TOKYO – Nemophila, the all-female Japanese band who recently wrapped up a U.S. tour, which was preceded by a performance at Aftershock 2022, have released the new song “Night Flight,” and its accompanying video.
“This is a song we’ve been playing live for some time, but have not recorded or released it until now,” explains singer/Nemophila founder mayu of the new track. “Please take a look at the video as well, as it does a great job capturing the spirit of the song.”
In March, preceding the band’s SXSW show, Nemophila released the single, “Rise”.
Today’s arrival of “Night Flight” coincides with the release of “Seize The Fate,” a concert film featuring Nemophila’s February performance from Tokyo’s Zepp DiverCity.
Guitar Girl Magazine described the quintet as “one of the most thrilling metal bands in Japan,” Distorted Sound said their music is “a reminder of just how fun heavy metal can be,” and Glasse Factory, commenting on their riveting Aftershock performance, noted “they nodded to metal legends with their styling and offered a refreshing take on their own unique blend… the excitement was tangible and radiated through the crows ad they all leaned in to watch the rising rock stars.”
Nemophila formed in 2019, playing their first live show in August of the same year, supporting Loudness and Hammerfall at Tokyo’s Metal Weekend 2019. The band have released two albums: Seize The Fate (2022) and Revive (2021). Nemophila is mayu (vocals), Saki (guitar), Hazuki (guitar), Haraguchi-san (bass) and Tamu Murata (drums).
If you’re a fan of The Postal Service’s iconic hit “Such Great Heights,” you’ve probably heard countless covers of the song over the years. But have you ever heard a cover of a song that completely transforms it into something new and exciting? That’s exactly the case with Joy Kills Sorrow’s bluegrass version of this hit. This rendition, which was released on their EP Wide Awake in 2013, deserves your attention if you haven’t heard it yet.
What is particularly impressive about this cover is how effortlessly the band took an electronic indie-pop hit and made it their own, infusing it with their signature Americana sound that is a refreshing departure from the original. Fueled by Jacob Jolliff’s intricate mandolin playing and lead singer Emma Beaton’s soaring vocals, the song was transformed into a foot-stomping bluegrass number that’s impossible not to dance along to.
Right from the beginning, the mandolin and banjo (played by Wes Corbett) take over, providing a lively and instantly engaging introduction. While staying true to the melody and lyrics, the band injects their signature style, adding instrumental breakdowns and harmonies that showcase their musical prowess. Beaton’s vocals add a touch of sweetness and vulnerability to the already poignant lyrics. As the song progresses, each instrument takes its turn to shine, from the rhythm of Matthew Arcara flatpicking the guitar, to the harmonies of Zoe Guigueno and her upright bass. You can feel the energy building up, culminating in a triumphant ending that will leave you with chills. The result is a cover that’s just as catchy and memorable as the original, but with a new energy and vibrancy that’s impossible to resist.
What makes this cover so successful is that it doesn’t try to imitate the original, but rather reinvents it completely. It manages to capture the essence and emotion of the song while putting a new spin on it. Overall, Joy Kills Sorrow’s bluegrass cover of “Such Great Heights” is a testament to the power of musical creativity and innovation. It proves that good music can transcend genres and styles, and that sometimes the most unexpected artist can surprise you. So, if you haven’t given it a listen yet, it’s high time that changes.
Even die-hard The Postal Service fans will find themselves tapping their feet along to this bluegrass rendition. If you haven’t heard Joy Kills Sorrow’s cover of “Such Great Heights” yet, do yourself a favor and give it a listen. Although Joy Kills Sorrow disbanded after performing their last show in 2014, their legacy includes a stunning example of how a great cover can take a beloved song and elevate it to new heights.
Ben Gibbard Returns with a “Double Feature” Performance
Speaking of The Postal Service… lead vocalist Ben Gibbard is making a comeback to Arizona and other cities (listed below) with a “double feature” show that is sure to delight. As part of the “Give Up & Transatlanticism 20th Anniversary Tour,” The Postal Service and Death Cab for Cutie will be co-headlining, and Gibbard will be at the forefront of it all.
The tour runs in September and October of this year. Arizona Financial Theatre, one of the iconic spots to host this show, is set to witness an unforgettable night of music that showcases the evolution of the creative genius of Gibbard and his bandmates. (Fun fact: Jenny Lewis of The Postal Service is also a solo artist, actress, and was the lead singer, rhythm guitarist, and keyboardist for the indie rock band Rilo Kiley.) It goes without saying that Death Cab for Cutie and The Postal Service carry energies that leave fans yearning for more. But, to have both bands share the stage on a joint tour is something else entirely.
