Category Archives: Tracks

Puscifer Release “Bullet Train to Iowa” Video; Money $hot Livestream on April 17 

Los Angeles Puscifer unveil the next chapter in the saga of desert dwelling scamp Billy D with the psychedelic, alien-infused mini film for “Bullet Train to Iowa“. Watch it here.

“The ‘Bullet Train to Iowa’ video is sort of a bridge between the Money $hot Live at the Mayan Theater performance (“Billy D and the Hall of Feathered Serpents”) and the Existential Reckoning Live at Arcosanti performance,” explains Maynard James Keenan. “Kind of like what ‘Rogue One’ is to the Star Wars films, but without the Storm Troopers and snarky robots.”

The clip was created by longtime Keenan collaborator, Meats Meier. Meats’ work with Puscifer spans the band’s history, from the band’s debut video, “Queen B”, which saw the introduction of the group’s de facto mascot of the same name, to the special-ops laced “Dozo” video, and most recently, the prescient “Apocalyptical” clip, which features the visual wizard surfing the pandemic-swept streets of Los Angeles. “Bullet Train to Iowa” also features a subtle nod to Money $hot, with the cowboys featured on the album’s cover, serving as bartenders in the newly released footage.

“Bullet Train to Iowa” comes from the band’s recently released album, Existential Reckoning (Alchemy Recordings/BMG). The 12-song collection, featuring artwork from Daniel Martin Diaz, has received widespread praise with Variety saying “…the airily hypnotic electronic rock…works…brilliantly,” Stereogum describing the music as “darkly playful,” and Revolver noting “you’re highly unlikely to find another album that explores the fear and loathing of our uncertain times in as chill a fashion as the latest from Maynard James Keenan’s art-rock outfit Puscifer.” Download and stream the album here.

Meats Meier-Created Video Follows BillyD’s Journey from Arcosanti to The Hall of Feathered Serpents

Watch the “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” trailer here:

Puscifer Performs Money $hot in Its Entirely on Apr. 17

The band’s next visual offering arrives April 17, with the global streaming event, “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer”, a performance that sees Puscifer build upon their Luchador-infused performances surrounding the 2016 album, Money $hot (which will be played in its entirety). The production highlights Puscifer’s unique marriage of music-meets-theater, having seen the touring incarnation hailed as “extraordinary” (Kerrang!), “stunning” (Loudwire), and “a modern blend of ‘Saturday Night Live’ and ‘Monty Python’s Flying Circus’” (Relix).

Los Angeles’ historic Mayan Theater, a 1920s era revivalist theater featuring original artwork by Mexican painter and sculptor Francisco Cornejo, serves as the backdrop to the one-time outing. The elaborate cultural landmark, with its jaw-dropping Mayan calendar infused chandelier and a lobby dedicated to the bird-meets-reptilian deity Quetzalcoatl, gave birth to the performance’s title. “While looking both forward and backwards, we stumbled into The Hall of Feathered Serpents,” explains Mat Mitchell. “The perfect site to pay homage to the Money $hot album and tour.”

Purchase tickets to “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” livestream event here.

About Puscifer

Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of three full-length studio albums—“V” is for Vagina [2007], Conditions of My Parole [2011], and Money Shot [2015]—in addition to a series of EPs and remixes.

Beyond the core trio of Maynard James Keenan [vocals], Mat Mitchell [guitar, production], and Carina Round [vocals, songwriting], the group’s ever-evolving ecosystem encompasses Greg Edwards (bass, guitar, keys), Gunnar Olsen (drums), as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more.

Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first utilized the name “Puscifer.” In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.”

Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores. They’ve brought this to life everywhere from Coachella to Bonnaroo. On their debut for Alchemy Recordings/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.

Puscifer Online:

Featured photo (top) by Travis Shinn

Jane N’ The Jungle Release New Video “Trouble”

Los Angeles, CA — What is “Trouble“? It’s Jane N’ The Jungle‘s new, stunning and in-your-face rock song out TODAY! These Phoenix, AZ natives won’t be silenced in any regard and have proven to be a powerhouse in the music world making their mark with “Animal” and “Lucky 7“, which are both still gaining attention. Watch “Trouble” here:

Jane N’ The Jungle is Jordan White, who leads the way with her intense and memorable vocals, while Brian Dellis belts out his crunchy licks on guitar and “Big B” hits you hard on bass.

