Category Archives: Publicists

Arch Enemy Launches New Video for “Poisoned Arrow”; Prepares to Kick Off Worldwide Touring This Weekend

After releasing their latest record, Deceivers, last year to critical acclaim, extreme metal masters Arch Enemy have returned today with a new video for the album track, “Poisoned Arrow“. Produced by Mirko Witzki (Witzki Visions), watch “Poisoned Arrow” today at 9AM PT//12PM ET//6PM CET here.


Michael Amott comments as follows: “I almost can’t believe we’re releasing a 7th (!) video off our recent ‘Deceivers’ album. Yet here it is, ‘Poisoned Arrow’, a mid-tempo track drenched in melodic guitar work and a somewhat different vibe overall compared to the other singles we’ve had out.

“The video was shot in Berlin, Germany during a hectic whirlwind schedule with director Mirko Witzki and his talented crew – they even made it snow in the middle of the sweltering German summer heat!

“Here’s another Deutschland connection for you; our German friend Raphy played the beautiful cello part on the intro and outro of the song, thanks again mate!

“2023 is upon us and Arch Enemy is back on the road again, we launch the proceedings in New Zealand, Australia and Japan and have a big European summer run too.

Who knows where we’ll go after that…but for now, check out ‘Poisoned Arrow’!”

Starting this weekend, Arch Enemy will hit the road, touring the world in support of Deceivers. The quintet will first appear in New Zealand and Australia before heading to Japan; this summer, fans will have the chance to catch Arch Enemy at the biggest festivals across Europe (with more EU shows to be announced soon!). See below for all dates!

Arch Enemy New Zealand/Australia tour 2023

  • Feb. 12, 2023 – Auckland, NZ – Powerstation
  • Feb. 14, 2023 – Adelaide, AU – Governor Hindmarsh
  • Feb. 15, 2023 – Brisbane, AU – Tivoli Theatre
  • Feb. 17, 2023 – Sydney, AU – Metro Theatre
  • Feb. 18, 2023 – Melbourne, AU – Forum Theatre
  • Feb. 19, 2023 – Fremantle, AU – Metropolis

Arch Enemy Japan tour 2023

  • Feb. 22, 2023 – Koto City, JP
  • Feb. 24, 2023 – Hokkaido, JP
  • Feb. 27, 2023 – Aichi, JP
  • Feb. 28, 2023 – Osaka, JP
  • Mar. 1, 2023 – Fukuoka, JP
  • Mar. 3, 2023 – Koto City, JP

Arch Enemy EU festivals 2023

  • June 2, 2023 – Metalfest (CZ)
  • June 3, 2023 – Rock Im Park (GER)
  • June 4, 2023 – Rock Am Ring (GER)
  • June 6, 2023 – Laiterie (FR)
  • June 7, 2023 – La Belle Electrique (FR)
  • June 9, 2023 – Greenfield Festival (CH)
  • June 10, 2023 – Nova Rock Festival (AT)
  • June 13, 2023 – Le Splendid Festival (FR)
  • June 14, 2023 – 013 Tilburg (NL)
  • June 15, 2023 – Graspop Metal Meeting (BE)
  • June 17, 2023 – Hellfest (FR)
  • June 21, 2023 – Tvornica Kulture (HR)
  • June 24, 2023 – Alpen Flair Festival (IT)
  • June 25, 2023 – Rockhal (LUX)
  • June 29, 2023 – Provinssi Festival (FI)
  • June 30, 2023 – Tuska Festival (FI)
  • July 1, 2023 – Hard Rock Laager (EST)
  • July 3, 2023 – Art Factory Loftas (LTU)
  • July 5, 2023 – B90 Club (PL)
  • July 6, 2023 – Studio Krakow (PL)
  • July 7, 2023 – Rock Harz Festival (GER)
  • Aug. 6, 2023 – Rockstadt Extreme Fest (RO)
  • Aug. 10, 2023 – Leyendas del Rock (ES)

Deceivers

A collection of 11 tracks that are ruthlessly catchy and mercilessly violent, 2022’s Deceivers stands toe-to-toe with the highlights of the band’s storied catalogue. Roaring to life with “Handshake With Hell“, Arch Enemy make it clear they are out for blood, and every track is a hit, from the moody “Poisoned Arrow” to the titanically anthemic “One Last Time“. Sounding more energized than ever, the quintet is operating at the highest level, delivering a maelstrom of diamond-hard riffing wrapped around cinematic melodies, thunderous drumming and towering vocals. Arch Enemy has proved, yet again, that they are unstoppable.

Purchase and stream Deceivers now here

Arch Enemy Deceivers Charts

Deceivers achieved enormous chart success in many countries and received international high praise from media!

“Arch Enemy have always been reliable, every few years dropping a solid collection of catchy, chunky melodic death with at least a handful of real bangers to chew on. With ‘Deceivers’, they have surprisingly managed to up their game, delivering an album that slays from start to finish and is essential listening for metalheads yearning for a soundtrack to wreck their necks to.”Kerrang!

