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REVIEW: Primus, Puscifer, & A Perfect Circle Perform The True Sessanta Celebration for Maynard’s Official 60th Birthday at Talking Stick Resort Amphitheatre (4-16 & 17-2024)

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April 16 Setlist | April 17 Setlist

PHOENIX — Not everyone can invite thousands of people to their birthday party, but that is exactly what Maynard James Keenan did for the “Sessanta” (Italian for “60”) concert held at Talking Stick Resort Amphitheatre. He turned the stage into a “house party”, complete with living room sofas on the drum risers, ping pong tables, and Rock ‘Em, Sock ‘Em Robots, too! When the party guests are musician friends, a jam is inevitable. Fans were treated to a revolving mix of Puscifer, A Perfect Circle, and special guests Primus.

Unlike the prototypical concert, there was no opening act and there was no headliner. This was a party of contemporaries taking turns at the helm and then joining together like alchemists creating something new. The comical video intro to the show promised Puscifer, Primus, A Perfect Circle, Primefer, A Primus Circle, A Pusifect Primcle, and A Prifmect Puscicle!

The focus was the music. The sound was fantastic, arguably better than usual for this venue. The musicianship was flawless and the songs showcased the songwriting prowess. However, at times, the visual experience was disconcerting. The video feed was continually ‘artsy-fartsy’ with overlays of two separate video feeds infused with motion and tilt. This was obviously intentional and maybe it was supposed to mess with your head and keep you focused on the live show instead of watching TV! The issue that led to watching the video screens, however, was because there was very little front lighting on the performers.

The light show in the background was a marvelous cacophony of color palettes and dynamic design, but the people in the lawn may not have even noticed Keenan’s black eye make-up on his shadowed face. Not to mention that the videographers did their damndest to keep from showing the reclusive Keenan on the ‘jumbotrons’ at all…presumably since they would be fired if they focused on him.

Maynard James Keenan
Maynard James Keenan (Vocalist), A Perfect Circle & Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

A Perfect Circle

A Perfect Circle kicked off the 30-song ride by delivering “The Package,” “Disillusioned,” and “The Contrarian.” Keenan chose a three-piece black suit and a buttoned-down white shirt from his diverse selection of guises to complement his sculpted blonde mohawk. This outfit was befitting the ‘most interesting man in the world’ and could easily transition from his day-job of running a successful winery to bringing a touch of class to his night on the stage. By his side since the inception of the band, a quarter century ago, was guitarist/composer Billy Howerdel, who still looks exactly the same after all these years. Plus he is still playing the Cinnamon Burst Gibson Les Paul that is part of the signature sound of the band.

Billy Howerdel
Billy Howerdel (Guitarist, Vocalist), A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

Sessanta had a two-evening engagement in Phoenix. On Tuesday, Keenan was 59-years-old. On Wednesday, he was 60. His voice still sounds like it’s in its prime! Each stanza harkened back to the creepy “Sober” video by Tool, when much of the world was introduced to his iconic vocal sound in 1993. From the haunting ‘mello, dramatic’ melodies to the gritty howls of angst, there was no doubt that he’s still got game.

Primus

A Perfect Circle brought epic songs, but the beats per minute multiplied once the screens announced Primus. The elevated drum stage extended from stage left to stage right and all three drum sets were mic’d and ready to go. Primus kicked off their first set with “Those Damned Blue-Collar Tweekers,” followed by “Too Many Puppies,” “Sgt. Baker,” and “Follow The Fool.” There was definitely no time to go get a beer between bands.

It was most certainly Keenan’s night, but if there was a close second, Les Claypool nearly stole the show. His bass playing is a master class in technique, proficiency, and feel. There is something about this band that shouts that there are no fucks given for them trying to fit into the mold of any genre of music…and it works. Claypool’s voice and melodies are like a brilliant comedy and grinning at his delivery is contagious.

Puscifer

In the dark moments after the last Primus song, the musicians playing on center stage rotated once again. As the lights reignited, the sonic curtain was infused with synthesized textures and the continuous male/female vocal harmonies of Puscifer.

Carina Round
Carina Round (Vocalist), Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

Carina Round brought a feminine aesthetic to the party dominated by the boys and she was amazing. When she wasn’t in flight across the stage, choreographed with Keenan’s moves, she was playing the pads of a Waldorf Iridium synth and morphing the sounds on the touchscreen. This short first set included “Galileo,” “Tiny Monsters,” and “Indigo Children.” Guitarist Mat Mitchell stayed on the left side of the stage with a reserved swagger and elevated the heavy moments with rock riffs and solos from his star-shaped Kiesel.

