Tag Archives: Horrorpops

When We Were Young Adds Third Date To Highly Anticipated Festival


The When We Were Young Festival has announced a third date has been added to the highly anticipated fest, taking place on Saturday, Oct. 29, 2022 at the Las Vegas Festival Grounds.

The festival will feature the same lineup on all three dates, with the exception of Alex G replacing Wolf Alice on Saturday, October 29th and La Dispute will not be performing on the newly added date.

The full lineup for October 29th includes:

My Chemical Romance, Paramore, AFI, The Used, Bring Me The Horizon, Taking Back Sunday, Dashboard Confessional, Alkaline Trio, Manchester Orchestra,  A Day To Remember, Pierce The Veil, I Prevail, The Story So Far, Dance Gavin Dance, The All American Rejects, Boys Like Girls, Car Seat Headrest, Sleeping With Sirens, Knocked Loose, JXDN, Avril Lavigne, Motionless in White, Black Veil Brides, Ice Nine Kills, Senses Fail, Bayside, Mom Jeans, Mayday Parade, The Maine, Neck Deep, Silverstein, Palaye Royale, Bright Eyes, Poppy, Nessa Barrett, Wolf Alice, Acceptance, Story of the Year, Atreyu, PVRIS, Saosin, Glassjaw, Lilhuddy, TV Girl, The Starting Line, Thursday, Anberlin, Jimmy Eat World, 3OH!3, State Champs, Four Year Strong, We The Kings, The Wonder Years, Royal & The Serpent, The Ready Set, Kittie, Hawthorne Heights, The Red Jumpsuit Apparatus, The Garden, Horrorpops, Meet Me At The Altar, The Linda Lindas, Prentiss and Alex G.  

There will be a presale beginning Monday, Jan. 31 at 10am PT for fans who sign up for early access to passes online at WhenWeWereYoungFestival.com. Following the presale, any remaining tickets still available will go on sale to the general public beginning Monday, Jan. 31 at 2 pm PT. 

General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older. 

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“When We Were Young” Emo Music Festival Sells Out, Adds Second DatE

Due to overwhelming demand, a second date has been added to the When We Were Young Festival at the Las Vegas Festival Grounds on Sunday, Oct. 23, 2022. Tickets for the new date are on sale now.

The festival will run the majority of the day, from 11am to 12am. There will be multiple stages of varying sizes placed around the festival grounds with several bands performing at the same time. The length of set times will vary. Opening acts will have shorter set lengths while headlining performances can range up to an hour or more. 

Full lineup details including set times and performances by stage will be released closer to the festival. 

The festival will feature the same lineup on both dates, which includes:

  • My Chemical Romance
  • Paramore
  • AFI
  • The Used
  • Bring Me The Horizon
  • Taking Back Sunday
  • Dashboard Confessional
  • Alkaline Trio
  • Manchester Orchestra
  • A Day To Remember
  • Pierce The Veil
  • I Prevail
  • The Story So Far
  • Dance Gavin Dance
  • The All-American Rejects
  • Boys Like Girls
  • Car Seat Headrest
  • Sleeping With Sirens
  • Knocked Loose
  • JXDN
  • Avril Lavigne
  • Motionless in White
  • Black Veil Brides
  • Ice Nine Kills
  • Senses Fail
  • Bayside
  • Mom Jeans
  • Mayday Parade
  • The Maine
  • Neck Deep
  • Silverstein
  • Palaye Royale
  • Bright Eyes
  • Poppy
  • Nessa Barrett
  • Wolf Alice
  • Acceptance
  • Story of the Year
  • Atreyu
  • Saosin
  • Glassjaw
  • Lilhuddy
  • TV Girl
  • The Starting Line
  • Thursday
  • Anberlin
  • Jimmy Eat World
  • 3OH!3
  • State Champs
  • Four Year Strong
  • We The Kings
  • The Wonder Years
  • Royal & The Serpent
  • The Ready Set
  • Kittie
  • Hawthorne Heights
  • The Red Jumpsuit Apparatus
  • The Garden
  • Horrorpops
  • Meet Me At The Altar
  • The Linda Lindas
  • Prentiss

General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older. 