White says, ““Trouble” exemplifies the influence of other people’s perception of you that attracts trouble based on false assumptions of your own personal traits and past experiences.” She also states, “We wanted to write a song that embodied our live performance energy and rock ‘n’ roll vibe and to give listeners a record with our passion and excitement that we have in our show performances.”

Jordan White (Vocalist), Jane N’ The Jungle
| Photography:
Jim Louvau

“Trouble” was produced by Super Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter). Video was produced by Jim Louvau and Tony Aguilera.

Jane N’ The Jungle Is:

Jordan White – Vocals
Brian Dellis – Guitar
Big B – Bass

Jane N’ The Jungle Online:

Authority Zero Drop New Single & Lyric Video: “Fire Off Another”

Long-running Mesa, AZ-based melodic punk/rock/reggae band Authority Zero has dropped a new single titled “Fire Off Another.”

Stream the “Fire Off Another” lyric video here:

Created by Jason Passaro

Listen to the song on streaming platforms here.

The track “Fire Off Another” follows on the heels of last month’s release of the single “Ollie Ollie Oxen Free“.

Produced by Cameron Webb (Sum 41, Pennywise, A Day to Remember, Motörhead, Megadeth).


Authority Zero Is:

Jason DeVore (Vocals)
Chris Dalley (Drums)
Mike Spero (Bass)
Eric Walsh (Guitar)

Authority Zero Online:

New England Extreme Metal Act Aversed Reveals Second Video, “Laboratory,” From Upcoming Album

New England-based extreme metal quintet AVERSED has revealed a video for the scientific-inspired track “Laboratory” from the band’s upcoming release, Impermanent. Watch the video for “Laboratory” today via Toilet Ov Hell or here:

“‘Laboratory’ turns self-reflection and actualization on its head, discussing the consequences of ignoring and exploiting the natural world for our own gain regardless of its spiritual or intellectual benefit,” says drummer Jeff Saltzman. “In this interconnected world, we sow the seeds of our mechanized destruction if we only look inward rather than aim to help others.”

“Laboratory” was inspired by Saltzman’s own time working in a biology laboratory and its effects on the world outside of the lab. “Despite our cutting-edge research, we weren’t helping a soul,” he says. “What’s the point? ‘Laboratory’ is my criticism of the pursuit of scientific progress just for the sake of progress.”

Aversed’s Impermanent is set for release on March 19. Mixed and mastered by Christian Donaldson (CryptopsyThe AgonistShadow of Intent), Impermanent illustrates Aversed’s unique approach to songwriting with nine diverse compositions full of catchy hooks and vast melodies. Aversed offered fans a glimpse of the album last month with a video for the title track.

Watch the video for “Impermanent here:

Pre-orders for Impermanent are available here. In addition to the album, a variety of bundles are also available, as well as a brand new t-shirt design.

With the release of Impermanent, Aversed presents a metal experience cultivated of unprecedented beauty and torment. The third release following 2011’s self-titled EP and 2016’s Renewal EP, Impermanent marks a turning point for the New England scene veterans as they pivot from melodic death metal towards a nuanced balance of blackened and orchestral melodic metal. 

Aversed Is:

  • Haydee Irizarry – Vocals
  • Sungwoo Jeong – Guitars
  • Alden Marchand – Guitars
  • Peter Albert de Reyna – Bass
  • Jeff Saltzman – Drums


Aversed Online:

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David Hasselhoff Goes Heavy Metal on “Through The Night” with Two-Man Metal Band CueStack

TV icon David Hasselhoff has recorded a metal song, “Through the Night,” with the two-man metal project CUESTACK, and a Kickstarter campaign to finance the final steps of editing a video and “making-of” documentary on the project is now underway.

The collaboration between Hasselhoff and CUESTACK started in 2018 with many demos and meetings to make what seemed like an impossible idea slowly turn into a reality. As life-long “Hoff‘” fans, CUESTACK had the ultimate goal to create a metal project with the most-watched man on TV showing the world his heavy side. Hasselhoff recorded the track with CUESTACK in 2019 in Vienna where they also shot an epic music video together.

