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REVIEW: Primus, Puscifer, & A Perfect Circle Perform The True Sessanta Celebration for Maynard’s Official 60th Birthday at Talking Stick Resort Amphitheatre (4-16 & 17-2024)

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April 16 Setlist | April 17 Setlist

PHOENIX — Not everyone can invite thousands of people to their birthday party, but that is exactly what Maynard James Keenan did for the “Sessanta” (Italian for “60”) concert held at Talking Stick Resort Amphitheatre. He turned the stage into a “house party”, complete with living room sofas on the drum risers, ping pong tables, and Rock ‘Em, Sock ‘Em Robots, too! When the party guests are musician friends, a jam is inevitable. Fans were treated to a revolving mix of Puscifer, A Perfect Circle, and special guests Primus.

Unlike the prototypical concert, there was no opening act and there was no headliner. This was a party of contemporaries taking turns at the helm and then joining together like alchemists creating something new. The comical video intro to the show promised Puscifer, Primus, A Perfect Circle, Primefer, A Primus Circle, A Pusifect Primcle, and A Prifmect Puscicle!

The focus was the music. The sound was fantastic, arguably better than usual for this venue. The musicianship was flawless and the songs showcased the songwriting prowess. However, at times, the visual experience was disconcerting. The video feed was continually ‘artsy-fartsy’ with overlays of two separate video feeds infused with motion and tilt. This was obviously intentional and maybe it was supposed to mess with your head and keep you focused on the live show instead of watching TV! The issue that led to watching the video screens, however, was because there was very little front lighting on the performers.

The light show in the background was a marvelous cacophony of color palettes and dynamic design, but the people in the lawn may not have even noticed Keenan’s black eye make-up on his shadowed face. Not to mention that the videographers did their damndest to keep from showing the reclusive Keenan on the ‘jumbotrons’ at all…presumably since they would be fired if they focused on him.

Maynard James Keenan
Maynard James Keenan (Vocalist), A Perfect Circle & Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

A Perfect Circle

A Perfect Circle kicked off the 30-song ride by delivering “The Package,” “Disillusioned,” and “The Contrarian.” Keenan chose a three-piece black suit and a buttoned-down white shirt from his diverse selection of guises to complement his sculpted blonde mohawk. This outfit was befitting the ‘most interesting man in the world’ and could easily transition from his day-job of running a successful winery to bringing a touch of class to his night on the stage. By his side since the inception of the band, a quarter century ago, was guitarist/composer Billy Howerdel, who still looks exactly the same after all these years. Plus he is still playing the Cinnamon Burst Gibson Les Paul that is part of the signature sound of the band.

Billy Howerdel
Billy Howerdel (Guitarist, Vocalist), A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

Sessanta had a two-evening engagement in Phoenix. On Tuesday, Keenan was 59-years-old. On Wednesday, he was 60. His voice still sounds like it’s in its prime! Each stanza harkened back to the creepy “Sober” video by Tool, when much of the world was introduced to his iconic vocal sound in 1993. From the haunting ‘mello, dramatic’ melodies to the gritty howls of angst, there was no doubt that he’s still got game.

Primus

A Perfect Circle brought epic songs, but the beats per minute multiplied once the screens announced Primus. The elevated drum stage extended from stage left to stage right and all three drum sets were mic’d and ready to go. Primus kicked off their first set with “Those Damned Blue-Collar Tweekers,” followed by “Too Many Puppies,” “Sgt. Baker,” and “Follow The Fool.” There was definitely no time to go get a beer between bands.

It was most certainly Keenan’s night, but if there was a close second, Les Claypool nearly stole the show. His bass playing is a master class in technique, proficiency, and feel. There is something about this band that shouts that there are no fucks given for them trying to fit into the mold of any genre of music…and it works. Claypool’s voice and melodies are like a brilliant comedy and grinning at his delivery is contagious.