Back in 2003, The Postal Service and Death Cab for Cutie became musical sensations that rocked the world with Gibbard at the helm. The Postal Service’s debut album, Give Up, and Death Cab for Cutie’s fourth studio album, Transatlanticism, showcased the range of Gibbard’s vocal and songwriting abilities. It’s been twenty years since those albums’ releases, and that is all the more reason to celebrate. The “Give Up & Transatlanticism 20th Anniversary Tour” is, therefore, more than just a tour. As each band performs their respective albums in their entirety, it’s a trip down memory lane accompanied by heart-thumping instrumentals and performances that leave concertgoers reveling in nostalgia.
With Gibbard headlining, The Postal Service & Death Cab For Cutie: Give Up & Transatlanticism promises to be a night to remember. Get your tickets now!
The Postal Service & Death Cab for Cutie 2023 Tour Dates
September 8 – Portland, ME – Cross Insurance Arena
September 9 – Kingston, RI – The Ryan Center
September 10 – New Haven, CT – Westville Music Bowl
September 12 – Boston, MA – MGM Music Hall
September 13 – Boston, MA – MGM Music Hall
September 14 – Washington, DC – Merriweather Post Pavilion
September 17 – Detroit, MI – Meadow Brook Amphitheater
September 20 – New York, NY – Madison Square Garden
September 21 – Philadelphia, PA – The Mann Center
September 24 – Minneapolis, MN – Armory
September 26 – Denver, CO – Mission Ballroom
September 27 – Denver, CO – Mission Ballroom
October 3 – Phoenix, AZ – Arizona Financial Theatre
October 4 – Las Vegas, NV – The Chelsea Ballroom at The Cosmopolitan of Las Vegas
October 7 – Seattle, WA – Climate Pledge Arena
October 10 – Berkeley, CA – Greek Theatre – UC Berkeley
SAN FRANCISCO – Covet, the Bay area trio who recently announced the impending arrival of their third album, catharsis (April 7, Triple Crown Records) have released “lovespell” a second track, and accompanying video, from the eagerly-awaited album.
Yvette Young says of the song: “This one is the album closer. The closest feeling I get to falling in love is when I write and play music, and this song is a tribute to that feeling of being totally smitten by the joy of creating and feeling things deeply. It was important to me to leave everyone on a high note (in this case, a saxophone solo provided by the amazing Alex Rose from Minus the Bear).”
The “lovespell” video was also directed by Tom Flynn, who also partnered with the band for the recently released, free-spirited “firebird” clip. Kerrang! described the track “dazzling,” LouderSoundcalled it “fret-bendingly good,” and Guitar World, in a nod to Yvette’s playing style, dubbed it “tap-happy.”
“We did a lot of risk-taking on this album,” Yvette explains of the 8-song, Scott Evans (Thrice, Samiam)-produced album. “I try to follow what excites me without heeding anybody’s expectations. I’m leaning into melodies, tones, and textures and trying to use them to transport listeners. The whole concept is escaping into a fantasy realm where the songs depict different characters and their own worlds. Each song is like their theme song. It’s mostly instrumental, but when you close your eyes, I hope people will be transported into the character’s story.
“Music has always been escapism for me and a great source of therapy. My hope for this music is that it will take people somewhere and stir their imaginations, or at the very least, make them feel something. I named this record ‘catharsis’ because the word to me feels like a triumphant exodus. No matter the dire circumstances, music is one of those things that I’ve always needed to create to survive (in all senses of the word), and time and time again, I turn to guitar and songwriting as my outlet to uplift and feel like I have control over something in this chaotic universe.”
catharsis album cover, painting by Yvette Young
catharsis tracklist:
coronal
firebird
bronco
vanquish
interlude
smolder
merlin
lovespell
Album pre-orders, which include several limited-edition vinyl variants, CD, and digital pre-saves are available here.
Covet catharsis tour dates:
Scarypoolparty and altopalo open on all dates.