And So It Went…

The revolving cast of characters continued throughout the evening. Each band played three sets and included top songs from their catalogs such as “Jerry Was A Racecar Driver” from Primus, “The Remedy” from Puscifer, and “Weak And Powerless” from A Perfect Circle. Nobody seemed to ever go to the green room when they weren’t playing. “Back stage” were the two the couch areas next to the three drum sets, and musicians would either just hang out there, or from time to time play ping pong down stage while waiting for their turn in the limelight.

Carina Round and Maynard James Keenan
Carina Round (Vocalist) & Maynard James Keenan (Vocalist), Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

There was only one brief 10-minute intermission, and even that proved to be entertaining with a video of Keenan made up to look way older than 60 and dressed in a hospital gown while breathing through a nasal cannula. Throughout the intermission, his character would fall asleep in the green-screen hospital room only to be awoken by the countdown announcing each minute left of the break. You come to expect Keenan’s humor after naming his wine “Merkin” and his band Puscifer, but his dad jokes as this old man really made you roll your eyes. “What did the pirate say when he turned eighty?…Ay matey”, “Why are rock stars so cool?…They have lots of fans,” and many others. You can watch this character in the promotional videos for the concert for more corny humor.

Claypool was wearing a Pinnochio nose to compliment his familiar round glasses and derby cap as Primus wrapped up the preliminary rounds of music with the epicly plodding “Southbound Pachyderm.”  Then Keenan came on stage to interject that this is what it’s like to be 60! The enthusiastic crowd cheered and wished him a happy birthday. The next three songs were introduced as the new material from the Sessanta E.P.P.P (presumably more humor derived from being an extended play (EP) of Primus, Puscifer, and [A] Perfect Circle (P.P.P). This EP was available exclusively online or at the merch booth. Many fans were carrying around their purchased copies.

Maynard James Keenan
Maynard James Keenan (Vocalist), A Perfect Circle & Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

Each of the songs were slow, starting with piano-driven “Kindred” by A Perfect Circle with deep lyrics about dealing with death. Next up was “No Angel” by Puscifer, which spotlighted Mitchell with tasty guitar accents and the angelic voicings of Round reverberating in the background. The Primus song, “Pablo’s Hippos” was electric, and the subwoofer synth parts seemed to be emanating from inside your head instead of from the speakers! Guitarist Larry LeLonde was shredding on a two-neck Gibson SG reminiscent of Jimmy Page and Keenan guested as the lead singer with a few harmonies in injections from Claypool. Claypool also made several appearances throughout the evening playing a beautiful upright bass while wearing a pig mask.

Matt McJunkins, A Perfect Circle
Matt McJunkins, A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

In addition to  crew videographers positioned in the photo pit, some unusual camerawork sights included: the video camera attached to a massive jib arm sweeping across the stage, emphasizing the grandeur of the occasion throughout the night, and drone cameras buzzing almost playfully over the lawn crowd. This no-doubt assured everyone that the experience would be captured in high quality. A good thing too, since cameras were otherwise strictly forbidden for this show, as is customary at Keenan’s concerts. Those caught disobeying would be ejected from the concert and ‘turned into the special ingredient of Spam’ – Keenan’s humor shining once more. However, for this one last song, fans and press photographers alike were finally permitted to indulge their need to shoot. He articulated the rule that lights and flash must not be used, and he quipped to “consult a 9-year-old if you don’t know how to do that”.

Primus, Puscifer, A Perfect Circle
Primus, Puscifer, & A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

The culmination of the two nights of celebration was the full cast hitting the stage together for a monumental version of Puscifer’s “Grand Canyon.” The melody took on modes of distant cultures and the three drummers amplified the tribal feel.

It was a great night of reminiscing with the eclectic mix of songs that abruptly came to an end, Keenan passing out fist bumps to everyone on stage who made his birthday party spectacular. We hope he will come back for “Settanta” when he turns 70!

April 16 Setlist | April 17 Setlist

Photo Gallery

Photographer: Rodrigo Izquierdo

Sessanta: Primus, Puscifer, A Perfect Circle – Talking Stick Resort Amphitheatre 4-16-24

Photography © Reagle Photography
All Rights Reserved

Puscifer Release “Man Overboard” Video from “Parole Violator” Concert Film; Extend Viewing

Jerome, AZ – Puscifer’s recent limited engagement, concert-meets-feature films: V is for Versatile: A Puscifer Concert Film featuring music from the V is for… era and Parole Violator: A Puscifer Concert Film featuring Conditions of My Parole, have been extended for viewing here through Nov. 7 (initially the films were slated to run through the morning of Nov. 1).

