Category Archives: Publicists

Classically Infused Metal Collective Lost Symphony Reveals “A Murder of Crows”

Lost Symphony, the classical-metal ensemble headed up by multi-instrumentalist and producer Benny Goodman with a host of accomplish guest musicians, has released the third single from their upcoming Chapter II album – a track entitled “A Murder of Crows,” was inspired by the memory of late guitarist Oli Herbert, who was an early contributor to Lost Symphony.

During the funeral for the All That Remains guitarist nearly two years ago, a group of crows were said to have collective above the gathering. “It was often thought that a large group of crows decided the outcome of other birds,” Goodman says. “A large gathering is called a murder of crows and was often an omen of bad things to come.”

Watch the video for “A Murder of Crowshere:

A Murder of Crows” features guest appearances by guitarist Jon Donais (Anthrax, Shadows Fall) and Jimi Bell (Autograph, House of Lords).

“Working with Lost Symphony was such a blast for me,” says Donais, “It’s an honor to play on a project with some of the best heavy metal and rock guitarists out there. This is a must for anyone who loves shred guitar!”

Just months after Lost Symphony raised the bar on classical-infused metal with their debut, Chapter I, the ensemble has returned with a new single, “Conflagration,” from the upcoming Chapter II (set for release on October 16).

Chapter II pre-orders are available here.

Primarily composed before, yet eerily perfect for the age of the Pandemic, the eight-track opus of Chapter II strains beauty through aural apocalypse. The collective founded by multi-instrumentalist and producer Benny Goodman and comprising his brother Brian (compositions, arrangement), Cory Paza (bass, guitar), Kelly Kereliuk (guitar), Paul Lourenco (drums), and Siobhán Cronin (violin, viola, electric violin) has once again welcomed a revolving cast of virtuosos to join them for the next phase. This installment includes Marty Friedman, David Ellefson, Jeff Loomis and many more.

The album’s first two singles, “Conflagration” and “No Exit,” feature performances by Oli Herbert, Matt LePierre and Conrad Simon, and David Ellefson, Jeff Loomis and Marty Friedman, respectively.

Listen to “Conflagration

Watch “No Exit

Lost Symphony was set in motion when Benny Goodman invited guitarists Kereliuk and Simon to add another dimension to the classical demo he had composed. An early recording of “Leave Well Enough Alone,” which appears on Chapter II, made its way to All That Remains co-founder and guitar hero Oli Herbert, who quickly jumped aboard as a chief collaborator. Upon arrival, Chapter I immediately received widespread critical acclaim. Metal Insider described it as “the great collision between metal and classical music,” and BraveWords claimed it has “taken the scene by storm.”

Lost Symphony Online:

Website | Facebook | Instagram
| YouTube | Twitter


Featured photo (top) by Eric Snyder



System Of A Down Statement on Artsakh

System Of A Down have issued a collective band statement and call to action on all their social platforms regarding a current crisis occurring in their cultural homeland of Armenia and Artsakh. In the early morning hours of Sunday, September 27, forces in Azerbaijan began a large scale pre-meditated offensive attack on Artsakh (Nagorno-Karabagh), an independent and autonomous country that borders Armenia, populated with a vast majority of ethnic Armenians. International peace keeping powers are doing very little to dissuade Azerbaijan’s advances and the people of Artaskh are doing everything they can to defend their lives and homeland, where they have lived for thousands of years. For them, this a matter of survival, and nothing more as Azeri forces are trying to do little less than eradicate the 150,000 people that these lands are home to.

Artsakh gained independence in the early 1990’s from Azerbaijan after years of war and conflict beginning soon after the 1988 collapse of the Soviet Union, of which both countries were a part of. After gaining its own independence from the Soviet Union, Armenia has been a guarantor of Artsakh’s security. A cease-fire was agreed to between the countries in 1994, but over the past 2 decades, Azerbaijan has frequently broken this pact via mostly minor to moderate advancements and skirmishes along the line of contact.

This time, Azerbaijan with the aid of Turkey’s Recep Erdogan regime and military forces, launched a large scale offensive attack along the full eastern border of Artsakh and has launched attacks within the borders of Armenia as well. International calls for a stop to Azeri advances have gone ignored, and the leader of Azerbaijan, Ilham Aliyev is attacking with impunity.