April 7 – Portland, OR – Wonder Ballroom
April 8 – Vancouver, BC – Biltmore Cabaret
April 9 – Seattle, WA – Neumos
April 11 – Salt Lake City, UT – Soundwell
April 13 – Denver, CO – Meow Wolf
April 14 – Lawrence, KS – The Bottleneck
April 15 – St. Louis, MO – Delmar Hall
April 17 – St. Paul, MN – Amsterdam Music Hall
April 18 – Madison, WI – High Noon Saloon
April 20 – Chicago, IL – Bottom Lounge
April 21 – Ann Arbor, MI – Blind Pig
April 22 – Toronto, ON – Lee’s Palace
April 23 – Montreal, QC – Café Campus
April 25 – Pittsburgh, PA – Thunderbird Music Hall
April 26 – Brooklyn, NY – Brooklyn Bowl
April 27 – Boston, MA – Royale
April 28 – Philadelphia, PA – Brooklyn Bowl
April 29 – Vienna, VA – Jammin’ Java
May 1 – Asheville, NC – The Grey Eagle
May 2 – Nashville, TN – Brooklyn Bowl
May 3 – Atlanta, GA – The Masquerade (Hell)
May 5 – Dallas, TX – Studio at The Factory
May 6 – Austin, TX – Scoot Inn
May 8 – Albuquerque, NM – Launchpad
May 10 – Phoenix, AZ – Crescent Ballroom
May 11 – Solana Beach, CA – Belly Up
May 12 – Los Angeles, CA – The Roxy
May 13 – Santa Cruz, CA – The Catalyst
Tickets for all shows are on-sale now.
About Covet
Covet is Yvette Young (guitar/vocals), Brandon Dove (bass) and Jessica Burdeaux (drums). The Bay Area-born band released their debut album, effloresce in 2018, followed by technicolor in 2020. Exclaim said technicolor “sparkles with the wonder of creativity,” Treble Zine described the 10-song collection as “engaging” and “dynamic,” while Brooklyn Vegan said the band thrives on “sugar-sweet melodies.”
On April 21st, Predatory Void will release their debut album, Seven Keys to the Discomfort of Being, via Century Media Records. For a preview of Seven Keys to the Discomfort of Being, the new single, “Grovel”, can be streamed now here; the track’s official visualizer can be seen later today at 10AM PT | 1PM ET | 6PM CET here:
Predatory Void comments: “‘Grovel’ is a death metal inspired track about the cyclical nature of life, which is ruthless to everyone who comes into this world. It is on us to choose sides, try and find answers and struggle in a universe that has existed before us and will go on after us.”
Watch the videos for the previously released singles below:
“Endless Return To The Kingdom Of Sleep”
*(struggling..)”
Seven Keys to the Discomfort of Being can be pre-ordered here – where the record is also available in the following versions:
Ltd. CD Digipak
Gatefold black LP
Gatefold clear LP available via CM Distro Wholesale EU, CMdistro.de & Evil Greed (limited to 300 copies)
Gatefold transp. red LP available via Predatory Void (band exclusive; limited to 300 copies)
Digital album
Album artwork by: Sven Harambašić
Seven Keys to the Discomfort of Being track-listing:
Grovel
*(struggling..)
Endless Return To The Kingdom Of Sleep
Seeds Of Frustration
The Well Within
Shedding Weathered Skin
Funerary Vision
Predatory Void came to be when guitarist Lennart Bossu (Amenra, Oathbreaker) found himself writing material that wasn’t really suited for Amenra. Lennart gathered a group of likeminded people living in the area of Ghent (BE) – including the versatile vocalist and tattoo artist Lina R – and soon after, the band was born, with Tim De Gieter (bass; Amenra, Doodseskader, Much Luv Studio), Thijs De Cloedt (guitar; Cobra The Impaler, ex-Aborted), and Vincent Verstrepen (drums). Predatory Void played their first show at the renowned Soulcrusher Festival (NL) alongside artists such as Ihsahn, Envy, Cave In and Heriot, creating a buzz within the scene. With an album’s worth of material already written, they signed to Century Media Records for their worldwide debut.
With their signing announcement, Predatory Void also revealed their plans to perform said debut record – Seven Keys to the Discomfort of Being – in full at Roadburn Festival 2023. See below for all upcoming dates!
Arizona-based Industrial Band Featuring Videographer/Photographer Jim Louvau & Andy Gerold (Ashes Divide)
PHOENIX – There Is No Us, the Phoenix-born industrial band featuring Andy Gerold (Ashes Divide, My Darling Murder) and photographer/videographer Jim Louvau (Chester Bennington, Jerry Cantrell), release their first single in five years with today’s arrival of “Fame Whore”. The video can be viewed here.
