My Chemical Romance and Fall Out Boy to Headline with A Day to Remember, Jimmy Eat World, Pierce the Veil, The Used, Simple Plan and more!
LAS VEGAS FESTIVAL GROUNDS SATURDAY, OCTOBER 19, 2024
PRESALE BEGINS FRIDAY, NOVEMBER 17 AT 10AM PT
When We Were Young will return for a third year to the Las Vegas Festival Grounds on October 19, 2024 with headliners My Chemical Romance and Fall Out Boy leading the massive lineup. In 2024, over 50 bands will each perform an album front-to-back with highlights including My Chemical Romance performing The Black Parade, A Day To Remember’s Homesick, Jimmy Eat World’s Bleed American, Pierce The Veil’s Collide With The Sky, The Used’s In Love and Death, Simple Plan performing No Pads, No Helmets… Just Balls, Dashboard Confessional’s Dusk and Summer, Coheed and Cambria’s Good Apollo, I’m Burning Star IV, along with Nada Surf’sLet Go, in addition to rare reunions from Cobra Starship performing ¡Viva La Cobra! and Chiodos performing All’s Well That Ends Well and much more. View the entire lineup with dedicated album performances below.
Fans can sign up now for the festival SMS list at WhenWeWereYoungFestival.com to receive an access code for the presale that will beginFriday, November 17 at 10AM PT. Any remaining tickets following the presale will go on sale to the general public at 2PM PT. GA, GA+, VIP, and VIP Cabana Tickets will be available, with layaway payment plans starting at $19.99 down.
VIP packages include preferred viewing areas, charging stations, a dedicated entry lane at the festival entrance, air-conditioned restrooms, and more. VIP Cabanas are available with exclusive viewing areas, featuring VIP service including food vouchers and select complimentary beverages, expedited entry and more. When We Were Young has partnered with Jampack to offer hotel and ticket packages with exclusive amenities, including discount rates on select Las Vegas hotels. For the full list of available tickets, packages, and the amenities included in each, visit WhenWeWereYoungFestival.com.
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Pelham, TN — If you were to ask any emo fan who spent their formative years in the early 2000s, “Which bands would make up the tour lineup of your dreams?”, you would get a plethora of answers with combinations that sound much like the When We Were Young Festival happening this fall. But, more than likely, two bands’ names would pop up in nearly every combination provided: Jimmy Eat World and Dashboard Confessional.
These bands, who have provided the soundtrack to the lives of countless individuals over their 20+ years of existence, have accomplished much over the years. However, there is one achievement they were missing until this year: hitting the road together on a tour. This “oversight” was rectified when these two powerhouse bands joined forces, and asked Sydney Sprague to open for them on the tour dubbed “Surviving the Truth,” which is a mash-up of Surviving, Jimmy Eat World’s 2019 album, and Dashboard Confessional’s newest album All The Truth I Can Tell, released on February 25th of this year.
Fortunately, they also added another new experience and scheduled two back-to-back nights of shows in The Caverns – a unique venue near an area known as TAG – a place where Tennessee, Alabama, and Georgia all converge. Being about an hour away from every major city, a bit of travel is required to get to the venue – through a tiny town where the livestock that disinterestedly watch you drive by likely outnumber the human residents, down Charlie Roberts Road until you reach the end, and find yourself facing a black building with a massive painting of a Big Mouth Cave Salamander named Sally painted on the side of it. This is not the end of the journey, however, as you must now walk down a sloping path into the mouth of a cavern, and then step through enormous wooden doors where the words “Welcome to The Caverns where the Great Spirit brings all people together through music” are carved, using the Sequoyah script of the Cherokee. It is here your journey ends and the adventure begins…
Sydney Sprague – an Arizona based musician who first started writing and playing at 11 and performing at 14 – would be first onstage. Before the band kicked off the show with “i refuse to die” – the first track of 2021’s maybe i will see you at the end of the world – she gave the audience the first of many puns of the night: “If you haven’t heard of us, that’s ok. we’re pretty…underground.” As the crowd chuckled, she deadpanned: “it gets worse.”