All four members of System Of A Down are of Armenian heritage, and since the band’s inception have brought awareness to many human rights issues, none more prevalent than that of the Armenian Genocide at the hands of the Turkish leadership of the Ottoman Empire during WWI, when more than 1.5 million Armenians perished in the first genocide of the 20th century. To the band members and other Armenians all around the world, the war being waged on the people of Artsakh now is a continuation of the Armenian Genocide as the Turkic Azeris along with the support of Recep Erdogan’s Turkey are trying to eradicate the Armenians of Artsakh and claim these lands for themselves.

Their statement posted on their socials is below. It includes various calls to action and online petition links to raise awareness and a call on world leaders to insist Azerbaijan and Turkey stop the attacks immediately.

System Of A Down Statement:

The world turned a blind eye during:

  • the Armenian Genocide in 1915
  • the mass killings and pogroms of the 1980s and ‘90s
  • Azerbaijan’s invasion of Armenia in 2016

Now the world is turning a blind eye to 150,000 landlocked civilians under attack by Azerbaijan and Turkey.

SOAD has always stood for justice and peace. This notion comes from the suffering and injustice done to our people over centuries. Erdogan’s denialist Turkey is continuing the work of its genocidal ancestors, and allied with petro-corrupt Azerbaijan, are firing American made F-16 missiles into Artsakh and parts of Armenia killing soldiers as well as civilians. The world seems too busy with Covid and politics to care, but we HAVE to do something as this is an existential threat for our people and the first Christian Nation.

Since it seems difficult for the media, international organizations, and world powers to call out Azerbaijan on its war mongering, ethnic cleansing, and killing of innocent civilians, let’s help them. We are calling on everyone to join our efforts. Here is how…

Donate:

Armenia Fund

Armenian Wounded Heroes Fund

1000plusam

Armenian American Medical Society

Aid Beyond Borders

Sign Petitions:

Armenian Rights Watch
Stop Against Azerbaijan and Turkey’s War Crimes

ANCACut Off Military Aid to Baku

ANCAStrengthen US-Armenia Ties

WhiteHouse.gov – Condemn Azeri and Turkish Aggression

Jane N’ The Jungle Announce Upcoming New Single “Lucky 7”

LOS ANGELES – It’s not often that a song can make you feel lucky, unless you’re Jane N’ The Jungle from Phoenix, AZ, who are back with their infectious new song “Lucky 7”, releasing October 2, 2020. It’s the follow-up to their killer track “Animal”, continuing to get attention.

Watch their previous single, “AnimalHere

Jane N’ The Jungle is Jordan White, leading the band with her powerhouse vocals, Brian Dellis flame throwing on guitar and “Big B” slaying on bass.

White says, “Lucky 7” was written about a night the band had while playing a show in Las Vegas and hanging out at Longhorn Casino in East Vegas. It’s a free-spirited song that captures one of the band’s favorite memories.”

Lucky 7” was produced by Grammy Award winning Producer/Engineer Chuck Alkazian (Pop Evil, Soundgarden, Tantric) at legendary Pearl Sound Studios (Asking Alexandria, Eminem, Filter).

Stream their album Concrete Jungle Here

Jane N’ The Jungle Online:

Website | Facebook | Twitter
Instagram | YouTube


Next Round of ‘Live From the Drive-in’ Concert Series Announced, with Jason Isbell and the 400 Unit, Blackberry Smoke, Indigo Girls, Yacht Rock Revue

Today, Live Nation announced the return of the Live From The Drive-in concert series, the fan favorite live music tailgating experience. Jason Isbell and The 400 Unit, Blackberry Smoke, Indigo Girls, and Yacht Rock Revue will headline the shows live on stage each night across two weekends, October 16-17 & October 23-24, in Alpharetta, GA at Lot A at Ameris Bank Amphitheatre.

Tickets will go on sale to the general public beginning this Friday, September 11th at 10am local time here. Tickets will be available to purchase as car passes. Fans will only need to purchase one ticket per car, with a maximum of four (4) people permitted in each car.

Live Nation is reimagining the live music experience during a time of social distancing by allowing fans to enjoy concerts in a one-of-a-kind drive-in setting from their own private individual tailgating zones next to their cars. This exclusive outdoor concert series gives attendees the chance to enjoy live music performances from some of their favorite artists while partying in the lot, socially distanced. Guests are allowed to bring chairs, food and drinks to party in their zone and truly make the experience theirs and unique to them. More details including event guidelines can be found via Live Nation here.