The track, which was produced by Sean Beaven (Nine Inch Nails, Slayer), is from the band’s forthcoming debut full-length album, with additional details about the Cleopatra Records’ release to be shared soon. The song can be streamed here.
“There are people who will go to any lengths for fame and power,” says Louvau. “Our society has embraced celebrating false idols, politicians, and the people they see in the media. This way of thinking has paved the way for untalented hacks, phonies, and people who are puppets to the idea that if you put enough lipstick on a pig it will become beautiful. ‘Fame Whore’ explores humans’ intense and unhealthy relationships with attention, drugs and the lust for stardom.”
There Is No Us is Jim Louvau (vocals, production, visuals), Andy Gerold (guitar), Jared Bakin (guitar), Eddie Lopez (bass) and Elias Mallin (drums). The band formed in 2015, releasing their debut EP, Farewell To Humanity that year. A follow-up EP, Generation of Failure, arrived in 2018. They attracted a cult following through performances with In Flames, Drowning Pool, The Dillinger Escape Plan, and Stabbing Westward.
At the same time, the members also respectively paved their own paths. Gerold hit the road as a guitarist or bassist for everyone from Ashes Divide to Marilyn Manson, while Lovau worked with some of the most influential artists of all-time as a photographer and video director. His photography spanned studio and live shoots for Foo Fighters, Nine Inch Nails, Alice Cooper, Queens of the Stone Age, and late legends Chester Bennington and Scott Weiland. Collaborating with Tony Aguilera, he also helmed music videos for Jerry Cantrell of Alice In Chains, Killer Be Killed, and Exodus in addition to Fuck Content—the critically acclaimed Greg Puciato documentary. Meanwhile, Mallin held down the drums for the likes of Kesha, Noah Cyrus, and Hollywood Undead live.
Italian metal legends Lacuna Coil presented their new single “Swamped XX” on September 15, 2022. This song follows the previously launched track, “Tight Rope XX“, which is also taken off the upcoming re-issue, Comalies XX, set to be released on October 14th through Century Media Records. Watch “Swamped XX” here (directed, filmed and edited by Trilathera
True to the maxim “never change a winning team”, Lacuna Coil decided to release the opener of the album – like its original predecessor “Swamped” (2002)– as a single again. Same energy and drama as 20 years ago, but dressed for 2022 and ready to win over old fans, as well as new fans, alike.
Available as a Ltd. Deluxe 2-CD Artbook, 2-CD Jewelcase, Ltd. Gatefold 2-LP+2-CD & LP-Booklet and digital album, Comalies XX is an entirely deconstructed and remade re-recording of Lacuna Coil‘s third full-length album, Comalies (2002). Featuring the original songs from the classic record, plus new versions of the 13 tracks, Comalies XX will be released October 14th via Century Media Records. Same energy and drama as 20 years ago, but dressed for 2022 and ready to win over old fans, as well as new fans, alike.
In celebration of this release, Lacuna Coil have been touring the USA, with Butcher Babies, Uncured, and Lions At The Gate. The tour wraps September 23, 2022 in Joliet, Illinois at The Forge.
Lacuna Coil | Photography: CUNENE
Lacuna Coil members:
Cristina Scabbia – Vocals
Andrea Ferro – Vocals
Marco Coti Zelati – Bass guitar, Guitars, Keys & Synths
Finnish symphonic power metal band Everfrost shares brand new single “Flyers” taken from Frostbites, an EP of anime opening song covers coming out November 2022.
The band adds about the track: “‘Flyers’ by the band BRADIO became a big hit in the Japanese anime scene when it was used as the opening for cult classic show Death Parade. It’s a song we’ve wanted to cover for a long time because of its infectious groove and anthemic chorus, perfect for EVERFROST!
On this song we had the privilege of working with featuring vocalist Rob Lundgren, well-known for his bands Mentalist and Reveal, and vocal work on Youtube. His fun, energetic style was perfect for the track and he gave a great performance!
Aside from arranging the song into a heavier genre, main songwriter Benji wanted to elevate the chorus specifically with a huge vocal sound. This lead to us having the pleasure to work with a group of excellent singers in Finland to provide the large group sound heard on the track. This group consisted of Yannis Papadopoulos (Beast In Black), Bini Silvennoinen (Blame Me!), Mikael Salo(ex-EVERFROST, Thy Row, Dyecrest) and Sara Strömmer (Shereign, ex-Fear of Domination).”