When We Were Young lineup - Sold Out

What health & safety protocols will be implemented for the festival?

The safety of fans, artists and staff is thoroughly planned for among event organizers and in coordination with local authorities.

They will follow all guidelines as set forth by the city of Las Vegas and state of Nevada at the time of the festival. Preventative health measures (e.g. proof of negative COVID-19 test or full COVID-19 vaccination, etc.) may be required for this show. Details of any necessary measures will be communicated as early as possible and will be shared on the event/venue website and social media channels.

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REVIEW: Horrorpops Deliver Psychobilly Rock from Denmark to a Sold Out Nile Theater (2-1-20)

Mesa, AZ — Hailing from Denmark with a sound that blends punk and rockabilly into something wholly unique, Horrorpops steadily built a following over the course of their three albums in the mid-2000’s (2004’s Hell Yeah!, 2005’s Bring It On, and 2008’s Kiss Kiss Kill Kill). Just as they were reaching their apex, the band went into a period of inactivity. They released no new albums, and aside from a few shows here and there, they didn’t even play live that often. While the band may have gone on a brief hiatus, it didn’t stop their fan base from growing. With the announcement of a new tour, shows instantly began to sell out, and one of those sold out shows was Nile Theatre (“The Nile”). Kicking off the previous night in San Diego, The Quakes and Franks & Deans will accompany the Horrorpops for the entirety of the 13-date tour. 

Robert DeTie (Vocalist, Bassist), Franks & Deans
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Franks & Deans

We’re Franks & Deans, and we’re here to fuck up your grandmother’s favorite music!” Wearing matching tuxedo t-shirts and playing matching sea-foam-colored instruments for a set comprised of punk covers of old standards (okay, and the theme song to the 1967 Spider-Man cartoon), Las Vegas’ Franks & Deans opened the night. Comprised of bassist Robert DeTie, guitarists Hoss and Sampson, drummer Cam Callahan, and burlesque dancer and hula-hoopist Nickole Muse, they were an immediate shot of adrenaline the moment they came through the door. 

Nickole Muse (Burlesque, Hula Hoop) with Franks & Deans
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Their sound – two parts punk and one part bar band – started the show off with the exact right kind of fun party music atmosphere you’d want on such a night. While their set may have been built around songs from the various classic Vegas performers. “This next song is by my favorite member of the Rat Pack: Mike Ness!” The Social Distortion’s frontman’s misattribution as a member of Sinatra’s Rat Pack was a running joke throughout their set, with other Rat Pack “members” including The Reverend Horton Heat and Dead Kennedys’ Jello Biafra. As they mentioned during the closing of their set, they have a regular Wednesday night Weenie Roast residency at Double-Down Saloon in Vegas. For any AZ residents who find themselves visiting Sin City mid-week, it’s a worthwhile stop. 

Franks & Deans, Nickole Muse (Burlesque, Hula Hoop)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

The Quakes

Fronted by founding member and guitarist Paul Roman and backed by slap bassist Wes Hinshaw, and drummer Juan Carlos, Arizona’s own The Quakes played second. Thirty-year veterans, the band’s sound can best be described as neo-rockabilly. Roman played with the furious intensity of Johnny Ramone from the Ramones classic-era. If Roman’s guitar is punk-rock fury, then the rhythm section of Hinshaw and Carlos served as the perfect anchor, both keeping pace and holding the track together. 

The Quakes
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

From their blistering take on the Stone’s “Paint It Black” to open, their 13-song, 30-minute set was a musical buzzsaw. “I Miss You” by the band’s 2005 album Psyops drew a huge crowd reaction. The Quakes have a three-prong attack and seem to intuitively feed off of each when they’re on stage. 