Citi is the official presale credit card of Live From The Drive-In. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, September 8th at 12pm local time until Thursday, September 10th at 10pm local time through Citi Entertainment®. For complete presale details go here.

“We are thrilled to have live music returning safely to the Atlanta area for a great weekend of Live From The Drive-In. We’ve seen such a great demand from fans to get back to concerts in a safe manner and from artists to get back on the stage to perform again,” said Peter Conlon, President of Live Nation Atlanta. “It’s also really great to be bringing live event jobs back to some local crew and workers who have been out of work since March. We can’t wait to see everyone come out!”

Each event will comply with all health and safety standards per local jurisdictions and state regulations in order to protect fans, artists, crews and staff. This includes thorough sanitation throughout the event and hand-sanitizing stations will be available, along with a number of other preventive measures.

For more information on the health and safety precautions we are taking, event guidelines and FAQs, visit here.

Live From The Drive-in Upcoming Dates:

Alpharetta, GA @ Ameris Bank Amphitheatre

  • Friday, October 16 – Jason Isbell and The 400 Unit
  • Saturday, October 17 – Blackberry Smoke
  • Friday, October 23 – Indigo Girls
  • Saturday, October 24 – Yacht Rock Revue

Ingridi Verardo Joined By Daniela Serafim On “Read Between The Lines” Single

Ingridi Verardo just released her second single, entitled “Read Between The Lines“, which features the guest vocals by Daniela Serafim (Autopse, Monster Side Project). This track will be featured on Imperfection, her debut album which should released until the end of the year and will feature Samurai da Silva (As Do They Fall, Super Sonic Brewer) on guitars and bass, and Kelvin Salvetti (As Do They Fall, Black Adder) on drums.

Listen to “Read Between The Lineshere.

About the single Ingridi said: “It has something much more personal than the previous song. As can be heard on ‘28 Days‘, I am proud of my scars but in this one, talking about a ‘relationship’ that existed and didn’t exist is much more difficult because I’m not used to share these stories with anyone. ‘Read‘ is a mix of good memories, but also recurring thoughts of how I wish that distance didn’t keep us that far from each other and it didn’t have a double life.”

Ingridi Verardo

Imperfection alludes to the fragility and experience of recording an album for the first time. In addition to the singles “28 Days” and “Read Between The Lines“, the album will have a total of eight tracks and will address personal themes from Ingridi’s life, with a sound inspired by her influences that include symphonic metal, anime tracks, opera and musicals.

The album is being produced by Roger Fingle (Blood Tears, Seduced By Suicide), who commented: “I am sure that in the beginning Ingridi didn’t have much of an idea of how hard it would be to record an album with this quality and how much I would push her. Despite that, unlike many other bands, no matter how emphatic I am, she doesn’t get offended with my criticism and she truly tries to understand what is wrong and she always comes back better for the next recording session.”

Ingridi Verardo Online:

Facebook | Instagram | SoundCloud
YouTube | Twitter

Featured photo (top) by Gean Ghellere


Model Prisoner’s Debut EP Piss Universe Out Now

Philadelphia’s Model Prisoner recently released their politically-fueled debut EP Piss Universe, a mélange of metal, hardcore, and hip hop. In addition, Metal Injection unveiled the music video for their title track – a song about our society being a hot mess like a f*cked up beauty pageant where fake images and lies prevail, corruption rules, and it’s all just a game about money. Also, Model Prisoner’s bloodline includes influential bands such as Nowhere Roads, Swarm of Arrows, and Label the Traitor. Watch the “Piss Universe” video here.

Piss Universe was engineered, mixed, and mastered by rapidly rising producer Wyatt Oberholzer (Year of the Knife, No Option, Fixation, Struck Nerve) at The Knife Lair in Philadelphia, PA. Additional production and beats were provided by Jack Mickelson. The duo consisting of Keats Rickard and Jay “Lanky” Mallory tracked with Oberholzer in staggered sessions across a few months during quarantine. Influenced by the current state of our country, the result is explosive music with violent vocals and angry lyrics.

Model Prisoner Piss Universe EP Art

Their debut EP Piss Universe was released on August 28, 2020 and is available everywhere for streaming and download via Bandcamp with a vinyl release planned for the fall.