“It’s time to crank ‘Flyers’, put your hands up and have a blast this summer!”
Everfrost is a Finnish symphonic power metal band known for incorporating Japanese anime and manga influences into their music, visuals and storytelling.
Metal fans and anime enthusiasts alike have described Everfrost numerous times as the band they were always looking for as the music is created from a passionate desire to energize you, make you happy and take you away from the struggles of everyday life.
The familiar influences of classic and modern Finnish heavy metal (Nightwish, Beast in Black, Sonata Arctica, Wintersun etc) are present in the Everfrost sound, however the band’s trademark wintery style combined with elements from non-metal genres such as eurobeat, dance pop and anime music bring a unique freshness to the mix. The result is an addictive cocktail that has proven to find its way into a wide variety of playlists, DJ sets, parties and live events.
Another big reason people fall in love with Everfrost is because of how immersive the band’s universe is. Each album features ongoing stories of a group of characters living in a cursed city, sealed off from the world. The concept is inspired by the ‘secret cities’ experiments established during the Cold War.
The band’s latest full length album Winterider was in particular quite a unique release in the metal world, being a concept album featuring this world and characters in a fully coherent manga comic, following the story and working in tandem with the songs. It received critical acclaim and high scores from multiple well-known metal media outlets such as Kaaoszine, Powerplay Magazine, Bravewords Magazine and Tuonela Magazine. “9/10 The next great power metal band.” –BRAVEWORDS
The album also made it to Disk UNION Japan’s top 10 charts for two weeks, charting at number 1 for the first week. The band also won Tuonela Magazine’s ‘best new discovery’ award for 2019.
While the music may sound energetic and cheery, the lyrical themes are usually dark, melancholic and vulnerable, dealing often with escapism through fantasy and entertainment, death and loss, social isolation and hardship. These feelings and ideas are manifested in the stories and characters, however the core inspiration stems from how cruel and cold the real world can be at times. This combination of happy music with sad lyrics empowers listeners in whatever stage they are going through or have been through in their lives.
The band features keyboardist and songwriter Benji Klint-Connelly, guitarists Samuli Heiskanen and Joose Ylianttila, bassist Roi Partanen and drummer Jope ‘James’ Salminen. Past members have included vocalists Hew Wagner and Mikael Salo (Thy Row, Dyecrest). The band has also featured and worked with many other esteemed musicians such as Rob Lundgren (Mentalist, Reveal), Yannis Papadopoulos (Beast in Black), Asim Searah (Damnation Plan, ex-Wintersun), Sara Strömmer (Shereign, ex-Fear of Domination) and Bini Silvennoinen (Blame Me!).
Today, TERMINA hasreturned with a new slab of modern metal, in the form of standalone single,“Translucent” – featuring guitarist Nik Nocturnal (who also handled other instrumentals), vocalist Andy Cizek(Monuments, Makari, WVNDER), and drummer Chris Turner (Oceans Ate Alaska). Mixed and mastered byZakk Cervini (Bring Me The Horizon, Motionless In White, Coheed And Cambria, etc), “Translucent” is streaming now on Spotify, with the mind-bending, AI-generated video available for viewing here:
Nocturnal comments: “‘Translucent’ is the start of a brand new era for TERMINA. We took everything that we and our fans loved about our first album, ‘Dysphoria‘, and used that as the foundation for this new song – but, we cranked it up to an 11 for this release: we decided to enlist a real drummer, Chris Turner (Oceans Ate Alaska), and get a professional mix/master from Zakk Cervini. The resulting single is pure insanity, plus catchier and heavier than ever before. There’s no question we’ve built the ultimate Modern Metal team for this one.”
Regarding the song’s theme, Cizekadds: “‘Translucent’ is about being at war with yourself, feeling stuck in time, paralyzed by your own mind.”
TERMINA are re-defining modern metal. In the (very) recent past, the catchall genre has managed to catch the dregs of all of metal’s worst stereotypes for a homogenous sound less modern and more meh. In the hands of Nocturnal, Cizek and Turner, the tenets of metal’s newest subgenres become redefined. Metalcore, djent and deathcore are the true triumvirate of modernity, and combining them in fresh ways with a solid pop sensibility keeps it fresh, invigorating and truly progressive.
