Don’t let the name fool you – anyone familiar with legendary South Texas metalcore act SCARLETT O’HARA knows that their name may be dainty but that’s where any trace of delicacy disappears, as evidenced by the band’s first single in three years, “Friction.”
“Growth is commonly seen as a good thing, but oftentimes, the road to get there is harder than we expect,” says guitarist Logan Burns. “‘Friction’ is about that road. It’s about the difficult path to your goals, the constant obstacles in your way, and the incredible people that you meet along the way. We hope that ‘Friction’ will help people with identifying their unique struggles associated with growth and inspire them to endure.”
Formed in 2008, SCARLETT O’HARA has pushed the metalcore genre further with a high-paced signature style, now known as South Texas Metalcore, an unrelenting barrage of sound that evokes images of being kicked in the face by an angry bull.
After the release of their highly praised 2010 Rise Records debut Lost in Existence, the McAllen, TX-based band went on hiatus, finally regrouping for the 2018 release of their sophomore album, Welcome Back To The Brodeo. The critically acclaimed album debuted on several US Billboard charts including: #19 Hard Rock Album Sales, #20 HeaterSeeker Albums and #1 Heatseeker (South Central), as well as #25 on the iTunes Metal chart for its release week.
The band has most recently teamed up with Grammy nominated producer Erik Ron (Godsmack, Panic! at the Disco, New Years Day) to deliver another molten slab of pure platinum rock in “Friction.” Stay tuned for more new music from SCARLETT O’HARA!
Los Angeles – Puscifer unveil the next chapter in the saga of desert dwelling scamp Billy D with the psychedelic, alien-infused mini film for “Bullet Train to Iowa“. Watch it here.
“The ‘Bullet Train to Iowa’ video is sort of a bridge between the Money $hot Live at the Mayan Theater performance (“Billy D and the Hall of Feathered Serpents”) and the Existential Reckoning Live at Arcosanti performance,” explains Maynard James Keenan. “Kind of like what ‘Rogue One’ is to the Star Wars films, but without the Storm Troopers and snarky robots.”
The clip was created by longtime Keenan collaborator, Meats Meier. Meats’ work with Puscifer spans the band’s history, from the band’s debut video, “Queen B”, which saw the introduction of the group’s de facto mascot of the same name, to the special-ops laced “Dozo” video, and most recently, the prescient “Apocalyptical” clip, which features the visual wizard surfing the pandemic-swept streets of Los Angeles. “Bullet Train to Iowa” also features a subtle nod to Money $hot, with the cowboys featured on the album’s cover, serving as bartenders in the newly released footage.
“Bullet Train to Iowa” comes from the band’s recently released album, Existential Reckoning (Alchemy Recordings/BMG). The 12-song collection, featuring artwork from Daniel Martin Diaz, has received widespread praise with Variety saying “…the airily hypnotic electronic rock…works…brilliantly,”Stereogumdescribing the music as “darkly playful,” and Revolvernoting “you’re highly unlikely to find another album that explores the fear and loathing of our uncertain times in as chill a fashion as the latest from Maynard James Keenan’s art-rock outfit Puscifer.” Download and stream the album here.
Meats Meier-Created Video Follows BillyD’s Journey from Arcosanti to The Hall of Feathered Serpents
Watch the “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” trailer here:
Puscifer Performs Money $hot in Its Entirely on Apr. 17
The band’s next visual offering arrives April 17, with the global streaming event, “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer”, a performance that sees Puscifer build upon their Luchador-infused performances surrounding the 2016 album, Money $hot (which will be played in its entirety). The production highlights Puscifer’s unique marriage of music-meets-theater, having seen the touring incarnation hailed as “extraordinary” (Kerrang!), “stunning” (Loudwire), and “a modern blend of ‘Saturday Night Live’ and ‘Monty Python’s Flying Circus’” (Relix).
Los Angeles’ historic Mayan Theater, a 1920s era revivalist theater featuring original artwork by Mexican painter and sculptor Francisco Cornejo, serves as the backdrop to the one-time outing. The elaborate cultural landmark, with its jaw-dropping Mayan calendar infused chandelier and a lobby dedicated to the bird-meets-reptilian deity Quetzalcoatl, gave birth to the performance’s title. “While looking both forward and backwards, we stumbled into The Hall of Feathered Serpents,” explains Mat Mitchell. “The perfect site to pay homage to the Money $hot album and tour.”
Purchase tickets to “Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer” livestream event here.
Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of three full-length studio albums—“V” is for Vagina , Conditions of My Parole , and Money Shot —in addition to a series of EPs and remixes.
Beyond the core trio of Maynard James Keenan [vocals], Mat Mitchell [guitar, production], and Carina Round [vocals, songwriting], the group’s ever-evolving ecosystem encompasses Greg Edwards (bass, guitar, keys), Gunnar Olsen (drums), as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more.
Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first utilized the name “Puscifer.” In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.”
Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores. They’ve brought this to life everywhere from Coachella to Bonnaroo. On their debut for Alchemy Recordings/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.