Watch “Man Overboard” from Parole Violator here:

Meeting at the intersection of music and theater, Puscifer is known for their thematic, multimedia-laced tours. From a “Hee Haw”-style jamboree to a televangelist revival, from sitting ringside at a Lucha Libre match to the advent of Agent Dick Merkin and the Pusciforce, Puscifer’s transition from live performances to film is a natural extension of the music-meets-acting troupe. The pandemic-induced dawn of the at-home concert experience provided Maynard James Keenan, Mat Mitchell and Carina Round with the tools to turn to film, having now released two movies to date: 2020’s Existential Reckoning: Live at Arcosanti and 2021’s Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer.

“Those with creative minds are restless. Lockdown was only physical, not mental,” offers Keenan. “The Pandemic was the perfect springboard and opportunity for us all to flex our creative muscles. Here is more evidence.”

V is for Versatile: A Puscifer Concert Film featuring music from the V is for… era Puscifer take you into the famed studios of Los Angeles’ Sunset Sound, where everyone from Led Zeppelin to Van Halen to Elton John and Tom Waits recorded classic albums. In this live performance piece, the band invites fans behind-the-scenes as they re-interpret and re-record songs from their V is for… era. Agent Dick Merkin, Major Douche, the briefcase and a few surprise cameos are interspersed amongst the studio footage.

Parole Violator: A Puscifer Concert Film featuring Conditions of My Parole

Billy D is in jail, Hildy is on the war path and Peter Merkin, as usual, is up to no good. The saga of the Bergers continues as Puscifer pairs the duo’s ongoing melodrama with a live, track-by-track re-imagination of the band’s critically-acclaimed 2011 album, Conditions of My Parole. Visually, Parole Violator is evocative of Keenan’s North Arizona homestead, with Puscifer’s performance married to striking visuals, dramatic lighting, and in a nod to the band’s 2011/2012 tour in support of the collection, closes with a campfire sing-a-long.

Both V is for Versatile and Parole Violator have album companions, available on vinyl, CD and streaming in November. Pre-orders are available via puscifertv.com.

About Puscifer

Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of four full-length studio albums: V is for …[2007], Conditions of My Parole [2011], Money $hot [2015], and Existential Reckoning [2020] — in addition to a series of EPs and remixes. Beyond the core trio of Maynard James Keenan, Mat Mitchell, and Carina Round, the group’s ever-evolving ecosystem encompasses Greg Edwards, Gunnar Olsen, Juliette Commagere as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more. Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first used the name “Puscifer.” In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of the press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.” Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores. They’ve brought their unique live experience to life everywhere from Coachella to Bonnaroo. On their 2020 debut for Alchemy Recordings/Puscifer Entertainment/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.

Puscifer online:



Featured photo (top) by Priscilla C. Scott




Puscifer Announces Summer Tour; First U.S. Dates Since 2016

Jerome, AZPuscifer bring their unique theater-meets-concert experience to stages nationwide this summer as the Arizona-born outfit featuring Maynard James Keenan, Mat Mitchell, and Carina Round tour in support of their highly-regarded 2020 album, Existential Reckoning (Alchemy Recordings/Puscifer Entertainment/BMG).

The dates, which kick off June 9 at The Smith Center in Las Vegas, include the group’s largest scale performances to date with shows slated for Los Angeles’ venerable Greek Theatre (site of Keenan’s one-time-only Cinquanta mini festival), Brooklyn’s movie palace-turned-concert-hall Kings Theater and the state-of-the-art Mission Ballroom in Denver.

Watch the tour announcement here:

Agent Dick Merkin Issues Live Report

Over the years, Puscifer tours have traversed the Arizona desert, explored the barn dances of the American South, and tapped into the technicolor world of the Lucha libre. With Existential Reckoning the Pusciverse expanded into the cosmos. A taste of the live outing was hinted at with the ground-breaking and bedazzling “Existential Reckoning: Live at Arcosanti” livestream event. An on-demand/VOD version of the concert film and its accompanying soundtrack were released in November 2021, with physical versions of the soundtrack and film (vinyl and VHS) available via retailers on Feb. 25 here.