Model Prisoner Is:

  • Jay “Lanky” Mallory (lead vocals, drums)
  • Keats Rickard (guitar, bass, samples, backing vocals)

Model Prisoner Online:

Facebook | Instagram | Twitter

Featured photo (top) by Lydia Peterson


Art-Pop Chameleon Valerie Lighthart Explores “Intrinsic Femme Nature” In New Single/Music Video “Love & Money”

Milwaukee-based art-pop artist Valerie Lighthart is debuting a new self-directed music video for her latest single “Love & Money,” which includes a featured spot from queer Latinx pop artist Solana. The video was directed by Lighthart herself and also features a cameo by drag-queen Melee Mcqueen.

The “Love & Money” official music video, which premiered yesterday on Black Book, is now streaming here:

Stream the track on digital platforms here.

Love & Money” is a pop-romp created to celebrate femininity and reclaim the ideals women and femme-identifying folks are vilified for -vanity, yearning for love, and self-interest. Valerie has created a safe space wherein femmes could express those traits euphorically, harkening back to the circles that witches danced around naked in the early American wilderness. Worshiping evil ideals, loving themselves wildly, and exuding power.

“I yearned to create a gilded realm to escape inside. I sought and found safe spaces to unpack the difficult feelings I had about womanhood, femininity, sexuality, and autonomy. As a young teenager, a dance class I took with my older sister helped me begin to unravel the complicated web of internalized misogyny I learned. It taught me to connect to my body in a new way and learn to embrace my thoughts and desires in a group of supportive femmes. We would spin in circles, laughing and talking. We showered love on each other, and the tone of acceptance, body positivity, and optimism was freeing. Through this joyful space, I grew the stability of identity to unpack my ideas on femininity, and analyze the shame that had it in a stranglehold. Women and femmes don’t have a monopoly on shame, but I felt empowered to think about what I knew best: feminine performance in relation to a hyper-sexed and shame-based culture,” says Valerie.

Having designed the set and coordinated the costumes to harken back to the restrictive and debauched 18th century, Valerie’s music video opens up the stage to include femme folks who’s artistic flair, drive, force, and ownership of their autonomy she deeply admires.

“Whilst celebrating this ambition in “Love & Money“, I also explore why these materialistic and capitalist desires are even important, by creating this over-the-top alter-ego. I think it’s fun to ask questions from a first-person perspective, and through this song, I was able to do a bit of soul searching and exploration of the femme experience in our society, the roles we’re encouraged to assume, and the spectrum of desires and goals we have and why we have them. Ultimately this project is about shining light on multi-dimensionality as an intrinsic part of femme nature,“ says Solana.

About Valerie Lighthart:

“Surging eccentrically out of Milwaukee, WI is the glorious curiosity that goes by the name of Valerie Lighthart. At just 22 years of age, the cultural polymath has already dabbled in filmmaking, poetry, acting, modeling– and of course… her true raison d’être, making music. But with her new single, it might be said that she has also crossed over into feminist philosophy.” – Black Book

Imbibed with the different flavors of visual and sonic characterization, Valerie Lighthart is a pop songstress that tempers fun melodies with a sense of something a few shades darker -punctuations of melancholy and unique stories centered around folklore, empowerment, travel, or personal trials. In some tracks, she embraces her personal identity and in some she subverts it altogether, creating an entirely new character in which to enact her ideas. Yearning to create a larger-than-life feeling of mythology within her new work, she is diving fully into chamber pop-inspired dance songs and floating through soundscapes of ambient and longing folk croons.

Valerie Lighthart | Photography Ryan Yatso

“Love & Money” is the introduction to the “By Moonlight” series, a careful cultivation of the opposing worlds of pop and folk to tell a story about the historical positionings of women. Different elements held within the trio of EPs intend to empower, awaken, question, and introspect. Her vehicle is the shining moon, eternal in her orbit, the fluttering tulle skirts of femme goddesses shaking the leaves from the trees, the monsters braying past the moonbeams in the darkness, and the murky waters of outcry and confusion. The lyrics are feminist, subversive, analytical, romantic, and lofty. The “By Moonlight” series is a trio of EPs, each in a different sub-genre, intended to analyze a different facet of femme existence: empowerment, transformation, performativism, sexuality, oppression, and rage

The project, set to release in installments over the next year, is a collaboration with N43 Records, a Midwest-based independent label empowering diverse voices.