Juan Carlos (Drums), The Quakes
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery


With the stage set up with white sheets and assorted decorative skulls, you could feel the building excitement for the Horrorpops. With a legitimate max capacity crowd of long-time fans, many of whom were seeing the band for the first time, anticipation built to a fever pitch just as the lights went black. The reaction from the audience to darkness alone is the kind of pop some bands would kill to have. Henrik Stendahl was out first, taking his place behind the drums. He was quickly followed by guitarist Kim Nekroman, looking cool as ever. Arriving last, you realize immediately exactly what kind of icon Patricia Day has become, as she was greeted like psychobilly royalty. 

Patricia Day (Vocals, Standup Bass), Horrorpops
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Picking up her massive stand-up bass, adorned with buzzards and a black skull and crossbones, and went right into “Julia” off of Hell Yeah! One crowd favorite was followed by two more: “Thelma and Louise” from Kiss Kiss Kill Kill and “Kool Flattop” from their debut. The opening trio hit hard, and by the time the band paused and Patricia Day addressed the crowd for the first time, you could feel the crowd needing to take a breather. 

I can only think of one thing… okay two things,” Patricia told the crowd. “1. Why the hell did we stay away for so long? The second is that the greatest show we ever played was right here in Arizona! Anyway, it’s been too long!” Too long it may have been, but you’d never know it had been that long. Even with several years off from regular touring, the band showed no sign of rust, on just their second night of the tour. From the opening chords of “Julia,” they sounded just as tight as ever.

Kim Nekroman (Guitar), Horrorpops
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

The band was on a tight schedule because The Nile had to close at midnight, and their set didn’t start until 10:45, which left them only 75 minutes. The time constraints didn’t detract from their set but instead gave it a blazing intensity. Somewhat ironically during “Hit ‘N’ Run” from 2005’s Bring It On!, Day casually dodged a beer can launched at the stage, with her nonchalant dodging being noticed and vocally appreciated by the crowd. Day’s stage presence combines punk-rock bravado with a kind of effortless grace. She took a brief moment to give her own appreciation: “Thank you so much for singing loud and oh-so-fucking proudly!” 

Patricia Day (Vocals, Standup Bass), Horrorpops
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

While Horrorpops has a particular aesthetic that combines elements of goth with classic rockabilly, with a sound that incorporates both in a punk-rock blender, what often gets lost is that their song-writing revisits so many classic themes. Day and Nekroman are married, and many of their songs, as noted by Day, are love songs because even psychobilly punk rockers need love. 

If their songs were about love, the show – and presumably the entire tour – is a love song to performing live. With Paul Roman from the Quakes joining them on guitar and Nekroman taking over bass duties from Day, they launched into crowd favorite “Psycho Bitches Outta Hell,” as they were also joined on stage by Kelly (their merch girl) who did a synchronized dance routine with Day. 

Horrorpops, Kelly (Merch)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

At this point, time was starting to run out on the night, so the band improvised. “This is the time in the set when we would normally yell ‘Goodnight!’ and leave the stage and make you clap for us so we can come back out and play more songs that we already planned on playing, but we’re on a tight curfew tonight…” The lights were briefly turned out, as the band stayed on stage. The crowd relished the chance to play along with this joke, chanting “One more song!’ before the lights were promptly turned back on. “Alright, we will!” They closed out the night with “Walk Like a Zombie” and “Miss Take.” “We got time for one more song, and then it’s curfew!

They closed their set with “Where I Wander,” took a bow, and exited the stage almost perfectly at midnight. The set may have been a tight 75 minutes, but they gave the crowd everything they had. And their adoring fans, so many who have waited years to finally see them live, gave it right back. Though Horrorpops may be from Denmark, they have a clear love for Phoenix. Hopefully it won’t be another ten years before they return!

View Setlist

Photo Galleries

Photographer: Rodrigo Izquierdo

View Separately: Horrorpops | The Quakes | Franks & Deans

Horrorpops, The Quakes, and Franks & Deans – Nile Theater 2-1-20

Photography © Reagle Photography
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