Puscifer

In the dark moments after the last Primus song, the musicians playing on center stage rotated once again. As the lights reignited, the sonic curtain was infused with synthesized textures and the continuous male/female vocal harmonies of Puscifer.

Carina Round
Carina Round (Vocalist), Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

Carina Round brought a feminine aesthetic to the party dominated by the boys and she was amazing. When she wasn’t in flight across the stage, choreographed with Keenan’s moves, she was playing the pads of a Waldorf Iridium synth and morphing the sounds on the touchscreen. This short first set included “Galileo,” “Tiny Monsters,” and “Indigo Children.” Guitarist Mat Mitchell stayed on the left side of the stage with a reserved swagger and elevated the heavy moments with rock riffs and solos from his star-shaped Kiesel.

And So It Went…

The revolving cast of characters continued throughout the evening. Each band played three sets and included top songs from their catalogs such as “Jerry Was A Racecar Driver” from Primus, “The Remedy” from Puscifer, and “Weak And Powerless” from A Perfect Circle. Nobody seemed to ever go to the green room when they weren’t playing. “Back stage” were the two the couch areas next to the three drum sets, and musicians would either just hang out there, or from time to time play ping pong down stage while waiting for their turn in the limelight.

Carina Round and Maynard James Keenan
Carina Round (Vocalist) & Maynard James Keenan (Vocalist), Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

There was only one brief 10-minute intermission, and even that proved to be entertaining with a video of Keenan made up to look way older than 60 and dressed in a hospital gown while breathing through a nasal cannula. Throughout the intermission, his character would fall asleep in the green-screen hospital room only to be awoken by the countdown announcing each minute left of the break. You come to expect Keenan’s humor after naming his wine “Merkin” and his band Puscifer, but his dad jokes as this old man really made you roll your eyes. “What did the pirate say when he turned eighty?…Ay matey”, “Why are rock stars so cool?…They have lots of fans,” and many others. You can watch this character in the promotional videos for the concert for more corny humor.

Claypool was wearing a Pinnochio nose to compliment his familiar round glasses and derby cap as Primus wrapped up the preliminary rounds of music with the epicly plodding “Southbound Pachyderm.”  Then Keenan came on stage to interject that this is what it’s like to be 60! The enthusiastic crowd cheered and wished him a happy birthday. The next three songs were introduced as the new material from the Sessanta E.P.P.P (presumably more humor derived from being an extended play (EP) of Primus, Puscifer, and [A] Perfect Circle (P.P.P). This EP was available exclusively online or at the merch booth. Many fans were carrying around their purchased copies.

Maynard James Keenan
Maynard James Keenan (Vocalist), A Perfect Circle & Puscifer
Photography:
Rodrigo Izquierdo © All Rights Reserved

Each of the songs were slow, starting with piano-driven “Kindred” by A Perfect Circle with deep lyrics about dealing with death. Next up was “No Angel” by Puscifer, which spotlighted Mitchell with tasty guitar accents and the angelic voicings of Round reverberating in the background. The Primus song, “Pablo’s Hippos” was electric, and the subwoofer synth parts seemed to be emanating from inside your head instead of from the speakers! Guitarist Larry LeLonde was shredding on a two-neck Gibson SG reminiscent of Jimmy Page and Keenan guested as the lead singer with a few harmonies in injections from Claypool. Claypool also made several appearances throughout the evening playing a beautiful upright bass while wearing a pig mask.

Matt McJunkins, A Perfect Circle
Matt McJunkins, A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

In addition to  crew videographers positioned in the photo pit, some unusual camerawork sights included: the video camera attached to a massive jib arm sweeping across the stage, emphasizing the grandeur of the occasion throughout the night, and drone cameras buzzing almost playfully over the lawn crowd. This no-doubt assured everyone that the experience would be captured in high quality. A good thing too, since cameras were otherwise strictly forbidden for this show, as is customary at Keenan’s concerts. Those caught disobeying would be ejected from the concert and ‘turned into the special ingredient of Spam’ – Keenan’s humor shining once more. However, for this one last song, fans and press photographers alike were finally permitted to indulge their need to shoot. He articulated the rule that lights and flash must not be used, and he quipped to “consult a 9-year-old if you don’t know how to do that”.