“…the band’s strongest work since 2001’s ‘Wages of Sin’.”Decibel Magazine

“With all the turmoil in the world, we can be happy that Swedish legends Arch Enemy are back with their long-awaited 11th album ‘Deceivers’ which once again raises the bar for anyone in the melodic death metal genre.” The Hard Times

“Arch Enemy are not just another metal band. They are the metal band, and if you disagree, give this record a spin.” The Aquarian

“This is great, fucking great, fucking heavy! Get it in ya earholes!”Heavy Magazine

“(…) when listening to it twice, you begin to understand what a monster of an album you are dealing with here.”Metal Hammer (GER)

“First of all, ‘Deceivers’ is a record where many bands can only dream of.” Aardshok (NL)

“Not only does ‘Deceivers’ earn its place in one of the most reliable discographies in modern metal, it does so by being amongst the bravest and most entertaining to date.” Metal Hammer (UK)

“‘Deceivers’ brilliantly plays the card of diversity. Stunning production, powerful choruses; Arch Enemy know how to convince and climbs a step higher.”Rock Hard (FR)

“Once again they have turned melodic death metal upside down, proving that they are one of the greats of the genre.” La Heavy (ES)

Arch Enemy is:

Alissa White-Gluz – Vocals
Michael Amott – Guitars
Jeff Loomis – Guitars
Sharlee D’Angelo – Bass
Daniel Erlandsson – Drums

Arch Enemy online:



Featured photo (top) by Katja Kuhl

The Red Jumpsuit Apparatus Drops When We Were Young – Weekend One Behind The Scenes Mini-Documentary Today

The definitive behind the scenes mini-documentary of Red Jumpsuit Apparatus’ (RJA’s) experience from weekend one of the When We Were Young Festival (10/22-23/22), including Saturday’s festival cancellation, subsequent pop-up show with Hawthorne Heights and Armor for Sleep, and RJA’s next day’s performance.

The Red Jumpsuit Apparatus
When We Were Young – Weekend One Behind The Scenes Mini-Doc

Watch here:

During The Red Jumpsuit Apparatus’ soundcheck at the When We Were Young Festival, an announcement came over the loudspeaker stating the show for Day One was canceled due to high winds. RJA teamed up with Hawthorne Heights and Armor For Sleep and secured The Strat Hotel Casino for a free show.

Watch and hear literally everyone in attendance singing along to “Face Down” via video posted on their Instagram here.

Day Two, the When We Were Young festival goes as planned and RJA hits the stage.

During an interview with Variety Magazine, Frontman Ronnie Winter shared “It was one of my favorite sets in my entire career. Mainly because we were one of the first bands to play after day one ended so tragically. The vibe was high. It was like everyone, all at once, took a deep breathe and said, ‘Ok, this is really happening,’ which was really needed. In that moment, we were all united. It really was beautiful. I’m grateful I was alive to see it, and I felt honored to be a part of it in my small way.”

The audience, again, adding their voices to “Face Down” (which Billboard lists on their Greatest of All Time Alternative Songs Chart) during the powerful finale of RJA’s set.

RJA WWWY Day 2
Day Two – Photo Credit: K Enagonio

The Red Jumpsuit Apparatus (RJA) released a new symphonic version of their RIAA certified 5x Platinum hit Face Down on all streaming platforms Friday, October 21, followed by a new video on October 2. Face Down (Symphonic Edition) is a stirring, emotional follow-up to the original hit, both timeless and scathing indictments of domestic violence and its devastating impacts. The Red Jumpsuit Apparatus is partnering with leading digital domestic violence resource, DomesticShelters.org, to raise awareness about domestic violence and share free resources for people experiencing abuse.

Watch “Face Down (Symphonic Edition)” Music Video here:

The 2006 smash hit “Face Down” was written by RJA lead singer, Ronnie Winter, who witnessed firsthand the lifelong effects domestic violence has on abuse victims and their families. Since its initial release more than 15 years ago on the band’s RIAA certified Platinum debut album Don’t You Fake It (2006), “Face Down” has helped a countless number of domestic violence victims and survivors find their voices and work to escape abuse. “Face Down” has an enduring legacy of positive impact, with over 347 million streams on Spotify and over 120 million views of its original music video on YouTube alone. Fans of RJA and “Face Down” began an outpouring of support for the new Symphonic Edition on TikTok, with the announcement video generating more than 2.6 million views and thousands of comments in less than a week.

The band is well known for its Multi-Platinum debut album Don’t You Fake It (one of Alt Press Most Influential Emo Albums) and their 5x Platinum single “Face Down” (video / audio / lyrics), a timeless and scathing indictment of domestic violence. “Face Down” is also on the Billboard Greatest of All Time Alternative Songs chart.

RJA Billboard GOAT Alt

About The Red Jumpsuit Apparatus:

The Red Jumpsuit Apparatus is an American rock band formed in 2003, whose members include Ronnie Winter, his brother Randy Winter, Joey Westwood, Josh Burke and Jon Espy. Over their years as a band, RJA has amassed over 1 billion streams across platforms, achieved numerous Multi-Platinum, Platinum and Gold albums and singles, numerous Billboard #1’s and Top 10 radio singles, was named one of Alt Press Most Influential Emo Bands of All Time, was honored on Capitol Hill in Washington, DC, and has been featured on major motion picture soundtracks, among many other achievements. Continued recent viral social success includes videos with 4M TikTok views, YouTube and more.

About DomesticShelters.org:

DomesticShelters.org is a service of Theresa’s Fund, an Arizona-based 501(c)3 non-profit charity started in 1992 by Preston V. McMurry, Jr. Launched In 2014, DomesticShelters.org provides the first and most extensive searchable digital database of domestic violence programs and shelters in the U.S. and Canada, as well as one of the largest sources of resources, tools and information for people experiencing and working to end domestic violence. DomesticShelters.org is also the host of the Purple Ribbon Awards, the first comprehensive awards program honoring the countless heroes of the domestic violence movement.