Valerie Lighthart Online:

Facebook | Instagram | Twitter
Spotify | Apple Music | Deezer

Featured photo (top) by Ryan Yatso

The OBGMs Set Oct. 30 Release for The Ends; Debut “Fight Song” Video

TORONTO The OBGMs, the Canadian trio who “spit fire” (Punk News) and “boast classic punk vibes with contemporary garage rock” (Alternative Press), have set an Oct. 30 release date for The Ends (Black Box Music).

“This album is about death, wanting to die, and fighting for something to live for — it’s the end of all things. I feel this is the one of the most important cross-genre albums this century,” says the always quotable singer/guitar player Densil McFarlane. “We are Nirvana, we are The Beatles, and The Stones. We are really changing the dimensions of which the game is played like the Steph Curry of this rock shit. We all have feelings of doubt, uncertainty, and I used to live there. I’m trying not to die there. If I’m going out, I’m going out shooting.”

News of the album’s release arrives as the band debut a new single from the 10-song collection, sharing a video for the cathartically combative single “Fight Song”. Watch here.

McFarlane says of the motivation behind the track: “You ever sitting in your 9-5 and someone talking reckless and you really want to punch them in their head top? You ever get that passive aggressive email from that disrespectful person and you want to walk to their cubicle and tell them about their mom? I wrote this song so I wouldn’t have to hold my tongue. We want the smoke. All of it. You don’t like us, fight me, or get the hell out of the way. You can’t stop us, this is how we die.”

The OBGMs (that’s The oOoh Baby Gimme Mores) — rounded out by drummer Colanthony Humphrey and bass player Joseph Brosnan — aren’t your typical rock band. “This is a black-fronted punk band, and that’s really important,” McFarlane says. “Rock n’ roll is mostly white suburban kids—that’s what gets promoted. But we are Black and we out here. I was inspired to make rock music when I saw a Black guy on stage, and if someone sees that in us, I hope it will inspire a new generation to go after this.”

The Ends was produced by GRAMMY and Juno award winning Dave Schiffman (Rage Against The Machine/The Bronx/Pup) and recorded at Dream House Studios (Toronto). Album pre-orders, which include a 180g red/yellow splatter vinyl variant, are available now here.

“You can love us or hate us,” says McFarlane. “I’m aiming for that. We’d prefer the love — we’re full of love — but I’d rather you hate me than feel indifference.”  

The Ends Track List:

  1. Outsah
  2. Cash
  3. All My Friends
  4. Fight Song
  5. Not Again
  6. Triggered
  7. WTFRU
  8. Karen O’s
  9. To Death
  10. Move On

Densil McFarlane delivers his self-deprecating lyrics with the sneer and bulldozing attitude of Keith Morris-era Black Flag, but his riffing and hooks could give even the Billie Joe Armstrongs of the world a run for their money. Keep these guys on your radar for sure.” – Guitar World

“The OBGMs barrel through hook-laden, guitar forward, tracks reminiscent of the early aughts garage rock revival. Underpinning that sound is feverish punk energy coupled with shout sing vocals. It’s something like The Hives by way of The Germs. Or the Strokes covering The Stooges.” – Vice

The OBGMs Is:

  • Densil McFarlane (vocals/guitar)
  • Joseph Brosnan (bass)
  • Colanthony Humphrey (drums)

The OBGMs Online:

Website | Facebook | Twitter | Instagram

Featured photo (top) by Amanda Fotes

LAMB OF GOD Announces Collaboration with Nightflyer Roastworks for Memento Mori Coffee

LAMB OF GOD has collaborated with Nightflyer Roastworks to create their first small batch single origin coffee, ‘Memento Mori’, grown in El Salvador and roasted in Charlotte, NC. 

With a life on the road, members of LAMB OF GOD have found themselves frequenting coffee shops around the world and brewing from their own espresso machine on the tour bus. A longtime passion of guitarist Willie Adler, ‘Memento Mori’ brings to fruition years of home roasting and blending in a true collaboration with friend Paul Waggoner, owner of Nightflyer Roastworks and guitarist for Between The Buried and Me.