This could not have been further from the truth, as Sprague and her band – comprised of Chuck Morriss III (keyboard, bass), Larry Gast III (guitar), Sebastien Deramat (guitar), and Tom Fitzgibbon (drums) – are all exceptionally gifted musicians and artists who bring an enormous amount of energy that complements her laid back nature. Sprague has a quick, dry wit and the ability to capture the audience’s attention and form a bond that both her and the crowd feed off of as the set goes on.
While some may compare her vocal timbre to Michelle Branch or Taylor Swift, and it should be noted these are fair and valid comparisons, it would be a mistake to attempt to shove Sprague’s sound into a box and slap a label on it. Her vocals and sound defy conventional expectations, she writes songs that are relatable, and her performances are simple and straightforward – leaving the audience wanting more in the future. Her 8-song set included most of the tracks on her debut album, which had the paradoxical effect of leaving the audience both wishing for a bit more, and yet satisfied with what we were able to witness from this budding star.
Between sets, one of the quirks of the cavern became quite obvious: it had the audacity to form without giving a backstage for the bands and their crews to work with. There is no easy access to move the equipment on and off, nor to unload and then load everything back into the waiting vehicles outside. This unusual set-up meant the audience was able to watch the pre-show rituals of the bands and view what the hard-working (and often underappreciated or forgotten) crews do with the equipment they hastily move off and onto the stage.
Dashboard Confessional was up next, with Chris Carrabba singing “The Brilliant Dance” with an acoustic guitar while the rest of the band stood just off stage. As he finished, they joined him, and a jovial Carrabba asked the audience if anyone had been in attendance last night. There were surprisingly few affirmative replies. Carrabba then asked, “Is anyone here tonight?” and as the cheers faded, he exclaimed, “Me too!” as the first notes of “The Good Fight” started to play. At the end of the song, he asked the audience to give a round of applause for Sprague and her band, and then caught himself cussing when he spotted a kid at the front of the crowd. Asking the young fan if he had ever been to a show in The Caverns, he stated with a huge grin, “I’ve only been to one other show here, and it was last night!”
Carrabba – joined onstage by Armon Jay (guitar), Scott Schoenbeck (bass), Abigail Kelly (back-up vocals), Chris Kamrada (drums), Dane Poppin (keyboard, guitar) – mixed the nostalgic hits like “Stolen” and “Vindicated” with “The Better Of Me,” the only song from All The Truth I Can Tell. Through it all, Carrabba radiated joy and excitement, possibly because he was playing inside of a cave, but also because, as he noted multiple times, it was just so good to be back together with everyone again. Carrabba is just under two years removed from a motorcycle accident that nearly ended his career, and to be back on stage after all he has endured during his recovery must feel like a miracle he celebrates nightly on this tour with 1,500 or so of his closest friends. His energy radiated out across the audience, many of whom sang along with him during the 17-song set.
Jimmy Eat World took the stage during the opening notes of “Futures,” the title track from their 2004 album. It only takes a few verses of watching frontman Jim Adkins pour everything he has out in front of the enchanted audience while drummer Zach Lind, guitarist Tom Linton and bassist Rick Burch effortlessly provide the canvas on which each song is painted anew on each night.
This is the magic of Jimmy Eat World and perhaps the secret of their longevity: their ability to take the songs that helped emo kids grow into slightly less emo adults and make the nostalgic magic that you feel hearing “Sweetness” on the radio disappear during a live show, and make it feel like you’re hearing and experiencing the songs for the first time. Other favorites like “Pain,” “Hear You Me,” “23,” and “Lucky Denver Mint” were included in the set list as well.
Halfway through the show, Adkins switched over to an acoustic guitar to play “555” – a song that has not only inspired a comic book, but also a near-cult-like following among some fans, including a small Facebook group dedicated to posting solely about 555 found in daily lives. Adkins, like Sprague and Carrabba, expressed awe and disbelief that they were playing in a cave, and then threw in a joke about telling a distant relative that he was in an underground rock band. If there were any surprises from the night, it would be that the bands didn’t end up making more bad cave and rock puns.