The band’s final mission: Finishing the editing process of the cinematic video that will accompany the song. With a limited budget and schedule, CUESTACK shot the entire video with Hasselhoff in just one day, using smaller versions of the sets than originally planned. To turn their retro Sci-Fi/Cyberpunk vision into reality, a massive post-production effort is needed now to extend these basic sets into living worlds.

Kickstarter Campaign Now Underway

All Kickstarter contributions go directly into financing those final steps. Aside from providing digital downloads, Hasselhoff fans can pre-order special “Through the Night” box sets, which include a Digipak CD, eight-page booklet with liner notes, printed high-quality autograph card, poster, “Through the Night” baseball cap and custom leather bracelet.

JOIN THE KICKSTARTER CAMPAIGN

CUESTACK ft. David Hasselhoff
| Photography:
Maximilian Lottmann

About CUESTACK

When the worlds of eccentric lighting/VFX designer Martin Kames and shred guitar content creator Bernth Brodträger collide, explosive music and art manifest in the form of CUESTACK. An unmistakable blend of metal and electronic music with well established sonic trademarks is the result, paired with an industrial, dystopian corporate identity that is ever-present in the band’s cinematic music videos and artworks.

CUESTACK Online

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Classically Infused Metal Collective Lost Symphony Reveals “A Murder of Crows”

Lost Symphony, the classical-metal ensemble headed up by multi-instrumentalist and producer Benny Goodman with a host of accomplish guest musicians, has released the third single from their upcoming Chapter II album – a track entitled “A Murder of Crows,” was inspired by the memory of late guitarist Oli Herbert, who was an early contributor to Lost Symphony.

During the funeral for the All That Remains guitarist nearly two years ago, a group of crows were said to have collective above the gathering. “It was often thought that a large group of crows decided the outcome of other birds,” Goodman says. “A large gathering is called a murder of crows and was often an omen of bad things to come.”

Watch the video for “A Murder of Crowshere:

A Murder of Crows” features guest appearances by guitarist Jon Donais (Anthrax, Shadows Fall) and Jimi Bell (Autograph, House of Lords).

“Working with Lost Symphony was such a blast for me,” says Donais, “It’s an honor to play on a project with some of the best heavy metal and rock guitarists out there. This is a must for anyone who loves shred guitar!”

Just months after Lost Symphony raised the bar on classical-infused metal with their debut, Chapter I, the ensemble has returned with a new single, “Conflagration,” from the upcoming Chapter II (set for release on October 16).

Chapter II pre-orders are available here.

Primarily composed before, yet eerily perfect for the age of the Pandemic, the eight-track opus of Chapter II strains beauty through aural apocalypse. The collective founded by multi-instrumentalist and producer Benny Goodman and comprising his brother Brian (compositions, arrangement), Cory Paza (bass, guitar), Kelly Kereliuk (guitar), Paul Lourenco (drums), and Siobhán Cronin (violin, viola, electric violin) has once again welcomed a revolving cast of virtuosos to join them for the next phase. This installment includes Marty Friedman, David Ellefson, Jeff Loomis and many more.

The album’s first two singles, “Conflagration” and “No Exit,” feature performances by Oli Herbert, Matt LePierre and Conrad Simon, and David Ellefson, Jeff Loomis and Marty Friedman, respectively.

Listen to “Conflagration

Watch “No Exit

Lost Symphony was set in motion when Benny Goodman invited guitarists Kereliuk and Simon to add another dimension to the classical demo he had composed. An early recording of “Leave Well Enough Alone,” which appears on Chapter II, made its way to All That Remains co-founder and guitar hero Oli Herbert, who quickly jumped aboard as a chief collaborator. Upon arrival, Chapter I immediately received widespread critical acclaim. Metal Insider described it as “the great collision between metal and classical music,” and BraveWords claimed it has “taken the scene by storm.”