For more information on ‘Memento Mori,’ visit http://lambofgodcoffee.com

Click to Enlarge

LAMB OF GOD is:

  • D. Randall Blythe – Vocals 
  • Mark Morton – Guitar 
  • Willie Adler – Guitar 
  • John Campbell – Bass 
  • Art Cruz – Drums 

LAMB OF GOD Online:

Website | Facebook | Twitter | Instagram

Worldwide Sensation SCANDAL (Osaka, Japan) Announces Postponement of “Kiss From The Darkness” North American World Tour Dates For Fall 2021

Osaka Japan rock band SCANDAL regretfully announces the postponement of its highly-anticipated 2020 “Kiss From The Darkness” North American WORLD TOUR, due to COVD-19.

The tour which was originally set to kick off on September 17 in Anaheim, CA has been rescheduled for FALL 2021. The updated 5-city run of dates includes a NEW show at Sony Hall in NYC on Saturday, November 13. See canceled and updated dates below.

While fans may have to wait a while longer to see the band, SCANDAL is excited to announce details for their FIRST-EVER WORLDWIDE LIVESTREAM CONCERT! The SCANDAL WORLD TOUR 2020 “Kiss From The Darkness” WORLDWIDE Livestream will take place live from Japan on Friday, August 21, 2020 (the band’s 14th anniversary) at 7:00PM JST (3:00AM PDT/6AM EDT, 11 :00AM UK)Tickets are $30.

To purchase tickets for the Livestream event visit: livefrom.events/scandal

To watch the live stream on August 21:
Log on to livefrom.events/scandal

For fans outside of Japan who are unable to stream the show live,
the full set will be archived for 48 hours after.

In a statement to fans, the band says,

“We are very saddened by the fact that our World Tour that was supposed to take place this year has been postponed. However, we are very excited about our first worldwide livestream concert! Our tour was going to visit more than 30 cities in the world, so we are working very hard to put all of our energy and passion into this one night, so that we can bring you the very best of SCANDAL!! Even though the concept of a livestream concert is very new to us, seeing and hearing all of your positive comments, like “Everyone is in the first row!” or “Venue capacities are unlimited!” is so uplifting. We can’t wait to make some great memories with our fans from all over the world on August 21st!”

Canceled 2020 Tour Dates:

  • Sep. 17 Anaheim, CA- HOB
  • Sep. 19 Dallas, TX – Canton Hall
  • Sep 21 Atlanta, GA -The Masquerade
  • Sep. 23 Toronto, ON – Queen Elizabeth

New 2021 Tour Dates

About SCANDAL

SCANDAL is an all-female Japanese rock band from Osaka, Japan. Formed in Summer 2006 by four high school friends, they played live street performances until they were noticed and signed to the indie label Kitty Records. Although all four members have provided lead vocals, their primary roles are Haruna on vocals and rhythm guitar, Mami on lead guitar, Tomomi on bass guitar, and Rina on drums. In 2008, they released three singles and a mini-album while simultaneously touring the United States, France, and Hong Kong. That October, Scandal released their major debut single, “Doll”, on Epic Records Japan.

With massive support radio and media support (Billboard, CNN, ABC, etc), and an energized international fanbase behind them, the band went on to perform the theme songs for several anime series, including “Shōjo S” and “Harukaze” for Bleach, “Shunkan Sentimental” for Fullmetal Alchemist: Brotherhood, “Pride” for “Star Driver” and “A.M.D.K.J.” for “GeGeGe no Kitarō”.

In 2019, the band founded their own label named “her” and has continued to release a steady stream of chart-topping singles and albums, while bringing their music to venues all across the globe.
The band’s 9th studio album ‘Kiss From The Darkness’ was released in February 2020. The album peaked at number five on the Oricon weekly charts, extending Scandal’s streak of having all nine of their albums reach the top 5 of the charts upon release.

The band’s latest digital single “Spice” dropped earlier this month in collaboration with Xflag for their animated film “Xpice”, which was released on the official Xflag Anime YouTube channel the same day.

Stream the latest single “Spice” on Spotify

Stream SCANDAL’S Album, Kiss From The Darkness on Spotify

SCANDAL is:

  • HARUNA – Vocal & Guitar
  • TOMOMI – Bass & Vocal
  • MAMI – Guitar & Vocal
  • RINA – Drum & Vocal

SCANDAL Online

Website | Facebook | Twitter | Instagram

Featured photo (top) by takeshiyao