Primus, Puscifer, A Perfect Circle
Primus, Puscifer, & A Perfect Circle
Photography:
Rodrigo Izquierdo © All Rights Reserved

The culmination of the two nights of celebration was the full cast hitting the stage together for a monumental version of Puscifer’s “Grand Canyon.” The melody took on modes of distant cultures and the three drummers amplified the tribal feel.

It was a great night of reminiscing with the eclectic mix of songs that abruptly came to an end, Keenan passing out fist bumps to everyone on stage who made his birthday party spectacular. We hope he will come back for “Settanta” when he turns 70!

April 16 Setlist | April 17 Setlist

Photo Gallery

Photographer: Rodrigo Izquierdo

Sessanta: Primus, Puscifer, A Perfect Circle – Talking Stick Resort Amphitheatre 4-16-24

Photography © Reagle Photography
All Rights Reserved

Exploring Fire Sale: A Dive into Punk Rock’s Newest Supergroup and Their Evocative Singles

Shockingly, punk rock as a genre has few supergroups – its own Traveling Wilburys or The Highwaymen (or The Highwomen, for that matter) – but it finds one in Fire Sale. The five-piece group consists of Pedro Aida from ShotClock and The Iron Roses on vocals, Chris Swinney from The Ataris on lead guitar, Matt Riddle from Face To Face and No Use For A Name on bass guitar, Brad Edwards from Weaver Street on rhythm guitar, and Matt Morris from 41 Gorgeous Blocks on drums. The band has three previous EPs: Fire Sale in March of ‘21, A Fool’s Errand in November of ‘22, and Long Overdue in July of ‘23. Now, they are back with a new single “The Albatross,” which was released by Negative Progression Records on February 9. 

Stream “The Albatross” here

Exploring “The Albatross”

While so much of punk is about youth, “The Albatross” is about the things you have to deal with as you get older. In this case, the concern revolves around the safety of one’s children. The world is an increasingly cruel place. Far too many kids who already feel like outcasts go to school every day, and instead of being greeted by love and acceptance, they are subjected to bullying from the kind of kids whose parents were bullies. This mentality is perpetuated throughout the generations. Struggling with fear, they find it difficult to maintain good grades and often resort to substance abuse as a means to numb their pain. 

As I listened to the song, I couldn’t help but think of Nex Benedict. They were the nonbinary Oklahoma teen who died on February 8 – the day before this single was released – after being assaulted and beaten in the bathroom of their high school. If an albatross is a continuing problem that makes it impossible to achieve something, then violence against children is the albatross that threatens to pull down the next generation. 

The Albatross single artwork
The Albatross single artwork (click to enlarge)

About The B-side: “I Remember Damage”

The B-side track is so good the single should be thought of as a double-A side single. “I Remember Damage” is no throw-away track. It begins not with a note but with a cracked voice of a woman saying “My memories are the same as yours…” The voice is haunting almost, like a faint radio transmission, pleading for someone, anyone, to listen. She fumbles through her message, struggling to articulate her thoughts while processing her emotions. It feels like a lonely plea for connection. The first notes of the song show the group members melodic-punk pedigree and has an early-80’s ska feel, like a recently unearthed outtake from the first Police album. 

Within seconds, the song shifts into a high gear with driving power chords. “‘I come in peace,’ is what you said/we never seem to move on.” Was the woman’s voice the voice of the person Pedro Aida is referring to? Perhaps a relationship that should have never begun and yet persisted, dragging both people down with it, as if they were fated to destroy each other instead of moving on.  “What do you say? What do you say?” hints at a relationship where there’s plenty of talking but not much listening.