The level of exertion that Jimmy Eat World puts into each show can evoke the image of a fighter who has gone 10 rounds with their opponent, leaving the ring glistening and triumphant. As Jimmy Eat World closed the show with their most well-known hit “The Middle,” towels awaited them just off-stage. The song generated the the perfect energy to end the incredible evening… the best way to end the adventure at the bucket-list worthy venue, and to send those lucky enough to bear witness a once-in-a-lifetime show on a journey through the improbably cold pre-spring night to wherever their roads may carry them.
The When We Were Young Festival has announced a third date has been added to the highly anticipated fest, taking place on Saturday, Oct. 29, 2022 at the Las Vegas Festival Grounds.
The festival will feature the same lineup on all three dates, with the exception of Alex G replacing Wolf Alice on Saturday, October 29th and La Dispute will not be performing on the newly added date.
The full lineup for October 29th includes:
My Chemical Romance, Paramore, AFI, The Used, Bring Me The Horizon, Taking Back Sunday, Dashboard Confessional, Alkaline Trio, Manchester Orchestra, A Day To Remember, Pierce The Veil, I Prevail, The Story So Far, Dance Gavin Dance, The All American Rejects, Boys Like Girls, Car Seat Headrest, Sleeping With Sirens, Knocked Loose, JXDN, Avril Lavigne, Motionless in White, Black Veil Brides, Ice Nine Kills, Senses Fail, Bayside, Mom Jeans, Mayday Parade, The Maine, Neck Deep, Silverstein, Palaye Royale, Bright Eyes, Poppy, Nessa Barrett, Wolf Alice, Acceptance, Story of the Year, Atreyu, PVRIS, Saosin, Glassjaw, Lilhuddy, TV Girl, The Starting Line, Thursday, Anberlin, Jimmy Eat World, 3OH!3, State Champs, Four Year Strong, We The Kings, The Wonder Years, Royal & The Serpent, The Ready Set, Kittie, Hawthorne Heights, The Red Jumpsuit Apparatus, The Garden, Horrorpops, Meet Me At The Altar, The Linda Lindas, Prentiss and Alex G.
There will be a presale beginning Monday, Jan. 31 at 10am PT for fans who sign up for early access to passes online at WhenWeWereYoungFestival.com. Following the presale, any remaining tickets still available will go on sale to the general public beginning Monday, Jan. 31 at 2 pm PT.
General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older.
Due to overwhelming demand, a second date has been added to the When We Were Young Festival at the Las Vegas Festival Grounds on Sunday, Oct. 23, 2022. Tickets for the new date are on sale now.
The festival will run the majority of the day, from 11am to 12am. There will be multiple stages of varying sizes placed around the festival grounds with several bands performing at the same time. The length of set times will vary. Opening acts will have shorter set lengths while headlining performances can range up to an hour or more.
Full lineup details including set times and performances by stage will be released closer to the festival.
The festival will feature the same lineup on both dates, which includes:
My Chemical Romance
Bring Me The Horizon
Taking Back Sunday
A Day To Remember
Pierce The Veil
The Story So Far
Dance Gavin Dance
The All-American Rejects
Boys Like Girls
Car Seat Headrest
Sleeping With Sirens
Motionless in White
Black Veil Brides
Ice Nine Kills
Story of the Year
The Starting Line
Jimmy Eat World
Four Year Strong
We The Kings
The Wonder Years
Royal & The Serpent
The Ready Set
The Red Jumpsuit Apparatus
Meet Me At The Altar
The Linda Lindas
General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older.
What health & safety protocols will be implemented for the festival?
The safety of fans, artists and staff is thoroughly planned for among event organizers and in coordination with local authorities.
They will follow all guidelines as set forth by the city of Las Vegas and state of Nevada at the time of the festival. Preventative health measures (e.g. proof of negative COVID-19 test or full COVID-19 vaccination, etc.) may be required for this show. Details of any necessary measures will be communicated as early as possible and will be shared on the event/venue website and social media channels.
PHOENIX — 20 years ago, Dashboard Confessional was started as a side project of Chris Carrabba, the lead singer and guitarist who also fronts Further Seems Forever. In those 20 years, Dashboard Confessional has been a soundtrack for many; the songs for triumph in the high moments, and the songs for the low moments to help them rise back up. The tour that brought Piebald and Dashboard Confessional to The Van Buren on this night was a celebration of these moments and memories that these fans had gathered to relive.
