INTERVIEW: Talking With ‘Original As Fuck’ Clothing Creator, Presley Woodall

Original As Fuck apparel logo with buttons
Original As Fuck

Presley Woodall is an independent artist and screen printer in the valley. Originally from Indiana with roots in New Mexico and Illinois, her brand Original As Fuck is definitely garnering some attention amongst other regulars on Phoenix’s local scene. With her uncensored drive and tenacity, it’s not only a passion for her. It’s also a message. I recently sat down with Presley on a scorching Friday afternoon in South Central Phoenix over a cold 40 of Mickey’s to pick her brain about what that message is and what keeps her hungry.

When did you establish O.A.F.?

It’s been about two years since I started screen printing. As far as it being my artistic name? Since high school.

How did you get the nickname?

There was a substitute teacher. You know what “O.A.F.” means, right? It’s like a lazy bastard, and I was pretty lazy in High School. So he called me that once, so I looked it up and I liked it.

Presley Woodall, Original As Fuck
Presley Woodall, Original As Fuck

When did you decide to incorporate the Old English into your logo? That’s probably my favorite part of it.

I know! Me too. I try to make sure it’s in all of my drawings. I’ve just always loved old english. It’s just my style. The Old English “O.A.F.” with “Original As Fuck” underneath it was my first shirt.

So when did you move to Phoenix?
Well I grew up in Albuquerque, but I was born in Indiana. We moved to Albuquerque when I was like a year old so I don’t…

You don’t remember any of it?
No. Not at all. But then I moved here to Phoenix like right after I turned twenty-one.

How old are you now?

I’ll be 27 next month.

You seem older than that because I feel like you were closer to my age. Like you seem to have your shit together more than most.

Yeah I kinda get that a lot.

What inspired you to get into fashion?

It’s more just getting into screen printing. When I got into screen printing I just loved the process of actually doing it, so I guess I wouldn’t even say I’m into fashion really. Like I love 90’s fashion, but I’m not designing tee shirts or sweaters or anything like that. It’s more just the screen printing that I like.

Presley Woodall, Original As Fuck apparel
Presley Woodall, Original As Fuck

So do you just come up with an idea, sketch it then decide what you’re going to put that on? Do you just kinda say ‘Ok, I’m going to put this on a shirt, and then on some buttons?’

No, I try to put all of my designs on a shirt. There’s only so much I can do because I don’t have a dope ass studio with like a 6 press machine like I did out in Illinois. So I just have a single press, which means I can’t do all these crazy colors or stuff like that. Like right now I’m in the middle of finding a good paper to use. It’s kind of just about where I’m at, the connection I have at the moment.

So would you say that your process is constantly evolving?

Oh yeah, especially from moving. I had a good connection out in Illinois for everything. Being out here I’ve had a hard time getting people to commit to whatever it is that we’re getting together, for like doing a new vinyl for me, or burning a new screen or whatever. Not a lot of people come through on time. That’s when I’m kind of like, “Peace”, and I’m on to the next; because I don’t fuck around as far as that goes.

It’s definitely hard to find good help.

Yeah. And when everything comes out of your pocket, you have to be super wise about all of your decisions.

As far as what you’re doing now, do you have a mentor? Is someone teaching you this? Who do you look up to in the industry?

My friend Berto. He’s the reason I moved to Illinois, so he was the one who taught me how to screen print. I had followed his brand for a long time, so he was the one I wanted to teach me. I didn’t know the process even though I had worked at an art supply store for a couple years and sold the material for it. So he’s been like my number one fan through this whole screen printing process so from the beginning of O.A.F. and making it into a brand.

How long did it take you to decide that this is what you wanted to do?

Literally the day I learned how to screen print.

Original As Fuck pins
Original As Fuck pins

No shit… That quick, huh?

Yeah. I knew I wanted to do something with it, I just didn’t know what. I was always making art and other crafty things, and I know how to sew, so I made zip-up bags and just other random stuff like that. So I knew I would do something, but the screen printing and tee shirts that became the bigger picture rather than my crafts.

So you thought to yourself, “I’m gonna put this on a shirt”.

Yeah and other people saying, “you should put this on a shirt”. That’s what pushes me to get into this thing.

That actually brings me to my next question. How do you feel about the valley as a market? Has Phoenix been good to you?

Yeah I’ve gotten a lot of feedback. There’s been a lot of people who have wanted to do interviews with me too and…

You told  them to fuck off because you knew you would be sitting down with Burning Hot Events?

Haha, no I still did it. I’ve knocked out a couple of interviews on podcasts and they went pretty well. I’ve met some really cool people. I do first Fridays downtown and the people from Public Image, Kim and Daryll, they hit me up when I first moved out here. I was really promoting myself.

I’ve seen your pics on Facebook before a couple First Fridays, and I’ve loved seeing your stuff. You made some really dope candles that I absolutely loved.

I always try to include new stuff like that. I might make candles every time I go but they’re all going to be completely different candles every single time. Same with the designs. I’m always trying to have something new to bring. I just recently got a promotion at work so that’s what my focus has been for the last 2 to 3 months. I haven’t really done much. I’ve made art but not really any crafts. I haven’t been to First Friday in like 3 months.

I made a cartoon with a buddy of mine. It was a lot of work but we ended up making about 6 episodes but we never made another one because we both got jobs about the same time.

I know! It’s hard to do both no matter what it is. It’s tough and it’s hard to stay motivated. I’ve definitely struggled that in the past from time to time but it’s like they say, “If you want it badly, you’ll do it”. That’s what’s gotten me this far.

Original As Fuck apparel
Original As Fuck apparel

So what keeps you hungry? What keeps you driven and doing what you do?