Los Angeles, CA — What is “Trouble“? It’s Jane N’ The Jungle‘s new, stunning and in-your-face rock song out TODAY! These Phoenix, AZ natives won’t be silenced in any regard and have proven to be a powerhouse in the music world making their mark with “Animal” and “Lucky 7“, which are both still gaining attention. Watch “Trouble” here:
Jane N’ The Jungle is Jordan White, who leads the way with her intense and memorable vocals, while Brian Dellis belts out his crunchy licks on guitar and “Big B” hits you hard on bass.
White says, ““Trouble” exemplifies the influence of other people’s perception of you that attracts trouble based on false assumptions of your own personal traits and past experiences.” She also states, “We wanted to write a song that embodied our live performance energy and rock ‘n’ roll vibe and to give listeners a record with our passion and excitement that we have in our show performances.”
“Trouble” was produced by Super Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter). Video was produced by Jim Louvau and Tony Aguilera.
Jane N’ The Jungle Is:
Jordan White – Vocals Brian Dellis – Guitar Big B – Bass
New England-based extreme metal quintet AVERSED has revealed a video for the scientific-inspired track “Laboratory” from the band’s upcoming release, Impermanent. Watch the video for “Laboratory” today via Toilet Ov Hell or here:
“‘Laboratory’ turns self-reflection and actualization on its head, discussing the consequences of ignoring and exploiting the natural world for our own gain regardless of its spiritual or intellectual benefit,” says drummer Jeff Saltzman. “In this interconnected world, we sow the seeds of our mechanized destruction if we only look inward rather than aim to help others.”
“Laboratory” was inspired by Saltzman’s own time working in a biology laboratory and its effects on the world outside of the lab. “Despite our cutting-edge research, we weren’t helping a soul,” he says. “What’s the point? ‘Laboratory’ is my criticism of the pursuit of scientific progress just for the sake of progress.”
Aversed’s Impermanent is set for release on March 19. Mixed and mastered by Christian Donaldson (Cryptopsy, The Agonist, Shadow of Intent), Impermanent illustrates Aversed’s unique approach to songwriting with nine diverse compositions full of catchy hooks and vast melodies. Aversed offered fans a glimpse of the album last month with a video for the title track.
Pre-orders for Impermanent are available here. In addition to the album, a variety of bundles are also available, as well as a brand new t-shirt design.
With the release of Impermanent, Aversed presents a metal experience cultivated of unprecedented beauty and torment. The third release following 2011’s self-titled EP and 2016’s Renewal EP, Impermanent marks a turning point for the New England scene veterans as they pivot from melodic death metal towards a nuanced balance of blackened and orchestral melodic metal.
TV icon David Hasselhoff has recorded a metal song, “Through the Night,” with the two-man metal project CUESTACK, and a Kickstarter campaign to finance the final steps of editing a video and “making-of” documentary on the project is now underway.
The collaboration between Hasselhoff and CUESTACK started in 2018 with many demos and meetings to make what seemed like an impossible idea slowly turn into a reality. As life-long “Hoff‘” fans, CUESTACK had the ultimate goal to create a metal project with the most-watched man on TV showing the world his heavy side. Hasselhoff recorded the track with CUESTACK in 2019 in Vienna where they also shot an epic music video together.
The band’s final mission: Finishing the editing process of the cinematic video that will accompany the song. With a limited budget and schedule, CUESTACK shot the entire video with Hasselhoff in just one day, using smaller versions of the sets than originally planned. To turn their retro Sci-Fi/Cyberpunk vision into reality, a massive post-production effort is needed now to extend these basic sets into living worlds.
Kickstarter Campaign Now Underway
All Kickstarter contributions go directly into financing those final steps. Aside from providing digital downloads, Hasselhoff fans can pre-order special “Through the Night” box sets, which include a Digipak CD, eight-page booklet with liner notes, printed high-quality autograph card, poster, “Through the Night” baseball cap and custom leather bracelet.
When the worlds of eccentric lighting/VFX designer Martin Kames and shred guitar content creator Bernth Brodträger collide, explosive music and art manifest in the form of CUESTACK. An unmistakable blend of metal and electronic music with well established sonic trademarks is the result, paired with an industrial, dystopian corporate identity that is ever-present in the band’s cinematic music videos and artworks.
Lost Symphony, the classical-metal ensemble headed up by multi-instrumentalist and producer Benny Goodman with a host of accomplish guest musicians, has released the third single from their upcoming Chapter II album – a track entitled “A Murder of Crows,” was inspired by the memory of late guitarist Oli Herbert, who was an early contributor to Lost Symphony.
During the funeral for the All That Remains guitarist nearly two years ago, a group of crows were said to have collective above the gathering. “It was often thought that a large group of crows decided the outcome of other birds,” Goodman says. “A large gathering is called a murder of crows and was often an omen of bad things to come.”
“A Murder of Crows” features guest appearances by guitarist Jon Donais (Anthrax, Shadows Fall) and Jimi Bell (Autograph, House of Lords).