First out onto the stage was Piebald. Much like recently reunited The Format – who, coincidentally enough, they opened for during the final tour as a band – Piebald went onto a hiatus after one final show in 2008, though they have played a handful of one-off shows since then. Frontman Travis Shettel, guitarist Aaron Stuart, bassist Andrew Bonner, and drummer Luke Garro released a Christmas album titled A Christmas (seven-inch) Adventure. It is a vinyl of three Christmas songs, an odd choice for a band that seems to pride itself in being quite odd, so perhaps it’s a perfect choice for them.
As the show started, it quickly became quite apparent how differently these guys do things. As the first song started, suddenly a head popped up over the crowd: Dana Bollen, who would play the role of hype man/tour manager/merch guy. Throughout the set, he would go from standing on the barricade, flailing his arms around to get the crowd pumped, up to the stage to play some excellent cowbell, succeeding to inspire the crowd to flail along with him when he returned to the barricade. It was a genius touch, and a memorable addition to their excellent show.
At home on stage, Shettel bantered, at one point hosting an impromptu Q&A session with a crowd that was enjoying their quirky performance. At one point someone yelled out, “You’re my favorite!” to which Shettel pointed at them and exclaimed, “You’re MY favorite! OUR favorite, actually!”
All of the songs they played were 12 years old, but yet felt so new. Piebald has managed to make their music sound timeless. Times have changed, and now the lyrics to the song “The Monkey Versus the Robot” have a much different and deeper meaning; one that anyone and everyone who works a 9-5 grind has felt at some point: “Work should not control our every minute, Eat to work, sleep to work, live to work, work.”
It is not unusual to attend a show and find yourself confronted with a band trying entirely too hard to relate to you and the crowd around you, forced dialog and ham-fisted lyrics. Piebald is none of these things. Rather, they are a quirky band that is at home playing songs that aged beautifully, with the rare ability to walk onto a stage in front of an audience who made up of many who may never had heard of them, and win them over in under 45 minutes.
As Piebald cleared the stage and the preparations were finished for Dashboard Confessional, the lights dimmed and “Sweetness” by Jimmy Eat World started playing. A casual observer would have assumed that the crowd was there for a Jimmy Eat World concert with the reaction the song generated. The crowd gleefully and loudly followed the lyrical instructions to “Sing it back,” demonstrating that there truly is never a bad time to play a Jimmy Eat World song.
To attend a Dashboard Confessional concert is to realize that your neighbor is probably going to spend a good deal of the show singing at the top of their lungs. That’s ok, because you likely will be doing the same at some point. This is the magic of Dashboard Confessional: Chris Carrabba is the rare songwriter who can encapsulate not just the words of the moments in life that we all have, he manages to paint a masterpiece with the music behind it.
Jim Adkins of Jimmy Eat World has a similar talent, and it could be argued that if everyone from this generation were to compile a soundtrack of their lives, it is likely they would have at least one song from these two bands on it. They have mastery of their lyrics and music, and we are an awestruck audience that has not fully realized how lucky we are.
To call what was experienced on this night a concert does not quite do it justice, as it was really a journey through space and time with each song. “Vindicated,” a song from the soundtrack of the 2004 movie Spider-man 2, took us into the past, though it doesn’t feel like that song can get its drivers license this year. Carrabba was a skillful guide through the trip, knowing exactly when to step back from the microphone to allow the crowd the opportunity to belt out their favorite lyrics – saying at one point they sang beautifully – and when to step in and to tell a story before the next stop in this fanciful tour.
Halfway through the set he traded his electric guitar for an acoustic and performed alone onstage. Carrabba is an extraordinarily talented guitar player, bringing quite a few guitars on tour and often switching up during the show, but his mastery shines the brightest when he plays acoustic. His vocals were also on full display, holding a note for a superhuman length of time, holding until the cheers finally drowned him out.
As the rest of the band rejoined Carrabba, he introduced them as Scott Schoenbeck on the bass, Armon Jay also on the guitar, Chris Kamrada on the drums, and Dane Poppin who alternated between the keyboard and guitar. The journey that Carrabba took the audience on would look drastically different without the band, which he introduced twice during the show.
