Sky” in support of the debut album Essentia – released on April 24, 2020 via Rockshots Records. Listen here.

More Victoria K Videos:

Matrix | The Haunting | Forsaken | Lacuna

In addition, Rockshots Records and Victoria K will replay the release live set stream on Twitch directly to your home on Friday 17th July, at 11p.m. CEST! The show will be streamed on the official Rockshots Records’ Twitch channel, check it out and subscribe here.

Vitcoria K Twitch

This is the only way to see new songs from Victoria K’s debut album Essentia live for the foreseeable future, so don’t miss out!

Essentia was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).

Victoria K Is:

  • Victoria K – Vocals
  • Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
  • Julia Mammone – Guitar (Enlight)
  • Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
  • James Davies – Drums

Victoria K Music:

Order Essentia | Stream/Download

Victoria K Online:

Website | Rockshots Records


Raven Black Reveals Poignant New Video for “Hear Me Cry”

Theatrical metal band Raven Black has revealed a poignant new video for the song “Hear Me Cry,” from their upcoming third album, The Key. “Hear Me Cry” is making its debut today along with a full feature in UK heavy music bible Kerrang here:

“‘Hear Me Cry’ is about the chaotic and deeply disturbing thoughts when I once attempted suicide,” Raven explains. “The inner battle of wanting to give up and yet wanting to fight and change your own life. The personal psychosis and finally calling out for help, which ultimately saved my life. This song hopefully inspires those who struggle with suicidal thoughts to speak up and seek help. Someone is always ready to help. Suicide is not the answer. You can change your life and you can survive.”

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A lyric video for “Darkest Pit,” also from The Key, was recently released. Check it out here:

The Key, produced by Ulrich Wild (Static-X, White Zombie, Deftones), is scheduled for release this year via WurmGroup. Prior to its cancellation due to COVID-19, Raven Black was slated to perform on the nearly two-month-long The In-Between Tour with In This Moment, Black Veil Brides and DED this spring.

Together since 2012, Raven Black has created a soundtrack to their own Dark Metal Carnival, releasing the 2016 EP Seven Sins and the 2018 album 13. The band has toured extensively, perfecting a creepy live show that unifies the visual and aural aspects of Raven Black.

Raven Black Is:

  • Raven – Vocals
  • Muppet – Drums/Vocals
  • The Doctor – Lead Guitar/Vocals
  • Stitches – Bass

Raven Black Online:

Website | Facebook | Twitter | Instagram