Ever since I was little, I just felt I needed to be somebody that made some kind of difference. I’m not saying I want to be some crazy celebrity superstar or anything like that. I just want to be someone to send out a cool message and help people that way. The “Original” in my logo has a lot of meaning behind that.

That’s what actually drew me to it in the first place. Not only is it a brand for you but it’s also a message. Like, “I’m original as fuck, and fuck whatever you’re doing.

Right and it’s really rare for people in our society to have that kind of view. There are so many people telling you what to do and what to say and what to look like and you see it on social media being shoved down everyone’s throats and it’s shitty. It’s super shitty. The younger generation eats that shit up. I don’t have to have a 19 year old niece to know that, I just see it everywhere. Nobody knows themselves and you can tell. Because they are so focused on trying to look this way and how to be accepted… It’s just really sad to me because I think life is just being you and figuring things out. I think that’s a really big accomplishment.

Presley Woodall, Original As Fuck
Presley Woodall, Original As Fuck

I agree. I feel like you have a stubborn tenacity to lead rather than follow.

That would be going against everything I believe in. Nobody is original these days, I mean, it’s fucking 2017. There’s so much art out there that everyone gets ideas from different people and stuff but yes, I try to keep my style as original as possible.

It’s very obvious looking at your art that you have a love for hip hop. Old School. What was your first exposure to Hip Hop?

I’m the youngest of five. My older sister babysat us a lot when my mom had to work. She always played all of the good shit. I remember listening to it in my carseat. Like I didn’t know what they were talking about, it was just literally music to my ears, ya know? That along with the other stuff my dad played, and the stuff that my mom played. He was more into rock. Tom Petty and Joe Walsh.

It’s actually an entire genre called “dad music”.

Right! It has it’s own Pandora station haha

Notable successes? Failures?

There’s been a lot, even with just screen printing. Just little things. I don’t know how many tee shirts because screen printing is messy as fuck and I’m still not really that great at it. I just… Try to wing it as much as I can. It’s hard to learn new apps to do my digital art. And then you have to vectorize and pay for THIS program and… I’m still failing and I’m going to be failing even if I become “something big”, we’ll say. I think that just doing it in the first place and having the balls to get into it and do it and keep doing it even though I may not be able to afford some stuff right now.

And Successes?

I feel like I’ve come a long way just doing it myself. I feel like I’ve come farther than some people that have had a helping hand throughout the whole entire process. But that’s like you said earlier, ya know? I’m hungry. I’m hungry for getting this message out and seeing if more and more people will relate to it.

And how do you handle those failures or setbacks?

I have to smoke a bowl or I have to have a beer… Go for a drive? I don’t know. Do another piece of art because that’s what calms me.

Original As Fuck apparel
Original As Fuck apparel

So what’s next for O.A.F.?

I would like to get more into the designing of my clothing. I’m really into the 90’s style so I would definitely love to bring out some kind of cool color-blocked sweaters, tee shirts, and bucket hats; and anything else 90’s related. I would just want to design them. It’s just the point of doing a business plan and pitching my idea to some of these manufacturers and making the next big move.

Let’s say that you come to these manufacturers and that money is no object. What is your ultimate goal for O.A.F.? What are your aspirations?

I just want to have it out there for as many people as possible. I’m a private person and I’m not going to let it stop me from my brand becoming something big. I definitely put myself in uncomfortable situations. Not that I’m uncomfortable at the moment, but you wouldn’t find me being this open with anybody right now. I don’t care to tell anybody anything, even with my brand, so I would like for it be something as big as it can be but I’m not going to compare myself to any of the brands that are huge right now. I just want it to be as big as it can be without me personally being out there in the shine. I don’t want people to look at me before they look at what I have to offer, my message and my art.

Presley Woodall, Original As Fuck founder & designer
Presley Woodall, Original As Fuck

Example?

I was talking to this girl one time and I telling her pretty much everything I’m telling you… And she says, “Oh! And you’re pretty so that’ll help!” And I was like, “fuck that”, I don’t want people to look at what I look like. I have a lot to offer other than what the fuck I look like. I hate to think that people look at that first before they look at the other shit that really matters.

So in the grand scheme of things, how would you feel about seeing O.A.F. merchandise at Target?

That would be cool. That would be way cool.

It would probably barely sell…
I know, dude! I’d have to change the name.

“Mommy, I’m original as fuck!”

Yeah, I would definitely have to get them to NOT put the name on it unless the world just dropped some acid and tried to be open-minded fuckin people about the name. I don’t know what the fuck has to happen. I’m just pushing it as I go. It’s just my journey. I’m not in any rush to become something. I’m just pushing it as much as I want, when I want. That’s just the way it’s going to be until whatever comes.

Original As Fuck apparel
Original As Fuck apparel

So, we’re getting to the fun part of the interview now…

Oh, what?!

Top 5 artists and songs. Your deserted island mixtape. If you were going to die…These are the songs you want to hear. What’s your flavor?

That’s like when somebody asks me what my favorite color is. It’s almost impossible to answer, being an artist and loving music so much. Like am I going to die if I don’t answer this?

It can be less than 5 if you want.

Well…

How about just artists? Because songs? That’s tough.

Ok, fine. Just artists.

I’m a really big Tom Petty fan for a lot of reasons. Mainly because it just brings back to childhood memories and there’s a song for every fucking situation.

Original As Fuck caps
Original As Fuck caps

I think “American Girl” is the quintessential American rock and roll song. You just think cheeseburgers, muscle cars, and electric guitars.

Mine was “Mary Jane’s Last Dance”. I knew every word to that song at a young age even though I didn’t really even know what it was about until, obviously, I started smoking.