Learn more at DomesticShelters.org

Red Jumpsuit Apparatus online:



Featured photo (top) by Black Creek Productions



Puscifer Release “Man Overboard” Video from “Parole Violator” Concert Film; Extend Viewing

Jerome, AZ – Puscifer’s recent limited engagement, concert-meets-feature films: V is for Versatile: A Puscifer Concert Film featuring music from the V is for… era and Parole Violator: A Puscifer Concert Film featuring Conditions of My Parole, have been extended for viewing here through Nov. 7 (initially the films were slated to run through the morning of Nov. 1).

Watch “Man Overboard” from Parole Violator here:

Meeting at the intersection of music and theater, Puscifer is known for their thematic, multimedia-laced tours. From a “Hee Haw”-style jamboree to a televangelist revival, from sitting ringside at a Lucha Libre match to the advent of Agent Dick Merkin and the Pusciforce, Puscifer’s transition from live performances to film is a natural extension of the music-meets-acting troupe. The pandemic-induced dawn of the at-home concert experience provided Maynard James Keenan, Mat Mitchell and Carina Round with the tools to turn to film, having now released two movies to date: 2020’s Existential Reckoning: Live at Arcosanti and 2021’s Billy D and The Hall of Feathered Serpents featuring Money $hot by Puscifer.

“Those with creative minds are restless. Lockdown was only physical, not mental,” offers Keenan. “The Pandemic was the perfect springboard and opportunity for us all to flex our creative muscles. Here is more evidence.”

V is for Versatile: A Puscifer Concert Film featuring music from the V is for… era Puscifer take you into the famed studios of Los Angeles’ Sunset Sound, where everyone from Led Zeppelin to Van Halen to Elton John and Tom Waits recorded classic albums. In this live performance piece, the band invites fans behind-the-scenes as they re-interpret and re-record songs from their V is for… era. Agent Dick Merkin, Major Douche, the briefcase and a few surprise cameos are interspersed amongst the studio footage.

Parole Violator: A Puscifer Concert Film featuring Conditions of My Parole

Billy D is in jail, Hildy is on the war path and Peter Merkin, as usual, is up to no good. The saga of the Bergers continues as Puscifer pairs the duo’s ongoing melodrama with a live, track-by-track re-imagination of the band’s critically-acclaimed 2011 album, Conditions of My Parole. Visually, Parole Violator is evocative of Keenan’s North Arizona homestead, with Puscifer’s performance married to striking visuals, dramatic lighting, and in a nod to the band’s 2011/2012 tour in support of the collection, closes with a campfire sing-a-long.

Both V is for Versatile and Parole Violator have album companions, available on vinyl, CD and streaming in November. Pre-orders are available via puscifertv.com.

About Puscifer

Born somewhere in the Arizona desert, Puscifer is an electro-rock band, multimedia experience, traveling circus, and alien abduction survivors. The group’s catalog consists of four full-length studio albums: V is for …[2007], Conditions of My Parole [2011], Money $hot [2015], and Existential Reckoning [2020] — in addition to a series of EPs and remixes. Beyond the core trio of Maynard James Keenan, Mat Mitchell, and Carina Round, the group’s ever-evolving ecosystem encompasses Greg Edwards, Gunnar Olsen, Juliette Commagere as well as a cast of characters such as Billy D and his wife Hildy Berger, Major Douche, Special Agent Dick Merkin, and many more. Meanwhile, the moniker’s origins can be traced to a 1995 episode of the HBO classic Mr. Show where Keenan first used the name “Puscifer.” In addition to tallying tens of millions of streams and views, they’ve piqued the curiosity of the press. Entertainment Weekly christened them, “Exceptionally groovy,” and Revolver fittingly described them as “indescribable.” Renowned for an immersive live show, the group’s performances blur the lines between concert and theater, traversing the dusty American Southwest with Billy D and Hildy or the sweaty squared circle with Luchadores. They’ve brought their unique live experience to life everywhere from Coachella to Bonnaroo. On their 2020 debut for Alchemy Recordings/Puscifer Entertainment/BMG entitled Existential Reckoning, Puscifer track Billy D back to the desert and, just maybe, uncover the truth about aliens once and for all.

Puscifer online:



Featured photo (top) by Priscilla C. Scott




Victoria K to Release Sophomore Album ‘Kore’

Australia’s Victoria K returns in 2022 for the release of the sophomore album Kore this coming October via Rockshots Records to follow the 2020 debut album Essentia.

Offering up progressive symphonic sound, Kore was specifically written to provide a full orchestral experience that drives people through a sonic journey of growth and grandeur.

Pre-Order Kore

Victoria K Kore album artwork
Victoria K’s ‘Kore’ album artwork

A concept record, Kore” explores modern-day issues through the Homeric Hymn to Demeter (the story of Persephone). Victoria K conceptualized the idea for the album with her producer Lee Bradshaw and then spent many months researching and analyzing the Homeric Hymn to Demeter, even meeting with experts of the Homeric Hymns from Greece. The story was then broken up into its different parts where Victoria Knight wrote the lyrics and developed the melodies for each section of the tale, exploring the myth from a modern perspective.

Victoria K
Victoria K

The tracks were written specifically to encapsulate the various sections of the Homeric Hymn to Demeter and tell the story chronologically through each song and the music grows in intensity throughout the record capturing the emotional state of Persephone and other characters as the story progresses.