“Working with Lost Symphony was such a blast for me,” says Donais, “It’s an honor to play on a project with some of the best heavy metal and rock guitarists out there. This is a must for anyone who loves shred guitar!”
Just months after Lost Symphony raised the bar on classical-infused metal with their debut, Chapter I, the ensemble has returned with a new single, “Conflagration,” from the upcoming Chapter II (set for release on October 16).
Primarily composed before, yet eerily perfect for the age of the Pandemic, the eight-track opus of Chapter II strains beauty through aural apocalypse. The collective founded by multi-instrumentalist and producer Benny Goodman and comprising his brother Brian (compositions, arrangement), Cory Paza (bass, guitar), Kelly Kereliuk (guitar), Paul Lourenco (drums), and Siobhán Cronin (violin, viola, electric violin) has once again welcomed a revolving cast of virtuosos to join them for the next phase. This installment includes Marty Friedman, David Ellefson, Jeff Loomis and many more.
The album’s first two singles, “Conflagration” and “No Exit,” feature performances by Oli Herbert, Matt LePierre and Conrad Simon, and David Ellefson, Jeff Loomis and Marty Friedman, respectively.
Lost Symphony was set in motion when Benny Goodman invited guitarists Kereliuk and Simon to add another dimension to the classical demo he had composed. An early recording of “Leave Well Enough Alone,” which appears on Chapter II, made its way to All That Remains co-founder and guitar hero Oli Herbert, who quickly jumped aboard as a chief collaborator. Upon arrival, Chapter I immediately received widespread critical acclaim. Metal Insider described it as “the great collision between metal and classical music,” and BraveWords claimed it has “taken the scene by storm.”
LOS ANGELES – It’s not often that a song can make you feel lucky, unless you’re Jane N’ The Jungle from Phoenix, AZ, who are back with their infectious new song “Lucky 7”, releasing October 2, 2020. It’s the follow-up to their killer track “Animal”, continuing to get attention.
Jane N’ The Jungle is Jordan White, leading the band with her powerhouse vocals, Brian Dellis flame throwing on guitar and “Big B” slaying on bass.
White says, “Lucky 7” was written about a night the band had while playing a show in Las Vegas and hanging out at Longhorn Casino in East Vegas. It’s a free-spirited song that captures one of the band’s favorite memories.”
“Lucky 7” was produced by Grammy Award winning Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter).
Ingridi Verardo just released her second single, entitled “Read Between The Lines“, which features the guest vocals by Daniela Serafim (Autopse, Monster Side Project). This track will be featured on Imperfection, her debut album which should released until the end of the year and will feature Samurai da Silva (As Do They Fall, Super Sonic Brewer) on guitars and bass, and Kelvin Salvetti (As Do They Fall, Black Adder) on drums.
About the single Ingridi said: “It has something much more personal than the previous song. As can be heard on ‘28 Days‘, I am proud of my scars but in this one, talking about a ‘relationship’ that existed and didn’t exist is much more difficult because I’m not used to share these stories with anyone. ‘Read‘ is a mix of good memories, but also recurring thoughts of how I wish that distance didn’t keep us that far from each other and it didn’t have a double life.”
Imperfection alludes to the fragility and experience of recording an album for the first time. In addition to the singles “28 Days” and “Read Between The Lines“, the album will have a total of eight tracks and will address personal themes from Ingridi’s life, with a sound inspired by her influences that include symphonic metal, anime tracks, opera and musicals.
The album is being produced by Roger Fingle (Blood Tears, Seduced By Suicide), who commented: “I am sure that in the beginning Ingridi didn’t have much of an idea of how hard it would be to record an album with this quality and how much I would push her. Despite that, unlike many other bands, no matter how emphatic I am, she doesn’t get offended with my criticism and she truly tries to understand what is wrong and she always comes back better for the next recording session.”
Philadelphia’s Model Prisoner recently released their politically-fueled debut EP Piss Universe, a mélange of metal, hardcore, and hip hop. In addition, Metal Injection unveiled the music video for their title track – a song about our society being a hot mess like a f*cked up beauty pageant where fake images and lies prevail, corruption rules, and it’s all just a game about money. Also, Model Prisoner’s bloodline includes influential bands such as Nowhere Roads, Swarm of Arrows, and Label the Traitor. Watch the “Piss Universe” video here.
Piss Universe was engineered, mixed, and mastered by rapidly rising producer Wyatt Oberholzer (Year of the Knife, No Option, Fixation, Struck Nerve) at The Knife Lair in Philadelphia, PA. Additional production and beats were provided by Jack Mickelson. The duo consisting of Keats Rickard and Jay “Lanky” Mallory tracked with Oberholzer in staggered sessions across a few months during quarantine. Influenced by the current state of our country, the result is explosive music with violent vocals and angry lyrics.
Their debut EP Piss Universe was released on August 28, 2020 and is available everywhere for streaming and download via Bandcamp with a vinyl release planned for the fall.