So Tom Petty. Who else?

Pharside. Definitely Pharside.

Pharside is fuckin dope.

Probably TLC as well. They’re females so I gotta give them props.

I still remember the first time I saw “Creep” when I was 9 years old. I’ll never forget those silk pajamas.

Dude, I’m going to be that for halloween! I’ve been trying to do that with my sister for the longest time but I think this year we’re going to do it because we found our third musketeer. We all gotta be TLC. I don’t give a fuck what you guys had planned. It’s an easy fucking costume, it’s comfortable and we’re just gonna do this. I’m gonna be Left Eye. I already called it and I called it long ago.

Original As Fuck pins
Original As Fuck pins

So Tom Petty, TLC, Pharside… And who else?

Led Zeppelin.

Ok so… What is a Led Zeppelin song that just hits you?

“When The Levee Breaks”

So we’re at 4 now.
I’m having a hard time because I think I stopped liking music since about 1997.

If it’s less than 5 that’s cool too. Obviously Hip Hop is your preferred genre. What comes second after that?

Classic Rock for sure.  I ran into my dad at a Lynyrd Skynyrd concert once!

You can follow Presley’s O.A.F. page on Facebook and on Instagram for updates on First Friday appearances and new merchandise. And make sure to contribute to the Patreon to ensure that  Burning Hot Events and Kataklizmic Design can continue to bring you more amazing content!

PHOTOS: Ikonoklast Hosts SINister Fetish Party & Concert at Joe’s Grotto 7-15-17

PHOENIX — With two stages to alternate between, Joe’s Grotto music venue has always been a favorite local spot for deliciously gritty punk & metal shows, and unusual performances. This made it an obvious venue of choice for a “sexy fetish party” like SINister  – calling out for Phoenix fans to rock out as their wildest, freaky selves. Amongst murky shadows of dimly lit stages and strobing rainbow LEDs, a true sense of community could be felt as this unique local scene came together to support a myriad of eye-catching, emerging artists.

Lucky for you, Burning Hot Events was on the scene to capture fans and performers alike. Our photo booth was hosted by our event photographer London Snow, who donned her very best sexy maid outfit — complete with a matching wig and frosty makeup perfection.

Photo Booth

View Photo Album

(Click Arrows to Scroll Images)

SINister Photo Booth - Joe's Grotto 7-15-17
SINister Photo Booth - Joe's Grotto 7-15-17

Organized as a birthday celebration for Ikonoklast vocalist, Jonah Foree, the night boasted a hard-hitting lineup including musical acts on the main stage like Scar Eater, Amensic, S.L.U.T. (Satanic League of Underground Techno), and of course Ikonoklast. Agents of LUST heated things up during the sets of both S.L.U.T. and Ikonoklast, sending arches of electrified metal sparks onto the dancers and into the crowd below.

The party also featured DJ Beautiful John, live body painting by El Spawk, and burlesque & fetish performances by Pain Proof Punks on the second stage. The performers on the second stage included Little Jae Sinclair, Lexi Locket, Katara Fox, Crystal Frost, Dr. Copperchops, Miss Wonderland, and Luna Sky.

Performer Photos

View Band Photo Albums:
S.L.U.T. | Amnestic | Scar Eater | Ikonoklast

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

INTERVIEW: Special Moments with Post Animal, Coming Soon to Phoenix!

Post Animal in Phoenix 7-23-17
Upcoming Post Animal Concert
Phoenix, AZ 7-23-17
Buy Tickets on Ticketfly

Post Animal burst onto the scene in 2015 with their album Perform the Most Curious Water Activities. Ever since then, they have been working hard releasing more music including their psychedelic hit, “When I Get Home”. “Special Moment” is their latest release. The psychedelic-rock band hails from Chicago and consists of Dalton Allison, Jake Hirshland, Joe Keery, Javi Reyes, Wesley Toledo and Matt Williams.

Post Animal are currently on their headlining tour across North America. They are bringing their tour to Phoenix, Arizona, July 23 at  Valley Bar.  They are definitely a band you will want to see!

Dalton Allison (Vocalist/Bassist) tells us more about the band, music, tour, influences and more in their email interview below…

What brought Post Animal together, and how long has the band existed?

Originally Matt, Jake and I all met in Chicago through mutual friends back in 2015. We were lucky enough to have all ended up being in Chicago at the right place and the right time and just kept adding onto ourselves when we found somebody who we loved playing with.

 What influenced the band name? Were there other choices before ‘Post Animal’ became the final one?

I’m sure we had a bunch of names being thrown around before but Jake used ‘Post Animal’ to describe an idea that came out of a book a friend was reading while we were hanging at his family’s farm house and we never felt a need to change it since.

If you could describe your music in one word, what would it be?

Funny

You just started your current headlining tour on June 1st. What aspect of the tour are you most excited about?

I think we’re all excited to travel across the USA and into parts of Canada. There are a lot of places on this tour that none of us have ever been.

What are your favorite songs to perform? Is there a certain lyric from any of your songs that is especially meaningful to you?

I think we all really like to play the newer songs because the writing has been much more collaborative, but a lot of the lyrics are more individually specific in a vague way, if that makes sense, so I’m not sure if there are any choice lyrics. We all love to back each other up though so even if it doesn’t mean much to us individually the connection is still there as a group.

Having played in Tucson, was playing in Arizona different than playing anywhere else?

At this point in time we’ve only played in Tucson but from what we’ve seen people are very nice and hospitable. We’re very lucky to get the opportunity to come back and are ready to rock with everyone again.

 Is there anything about working in the music industry that caught you by surprise?