The various instruments were then written by Victoria around the lyrics and further enhanced and developed through the production process. Lee Bradshaw then finalized the songs by writing orchestral scores for each song, which were recorded live in Europe, before the final mixing and mastering.

Recommended for fans of Lacuna Coil, Rammstein, Within Temptation, Spirit Box, and Delain, Victoria K‘s forthcoming “Kore” will be released on October 14, 2022.

Victoria K’s “Tower” Music Video

Victoria K online:

Lacuna Coil Release “Swamped XX” Single Off Upcoming ‘Comalies XX’ Reissued Album

Italian metal legends Lacuna Coil presented their new single “Swamped XX” on September 15, 2022. This song follows the previously launched track, “Tight Rope XX“, which is also taken off the upcoming re-issue, Comalies XX, set to be released on October 14th through Century Media Records. Watch “Swamped XX” here (directed, filmed and edited by Trilathera

True to the maxim “never change a winning team”, Lacuna Coil decided to release the opener of the album – like its original predecessor “Swamped” (2002) – as a single again. Same energy and drama as 20 years ago, but dressed for 2022 and ready to win over old fans, as well as new fans, alike.

Pre-Order Comalies XX

Lacuna Coil Comalies XX album artwork
Lacuna Coil Comalies XX album artwork

Available as a Ltd. Deluxe 2-CD Artbook, 2-CD Jewelcase, Ltd. Gatefold 2-LP+2-CD & LP-Booklet and digital album, Comalies XX is an entirely deconstructed and remade re-recording of Lacuna Coil‘s third full-length album, Comalies (2002). Featuring the original songs from the classic record, plus new versions of the 13 tracks, Comalies XX will be released October 14th via Century Media Records. Same energy and drama as 20 years ago, but dressed for 2022 and ready to win over old fans, as well as new fans, alike.

In celebration of this release, Lacuna Coil have been touring the USA, with Butcher Babies, Uncured, and Lions At The Gate. The tour wraps September 23, 2022 in Joliet, Illinois at The Forge.

Lacuna Coil group promo photo
Lacuna Coil
| Photography:
CUNENE

Lacuna Coil members:

  • Cristina Scabbia – Vocals
  • Andrea Ferro – Vocals
  • Marco Coti Zelati – Bass guitar, Guitars, Keys & Synths
  • Diego Cavallotti – Guitars
  • Richard Meiz – Drums

Lacuna Coil online:

EVERFROST Shares New Single “Flyers”

Finnish symphonic power metal band Everfrost shares brand new single “Flyers” taken from Frostbites, an EP of anime opening song covers coming out November 2022.

The band adds about the track: “‘Flyers’ by the band BRADIO became a big hit in the Japanese anime scene when it was used as the opening for cult classic show Death Parade. It’s a song we’ve wanted to cover for a long time because of its infectious groove and anthemic chorus, perfect for EVERFROST!

Listen to “Flyers” on Spotify

BRADIO – “Flyers” (Cover) by EVERFROST feat. Rob Lundgren video:

View it on YouTube

On this song we had the privilege of working with featuring vocalist Rob Lundgren, well-known for his bands Mentalist and Reveal, and vocal work on Youtube. His fun, energetic style was perfect for the track and he gave a great performance!

Aside from arranging the song into a heavier genre, main songwriter Benji wanted to elevate the chorus specifically with a huge vocal sound. This lead to us having the pleasure to work with a group of excellent singers in Finland to provide the large group sound heard on the track. This group consisted of Yannis Papadopoulos (Beast In Black), Bini Silvennoinen (Blame Me!), Mikael Salo (ex-EVERFROST, Thy Row, Dyecrest) and Sara Strömmer (Shereign, ex-Fear of Domination).”

“It’s time to crank ‘Flyers’, put your hands up and have a blast this summer!”

Frostbites CD Digipak pre-order here

Everfrost Frostbites

About Everfrost

Everfrost is a Finnish symphonic power metal band known for incorporating Japanese anime and manga influences into their music, visuals and storytelling.

Metal fans and anime enthusiasts alike have described Everfrost numerous times as the band they were always looking for as the music is created from a passionate desire to energize you, make you happy and take you away from the struggles of everyday life.

The familiar influences of classic and modern Finnish heavy metal (Nightwish, Beast in Black, Sonata Arctica, Wintersun etc) are present in the Everfrost sound, however the band’s trademark wintery style combined with elements from non-metal genres such as eurobeat, dance pop and anime music bring a unique freshness to the mix. The result is an addictive cocktail that has proven to find its way into a wide variety of playlists, DJ sets, parties and live events.

Another big reason people fall in love with Everfrost is because of how immersive the band’s universe is. Each album features ongoing stories of a group of characters living in a cursed city, sealed off from the world. The concept is inspired by the ‘secret cities’ experiments established during the Cold War.

The band’s latest full length album Winterider was in particular quite a unique release in the metal world, being a concept album featuring this world and characters in a fully coherent manga comic, following the story and working in tandem with the songs. It received critical acclaim and high scores from multiple well-known metal media outlets such as Kaaoszine, Powerplay Magazine, Bravewords Magazine and Tuonela Magazine. “9/10 The next great power metal band.”BRAVEWORDS

The album also made it to Disk UNION Japan’s top 10 charts for two weeks, charting at number 1 for the first week. The band also won Tuonela Magazine’s ‘best new discovery’ award for 2019.