Stay tuned for more news about TERMINA coming soon!
PHOENIX – Every once in a blue moon an amazing soul comes along who is a true connector in a community. Jonah Foree (Ikonoklast, Goth Brooks, HARDWIRE) was not only a multi-talented artist but also had the kind of heart that brought people together.
Foree approached Natasha “Tash” Cox from AL1CE and Mankind is Obsolete with lyrics that he imagined her voice on in the year AL1CE was formed, 2011.
Foree was admitted to the hospital on November 5, 2021, and sent home at the end of January 2022 when another surge of COVID-19 hit the hospitals. On February 17, he passed away surrounded by loved ones.
In honor of Foree, AL1CE put together the music and a lyric video that feature pictures taken by talented AZ photographers who capture special moments that exemplify Foree’s beautiful spirit.
The proceeds for the digital sales of the song will be donated to the Foree family to help them with their loss: Buy the Song Here
Jonahcoplyse – Memorial Show in Mesa, AZ
“Drown” will be performed at the Jonahcolypse show at the celebration of the life of Jonah Foree and benefit for his family at Nile Theater tomorrow, March 26th.
There will be a raffle that will go towards helping out Jonah’s family as well through this terrible time.
Tickets are only $10 & you can grab one now or at the door.
Here is a message from Tash that goes into detail about how this song came about:
“When I found out about Jonah’s passing, I went through every message we had exchanged, remembering this amazing person I was so lucky to call a friend and someone I admired and respected deeply. One of the things we bonded over was our shared love of words as lyricists. Jonah was a true poet through and through with a beautiful heart to match. In the year that AL1CE formed, he sent me lyrics that he heard my voice on.
I think one of the mysteries of art is that sometimes an artist can tap into a message that transcends time. Somehow his words feel like he was speaking directly to us now. In the weeks that have followed since Jonah passed, I am reminded of the gift that music is and how healing it can be.
Jonah left us a gift to help us process his passing, and while it was really emotionally hard to sing it for the recording, I’m also so grateful to have had this song to create. AL1CE made the music around Jonah’s beautiful words in honor of our dear friend that we’ll be performing at his memorial show this Saturday. The proceeds of the song will go to his family with all our love.”
Los Angeles – Billy Howerdel, the critically-acclaimed songwriter and multi-instrumentalist behind A Perfect Circle, makes his highly-anticipated solo debut with a Feb. 23 performance at #Happens Las Vegas.
The outing gives fans their first taste of the Howerdel’s forthcoming, as-of-yet unannounced album, with the collection’s first single, “Poison Flowers” (pre-save here), slated for a March 4 release via Alchemy Recordings/BMG.
A teaser for “Poison Flowers” can be viewed above and here
“This new album was birthed while on tour with A Perfect Circle. A weird blend of confidence, vulnerability and mortality urgently compelled me to write a letter of sorts in the form of an album,” explains Howerdel. Joining Howerdel for the live outing are Josh Freese (Just Google Him), Danny Lohner (Nine Inch Nails), Kaela Sinclair (M83), and Kevin Maher (Fake Shark).
#Happens is an organically driven, rock and alternative new music experience that brings together artists, radio programmers, label executives, and streaming experts over a three day conference that encourages thought-provoking conversations and dynamic performances against the colorful backdrop of downtown Las Vegas. Howerdel’s performance is part of the opening night party, which is open to the public, with tickets available here.
Photo courtesy of Billy Howerdel
Billy Howerdel has perhaps one of rock music’s most well-rounded and interesting resumes. Growing up in West Milford, New Jersey, he spent hours listening to WLIR emanating out of Long Island, New York. Lying in bed, he would scribble down playlists and then scout out the records he loved in stores, among them The Cure, Echo and the Bunnymen, Dead Kennedys, and Elvis Costello. However, it was the experience of seeing Pink Floyd at Giants Stadium that triggered his lust for finding a way to work in the music industry.
Howerdel initially racked up experience in stage lighting, working for almost any band or theater production that would ask, while at the same time devoting the rest of his free time to practicing guitar. A few years of work led to a chance meeting with Fishbone, a move west and quickly becoming a sought-after road and studio tech, working with David Bowie, Guns N’ Roses, Nine Inch Nails, and oh yeah, being roommates with Tool’s Maynard James Keenan. It was that friendship that birthed the multi-platinum alternative rock supergroup, A Perfect Circle.