The reluctant, final stops on this journey included a rendition of “Hands Down” that felt something akin to a religious experience, with almost every person in the venue singing out as loudly as they possibly could. It was a celebration of Dashboard Confessional – a celebration of two decades worth of music and meaning, of memories, and of the songs that seemed to know what we needed to hear when we didn’t know ourselves. It was also a sold-out crowd saying “Thank you” to Carrabba in a way that means the most to an artist: by knowing every single word of every single song and serenading him throughout the show. The tour ends on 3/28 in Nashville, TN at the Ryman Auditorium.
TEMPE, Ariz. — Energy coursed through the crowd as Dashboard Confessional fans spewed through the doors of Tempe’s Marquee Theatre Wednesday night, anxiously awaiting the return of frontman Chris Carrabba’s sweet-sounding lyrical prowess.
Following a charismatic opening performance by acoustic duo This Wild Life, Vinyl Theatre took the stage with a magnetic energy that immediately caught our eye. Each track appeared to pulsate through them, elegantly rocking out between heavy drop-beats, vivacious keyboard riffs and catchy lyrics which boasted a similar rawness to that which Dashboard Confessional is known for. Vinyl Theatre closed out their set with a commanding performance of newly released track “Built by New Machines,” which explores universal ideas on human existence and our current world state.
Hands Raised for Dashboard Confessional Phone pic from Emily Rudolph
The Dashboard Confessional crew wasted no time setting stage. In fact they even made time to whisp what appeared to be Palo Santo smoke around each instrument, also positioning a small Himalayan salt lamp at the foot of guitarist Armon Jay. Minutes later, Carrabba stepped center stage immediately kicking things off with timeless track “The Good Fight” off Dashboard Confessional’s sophomore album The Places You Have Come to Fear Most, followed by longtime favorites “Saints and Sailors,” “The Sharp Hint of New Tears,” “As Lovers Go,” and “Remember to Breathe.”
Beneath a glaze of violet light, Carrabba’s voice settled as he began to address the crowd, “I’ve been thinking lately. You know, because the world went to shit these past three weeks.” The audience responded in overwhelming applause. Carrabba went on to speak on the current social tensions revolving around topics like sexual orientation, race and religious differences. “What the fuck does it matter?”, he said. Before going into the next song he finished his thoughts with a message for the audience, “Go out into the world and try to talk to as many people with opposing views as you can. Find out why they believe what they do and learn from that.” As Carrabba stepped back for another quick guitar switch, the audience was able to catch a closer look at drummer Ben Homola’s t-shirt, which read “Equal Is Equal. No Matter The People.”
Chris Carrabba, Dashboard Confessional Phone pic from Emily Rudolph
Next up was “We Fight” off the group’s latest unreleased album which Carrabba has been steadily building anticipation for since co-headlining with Third Eye Blind in the summer of 2016. The new track merges Dashboard Confessional’s classic emo-core sound with a montage of wildhearted lyrics and heavy-handed guitar that suggest a revitalized perspective on the free-spirited determination needed to find fulfillment as an artist. Making for the ultimate crescendo moment, Carrabba then announced the band’s performance of newly released track “Heart Beat Here” would be recorded live for possible inclusion on the their highly anticipated upcoming album. As the crowd sang along, Carrabba appeared visibly moved by the fans response, commenting moments later on the sweet sound of our voices in harmony together.
The setlist was fitting considering Carrabba’s plans to welcome singer-songwriter Trevor Hedges of local band, Sundressed to the stage following Dashboard’s hit track “Stolen.” Hedges stepped into the spotlight and instantly captivated the crowd with his intense vocal diversity and passionate lyricism. Although it was a single-track performance, it quickly became clear Hedges possesses a vocal dexterity reminiscent of archetypal groups like Taking Back Sunday, The Starting Line, 30 Seconds to Mars, The Used and of course Dashboard Confessional. It was an impressive performance to say the least, but the night wasn’t over yet!
Dashboard Confessional finished out the night with three additional tracks, including “Screaming Infidelities,” “Vindicated” and “Hands Down.” Conclusively, it was a night of truly stellar performers. The Burning Hot Events team is patiently awaiting the release of Carrabba’s latest material, but in the meantime we’ll be jamming out to newly discovered favorites Vinyl Theatre and This Wild Life.