While the music may sound energetic and cheery, the lyrical themes are usually dark, melancholic and vulnerable, dealing often with escapism through fantasy and entertainment, death and loss, social isolation and hardship. These feelings and ideas are manifested in the stories and characters, however the core inspiration stems from how cruel and cold the real world can be at times. This combination of happy music with sad lyrics empowers listeners in whatever stage they are going through or have been through in their lives.

The band features keyboardist and songwriter Benji Klint-Connelly, guitarists Samuli Heiskanen and Joose Ylianttila, bassist Roi Partanen and drummer Jope ‘James’ Salminen. Past members have included vocalists Hew Wagner and Mikael Salo (Thy Row, Dyecrest). The band has also featured and worked with many other esteemed musicians such as Rob Lundgren (Mentalist, Reveal), Yannis Papadopoulos (Beast in Black), Asim Searah (Damnation Plan, ex-Wintersun), Sara Strömmer (Shereign, ex-Fear of Domination) and Bini Silvennoinen (Blame Me!).

Everfrost online:

The Aquadolls Tour with Incubus and Sublime With Rome Kicks Off July 24

So Cal all-female rock trio The Aquadolls will be on the road with Incubus and Sublime With Rome from July 24 through September 3rd. See dates below.

Watch for new music coming soon. In the meantime, the band’s latest single titled “Help (I’m Falling 4U and I Can’t Get Up)” is out now.

Stream the single here, and stream the video here.

Frontwoman Melissa Brooks says, “This song tells the story of falling for someone and starting to obsess over them. It’s about imagining all of the things we could do together, both romantic and twisted, showing the darker sides of having a crush and longing for more to come from it.

Produced by Fat Mike of NOFX and Jon Graber, this song is a sultry slow jam compiled of surfy guitar with a heavy kick drum, hitting our heart strings with every chord.”

“Help (I’m Falling 4U and I Can’t Get Up)” follows on the heels of the trio’s recently national co-headline tour with Republic Records’ Sitting On Stacy, and their recent appearance at Ventura, CA’s Surf Rodeo.

Already a festival favorite, having performed for the masses at Lollapalooza, Ohana Fest, and Beachlife Festival, The Aquadolls will again grace the stage at Austin City Limits Festival this October.

The 3-piece has just finished recording a new LP that is scheduled to be released soon on Enci Records.

Aquadolls Tour Incubus Sublime with Rome 2022

Incubus / Sublime With Rome / The Aquadolls Tour Dates

  • Sunday, July 24 West Palm Beach, FL iTHINK Financial Amphitheatre
  • Tuesday, July 26 Jacksonville, FL Daily’s Place
  • Wednesday, July 27 Atlanta, GA Lakewood Amphitheatre
  • Friday, July 29 Columbia, MD Merriweather Post Pavilion
  • Saturday, July 30 Doswell, VA AfterHours Concerts at The Meadow Event Park
  • Sunday, July 31 Wantagh, NY Northwell Health at Jones Beach Theater
  • Tuesday, Aug 02 Syracuse, NY St. Joseph’s Heath Amphitheater at Lakeview
  • Wednesday, Aug 03 Mansfield, MA Xfinity Center
  • Friday, Aug 05 Camden, NJ Waterfront Music Pavilion
  • Saturday, Aug 06 Holmdel, NJ PNC Bank Arts Center
  • Sunday, Aug 07 Bangor, ME Maine Savings Amphitheater
  • Tuesday, Aug 09 Cuyahoga Falls, OH Blossom Music Center
  • Wednesday, Aug 10 Clarkston, MI Pine Knob Music Theatre
  • Friday, Aug 12 Bonner Springs, KS Azura Amphitheater
  • Saturday, Aug 13 Maryland Heights, MO Hollywood Casino Amphitheatre – St. Louis
  • Sunday, Aug 14 Tinley Park, IL Hollywood Casino Amphitheatre – Chicago
  • Tuesday, Aug 16 Rogers, AR Walmart AMP
  • Wednesday, Aug 17 Dallas, TX Dos Equis Pavilion
  • Friday, Aug 19 Houston, TX Cynthia Woods Mitchell Pavilion
  • Saturday, Aug 20 Austin, TX Germania Insurance Amphitheater
  • Monday, Aug 22 Phoenix, AZ Ak-Chin Pavilion
  • Wednesday, Aug 24 Salt Lake City, UT USANA Amphitheatre
  • Friday, Aug 26 Mountain View, CA Shoreline Amphitheatre
  • Saturday, Aug 27 Irvine, CA FivePoint Amphitheatre
  • Sunday Aug 28 Chula Vista, CA North Island Credit Union Amphitheatre
  • Tuesday, Aug 30 Reno, NV Grand Sierra Resort and Casino (Grand Theatre)
  • Thursday, Sept 01 Ridgefield, WA RV Inn Style Resorts Amphitheater
  • Saturday, Sept 03 Bend, OR Hayden Homes Amphitheater

About The Aquadolls

The Aquadolls was formed in La Mirada, CA in January 2012 by lead singer and songwriter Melissa Brooks, who began recording bedroom demos of her songs. She eventually released the album We Are Free in early 2013, followed by the LP Stoked on You in December 2014. After a brief break from releases, the stars aligned in July 2018, and the new era of The Aquadolls commenced with Jacqueline Proctor on drums and Keilah Nina on bass. The band grew as a powerful threesome leading up to the release of The Aquadolls’ highly anticipated second album, The Dream and the Deception, recorded and self-produced by Brooks and self-released October 28, 2018, on Aqua Babe Records.