Lost Symphony Online:

Website | Facebook | Instagram
| YouTube | Twitter


Featured photo (top) by Eric Snyder



Jane N’ The Jungle Announce Upcoming New Single “Lucky 7”

LOS ANGELES – It’s not often that a song can make you feel lucky, unless you’re Jane N’ The Jungle from Phoenix, AZ, who are back with their infectious new song “Lucky 7”, releasing October 2, 2020. It’s the follow-up to their killer track “Animal”, continuing to get attention.

Watch their previous single, “AnimalHere

Jane N’ The Jungle is Jordan White, leading the band with her powerhouse vocals, Brian Dellis flame throwing on guitar and “Big B” slaying on bass.

White says, “Lucky 7” was written about a night the band had while playing a show in Las Vegas and hanging out at Longhorn Casino in East Vegas. It’s a free-spirited song that captures one of the band’s favorite memories.”

Lucky 7” was produced by Grammy Award winning Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter).

Stream their album Concrete Jungle Here

Jane N’ The Jungle Online:

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Instagram | YouTube


Ingridi Verardo Joined By Daniela Serafim On “Read Between The Lines” Single

Ingridi Verardo just released her second single, entitled “Read Between The Lines“, which features the guest vocals by Daniela Serafim (Autopse, Monster Side Project). This track will be featured on Imperfection, her debut album which should released until the end of the year and will feature Samurai da Silva (As Do They Fall, Super Sonic Brewer) on guitars and bass, and Kelvin Salvetti (As Do They Fall, Black Adder) on drums.

Listen to “Read Between The Lineshere.

About the single Ingridi said: “It has something much more personal than the previous song. As can be heard on ‘28 Days‘, I am proud of my scars but in this one, talking about a ‘relationship’ that existed and didn’t exist is much more difficult because I’m not used to share these stories with anyone. ‘Read‘ is a mix of good memories, but also recurring thoughts of how I wish that distance didn’t keep us that far from each other and it didn’t have a double life.”

Ingridi Verardo

Imperfection alludes to the fragility and experience of recording an album for the first time. In addition to the singles “28 Days” and “Read Between The Lines“, the album will have a total of eight tracks and will address personal themes from Ingridi’s life, with a sound inspired by her influences that include symphonic metal, anime tracks, opera and musicals.

The album is being produced by Roger Fingle (Blood Tears, Seduced By Suicide), who commented: “I am sure that in the beginning Ingridi didn’t have much of an idea of how hard it would be to record an album with this quality and how much I would push her. Despite that, unlike many other bands, no matter how emphatic I am, she doesn’t get offended with my criticism and she truly tries to understand what is wrong and she always comes back better for the next recording session.”

Ingridi Verardo Online:

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YouTube | Twitter

Featured photo (top) by Gean Ghellere


Model Prisoner’s Debut EP Piss Universe Out Now

Philadelphia’s Model Prisoner recently released their politically-fueled debut EP Piss Universe, a mélange of metal, hardcore, and hip hop. In addition, Metal Injection unveiled the music video for their title track – a song about our society being a hot mess like a f*cked up beauty pageant where fake images and lies prevail, corruption rules, and it’s all just a game about money. Also, Model Prisoner’s bloodline includes influential bands such as Nowhere Roads, Swarm of Arrows, and Label the Traitor. Watch the “Piss Universe” video here.

Piss Universe was engineered, mixed, and mastered by rapidly rising producer Wyatt Oberholzer (Year of the Knife, No Option, Fixation, Struck Nerve) at The Knife Lair in Philadelphia, PA. Additional production and beats were provided by Jack Mickelson. The duo consisting of Keats Rickard and Jay “Lanky” Mallory tracked with Oberholzer in staggered sessions across a few months during quarantine. Influenced by the current state of our country, the result is explosive music with violent vocals and angry lyrics.

Model Prisoner Piss Universe EP Art

Their debut EP Piss Universe was released on August 28, 2020 and is available everywhere for streaming and download via Bandcamp with a vinyl release planned for the fall.