Whether depicting a lingering, unhealthy relationship or the broader theme of feeling lost and damaged, the song resonates. The chorus of “We’re just damaged goods” could feel sad if it wasn’t sung with such a feeling of collectiveness: we are damaged, but we are not hopeless. Punk has always been about unity and that feeling of lost, wandering souls finding a place of acceptance, and that’s the heart of “I Remember Damage.” 

Following the three EPs, and now the one-two punch of “The Albatross” and “I Remember Damage” single, I hope that Fire Sale has a full-length album in the works. For now, though, I’ll hit replay on “The Albatross” as soon as “I Remember Damage” fades out, and just enjoy the ride.

Fire Sale online:

Justin Timberlake Returns to the Global Stage with the ‘Forget Tomorrow’ World Tour

Last night on The Tonight Show starring Jimmy Fallon, renowned musician, actor, and entertainer Justin Timberlake announced his first tour in 5 years with The Forget Tomorrow World Tour. 

Produced by Live Nation, the first leg of his global outing will include 22-cities and kicks off on April 29 at Rogers Arena in Vancouver, BC making stops across North America in Seattle, WA; Los Angeles, CA; Atlanta, GA; Miami, FL; Chicago, IL; New York, NY; Boston, MA and more before wrapping up in Lexington, KY at Rupp Arena on July 9.

Additional dates including stops in Europe and the UK will be announced soon. See full ticketing and routing information below.

Get Tickets for All Tour Dates Here

Justin Timberlake 2024 world tour dates
Justin Timberlake 2024 world tour dates

About Timberlake’s New Album – Out March 15

'Everything I Thought It Was' album artwork
‘Everything I Thought It Was’ album artwork

Fans can expect to hear songs from his forthcoming new album Everything I Thought It Was, his latest single “Selfish” out now, and everyone’s favorite hits. Written by Timberlake, Louis Bell (Taylor Swift, Post Malone), Cirkut (Maroon 5, The Weeknd), Theron Thomas, Amy Allen and produced by Timberlake, Louis Bell and Cirkut, “Selfish” is the first taste of solo music from Justin since his 2018 Man of the Woods record.

Justin’s sixth studio album Everything I Thought It Was is out March 15th. Pre-order HERE. This weekend, Timberlake will return to Saturday Night Live as musical guest, making the TV debut of his newly released single “Selfish”.

Justin Timberlake 2024 North American Tour Dates

  • Mon Apr 29 – Vancouver, BC – Rogers Arena
  • Thu May 02 – Seattle, WA – Climate Pledge Arena
  • Mon May 06 – San Jose, CA – SAP Center at San Jose
  • Fri May 10 – Las Vegas, NV – T-Mobile Arena*
  • Tue May 14 – San Diego, CA – Pechanga Arena San Diego*
  • Fri May 17 – Inglewood, CA – Kia Forum
  • Tue May 21 – Phoenix, AZ – Footprint Center
  • Wed May 29 – San Antonio, TX – Frost Bank Center
  • Fri May 31 – Austin, TX – Moody Center
  • Tue Jun 04 – Fort Worth, TX – Dickies Arena
  • Thu Jun 06 – Tulsa, OK – BOK Center
  • Mon Jun 10 – Atlanta, GA – State Farm Arena
  • Wed Jun 12 – Raleigh, NC – PNC Arena
  • Fri Jun 14 – Tampa, FL – Amalie Arena
  • Sat Jun 15 – Miami, FL – Kaseya Center
  • Fri Jun 21 – Chicago, IL – United Center
  • Tue Jun 25 – New York, NY – Madison Square Garden
  • Sat Jun 29 – Boston, MA – TD Garden
  • Wed Jul 03 – Baltimore, MD – CFG Bank Arena
  • Thu Jul 04 – Hershey, PA – Hersheypark Stadium
  • Sun Jul 07 – Cleveland, OH – Rocket Mortgage FieldHouse*
  • Tue Jul 09 – Lexington, KY – Rupp Arena

*Verizon Up Presale Not Applicable

North America Tickets

GENERAL ONSALE BEGINS FRIDAY, FEBRUARY 2 AT 10AM LOCAL ON JUSTINTIMBERLAKE.COM

Tickets will be available starting with a fan club presale beginning on Monday, January 29. Existing Fan Club members will receive a unique code via email for access to purchase tickets. Additional presales including Verizon and Citi (details below) will run throughout the week. The general onsale begins Friday, February 2 at 10 am local time at JustinTimberlake.com.