We still have a lot to learn about all this so pretty much everything at this point is a surprise. There are a lot of things that are going on behind the scenes that we never really knew about so we’re very lucky to have friends that are guiding us along the way.

Post Animal - Photo Credit: Kristina Pedersen
Post Animal (Click to Enlarge)
Photo Credit: Kristina Pedersen

With your guitarist Joe Keery playing the role of Steve Harrington in Stranger Things, how did the success of the TV series affect the band?

The series has affected the band in a very positive way and we’re thankful for all the support we have gotten from people who were introduced to our music by his role in the show.

What past and current artists/bands inspire you?

Between all of us there are a lot of different influences but I think some of the shared are: The Beatles, Black Sabbath, Stevie Wonder, Ty Segall/Fuzz, Pond, King Gizz, Oh Sees, The Eagles, Fleetwood Mac, Metallica, Kendrick Lamar, Frank Ocean, Heart,

Olivia Oyamada created the artwork for Perform The Most Curious Water Activities,  Lonely Jones/You Were Not There and When I Get Home/Big Boy Smack; what about her art made it the best fit for Post Animal?

She’s been a best friend of ours even before the band and we’ve always been wowed by her art. She has a real unique art style and we can just throw an idea at her and it comes out as a masterpiece. She’s done all of our album and merch artwork so far and we couldn’t be happier with her work.

 What aspects of life influence your music the most?

I think emotions are definitely the cornerstone of music. The way that feelings evolve depending on your current state and the way that they change with personal growth and experimentation has been the biggest influence on most of our music. That being said, we definitely aren’t trying to take ourselves too seriously and are glad that we get to use our band as an outlet.

What is your favorite part of the music process and why? (i.e songwriting, recording, touring, performing, etc.)

We all love writing and recording but I don’t think anything quite tops performing live to a responsive crowd. There is something special about all standing on a stage together and plucking, yelling, and banging at the same time while people watch.

What would the ultimate success for Post Animal look like to you?

I think all we really want out of the band is the opportunity to travel and perform for people. We are humbled by the opportunities we’ve had so far, so if we could make a living out of it on any scale that would be more than we could have ever hoped for. Playing the festival circuit would be a dream.

What do you plan to do after the tour is over?

We have a new album we’re trying to get released sometime this fall and then we have some new ideas we’re ready to try out for some new material after that. I think we’ll take a small break at the end of the summer to cool off but we’re definitely excited to keep things going and try to make the most of the opportunities we’re getting.

More Post Animal:

Bandcamp | Facebook | Twitter | YouTube

 

Featured photos by Asher Klaven and Kristina Pedersen, provided with permission by Post Animal.

REVIEW: Phoenix Lassoed in the Marquee Theatre Crowd with Their Electrifying Performance 6-13-17

TEMPE, Ariz. — Marquee Theatre was heated up by Phoenix’s electric performance on June 13th. Just four days earlier, Phoenix released their sixth studio album Ti Amo and played a few songs from it. It was an unusually cool night (well, as cool as Arizona in June can get), and everyone was lining up to enter into the venue. The atmosphere was filled with excitement as the Marquee was quickly filling up, and looked to be a nearly sold out show.

The venue seemed to be filled with mostly ages 21 and over, as many people had a drink in their hand as they watched the opening act, The Lemon Twigs, perform. The Lemon Twigs owned the stage with their vintage style and sound. Brothers Michael (Lead Vocalist/Guitarist) and Brian (Drummer/Backing Vocalist) D’Addario front the band; with Megan Zeankowski on bass, and Danny Ayala on keyboards/backing vocals. Michael D’Addario commanded the stage with his flare pants and teal shaggy hair. He did numerous high kicks into the air and had a reminiscent look and presence of Mick Jagger and Keith Richards combined. They played a song “Bay Baby”, which gave a 70s feel-good heartbreak vibe. The Lemon Twigs are about to take the music industry by storm, so make sure to check them out!

After a long anticipated wait, Phoenix walked onto stage and the crowd roared with excitement. They started with “Ti Amo”, the title-track of their newly released album Ti Amo. Next came “Lasso” which was met by a pleased crowd that cheered after hearing the first few seconds of the song.

"Thomas
Thomas Mars (Vocalist), Phoenix
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

Phoenix played “Entertainment”, and were immersed in an incredible light show during parts of the song. White lights created a curtain cover and our concert photographer, Katherine Amy Vega, described it as being like a holographic effect. The lighting really complemented the electric rock sound. Strobe lights of white, red, blue and yellow filled their set. During some songs, there was a rainbow lighting effect, which may have hinted to Phoenix’s support of the LGBTQ community during Pride Month.

"Phoenix
Phoenix
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

Phoenix seemed to have one of those awe-struck moments as the band paused after playing “Lisztomania”, and smiled at the crowd. During most of the set, balloons with a heart and “Ti Amo” printed on floated through the air amongst the crowd. The whole band put on an energized performance and played their part in creating a music loving atmosphere.

Christian Mazzalai (Guitarist), Phoenix - Photo Credit: Katherine Amy Vega
Christian Mazzalai (Guitarist), Phoenix
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

One of the most amazing intimate moments of the show was during the encore when Thomas Mars (Lead Vocalist), climbed off the stage and came to the barricade while singing a stripped-down version of “Countdown” to the crowd as guitarist Christian Mazzalai played on stage.

Phoenix played many fan favorites including “1901” and “Fior Di Latte”. The band took over the stage and created an exhilarating atmosphere. Constant dancing, singing along, cheering and pure happiness filled the venue. It was a concert where you couldn’t help but feel joy because the band projected their happiness and love for music onto the crowd.

Laurent Brancowitz (Guitarist), Phoenix - Photo Credit: Katherine Amy Vega
Laurent Brancowitz (Guitarist), Phoenix
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

To end the show, in the BEST way, Thomas Mars came off stage and joined the crowd in the final song “Ti Amo Di Piu”. He walked through the full crowd with his microphone connected to a glowing red cable that the crowd held up; and he said “Thank you!” over and over again, showing his gratitude to the loving fans. At one point he seemed to be hoisted on someone’s shoulders, possibly a fan, and said “Thank you!” again; followed by crowdsurfing back up to the stage . It was truly a moment no one will forget!

Phoenix put on an amazing performance that rocked the Marquee. Fans will definitely be awaiting the next time they come to Arizona!

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Under The Birthday Massacre’s Spell at Pub Rock 6-5-17

SCOTTSDALE, Ariz. — Gothic rock band The Birthday Massacre, along with supporting acts Army of the Universe and Sumo Cyco, brought their 2017 North American tour to Pub Rock on the verge of releasing their seventh full-length studio album Under Your Spell. The Scottsdale stop was the 15th of 27 tour dates. With a whopping 20-song setlist and tireless energy, The Birthday Massacre brought their signature animated and dark stage presence to a packed crowd on a Monday night.

Sever, Sumo Cyco - Photo Credit: Katherine Amy Vega
Sever (Vocalist), Sumo Cyco
Band Photo Album
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Fronted by Sever (formerly solo artist Skye Sweetnam), punk metal band Sumo Cyco from Ontario opened the show. Their 2nd album, Opus Mar, was released recently on March 31, 2017. The charismatic front-woman with teal hair, matching bustier, high-waisted shorts, and fishnet stockings easily caught the attention of The Birthday Massacre’s fans. Sumo Cyco’s song “Danger” well-represents the image of the band and it’s lead singer, with lyrics like, “If you want it, we’ll give you danger“, and “I’m young and feisty, so tongue me and try me“. At one point, Sever rode on the shoulders of the guitarist Matt Drake amongst the crowd. With her sex-appeal and aggressive movements, and the band’s lively performance, they drew in crowd and left them pleased.

Lord K, Army of the Universe - Photo Credit: Katherine Amy Vega
Lord K (Vocalist), Army of the Universe
Band Photo Album
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The next band to play before the headliner took the stage was an Italian industrial band named Army of the Universe. Vocalist Lord K is also the lead singer of the band Kult of the Skull God. The audience was visibly impressed with the power that the band brought to the stage. Lord K took the stage with ferocity and cocky mannerisms; yelling and thrusting his mic into the faces of audience members, raising up and pumping the mic stand above his head, dripping with sweat and shirtless by the end of the set. While DJ, producer, and band co-founder Trebla primarily focused intently on his synthesizers and laptops; guitarist Davide Tavecchia and drummer Giuseppe Amato wildly played their instruments with their hair flying like they were caught in a storm while donning big smiles and roaring facial expressions. It was clear that the band members were having a blast, which made them equally fun to experience.

Army of the Universe was a fitting choice to set the mood and round-out the audience appeal following Sumo Cyco, with the style of The Birthday Massacre somewhat being a combination of that of the two openers.

The Birthday Massacre’s new album was funded through PledgeMusic, with full-album downloads being sent out on June 1st exclusively to pledgers in advance of the June 9th release. When they hit the stage, they kicked off their set with the first track of the new album, “One”, with instant force.

Chibi, The Birthday Massacre - Photo Credit: Katherine Amy Vega
Chibi (Vocalist), The Birthday Massacre
Band Photo Album
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

The Ontario-based band was formed in 1999, and their well-seasoned prowess is clearly evident in their performance. Their fanbase at the venue that night was also a mature crowd, who interacted with the band like loyal, long-time friends. Front-woman Chibi engages with the audience, grabbing hands and emoting delightfully vicious facial expressions throughout the night; while the rest of the band also contorts their faces, violently headbangs, pounds on and swings their instruments around. With such a dynamic, The Birthday Massacre is a band that it would feel off to experience with a substantial distance from the stage; so it’s just as well that Pub Rock has no barricade between the crowd and the stage.

The Birthday Massacre - Photo Credit: Katherine Amy Vega
Nate Manor (Bassist) & Rainbow (Guitarist), The Birthday Massacre
Band Photo Album
Photographer: Katherine Amy Vega 
© Kataklizmic Design. All Rights Reserved.

The next two songs the band played were “Red Stars” and “Looking Glass”, the first and second singles from their 2007 album, Walking With Strangers. “Red Stars” is a personal favorite due to it’s raging power-chords. Following, were a couple more songs from their new release, “All of Nothing” and “Counterpane”. Then, a few songs from the Superstition album; “Destroyer”, “Divide”, and “Superstition”.

The Birthday Massacre - Photo Credit: Katherine Amy Vega
Chibi (Vocalist) & Falcore (Guitarist), The Birthday Massacre
Band Photo Album
Photographer: Katherine Amy Vega 
© Kataklizmic Design. All Rights Reserved.

“Lovers End” from the 2004 Violet album came next, followed by “Happy Birthday” and “Video Kid”. These two songs were originally from 2002’s Nothing and Nowhere, and then appeared again on the Violet album. They next played the new album’s title track “Under Your Spell”, and then “No Tomorrow”.

Owen (Synthesist), The Birthday Massacre
Band Photo Album
Photographer: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

Chibi exudes such confidence and comfort on stage, it is inspirational and it garners respect. Event when forgetting some of the lyrics, she simply burst into laughter, which caused guitarist Rainbow to crack up too. It was very endearing as they continued through the song, unable to hold back more laughter between them. Temporary mic issues didn’t snuff out the fire of her enthusiasm either. During “Lovers End”, Chibi grabbed a fan’s phone that was recording video, and walked around stage singing into it.

Continuing to give a full-discography sampler, the next two songs performed were “Leaving Tonight” and “Alibis” from Hide and Seek, which was released in 2012. Lastly, from the 2010 Pins and Needles album, “Pins and Needs” and “In the Dark”.

Almost immediately after the band exited the stage before returning for the encore, the enthusiastic fans started chanting, “Ten more songs! Ten more songs!” While they didn’t get their 10, they seemed to be satiated with the long set and an intense finale, which included “Blue”, “I Think We’re Alone Now”, and “Broken”.

The Birthday Massacre setlist from Scottsdale Arizona
The Birthday Massacre setlist – Pub Rock 6-5-17
(Click to Enlarge)

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Conor Oberst & Phoebe Bridgers – Rialto Theatre 5-16-17

TUCSON — Conor Oberst (of Bright Eyes, The Faint, and several other bands) brought an enthusiastic and appreciative performance to Rialto Theatre. His eighth solo studio album
Salutations was released just a couple of months ago, on March 17. Oberst’s live band instrumentals not only included the usual live band setup of guitar, bass, and drums; but also violin, accordion, and harmonica.

Opening for Oberst was Phoebe Bridgers, who is signed to Ryan Adams’ record label. Bridgers has been featured in an iPhone commercial covering The Pixies, and a couple of TV shows.

View Conor Oberst Setlist

Photo Album

Photographer: Steven Kain

Photography © Steven Kain Photography
All Rights Reserved

REVIEW: Falling For The 1975 at ALT AZ’s Spring Fling 4-22-17

MESA, Ariz. — As I approached Mesa Amphitheatre on the hot Arizona day, I saw many of the almost-5,000 people walking in to fill out the sold out show to see The 1975. I was surprised to see the wide range of fans who filled the venue. A very different scene from when I first saw The 1975 at Comerica Theatre in 2014 where the venue was filled mostly teenagers. This shows how much the band has grown in reaching their music to a broader audience.

The first opener, Pale Waves set the indie pop mood for the night. The up-and-coming British indie pop band got the crowd moving with their catchy guitar riffs and the lead singer’s enchanting voice. Pale Waves played a song called “Kiss” which had an ‘80s pop nostalgia vibe that I loved. The strong female presence was amazing with the lead singer and drummer both being girls. With a sound reminiscent to The 1975, it was no wonder they were opening for the band. Pale Waves is definitely a band you’ll want to listen to.

Phantogram

came out next and the crowds excitement roared when they walked out on stage. Lead singer, Sarah Barthel, commanded the stage with her electric voice and 70’s fringe, Stevie Nicks, inspired outfit. Her captivating psychedelic-pop voice hypnotized the crowd. Energized guitar solos, powerful drums and added keyboard for a synthesizer effect got the crowd moving.

The 1975 finally came on, and to say the crowd was excited was an understatement. Pink lights flooded the stage and the beginning of “Love Me” caused the crowd to scream with excitement, myself included.  It was the perfect opener, showcasing the new image and sound of the band.

Phantogram Phone pic from Mckayla Hull
Phantogram
Phone pic from Mckayla Hull

Throughout the set, when the band played songs from their first self-titled album, the lighting fit the aesthetic of a darker mood with darker colors. During the transition to “I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It”, the lighting consisted of neon pink and white. I loved how the band made it a point to showcase the different album styles through lighting.  Not to mention how amazing their backdrops were! The 1975 is definitely an aesthetically pleasing band.

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Lead singer and frontman, Matty Healy, commanded the stage and engaged the eager fans as he climbed on top of the speaker and lit a cigarette, while singing “A Change of Heart” to mesmerized girls. Before playing “Falling For You” Matty asked for “no phones”, adding, “let’s live right now”. The sheer silence and lack of phones, with the exception of the few fans who couldn’t possibly resist capturing how beautiful Matty looked, made “Falling For You” a unforgettable song. The outside venue made this moment even more magical because for just a few minutes the outside seemed calm and everyone free of any worries.

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One of the most captivating moments of the concert was when “Loving Someone” started play and suddenly the lights projected the LGBT flag colors into the crowd. I couldn’t help but smile and feel comfort in knowing one of my favorite bands is using their music to show support.

The band played many fan favorites including “Robbers”, “Sex”, “Girls”, and “Somebody Else”. They ended the set with “The Sound”. On the last verse, Matty asked for everyone to jump. Seeing close to 5,000 people jumping and singing along will definitely be one of my favorite sights I’ve witnessed. In that moment, nothing but pure joy exuded from the crowd.

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As I walked out of the venue, I couldn’t help but smile. I overheard girls telling their friends about the experiences they had with Matty being so close to them and the happiness they felt. It’s so amazing how The 1975 never fails to impress. Seeing them live is an experience that leaves me speechless every time.

REVIEW: Bayside Co-Headlining Show Has Low Vacancy at Marquee Theatre 4-21-17

TEMPE, AZ — Tempe was bursting with anticipation Friday night as fans of co-headlining Bayside and Say Anything gathered early outside Marquee Theatre, pushing their way inside to claim their spot in the front row. There was a tangible buzz in the air as people of all ages lined up to be checked by security outside the theatre.

The air was crisp in my lungs as I walked rather quickly behind Burning Hot Events concert photographer Katherine Amy Vega towards Will Call to claim our press passes for the evening. As we arrived for Bayside in the nick of time following some transportation chaos, the opening band, Reggie and the Full Effect, had set a fast-paced tone for Bayside to take the stage after them. As the set change became evident, audience members rushed to claim their place before the stage, rumbling with shouts and claps in a flurry of excitement; and I hurriedly followed suit to find my place in the front corner near the security barrier.

As I quickly worked to get my things in order, I could feel the deep rumbling of the bass move from beneath my converse and slowly encompass the rest of me as the band did a quick warm up. The vast, dual-level concert area makes for great acoustics, which they used to their advantage as they dove into their set with the ever-popular “Already Gone.” The breakneck tempo of this A Day to Remember-esque song sent the crowd into a frenzy of cheers and metal hands as the band members danced around the stage to the opening chords.

Bayside - Photo Credit: Kataklizmic Design
Anthony Raneri (Lead Vocalist, Guitarist), Bayside
Photography: Katherine Amy Vega © Kataklizmic Design

What’s up Phoenix?! We came to sing with you and dance with you!,” vocalist Anthony Raneri shouted into his mic, attempting to rouse the crowd even more. This song comes from the band’s fifth album Killing Time, which was released back in February of 2011, and it was obvious why they chose to open with it. The exuberant crowd danced and sang along in unison, receiving copious opportunities to sing back the words they’ve come to know so well. Raneri made it known immediately to everyone there that the rest of this particular set was going to be filled with high energy and vivacious songs. And they did not disappoint.

Bayside - Photo Credit: Kataklizmic Design
Nick Ghanbarian (Bassist), Bayside
Photography: Katherine Amy Vega © Kataklizmic Design

This being my first time seeing Bayside live, I can honestly say I didn’t know what to expect, but the next 12 songs following the opener all had one thing in common: they were meant to make you move. Wanting to keep the electricity flowing, Raneri continued to captivate the crowd with other old favorites such as “Sick, Sick, Sick”, “Masterpiece”, and “Blame it on Bad Luck.”. Guitarist Jack O’Shea and bassist Nick Ghanbarian could be seen dancing around stage the entire performance, singing passionately as they moved fluidly from one song to the next.

 

They even included a few songs off of their new album Vacancy, and while it “isn’t a breakup album”, the songs were written to portray a very uncertain time in vocalist Raneli’s life. That doesn’t mean they have to sound that way, however, and as “Mary” followed hastily by “I’ve Been Dead All Along” were blasted through the speakers I was standing precariously close to, the frenzied tempo was enough to keep everyone moving.

 
Bayside - Photo Credit: Kataklizmic Design
Jack O’Shea (Lead Guitarist), Bayside
Photography: Katherine Amy Vega © Kataklizmic Design

While the set was primarily focused on the music as opposed to engaging the crowd, Raneli did pause about halfway through the set to discuss their new album. “CDs are expensive to make and even more expensive to buy” he stated matter-of- factly, and went on to inform the concert goers that the band has created a $5 version of their new album that is available for purchase now. The roar in response was deafening, and all the motivation Raneli needed to jump into the next set of fiery songs that would steadily keep the energy of the room at maximum level right up to the final song “Devotion and Desire” off their very first album.

Bayside - Photo Credit: Kataklizmic Design
Bayside
Photography: Katherine Amy Vega © Kataklizmic Design

As I left the Marquee that evening, I couldn’t help but notice how quickly I moved, or the extra spring in my step. This band had even found a way to keep the energy flowing through me, even after their set was over. They show true passion in their music on and off the stage, and gave me the motivation to be as fluid with my writing. This was admittedly my first time writing a concert review for Burning Hot Events, but I can easily say that if every show is like Bayside, I will definitely be back for more.    

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Dreamcar – Crescent Ballroom 4-20-17

PHOENIX —The No Doubt & AFI hybrid Dreamcar drove into Crescent Ballroom and put on a colorful show! This band was everything fans expected of the union of Davey Havok & the No Doubt instrumentalists, and more! With a new single named “Kill for Candy”, this band of legends is solid and refreshing new ear candy that fans would kill for!

Dreamcar setlist from Crescent Ballroom 4-20-17
Dreamcar setlist
Crescent Ballroom 4-20-17
(Click to Enlarge)

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: A Perfect Circle Illuminates The Valley After Dark With Articulately Barbed Musical Oration 4-10-17

PHOENIX — It’s around 7:30 PM on a Tuesday night and the streets are busy on 4th Ave and Washington. The throngs of people milling around are desperately searching for the end of the impossibly long line that will eventually lead them to the entrance they are only feet away from at the moment. The lights from the large electronic marquee reads “A Perfect Circle TONIGHT!” and casts a glow on the faces passing below. For many standing there on that night, this was a long anticipated show.

Oh my god, she just left her fuckin boyfriend back there!”, I heard a woman blurt out as I sat on a bench next to the box office at Comerica Theater. With lines stretching around the corner for several blocks, people of all different backgrounds are shuffling slowly past me toward the entrance gates. There are goth teens, soccer moms, bikers and hipsters all standing together in line. They’re chatting excitedly, talking about the last time they had seen the band perform and even dancing to Sublime’s “Wrong Way” as the sky gets darker.

I prepared myself for what would be the second time I would see A Perfect Circle since Lollapalooza 2003–the year they released their second album Thirteenth Step. In the nearly 14 years since that show, they’ve come a long way. Although the lineup has changed slightly, lead vocalist Maynard James Keenan of Tool-fame and lead guitarist Billy Howerdel have remained the central force of the band since its inception. Current bassist Matt McJunkins, who joined in 2010, has played with the likes of Thirty Seconds to Mars, Maynard James Keenan side band Puscifer and The Beta Machine, a band he formed with current APC drummer Jeff Friedl. McJunkins was also the touring bassist for Eagles of Death Metal during the Le Bataclan attack in Paris, France on November 13th, 2015. The audience was attacked by terrorists wielding automatic rifles, grenades and suicide vests, killing 89 fans including the band’s merchandise vendor. Rounding out the group is former Smashing Pumpkins alumnus and founding member James Iha on rhythm guitar, a superstar in his own right.

As the line seemed to shorten to a visible end, I took my place to be screened by security. It was a relatively short process. I got through the entrance within maybe 5 minutes of entering the line and spotted another long line snaking up the stairs to the second floor balcony. A friend remarked, “That’s the line for merchandise.” After purchasing my respective Cola and water bottles, I finally found my assigned seat just moments before the house lights come down and the uprising of applause and whistles begin. Smoke begins to seep from across the foot of the stage and everyone in attendance knows that this rocket is about to blast off.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photography: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The first notes of “The Package” begin to trickle melodically from the speakers behind a hazy white cloth that encompasses the entirety of the stage. Hidden beyond the opaque white veil, the band members’ silhouettes can be seen in various distorted sizes dancing as the lights produce their shadows. With little silence to buffer, each of the beginning three pieces all vaguely kind of bleed into the other. This first medley, The Package, The Hollow, and The Noose perfectly set the tone for the remainder of the show.

A Perfect Circle - Photo Credit: Katherine Amy Vega
A Perfect Circle
Photographer: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

It was then that Keenan finally addressed the crowd, explaining that this was their first show since their three show Vegas tour kickoff at the Palms Resort and Casino Pearl Concert Theater. “Normally we try to do this first so we don’t make a bunch of fuckin’ mistakes and then you guys judge us…”

“And now a song about anal sex!”

Keenan playfully muses into the mic as the band launches into “Weak and Powerless”, another track from Thirteenth Step, their 2003 sophomore masterpiece, followed by “Rose” from their debut album Mer De Noms. As the show goes on I feel as though I’m transported to a time when I first started listening to a group whose lead singer sounded like that guy from Tool. It would be months after first being introduced to this new band until I would find out who it was behind those vocals, and would ultimately turn me on to Tool after hearing A Perfect Circle, and not the other way around.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Maynard James Keenan (Vocalist), A Perfect Circle
Photographer: Katherine Amy Vega © Kataklizmic Deslgn. All Rights Reserved

Keenan has been an eccentric figure in both his professional and personal life. Army veteran, musician, winemaker and entrepreneur; he is one of the most eclectic artists ever grace a stage. With a residence in Jerome, Arizona near his Merkin vineyard in Cornville, where he produces his Caduceus Cellars blends of wine; Keenan has single-handedly raised the profile of Arizona wine nationally and internationally to break it out of mediocrity and make it a truly respectable region in the wine world… But that’s another story. We’re here to talk about the music.

(But seriously, watch the documentary Blood Into Wine)

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photographer: Katherine Amy Vega
© Kataklizmic Deslgn. All Rights Reserved

The fourth movement and majority of the body of the show begins with a cover of John Lennon’s “Imagine” from 2004’s eMOTIVe album, in a style that one could only expect from A Perfect Circle. It’s brooding and not without the quintessential melancholy that only APC can produce. Truly a beautiful cover. As I ruminated on that thought, I scanned the crowd behind me. Not a single sarcastic smirk. The audience seemed to think it was as beautiful as I did. The show continues with several more amazing tracks from previous albums and including their incredible cover of Depeche Mode’s “People are People”. Keenan prefaces this performance with a few words to the audience regarding forgiveness.

“It’s those moments that forgiveness is the only thing that’s gonna get you through it, so, forgive each other, forgive yourself. Move to the light.”

For some people it was an emotional experience. I saw a woman across the aisle from my section wiping tears from her eyes during that particular track. It was evident that it meant something to her that only she understood. This band holds a special power that allows them to tap into the listener’s psyche. The feeling and raw emotion they emote entrances these fans with melodious distortion and precision combined with Keenan’s articulately barbed lyrical style. A Perfect Circle masterfully ends the main body of the show with “Blue” and Keenan once again addresses the masses before introducing all the players to their venerate fans.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist) & Maynard James Keenan (Vocalist), A Perfect Circle
Photographer: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The final medley of the concert is comprised of two tracks from Thirteenth Step, and a new song they debuted in Las Vegas during the first dates of the tour. Keenan describes the first song, “The Outsider,” as song “sung from the perspective of an asshole who has no compassion, so think of the whole album as being parts in a play and this is the Rodney Dangerfield… Being a dick.”

“So anyway, look out for each other. Don’t be a dick”

At this point, James Iha is introduced and expresses his distaste with the desert.

“The sand, it permeates my clothes. I don’t like it.”

A Perfect Circle setlist
Comerica Theatre 4-10-17
(Click to Enlarge)

The monologue goes on a little longer and almost seems necessary to lift the crowd back up from getting too cathartic and deep. It’s certainly a fun interlude as the final trio of pieces signals the beginning of the end of the show. By the close of “Feathers”, the final song and A Perfect Circle’s newest unreleased track, everyone is on their feet and cheering as Keenan speaks one last “Thank you”, and the band gives their final humble bows amid the silken forest of pillars amongst them and walks off stage.

Iha throws several handfuls of guitar picks into the front rows and the band disappears, never to be seen again by those hoping for an encore. Those dreams were dashed when the house lights immediately hit like a blast of reality and signaled that it was indeed time to go. I sauntered out into the streets and walked down Jefferson toward Squid Ink to wait for my Uber, and savored the sights and sounds I had just beheld.

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

News & Reviews from the Fiery Mosh Pits of Arizona