Puscifer TV is the online repository for all things Puscifer including the aforementioned “Existential Reckoning: Live at Arcosanti,” as well as “Billy D and The Hall of Feathered Serpents Featuring Money $hot by Puscifer,” “What Is… Puscifer,” and “A Curmudgeon’s Guide to Divine Collisions and Pythagorean Oenology.”

Puscifer tour dates 2022

Existential Reckoning tour dates:

  • June 9 Las Vegas, NV The Smith Center – Reynolds Hall
  • June 11 Phoenix, AZ Arizona Federal Theatre
  • June 12 Los Angeles, CA The Greek Theatre
  • June 14 Albuquerque, NM Kiva Auditorium
  • June 15 Austin, TX Bass Concert Hall
  • June 16 Dallas, TX McFarlin Memorial Auditorium
  • June 19 Manchester, TN Bonnaroo Music & Arts Festival
  • June 21 Atlanta, GA Coca-Cola Roxy Theatre
  • June 22 Durham, NC Durham Performing Arts Center
  • June 24 Philadelphia, PA The Metropolitan Opera House
  • June 25 Brooklyn, NY Kings Theatre
  • June 26 Wallingford, CT Toyota Oakdale Theatre
  • June 28 Boston, MA House of Blues
  • June 29 Pittsburgh, PA Stage AE
  • July 1 Rochester Hills, MI Meadow Brook Amphitheatre (Pavilion)
  • July 2 Chicago, IL The Chicago Theatre
  • July 3 St. Paul, MN Palace Theatre
  • July 5 Omaha, NE The Admiral
  • July 6 Denver, CO The Mission Ballroom
  • July 7 Salt Lake City, UT Eccles Theater – Delta Performance Hall
  • July 9 Portland, OR The Arlene Schnitzer Concert Hall
  • July 10 Seattle, WA McCaw Hall

Tickets are on-sale this Friday at 10 am local time with VIP package details to be made available in the coming days. Moodie Black open on all headlining dates.


About Puscifer

Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of four full-length studio albums: “V” is for Vagina [2007], Conditions of My Parole [2011], Money Shot [2015], and Existential Reckoning (2020) — in addition to a series of EPs and remixes.

Puscifer by Travis Shinn
Puscifer | Photography: Travis Shinn

Beyond the core trio of Maynard James Keenan [vocals], Mat Mitchell [guitar, production], and Carina Round [vocals, songwriting], the group’s ever-evolving ecosystem encompasses Greg Edwards (bass, guitar, keys), Gunnar Olsen (drums), as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more. Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first used the name “Puscifer.”

In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of the press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.” Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores.

They’ve brought their unique live experience to life everywhere from Coachella to Bonnaroo. On their 2020 debut for Alchemy Recordings/Puscifer Entertainment/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.

Puscifer Online:

Featured photo (top) by Travis Shinn

Puscifer Release “Bullet Train to Iowa” Video; Money $hot Livestream on April 17 

Los Angeles Puscifer unveil the next chapter in the saga of desert dwelling scamp Billy D with the psychedelic, alien-infused mini film for “Bullet Train to Iowa“. Watch it here.

“The ‘Bullet Train to Iowa’ video is sort of a bridge between the Money $hot Live at the Mayan Theater performance (“Billy D and the Hall of Feathered Serpents”) and the Existential Reckoning Live at Arcosanti performance,” explains Maynard James Keenan. “Kind of like what ‘Rogue One’ is to the Star Wars films, but without the Storm Troopers and snarky robots.”

The clip was created by longtime Keenan collaborator, Meats Meier. Meats’ work with Puscifer spans the band’s history, from the band’s debut video, “Queen B”, which saw the introduction of the group’s de facto mascot of the same name, to the special-ops laced “Dozo” video, and most recently, the prescient “Apocalyptical” clip, which features the visual wizard surfing the pandemic-swept streets of Los Angeles. “Bullet Train to Iowa” also features a subtle nod to Money $hot, with the cowboys featured on the album’s cover, serving as bartenders in the newly released footage.

“Bullet Train to Iowa” comes from the band’s recently released album, Existential Reckoning (Alchemy Recordings/BMG). The 12-song collection, featuring artwork from Daniel Martin Diaz, has received widespread praise with Variety saying “…the airily hypnotic electronic rock…works…brilliantly,” Stereogum describing the music as “darkly playful,” and Revolver noting “you’re highly unlikely to find another album that explores the fear and loathing of our uncertain times in as chill a fashion as the latest from Maynard James Keenan’s art-rock outfit Puscifer.” Download and stream the album here.