TICKETS AVAILABLE WITH CITI AND VERIZON PRESALES STARTING TUESDAY, JANUARY 30

  • CITI PRESALE: Citi is the official card of the Forget Tomorrow World Tour. Citi cardmembers will have access to presale tickets for U.S. dates beginning Tuesday, January 30 at 10am local time until Thursday, February 1 at 5pm local time through the Citi Entertainment program. For complete presale details visit citientertainment.com.
  • VERIZON PRESALE: Verizon will offer customers presale access for the Justin Timberlake Forget Tomorrow World Tour for applicable U.S dates through Verizon Up. Customers will have access to purchase presale tickets for select shows beginning Tuesday, January 30 at 10am local time to Thursday, February 1 at 5pm local time. For more details visit Verizon Up.

VIP:

The tour will also offer a variety of VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include tickets in the exclusive VIP Stage Bar section with in-seat service throughout the night, specially designed VIP gift item, early entrance into the venue & more. For additional information, visit vipnation.com

REVIEW: The HU’s Thunderous Finale of the Warrior Souls Tour at The Van Buren (10-26-2023)

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PHOENIX — On a late October evening in Downtown Phoenix, in a venue named for the street it sits next to – Van Buren – an audience gathered to witness an incredible night of musical diversity, and the final stop on the “Warrior Souls” tour. Three dynamic bands would take the stage this evening, bringing the desert night to life with powerful metal riffs and the pulsating rhythms from these unique bands: The HU, Blind Channel, and NERV. The HU is renowned for blending Mongolian tradition and metal, transporting the audience to far off horizons. Finnish nu metal band Blind Channel ignited the stage with incredibly kinetic music, and the hybrid genre band NERV left a lasting impression with their performance. It was an evening where boundaries were transcended, and as a result, the crowd was left craving more.

NERV

NERV performing at The Van Buren
NERV
| Photography:
Rodrigo Izquierdo © All Rights Reserved

NERV bills itself as a genre-bending rock band, which is an apt description, as their music crosses boundaries between emo and metal, and some pop mixed in for good measure. Formed in 2016, the Sacramento, CA-based band is rather new to touring life, as they have only toured three times since forming. They released their first album We’re All Patients Here in October of 2022. However, while newer to the touring life and new to the majority of the audience, the band managed to do something that all openers dream of: win over an audience who has never had any exposure to them. 

Dillon Jones - lead singer of NERV - singing in Phoenix
Dillon Jones (Vocalist), NERV
| Photography:
Rodrigo Izquierdo © All Rights Reserved

Lead vocalist Dillon Jones and guitarist and back-up vocalist Scott Buchanan took turns bantering with the audience, with Buchanan immediately gaining fans by wearing a Steve Nash Phoenix Suns jersey on-stage – unfortunately, the Suns would fall to the Lakers shortly after the NERV set ended – and both Jones and Buchanan made sure there was never a dull moment or awkward pauses during their set. Buchanan brought up the Arizona Diamondbacks’ improbable World Series run, which drew loud cheers. Jones also mentioned that singing karaoke until 2 in the morning was a really bad idea, apparently alluding to an incident earlier on the tour where the group had a little too much fun – if that’s even possible. 