Following their sophomore album, the trio self-released the single “Suck on This” in summer 2019, followed by their 2020 viral cover of Lash’s “Take Me Away” (a track made famous via its inclusion in the 2003 Lindsay Lohan-starring Disney film ‘Freaky Friday’).

After signing with Enci Records and releasing a trio of singles (including the track “Cry Baby” which hit the top 10 Alternative Specialty Charts), The Aquadolls, whose sound mixes indie, punk, surf rock, and vintage bubblegum girl-group swagger, went on to garner praise from the likes of Spin, Paste, Alternative Press, New Noise Magazine and many more.

The Aquadolls Acclaim

“Coming from the suburbs of Los Angeles, the Aquadolls are punk pioneers in the broadest sense. They ooze eclecticism, stacking elements of indie– and surf-rock on top of a distinctly pop-punk foundation. While their sound might not exist at a comfortable spot for genre purists, fans of sonic experimentation will surely find their versatility entrancing.”- Alternative Press

“… exudes an undeniable attitude…”- New Noise Magazine

“The Aquadolls exude a positively energetic, and powerfully confident vibe. A mix of influences and life experiences between this trio, makes for their inspiringly eclectic, powerful punk rock n roll music.”- Wall Of Sound

“If there was a missing link between 60s girl groups, California surf-pop, 90s skater rock and Taylor Swift’s assertive pop-sassiness it might be this lo-fi band helmed by singer-guitarist Melissa Brooks from Southern California.”New Zealand Herald

“In line with other historical all-female bands such as Bikini Kill.”- The BC Heights

“If you were looking for a new mood-booster, this is it.”Riff Magazine

“The Aquadolls are a So-Cal trio primed to blast off. Featuring surf-rock vibes alongside pop-punk vocals, these witty women excel at blending genres and garnering attention they rightfully deserve.”Idobi Radio

“…fuzzy surf-psych-grunge pop from Southern California with an ebullient sing-a-long vibe.things are on the up-and-up for this cool crew.”*Oh My Rockness*

“The Southern California band effortlessly pours out infectious shoegazey bops, earnest headbangers, cosmic surf-punk ballads, and electrified power-pop anthems. Despite the sheer range of styles and genres reflected in their music, there’s a real cohesion to The Aquadolls’ addicting combination of sharp edges and even keel. No matter what vibe a given song has, it’s clear The Aquadolls are putting everything they have into the music they’re making.”Hard Noise

“This is a rock band composed of womxn unafraid to unhinge their music from easy listening, a powerfulness laced with irony and sarcasm and sweltering feeling in all of their songs.”Lithium Magazine

“The group has continued to push themselves creatively in new directions with each release.”All The Alt Things

“The Aquadolls have managed to piece together an anthem-in-waiting. Powered by woozy chords and a hazy soundscape set atop delicate but resonating vocals, ‘Disappearing Girl’ feels as though it’s been delivered to us fresh from (a) distant dream. Fingers crossed that world domination is part of their plan.”Blunt Mag

“A shimmering piece of indie rock, “Disappearing Girl” is built on fizzling layers of percussions as The Aquadolls toy with the raw elements garage and chest-swelling air of dream rock.”Aupium

“A punk rock power ballad doesn’t sound like it could be possible, but The Aquadolls somehow pull off the impossible.”If It’s Too Loud

“…energetic and infectious. They’re better than caffeine.”Illinois Entertainer

The Aquadolls online:




TERMINA Releases Single “Translucent”

“Transluscent” artwork

Today, TERMINA has returned with a new slab of modern metal, in the form of standalone single, “Translucent” – featuring guitarist Nik Nocturnal (who also handled other instrumentals), vocalist Andy Cizek (Monuments, Makari, WVNDER)and drummer Chris Turner (Oceans Ate Alaska)Mixed and mastered by Zakk Cervini (Bring Me The Horizon, Motionless In White, Coheed And Cambria, etc), “Translucent” is streaming now on Spotify, with the mind-bending, AI-generated video available for viewing here: 

(Produced by Patrick Lawler)

Nocturnal comments: “‘Translucent’ is the start of a brand new era for TERMINA. We took everything that we and our fans loved about our first album, ‘Dysphoria‘, and used that as the foundation for this new song – but, we cranked it up to an 11 for this release: we decided to enlist a real drummer, Chris Turner (Oceans Ate Alaska), and get a professional mix/master from Zakk Cervini. The resulting single is pure insanity, plus catchier and heavier than ever before. There’s no question we’ve built the ultimate Modern Metal team for this one.”

Regarding the song’s theme, Cizek adds: “‘Translucent’ is about being at war with yourself, feeling stuck in time, paralyzed by your own mind.”
 
TERMINA are re-defining modern metal. In the (very) recent past, the catchall genre has managed to catch the dregs of all of metal’s worst stereotypes for a homogenous sound less modern and more meh. In the hands of Nocturnal, Cizek and Turner, the tenets of metal’s newest subgenres become redefined. Metalcore, djent and deathcore are the true triumvirate of modernity, and combining them in fresh ways with a solid pop sensibility keeps it fresh, invigorating and truly progressive.

Stay tuned for more news about TERMINA coming soon!