Meats Meier-Created Video Follows BillyD’s Journey from Arcosanti to The Hall of Feathered Serpents

Watch the “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” trailer here:

Puscifer Performs Money $hot in Its Entirely on Apr. 17

The band’s next visual offering arrives April 17, with the global streaming event, “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer”, a performance that sees Puscifer build upon their Luchador-infused performances surrounding the 2016 album, Money $hot (which will be played in its entirety). The production highlights Puscifer’s unique marriage of music-meets-theater, having seen the touring incarnation hailed as “extraordinary” (Kerrang!), “stunning” (Loudwire), and “a modern blend of ‘Saturday Night Live’ and ‘Monty Python’s Flying Circus’” (Relix).

Los Angeles’ historic Mayan Theater, a 1920s era revivalist theater featuring original artwork by Mexican painter and sculptor Francisco Cornejo, serves as the backdrop to the one-time outing. The elaborate cultural landmark, with its jaw-dropping Mayan calendar infused chandelier and a lobby dedicated to the bird-meets-reptilian deity Quetzalcoatl, gave birth to the performance’s title. “While looking both forward and backwards, we stumbled into The Hall of Feathered Serpents,” explains Mat Mitchell. “The perfect site to pay homage to the Money $hot album and tour.”

Purchase tickets to “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” livestream event here.

About Puscifer

Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of three full-length studio albums—“V” is for Vagina [2007], Conditions of My Parole [2011], and Money Shot [2015]—in addition to a series of EPs and remixes.

Beyond the core trio of Maynard James Keenan [vocals], Mat Mitchell [guitar, production], and Carina Round [vocals, songwriting], the group’s ever-evolving ecosystem encompasses Greg Edwards (bass, guitar, keys), Gunnar Olsen (drums), as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more.

Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first utilized the name “Puscifer.” In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.”

Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores. They’ve brought this to life everywhere from Coachella to Bonnaroo. On their debut for Alchemy Recordings/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.

Puscifer Online:

Featured photo (top) by Travis Shinn

Puscifer Returns with Timely “Apocalyptical” Video

Maynard James Keenan-fronted Band Releases First New Music since 2015

Jerome, AZ — Puscifer, the Arizona-born, “exceptionally groovy” (Entertainment Weekly) band that Revolver dubbed “Maynard James Keenan’s… indescribable musical/performance-art collective,” release the eerily topical “Apocalyptical” single and video:

A message from Keenan arrives alongside the track: “Manipulated information disseminated by kings, queens, dictators, so called leaders, supposed professionals or outliers and conspiracy theorists living underground, or in basements, is not new or unique to this generation. Misdirection is Power Struggles’ conjoined twin but the speed at which it now travels in this digital age is dangerous and destructive on many levels. This rapid distribution of poison and its immediate impact will be the hallmark of our generation. Even In light of all this, and all the noise the digital landscape generates, all I keep asking myself is ‘what is it with the whole hoarding toilet paper thing?’”

The ”Apocalyptical” release follows social media breadcrumbs hinting at imminent moves amongst the Puscifer camp. As had been speculated, and can now be confirmed, the band’s fourth full-length studio album will arrive this Fall via Alchemy Recordings, a partnership with BMG. Alchemy Recordings is a new record label created in partnership between Dino Paredes, former American Recordings Vice President of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.

Vocalist Carina Round sheds light on the darkly prophetic timing of the song: “’Apocalyptical’ was one of the very first musical ideas for the new record that we put our voices on out in Arizona in late 2019. It was simultaneously very fresh and also felt like we had never been apart.”

For the initial writing process of ‘Apocalyptical,” we relied heavily on a Fairlight IIx (an early musical computer using 8 bit samples), and a Synclavier II (another early digital workstation that relied on FM synthesis),” explains guitar player and co-producer Mat Mitchell of the behind-the-scenes creation of the song. “These were heavyweights in early digital music productions and defined a generation of music. We decided to set modern computers aside by working within the limitations of these early computer technologies. This created a unique space for us to explore and the results can be heard throughout this track.”

Puscifer has released three full-length studio albums: “V” is for Vagina (2007), Conditions of My Parole (2011) and Money Shot (2015). Maynard James Keenan initially used the moniker in a 1995 episode of “Mr. Show,” bringing the band to life in 2007. Keenan’s companions in the electro-rock outfit have been Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting). The band brings a unique mix of recorded output and on-stage theatrics, pairing each release with a conceptual live show, from a “Hee Haw”-infused performance featuring recurring Puscifer characters Billy Dee and Hildy to 2017’s luchadores-themed outing.

Puscifer Online

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