Want to know more about Sundressed?
They’ve just announced pre-orders for their upcoming LP A Little Less Put Together which is set for release on March 24th (2017). Click here to check it out! We have a feeling you’ll be seeing them alongside Dashboard Confessional very soon.
The show opened with performances from The Early November and SAOSIN and concluded with headliners Taking Back Sunday and Dashboard Confessional.
SAOSIN lead vocalist Anthony Green could hardly contain his enthusiasm between songs. “We’re SAOSIN and we came here to fucking dance!” Green told fans at the beginning of the set. Later, he said that in his youth, going to a concert like this was the one place where he felt like he could truly let go, be himself, and not care about how others saw him and encouraged the audience to do the same.
SAOSIN’s set included songs from their new album, Along the Shadow, which was released on May 20. It was their first studio album since releasing In Search of Solid Ground in 2009. The new album features vocals from Green, who returned to SAOSIN in 2014, nearly a decade after his 2004 departure.
By the time Taking Back Sunday took the stage, Comerica Theatre was packed with fans excited to hear the music of their youth. The group opened with “Cute Without the ‘E’ (Cut from the Team),” “Liar (It Takes One to Know One),” and “Flicker, Fade.” Their set also included other favorites from their hit albums Tell All Your Friends, Louder Now, and Happiness Is, including “A Decade Under the Influence,” “You’re So Last Summer,” and “Timberwolves at New Jersey.”
Taking Back Sunday played in front of the backdrop of an American flag, with an impressively colorful light show. Between songs, lead vocalist Adam Lazzara said that Rockstar Energy Drink was paying him $30 every time he said “Rockstar Energy Drink Taste of Chaos Tour” and joked that he would be saying it as many times as he could (and he did).
“I understand a lot of you are here tonight for nostalgic purposes, and that’s okay. People say ridiculous things like, ‘my 16-year-old self’ or ‘my 18-year-old self’. Is that not still a part of yourself that you are today?” Lazzara asked concert-goers. “I was there when you got your driver’s license. I was there when you were exploring your bodies in the back of your dad’s car” he continued, “I was there when you went to college or when you didn’t go to college,” Lazzara said. And Taking Back Sunday is still here today.
Later, Lazzara introduced the audience to “Holy Water” from the band’s upcoming album, Tidal Wave, due to hit record stores later this year on September 16. They played the song “Tidal Wave” as well. “I’m just killing time because I don’t want the night to be over,” Lazzara confessed toward the end of the set. “Let’s go out with a bang,” he said before finishing the performance with “MakeDamnSure.”
Dashboard Confessional, the final headliner, opened their set with “Vindicated,” “The Sharp Hint of New Tears,” and “The Good Fight.” They had an equally impressive light show and stage display, which included footage projected onto a large screen above the stage. By request, front man Chris Carrabba also played “The Moon Is Down,” a song by Further Is Forever, another band he performs vocals for.
Carrabba was impressed with the “soft and sweet” singing of concert-goers. “Phoenix, can we sing this one together?” he asked as the group began to play “Remember to Breathe.” “You guys sing beautifully,” he told the audience. Later in the show, he asked fans to sing the chorus of his new song “Heart Beat Here,” because he wanted to see how it would sound recorded with the crowd singing along.
“I’m really proud of the records we’ve made, but I genuinely like the old shit better,” Carrabba said at one point. Dashboard Confessional’s set also included “The Places You Have Come to Fear the Most,” from the album of the same name, “Am I Missing,” “Don’t Wait,” “The Best Deceptions,” and “Screaming Infidelities.” Carrabba also covered “Fix You” by Coldplay before wrapping up with “Stolen” from Dusk and Summer.
When Carrabba returned to the stage for Dashboard Confessional’s encore performance, he had one last message he wanted to impart to concert-goers. “I just want to point out one thing. All lives matter. Things have gotten crazy out of hand,” he continued “There isn’t a color of life that doesn’t matter. It’s all fantastic. It’s all beautiful. So can we all just try to take care of each other?” With that, Carrabba closed out the show on a high note, with “Hands Down,” a song about “the best day of his life.”
PHOTO ALBUM by Katherine Vega (Click images above for separate band albums with additional photos.)