TERMINA line-up:

  • Nik Nocturnal – guitars and instrumentals
  • Andy Cizek – vocals
  • Chris Turner – drums (session)

TERMINA online:

REVIEW: Failure Lands in the Desert for Crescent Ballroom Show (6-5-22)

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Phoenix, AZ — Failure returned to Crescent Ballroom for the third time since their reunion in late 2013, much to the delight of an eager and boisterous crowd. This was the first US tour in over 3 years, thanks to COVID, and was to support their newest album Wild Type Droid. This is their sixth studio album, and marks a major change for the band. Their previous albums have carried the band and their followers into outer space – one of the descriptors of the band is “space rock” – but this time the theme of the album will be a bit different. In a press release, guitarist and bassist Greg Edwards stated that “This feels like a good place and time to abandon the space iconography and theme once and for all. In a lot of ways, this album feels like a return to earth. All minds have been called back to their bodies. There’s a lot to attend to right in front of us.

Failure promo photo
Photography: Priscilla C. Scott

As Failure reached down to firmly grasp terra firma once more, their fans welcomed the news of the latest tour with open arms and thinly veiled excitement. They have been described as having “cult status” by Rolling Stone, and based on the buzz that was flowing through the venue as fans eagerly awaited their beloved band, it is a fitting moniker. Failure, formed in 1992, has embraced social media with a fierceness that is not often seen in bands that formed before the amalgamation of the internet and social media. In an era where word of mouth was currency, they built a following through tours with Tool, and a solid discography that has withstood the test of time. In fact, it could be argued that while formed in the 90s, Failure is anything but a 90s band. They were merely a band before their time.  

Failure completed the albums Comfort in 1992, Magnified in 1994, and Fantastic Planet in 1996. They stepped into a Lollapalooza slot in 1997 when Korn dropped out. Citing “personal differences”, they officially broke up on November 19, 1997, only to reunite in 2013. In the interim, former Failure rhythm guitarist Troy Van Leeuwen joined A Perfect Circle, who recorded a cover of Failure’s “The Nurse Who Loved Me” for their Thirteenth Step LP. 

Failure’s cosmic sound appears on 2015’s The Heart is a Monster album and 2018’s In The Future Your Body Will Be The Furthest Thing From Your Mind. Their tour for their recent release Wild Type Droid blends celestial sounds of previous albums with the “return to earth” sound they are making now. The band may have an on again, off again relationship, but their fans are here to stay. 

In a social media announcement on March 31st, 2022, Failure informed their fans that they could preview a 30-minute trailer for their upcoming eponymous documentary, which is slated to be released in 2023. A nearly 7-minute teaser of the documentary, a trailer of the trailer as it were, was played right before Failure took the stage. This announcement of the band’s upcoming film was met with unfettered excitement online, and this carried over into the night of the show.  

Those who have attended live music events at any point know that it is not unusual for fans to slowly trickle in, but on this night the vast majority of the crowd was in the venue when the lights were turned down at exactly 8:30 pm. The extended Failure documentary trailer brought raucous cheers from the eager crowd. It is a safe bet that much of the crowd had watched the teaser online, and there was an air of anticipation. Indeed, some in the crowd cheered at every new musician or actor who appeared on the screen to discuss Failure’s impact on them personally and their music careers. 

The preview had a parade of big music industry names: Hayley Williams (Paramore – who covered “Stuck On You” in their 2006 EP The Summer Tic), Maynard James Keenan (Tool, A Perfect Circle, Puscifer), Butch Vig (Garbage), Troy Sanders (Mastodon), and commentary from actress and comedian Margaret Cho, among others. As the sneak peek wrapped up, the conversation turned to the drug use that led to the band break up in 1997. As of yet, no release date has been given for the Failure documentary.

Ken Andrews (Vocalist, Guitarist), Failure
| Photography:
Kara Blakemore © All Rights Reserved

Failure’s current members are frontman and lead guitarist Ken Andrews, multi-instrumentalist and backing vocalist Greg Edwards, and drummer Kellii Scott. The trio took the stage with a “What’s happening Phoenix?” shout out from Andrews. They launched into the hard-hitting song “Submarines” off Wild Type Droid. This was the first song the band wrote after the world shut down due to the pandemic. There is a certain risk in writing a song that relates to a world changing event such as the pandemic that upended nearly every smidgen of the day to day lives of all of us, as future generations likely will not fully understand the trauma and impact it left on all of us. That is where the beauty and timelessness of the band’s songwriting comes in: while this generation will immediately understand the deeper meaning of the song, it will resonate later on for a new generation of music lovers for a completely different reason.

Greg Edwards (Guitarist), Failure
| Photography:
Kara Blakemore © All Rights Reserved

The music video released for “Submarines” consists of the band staring into the camera – giving the viewer a sensation that perhaps the band is attempting to look deep into their souls – while also having their profile featured, glitching in and out. The intensity of this video carries on to their concerts, with a focused Andrews rarely speaking – though he did acknowledge the fans who called out between the songs. His abrupt (but not rude) style of communication while on stage is a drastic contrast of his voice, which is – in itself – a juxtaposition to the music. Andrews’ smooth vocals mixed with the crunch and crash that comes with the grunge-meets-space-rock sound that Failure is associated with has a familiar and comforting feel to it. Imagine a warm, well-worn blanket wrapped around you as you stare off into space imagining the possibilities of the unknown, and you have an idea of what a concert with Failure is like. 