Buchanan and Jones are joined onstage by guitarist Jordan Grokett and drummer Tyler Clark, and the band put together a 30 minute set that was, in short, extremely enjoyable, and left many hoping for more from the group. Jones has vocals that switch from a buttery-smooth emo style to a gritty sound that would fit in well with Breaking Benjamin, as well as other giants of metal. There is a bright future for this band, and if spotted on a bill as an opener, it is well-worth your time to show up early. You will not be disappointed.

Blind Channel

Blind Channel
| Photography:
Rodrigo Izquierdo © All Rights Reserved

Up next was Blind Channel, a Finnish nu metal band that formed in 2013, and represented Finland in the 2021 Eurovision contest. They would finish in sixth place in the competition with their song “Dark Side.” The organizers of the Eurovision contest asked the band not to flip the audience off – something that did happen during this show, with both the audience and the band playfully flipping each other off – as the Eurovision contest is a family friendly show, so to get around this, the band painted their middle fingers red. 

Niko Moilanen (Vocalist), Blind Channel
Niko Moilanen (Vocalist), Blind Channel
| Photography:
Rodrigo Izquierdo © All Rights Reserved

The show started off with “Happy Doomsday,” sung to the tune of “Happy Birthday,” with the band wasting absolutely no time in cranking the energy all the way up to 11 as soon as they started the show off. The band was heavily influenced by Linkin Park, and watching co-vocalists Joel Hokka and Niko Moilanen sing using screams that would have made Chester Bennington proud, it becomes very apparent just how influential Bennington and Mike Shinoda were.

In fact, “Scream” from their 2018 album Blood Brothers was dedicated to Bennington following his tragic passing. The lyrics make it very clear just how much they admired Bennington: “My hero, where did you go?/You still echo deep inside my bonesYou gave a choice to those who wanted to bleed/You gave a voice to those who wanted to scream.” The band also did a cover of “Numb” on video, but the song was never released as a standalone. 

Hokka and Moilanen are joined onstage by guitarist Joonas Porko, bassist Olli Matela, drummer Tommi Lalli, and DJ/percussionist Aleksi Kaunisvesi.

Blind Channel's vocalist Joel Hokka head banging
Joel Hokka (Vocalist), Blind Channel
| Photography:
Rodrigo Izquierdo © All Rights Reserved

The band expressed gratitude for being in town, for being on the tour, and made sure to inform everyone where they came from. The band is known in the EU, but had not made a name for themselves stateside. They call themselves the “Backstreet Boys of the metal scene,” and in fact ended their show with a short singalong to the song “Everybody (Backstreet’s Back),” which may have been a bit confusing to anyone who is unfamiliar with the band and unaware of their nickname. There is a bit of a boy band element with the group, so it does fit, but they are far more than a boy band. 

Blind Channel performing in Phoenix
Blind Channel
| Photography:
Rodrigo Izquierdo © All Rights Reserved

Blind Channel, like NERV, should be a must-see when spotted on a bill. The blast of pure energy and fun that comes from this group had a profound effect in bringing up the energy level of the crowd. You could not help but have a great time with these guys. The stage presence, the interactions, the ability to get the entire room to do what they asked with absolutely no hesitation (at one point asking the entire audience to crouch way down until given the word to go back to normal), were remarkable. It is just genuinely fun music with a band that is very good at what they do.

The HU 

The HU performing at The Van Buren
The HU
| Photography:
Rodrigo Izquierdo © All Rights Reserved

To say the crowd was buzzing, ready for The HU would be a bit of an understatement. The HU (which translates to the Mongolian root word for “Human being”) burst onto the scene in 2016 and has grown steadily in popularity ever since.

They are unique in that they only sing in Mongolian, including their Metallica covers, which are arguably significantly better than the originals due to the depth of sound that the traditional instruments provide, as well as the throat singing that provides a unique sound that builds on the growl of James Hetfield. Part of this success comes due to their extensive touring, including quite a few tours throughout the US. They are relatively frequent visitors to Arizona – frequent, that is, for a band that is based in a country half a world away from the Sonoran Desert. The band visited twice in 2022, once this year, and will undoubtedly be back many more times. 

Enkush (Vocalist, Morin khuur), The HU
Photography:
Rodrigo Izquierdo © All Rights Reserved

The band expands on tour, from the four core members up to a total of eight, which allows them to bring their immense depth of sound to life. The band uses traditional Mongolian instruments and Tuvan throat singing, or Khöömei, as well as the more modern electric guitar and electric bass. 

Temka (Tovshuur), The HU
Photography:
Rodrigo Izquierdo © All Rights Reserved

The core band consists of:

  • Galbadrakh “Gala” Tsendbaatar, the lead vocalist and one of the throat singers, who also plays the morin khuur. This instrument is known as the national instrument of Mongolia and is sometimes called a horsehead fiddle.
  • Nyamjantsan “Jaya” Galsanjamts, another throat singer, who plays the tsuur, an important instrument in Mongolian music culture, as well as the tumur hhuur, which is similar to a jaw harp in the US.
  • Enkhsaikhan “Enkush” Batjargal, who is also a throat singer and plays the morin khuur.
  • Temuulen “Temka” Naranbaatar, responsible for backing vocals and playing the tovshuur. The tovshuur is a handmade instrument with two or three strings and may resemble a guitar at first glance.

The four touring members include:

  • Unumunkh “Ono” Maralkhuu, who plays percussion, tumur hhuur, and provides backing vocals.
  • Jambaldorj “Jamba” Ayush, the guitarist and backing vocalist.
  • Nyamdavaa “Davaa” Byambaa, the bassist and backing vocalist.
  • Odbayar “Odko” Gantumur, the drummer.

The HU played a 15-song set, drawing mostly from their 2022 album Rumble of Thunder, including “Black Thunder,” “This is Mongol,” and “YUT Hövende,” which they dedicated to the indigenous people around the world, but especially to those affected by the Maui wildfire.

Jaya (Vocalist, Tumur hhuur, Tsuur), The HU
Photography:
Rodrigo Izquierdo © All Rights Reserved

The lyrics of their songs are often about war and the old ways, with references to war in the song “Wolf Totem.” The wolf is a sacred symbol in Mongolia, with the Mongols considering them the messengers of heaven, and folklore holds that the great Chinggis Khaan – known to the west as Genghis Khan – came from a union between a wolf and an elk. As such, the song sounds like a war chant, one that would strike extreme fear into the hearts of any unfortunate foe who happened to hear it coming over the horizon, while simultaneously giving the army the ability to run through walls for their leader. 

Gala (Vocalist, Morin khuur), The HU
Photography:
Rodrigo Izquierdo © All Rights Reserved

Throat singing was banned during much of the 20th century by the communist regimes that held the areas that the Mongolians call home due to the fact it was considered “backwards,” and the desire to eliminate all traditions and rituals from a culture before being forcibly assimilated by every communist regime in history. This changed in the 80s, and there has been an explosion of throat singers since the ban was lifted, allowing the general public to once again take part in their traditions. 

There is another layer to the greatness that is The HU: The music videos are absolutely gorgeous, showing off the beauty of the Mongolian steppes, telling an incredible visual and audio story. Each music video, each song leaves you wanting more. 

The same can be said about the shows: they are loud, they are fun, and if you are a fan of metal, you will absolutely have an amazing experience. The show ended with a cover of Metallica’s “Sad But True,” the only song in the encore, and the perfect end to an incredible show. 

The HU performing at The Van Buren
The HU
| Photography:
Rodrigo Izquierdo © All Rights Reserved

The HU and NERV have not yet announced new tour dates, but Blind Channel will spend much of spring 2024 touring Europe. While there are no current tours or local shows announced, it is well worth your while to listen to the catalogs and music videos from these extraordinary bands.

Photo Gallery

Photographer: Rodrigo Izquierdo

The HU, Blind Channel, & NERV – The Van Buren 10-23-26

Photography © Reagle Photography
All Rights Reserved