Model Prisoner Is:

  • Jay “Lanky” Mallory (lead vocals, drums)
  • Keats Rickard (guitar, bass, samples, backing vocals)

Model Prisoner Online:

Facebook | Instagram | Twitter

Featured photo (top) by Lydia Peterson


Art-Pop Chameleon Valerie Lighthart Explores “Intrinsic Femme Nature” In New Single/Music Video “Love & Money”

Milwaukee-based art-pop artist Valerie Lighthart is debuting a new self-directed music video for her latest single “Love & Money,” which includes a featured spot from queer Latinx pop artist Solana. The video was directed by Lighthart herself and also features a cameo by drag-queen Melee Mcqueen.

The “Love & Money” official music video, which premiered yesterday on Black Book, is now streaming here:

Stream the track on digital platforms here.

Love & Money” is a pop-romp created to celebrate femininity and reclaim the ideals women and femme-identifying folks are vilified for -vanity, yearning for love, and self-interest. Valerie has created a safe space wherein femmes could express those traits euphorically, harkening back to the circles that witches danced around naked in the early American wilderness. Worshiping evil ideals, loving themselves wildly, and exuding power.

“I yearned to create a gilded realm to escape inside. I sought and found safe spaces to unpack the difficult feelings I had about womanhood, femininity, sexuality, and autonomy. As a young teenager, a dance class I took with my older sister helped me begin to unravel the complicated web of internalized misogyny I learned. It taught me to connect to my body in a new way and learn to embrace my thoughts and desires in a group of supportive femmes. We would spin in circles, laughing and talking. We showered love on each other, and the tone of acceptance, body positivity, and optimism was freeing. Through this joyful space, I grew the stability of identity to unpack my ideas on femininity, and analyze the shame that had it in a stranglehold. Women and femmes don’t have a monopoly on shame, but I felt empowered to think about what I knew best: feminine performance in relation to a hyper-sexed and shame-based culture,” says Valerie.

Having designed the set and coordinated the costumes to harken back to the restrictive and debauched 18th century, Valerie’s music video opens up the stage to include femme folks who’s artistic flair, drive, force, and ownership of their autonomy she deeply admires.

“Whilst celebrating this ambition in “Love & Money“, I also explore why these materialistic and capitalist desires are even important, by creating this over-the-top alter-ego. I think it’s fun to ask questions from a first-person perspective, and through this song, I was able to do a bit of soul searching and exploration of the femme experience in our society, the roles we’re encouraged to assume, and the spectrum of desires and goals we have and why we have them. Ultimately this project is about shining light on multi-dimensionality as an intrinsic part of femme nature,“ says Solana.

About Valerie Lighthart:

“Surging eccentrically out of Milwaukee, WI is the glorious curiosity that goes by the name of Valerie Lighthart. At just 22 years of age, the cultural polymath has already dabbled in filmmaking, poetry, acting, modeling– and of course… her true raison d’être, making music. But with her new single, it might be said that she has also crossed over into feminist philosophy.” – Black Book

Imbibed with the different flavors of visual and sonic characterization, Valerie Lighthart is a pop songstress that tempers fun melodies with a sense of something a few shades darker -punctuations of melancholy and unique stories centered around folklore, empowerment, travel, or personal trials. In some tracks, she embraces her personal identity and in some she subverts it altogether, creating an entirely new character in which to enact her ideas. Yearning to create a larger-than-life feeling of mythology within her new work, she is diving fully into chamber pop-inspired dance songs and floating through soundscapes of ambient and longing folk croons.

Valerie Lighthart | Photography Ryan Yatso

“Love & Money” is the introduction to the “By Moonlight” series, a careful cultivation of the opposing worlds of pop and folk to tell a story about the historical positionings of women. Different elements held within the trio of EPs intend to empower, awaken, question, and introspect. Her vehicle is the shining moon, eternal in her orbit, the fluttering tulle skirts of femme goddesses shaking the leaves from the trees, the monsters braying past the moonbeams in the darkness, and the murky waters of outcry and confusion. The lyrics are feminist, subversive, analytical, romantic, and lofty. The “By Moonlight” series is a trio of EPs, each in a different sub-genre, intended to analyze a different facet of femme existence: empowerment, transformation, performativism, sexuality, oppression, and rage

The project, set to release in installments over the next year, is a collaboration with N43 Records, a Midwest-based independent label empowering diverse voices.

Valerie Lighthart Online:

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Featured photo (top) by Ryan Yatso