Failure performing live at Crescent Ballroom
Failure
| Photography:
Kara Blakemore © All Rights Reserved

They pulled from each of their 6 albums during the show. Right before the band played “Counterfeit Sky” from The Heart Is a Monster, Andrews stated they were doing double shots from each album – at least two songs back-to-back from the same album. There was a single exception to this: “Salt Wound” was the sole song from Comfort, their very first album. Indeed, there was a near symmetry to the show, with 2 songs from Magnified, The Heart Is A Monster, and In the Future Your Body Will Be the Furthest Thing from Your Mind, as well as 6 songs from Fantastic Planet, and 6 from Wild Type Droid

As incredible as the evening was, it was not without some small flaws. The first was when the sound cut out suddenly during the opening moments of “Distorted Fields,” stopping everyone except Scott, who was so focused on his craft – and also had headphones on – that he continued to drum for a few more seconds. While the sound techs scrambled to get the show back on track, one fan called out “Acoustic version!” which was followed with a rimshot by Scott. The techs quickly fixed the issue, and the show got back on track. The second was a restart of fan-favorite “Stuck On You.” Neither mishap detracted from the overall magic of the show and had the paradoxical effect of enhancing it a bit with how quickly and gracefully they were handled.

Kellii Scott (Drummer), Failure
| Photography:
Kara Blakemore © All Rights Reserved

After finishing up “Half Moon,” from Wild Type Droid, during the encore, Andrews told the ecstatic audience “You may have noticed we haven’t played anything from our 3rd album.” This was rectified quickly, as the final 6 songs all came from Fantastic Planet, culminating with “Daylight,” which is also the final song on the album. 

The concert was a journey as the music videos playing behind the band throughout the night took the fans to another planet and then back to earth to get rather macro with various insects, such as a praying mantis named Iggy from their latest music video. After the finale, it felt like an extended goodbye with a long instrumental performance, and this journey came to an end with Andrews telling the fans, “Thank you Phoenix, we love you!” 

Failure performing live at Crescent Ballroom
Failure
| Photography:
Kara Blakemore © All Rights Reserved

Failure is a band that is absolutely worth going out of your way to see perform live. There are layers upon layers to their music. It would be easy to forget it’s a band of only 3 members. It is easy to see how the band continues to thrive by word of mouth, and why the fans are loyal to the point of near obsession. The praise they receive is well-founded and deserved.

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    Failure’s Phoenix Setlist

  1. Submarines
  2. Mercury Mouth
  3. Salt Wound
  4. Frogs
  5. Wonderful Life
  6. Atom City Queen
  7. Counterfeit Sky
  8. Distorted Fields
  9. Force Fed Rainbow
  10. Bring Back the Sound
  11. Headstand
  12. Bad Translation
  13. Half Moon
  14. Segue 3
  15. The Nurse Who Loved Me
  16. Another Space Song
  17. Stuck on You
  18. Heliotropic
  19. Daylight

Photo Gallery

Photography: Kara Blakemore

Failure – Crescent Ballroom 6-5-22

Photography © Electric Eye Photo AZ
All Rights Reserved

INTERVIEW: A Video Q&A with Goth Brooks’ Xiån “3pac” Austin & Mike Lee

Goth Brooks' "Freakabilly" album artwork
Goth Brooks’ “Freakabilly” album artwork

Welcome to the Record Room for the latest edition of Burning Hot Interviews. In this episode, host Ryan Novak talks with Xiån Austin [3pac] & Mike Lee of Goth Brooks about how they conceptualized the band beginning with the name, making multiple genres work within a song, wanting to compose a classical music and industrial metal hybrid symphony, the glory days of MTV, Christmas music, and carrying on after a tragic loss. Their new album Freakabilly was released on May 19th, and is available to download for free at GothBrooks.rocks.*

* Formerly GothBrooksBand.com – update your links and bookmarks!

Burning Hot Interview featuring
Xiån Austin [3pac] & Mike Lee of Goth Brooks

Q & A with music journalist Ryan Novak

View on YouTube

Download the New Album Freakabilly!


About Goth Brooks

Goth Brooks
Goth Brooks

Arizona’s own Goth Brooks is a band that defies easy classification. Its members, Mike Lee, Chris “3pac” Austin, and the late Jonah “Werm” Foree each represent different genres they individually bring to the group: country, hip-hop, and metal. The group’s sound, though, stretches each of those genres to their limits, melding country, Western swing, rockabilly, industrial metal, death metal, hardcore, and gangster rap, among still more, into a sound that is fun and wholly original.

Goth Brooks released their debut LP, Moonshine and Mascara, in early 2016.

In 2017, they won 98KUPD’s Playdio with “She Thinks My Hearse is Sexy”, which granted them the opportunity to create the theme song for the morning show, Holmberg’s Morning Sickness.

The band made a very brief appearance on America’s Got Talent when auditioning in 2018. According to a Facebook comment made by Foree, “We only got flashed for like 2 seconds… It was weird, because the filming crew literally pulled us aside, out of the long line, and spent over an hour filming us doing different things. But in the end, the producers put us on the cutting room floor… The tryout & trip to Vegas was still a blast though!

The Christmas in Black EP was released in August of 2021. Following the tragic passing of Foree, Goth Brooks released their second studio album Freakabilly on May 19. Just like their previous releases, the 13-track album is available to download from their website for free. It is also available to stream on Spotify in a 9-track form.

Goth Brooks online: