Tag Archives: Katherine Amy Vega

REVIEW: Metric’s “All The Feelings Tour” Brings Friendship, Community, & Canadian Good Vibes to Phoenix (6-17-26)

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PHOENIX — It’s always interesting how tours come together. By and large, most tours have a similar structure: interesting newcomer, established second band, and the headliner, with the lineup usually put together by the headliner’s management and approved by the headliner. What made Metric’s “All The Feelings Tour,” with support from Broken Social Scene and Stars, special was that it was put together by Metric and based on two things: long-standing friendship and Canadian indie-rock history, but mostly friendship. All three bands hail from Toronto and have spent decades as friends, collaborators, tourmates, and guests on one another’s albums. Their show at Arizona Financial Theatre was as much about community, friendship, and love as it was about the music.

Stars

Toronto-born and Montreal-formed band Stars opened the show with their beautiful brand of eloquent indie pop. Their set pulled from seven of their nine albums, but more importantly, it set the tone of fun and community for the night. Opening with “Hold On When You Get Love and Let Go When You Give It,” the band immediately established the themes that would define the evening: connection, compassion, and finding joy together. 

Torquil Campbell of Stars sings into a microphone under warm orange stage lights during the All The Feelings Tour.
Torquil Campbell of Stars sings under warm orange stage lights during the Phoenix show on the “All The Feelings Tour.”
Photography: Katherine Amy Vega © All Rights Reserved

Stars delivered a set that felt both intimate and celebratory, moving from the soaring “Build a Fire” and “Elevator Love Letter” to some fan favorites like like “Take Me to the Riot” from In Our Bedroom After the War and “Dead Hearts” from the fantastic The Five Ghosts album. At one point in the set, singer Torquil Campbell joked about performing Shakespearean monologues to kill time, adding a sense of warmth and playfulness that made us feel like part of a gathering of friends rather than the audience at a large concert. 

Torquil Campbell and Amy Millan of Stars sing toward each other onstage under purple lighting.
Torquil Campbell and Amy Millan showcase the co-lead vocal chemistry and emotional connection that have long made Stars such a beloved indie-pop band.
Photography: Katherine Amy Vega © All Rights Reserved

What has always made Stars special was on full display in the co-lead vocals of Campbell and Amy Millan. The two have a magic that manifests lush harmonies as their voices merge as one, creating songs that feel deeply personal while somehow belonging to everyone in the room. That shared emotional space was especially on the night’s standout performances of “Your Ex-Lover is Dead” and “Ageless Beauty,” songs that remain as moving now as when they were first released on their 2004 masterpiece Set Yourself on Fire

Amy Millan of Stars sings and plays guitar onstage under blue lighting.
Amy Millan of Stars brings warmth and emotion to the band’s Phoenix performance, balancing shimmering guitar with the expressive vocals that help define their sound.
Photography: Katherine Amy Vega © All Rights Reserved

Stars closed out their set with the joyous “No One is Lost,” complete with its call to the crowd to Put your hands up if you ever feel afraid, yeah/Until then, that will listen/No one is lost.” On this night, certainly, no one was lost because we had the music and we had each other. 

View full Stars photo gallery below


Broken Social Scene 

“Well, it only took us 26 years to finally get to Phoenix,” Broken Social Scene singer Kevin Drew said, opening the band’s set.

Kevin Drew of Broken Social Scene sings and plays guitar onstage.
Kevin Drew of Broken Social Scene performs at Arizona Financial Theatre, bringing the band’s communal indie-rock spirit to the Phoenix stop of the “All The Feelings Tour.”
Photography: Katherine Amy Vega © All Rights Reserved

On a night built on the idea of friendship and community, this group took the evening to another gear, as Broken Social Scene is as much a musical collective as they are a band. With the group’s membership ranging from as few as six to as many as nineteen, the current eleven members approach music like a neighborhood potluck, with each person bringing their own style to the mix and everyone making the pieces work together. They are chamber pop by way of a good-time neighborhood jamboree.

Andrew Whiteman of Broken Social Scene smiles while playing guitar onstage.
Andrew Whiteman of Broken Social Scene smiles through a guitar part, adding to the loose energy of the band’s Phoenix set.
Photography: Katherine Amy Vega © All Rights Reserved

Before going into their set-opener “Cause = Time” from their album You Forgot It In People, Drew told the audience “This tour is about friendship, and friendship is a form of protest so let’s do this!”

Jill Harris sings with Broken Social Scene, raising one arm under blue stage lights.
Jill Harris sings with Broken Social Scene, raising a hand as the band builds one of its richly layered live moments.
Photography: Katherine Amy Vega © All Rights Reserved

In a set that spanned all but their debut album and leaned heavily on their recently-released sixth album, Remember the Humans, Broken Social Scene created a party atmosphere that allowed moments not only for their eleven members, but also for their friends. Campbell and Millan from Stars came out for “Hug of Thunder,” “Only the Good I Keep,” “Texico Bitches,” and “Fire Eye’d Boy,” while Emily Haines and James Shaw from Metric joined for “Anthems of a Seventeen-Year-Old Girl” and “Parking Lot Dreams.”

Broken Social Scene’s horn section plays trombone and trumpet together onstage.
Broken Social Scene’s horn section brings a burst of brass to the set, adding punch, movement, and extra color to the band’s already expansive live sound.
Photography: Katherine Amy Vega © All Rights Reserved

Before closing their set with “KC Accidental,” Drew left everyone with this: “Phoenix, don’t let them weaponize community. Their tragedy will end.” It was a good reminder that our future can be one built on the ideas of friendship and love. That’s beautiful. 

View full Broken Social Scene photo gallery below


Metric

Headliner, tour masterminds, and Toronto-trio completists Metric understood the assignment on this Wednesday: “With the ‘All The Feelings Tour,’ we’re bringing Saturday to every show. This is Saturday night in Phoenix,” singer Emily Haines told the crowd just after their opening song “Victim of Love.” Their set was the complete deal: the music, their performance, and their stage show. It’s not just a band playing their songs, but a totally immersive experience. 

Emily Haines of Metric sings into a gold microphone while wearing a black leather jacket onstage.
Metric vocalist Emily Haines commands the stage with sharp focus and unmistakable presence during the band’s set.
Photography: Katherine Amy Vega © All Rights Reserved

Metric also knows how to give  their crowd an irresistible desire to dance. Their music moves through you. It gets you out of your seat and directs your body how to move. You don’t dance? Metric makes you dance. You hate dancing? Metric makes it what you want to do more than anything. You could walk into a Metric show as John Lithgow in Footloose and, within a few songs, you’re transformed into Kevin Bacon. 

Joules Scott-Key of Metric plays drums surrounded by cymbals and purple stage lighting.
Metric drummer Joules Scott-Key drives the band’s set from behind the kit, framed by cymbals and moody stage light.
Photography: Katherine Amy Vega © All Rights Reserved

Toward the end of the night, musicians from all three bands in the lineup gathered for a spirited performance of “Loyal.”  The night’s setlist could not have been better chosen. It felt like the perfect Metric mixtape, pulling from most of their albums and moving easily between  newer material from their just-released Romanticize the Dive, and  older songs like “Combat Baby” from their debut, Old World Underground, Where Are You Now? 

Emily Haines of Metric sings into a gold microphone under warm stage lighting.
Emily Haines (vocalist) channels the joy and purpose behind Metric’s set, leading into a moment that framed the night around music, feeling, and connection.
Photography: Katherine Amy Vega © All Rights Reserved

Haines articulated the night’s ethos: “Our sole purpose in the world is to bring good feelings into this broken-hearted world. We do what we can. You do what you can!” Metric and their supporting bands brought the energy, the feelings, and the music, and the crowd brought the dancing. We all did our part. 

Photo Galleries

Photographer: Katherine Amy Vega

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Each set linked above contains many additional images—view the full galleries for more.

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Purity Ring & yuniVERSE Lead Phoenix Into a Night Suspended Between Worlds (11-10-25)

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PHOENIX — Purity Ring’s fall 2025 “place of my own” tour came to The Van Buren, with yuniVERSE as the sole opener on her first tour. The beautifully historic, repurposed downtown venue set the stage for an evening the band had described in their July Substack tour announcement as “three-dimensional… expansive but intimate,” and the night delivered as promised.

yuniVERSE

The venue’s stage at first was strange to look at, one half covered in human-sized flowers and the other looking like metal stars or fans. I waited in the rapidly filling room with no idea of what to expect. When the lights faded, people abandoned the bars and the winding merch line spilling into the main room as the attention turned to a new performer on her first tour, yuniVERSE.

Singer kneels at the edge of the stage, singing into a microphone in front of towering pink paper flowers during yuniVERSE's set at The Van Buren in Phoenix, Arizona.
yuniVERSE draws closer to the crowd at The Van Buren in Phoenix, kneeling at the edge of the stage as glowing pink blossoms tower behind.
Photography: Katherine Amy Vega © All Rights Reserved

Even though she only used a portion of the stage, she invited us into the jewel-lit garden of her design, where she shared her intimate confessions through emotive electric pop. yuniVERSE weaves through each song like a layer within a dream, her hair gently blowing as she captivates the audience with her presence and movements. Her performance feels like a journey into her private world as she navigates through love and life. She continued to captivate the room completely, her sensual, charismatic movements paired with the softness of her vocals as she sang behind the mask she wore in unity with Purity Ring’s request for community care.

yuniVERSE performs at The Van Buren in Phoenix, stretched out across a stage monitor with her hair flying and giant paper flowers glowing behind her.
yuniVERSE leans into the mic while sprawled across a stage monitor, hair flying as she delivers an intense, theatrical moment in her set.
Photography:Katherine Amy Vega © All Rights Reserved

yuniVERSE said she wished this tour were longer because she wasn’t ready for it to end yet, and I can imagine I’m not the only one who felt the same. She playfully joked, “I know you’re here for Purity Ring, but together, we’ll keep it a secret that you’re actually here for me, okay?” giving a little laugh before closing out her set and leaving the stage for the headliner, Purity Ring.

Purity Ring

The room settled as the stage shifted from yuniVERSE’s dreamlike garden into the darker, more mysterious world crafted by Purity Ring. Corin Roddick stood alone at first, lighting up sections of the stage with his touch while the star-shaped fans began to spin, projecting red light that looked like sparks spraying across the dark.

Corin Roddick of Purity Ring performs in a mask behind an illuminated console as red fan-like visuals surround him on stage in Phoenix.

Purity Ring producer Corin Roddick performs behind an illuminated console amid vivid red stage visuals at The Van Buren in Phoenix. Photography: Katherine Amy Vega © All Rights Reserved

Megan James appeared a moment later, illuminated by a soft golden glow on her face in the sea of black around her.

Megan James of Purity Ring sings into a microphone while wrapped in a voluminous dark coat and white mask, scattered red LED streaks cutting across her in the otherwise dark stage at The Van Buren in Phoenix.
Purity Ring vocalist Megan James performs wrapped in a sculptural dark coat as red light streaks slice through the darkness.
Photography: Katherine Amy Vega © All Rights Reserved

With each song, the room shifted through new worlds and galaxies.

Purity Ring producer Corin Roddick silhouetted at his console as blue galaxy-like visuals and sparkling light particles swirl across the stage.
Purity Ring producer Corin Roddick is silhouetted at his console as swirling blue visuals and scattered points of light turn the stage into its own small galaxy.
Photography: Katherine Amy Vega © All Rights Reserved

During “Many Lives,” the lights flickered and danced like floating embers. “Obedear” pulled us into caverns and stars, with what looked like fireflies curling upward like smoke. “Soshy” arrived with bright, breathy vocals and pounding bass, blue lights sparkling before shifting into sharp red flashes deeper into the song.

Megan James of Purity Ring sits cross-legged onstage, masked and dressed in black, singing into a handheld mic as cool blue and white light streaks fall in the background.
Purity Ring vocalist Megan James performs seated and masked, framed by cascading blue and white light patterns that spill across the backdrop. Photography: Katherine Amy Vega © All Rights Reserved

James took a moment to thank the people in the crowd who wore the masks the band provided for everyone’s health. She appreciated the contribution to community care and valued taking care of each other. As she gushed while thanking yuniVERSE, she admitted she was rambling before continuing the set. It was clear the two acts genuinely appreciated their time together. This became even more apparent after noticing Roddick’s contributions to at least three of yuniVERSE’s tracks (“FALL 4 U,” “18 nite texts,” and “wasted”).

ALT: Megan James of Purity Ring, masked and dressed in black, leans sideways into the mic as vivid red light patterns radiate behind her, with Corin Roddick faintly visible at the console below.
Purity Ring vocalist Megan James leans into the mic in front of spinning fan visuals while Corin Roddick works at the console below, both immersed in neon red light.
Photography: Katherine Amy Vega © All Rights Reserved

Our journey resumed as holographic leaves of blue, green, and red light appeared and danced around the stage, swirling toward the crowd as the room stayed completely locked in the performance.

Purity Ring perform in silhouette as bright holographic leaf shapes burst from a giant blue seascape screen, drifting toward the crowd in the foreground.
Purity Ring perform in silhouette while shimmering leaf-shaped projections explode from a seascape backdrop and drift toward the crowd. Photography: Katherine Amy Vega © All Rights Reserved

As the surreal landscape of each song immersed everyone further into the themes, the night kept expanding into something otherworldly.

Megan James of Purity Ring sings into the microphone with her arm extended as streaks of golden light spin around her against a vivid orange backdrop.
Purity Ring vocalist Megan James sings with her arm outstretched while spinning bands of golden light radiate behind her. Photography: Katherine Amy Vega © All Rights Reserved

The final song, “Begin Again,” brought everything together. Galaxy patterns pulsed behind the band, and the twinkling vocals reached out with swirls of light bursting like magic. The fans met the band’s energy as they sang along during the quiet pauses. As we traveled back to reality with this song, and as the band thanked Phoenix to end the night, cheers of fanfare erupted and filled the room with adoration as we exited the enchanted world of Purity Ring.

Photo Galleries

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

Photos: THE FAIM Takes the Stage by Storm at Crescent Ballroom (12-7-18)

PHOENIX — Hailing from Perth, Australia, The Faim dropped into Crescent Ballroom on headliner Hands Like Houses’ “U.S. Tour 2018”. With a whopping 5-band line-up (including Arlington, The Faim, Devour the Day, Emarosa, and Hands Like Houses), Phoenix was treated to an explosive set of just 30 minutes, which left the crowd hungry for more! On the dimly-lit stage, the band brought an unanticipated level of energy and a performance undoubtably worthy of headlining at an even bigger venue.
 

Burning Hot Events has had The Faim on our radar since they dropped their debut single and total earworm “Saints Of The Sinners” in February of this year. We had the pleasure of interviewing lead vocalist Josh Raven in March: INTERVIEW: Next Big Aussie Band The Faim Talks About Their Rapid Rise & Inspiring Musical Journey

With a big sound and big backing, it was entirely evident that The Faim will be going far, and doing it fast. At the time of our interview, it was still unknown when the band would grace Arizona with their presence. Since then, The Faim has released multiple songs and music videos, their Summer is a Curse EP (released September 7th), toured the states, and are embarking on a world tour in 2019. Current tour dates can be found on their website.

Following the performance, I met with Raven to praise him for his unreal, 200% stage presence, to which he humbly and graciously replied that he’s just happy to be doing what he loves.

 

PHOTO ALBUM

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Goo Goo Dolls Celebrate 20 Years With a Sold Out Show at The Van Buren (9-30-18)

PHOENIX — The Valley of the Sun was transported back in time to the halcyon 90’s Sunday night as Goo Goo Dolls kicked off their “Dizzy Up the Girl” Anniversary Tour at The Van Buren. The four-time platinum certified album contains thirteen songs, four of which made it into the top 40. As the tour name suggests, Dizzy Up The Girl was the primary focus of the show, taking up the entirety of the first of two sets from the band, being played from beginning to end. It certainly did not feel like two decades had passed since its release, as thick crowds of people covered every square inch of the venue for this sold out show.

There was a tangible current of excitement in the air, and people were becoming antsy and murmuring to one another about their impatience for this much anticipated show to start. Each time a new melody would boom from the speakers, or a guitar was tweaked backstage, the excitement could be felt as it was mistaken for the beginning of the show.

The lights dim and the stage goes dark. A melody begins to play as lights begin to dance in unison to the music across the platform, engulfing the instruments in various colors as vocalist Johnny Rzeznik, bassist Robby Takac, and current touring members: guitarist Brad Fernquist, keyboardist Jim McGorman, and drummer Craig Macintyre moved slowly towards them. A sea of light from cell phones rose up from the crowd to capture the initial moments of the show. As each found their way to their place on stage they wasted no time heading straight into the opening chords of the albums first song “Dizzy.”

Goo Goo Dolls - Photo Credit: Katherine Amy Vega
Johnny Rzeznik (Vocalist/Guitarist), Goo Goo Dolls
Photography:
Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Following an intense performance of the first song, they effortlessly flowed into the following song on the album which also happens to be the second most popular song, coming in at #9 on Billboard’s Top 100 Pop list from 1992-2012. The beginning notes of Slide glided out of the speakers and it was like a fire had been lit inside the venue. Screams and cheers rang out as Rzeznik sang the words that any true Goo Goo Dolls fan would know. Goo Goo Dolls exuded a palpable “rockstar” energy. At points during the song, the audience was so jazzed up and into the music that they began to drown out the band with their singing. Not wanting to be outdone, this caused a chain reaction of events as the five progressed powerfully through the next seven songs on the album without any breaks in between.

Dizzy Up the Girl album cover

While talking about the anniversary of the album, Rzeznik tells the audience about the iconic girl on the album cover, saying that everyone wants to know who she is. Thinking there would be an intricate story involved, he surprises everyone by saying they have no idea who she is, other than the assistant of the photographer despite casting models for the shoot. Even without a great story, the crowd loved it and snapped right back into their trance as they sang their hearts out from song to song, dancing with the strangers next to them and thrusting their drinks and hands in the air. This was the general reaction throughout their set, with a vibrant light show and dozens of black latex balloons floating around during another hit single, “Black Balloon.” Set one was brought to a close at the conclusion of the last song on the album, “Hate This Place.”

Goo Goo Dolls - Photo Credit: Katherine Amy Vega
Brad Fernquist (Guitarist) & John Rzeznik (Vocalist/Guitarist),
Goo Goo Dolls
Photography:
Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

“Thank you! Hang on a sec, we’ll be right back,” Rzeznik said as the band left the stage for a short intermission. Before long, the musicians were back on stage ready to keep the party going for the second part of their set. Already having played thirteen songs, the band proceeded to double the experience and play thirteen more for set two, entitled “Deep Cuts”. Fans went down several paths of memory lane while the band played some of their biggest hits outside of their most popular album. “Better Days”, “Can’t Let It Go”, and “Two Days in February” were all played with acoustic guitar, evoking a range of emotions from their followers.

Goo Goo Dolls - Photo Credit: Katherine Amy Vega
Robby Takac (Bassist), Goo Goo Dolls
Photography:
Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The remainder of the show was more amped up, wanting to bring the audience back to full volume before they ended with a two-song encore including “Big Machine” and a mindblowing performance of “Flat Top”. Right before that, though, Takac addressed the audience a final time with a simple “Thank you guys for coming out to celebrate with us tonight. Truly truly truly means a lot,” no doubt with mutual feelings in the hearts of fans. As the show ended after 26 songs, people could be overheard talking all around about how wonderful the show was and how much it meant to them to be there for it. For over twenty years the Goo Goo Dolls have brought several beautiful songs to life, and if this tour has anything to say about them, no amount of time can weaken the love their fans have for them, or their music.

 

PHOTO ALBUM

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Nothing More Lets ‘Em Burn at The Van Buren in Phoenix (10-25-17)

PHOENIX — Nothing More put on an explosive performance in Phoenix Wednesday night at the city’s eye-catching new venue, The Van Buren; named in honor of the historic Martin Van Buren. Once inside, it was a pretty swanky setup: grandiose crystal chandeliers dripping from the ceiling, marble double-sided bars wrapping around the room and on the back wall, an enormous, technicolored mural of the Sonoran Desert surrounded the stage — a fitting theme considering the band was formed out of San Antonio, TX. Interestingly, Nothing More frontman Jonny Hawkins is actually an Arizona native. This is a fact he shares with drummer Ben Anderson who is known for his presence in local success story Digital Summer.

Nothing More - Photo Credit: Katherine Amy Vega
Ben Anderson (Drummer) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

After stirring performances by Hell or Highwater, My Ticket Home, and Palisades, it was obvious the crowd’s anticipation was at its peak. All eyes were on the stage as the lights dimmed and the introduction to “Christ Copyright” rumbled out from beneath Anderson’s drum set. In a flash of white light, Hawkins entered the stage rocking his classic barefoot, shirtless style while yelling, “What’s up Phoenix?!”, as the remainder of the band stepped on stage behind him. A haze of blue and red light filled the room as the band moved right into meteoric performances of “Let ‘Em Burn”, “Mr. MTV”, “Don’t Stop”, and “Ripping Me Apart”; kicking things off with a mixture of heavy-handed tracks from Nothing More’s fourth and fifth studio albums, Nothing More and The Stories We Tell Ourselves.

The Stories We Tell Ourselves was an immediate favorite among fans after its release in mid-September of this year, coming in at 15 on the Billboard 200. And rightfully so, as the band’s live stage presence is both wildly unapologetic and deeply emotional.

Their set featured a variety of face-melting solos by each of the band’s highly talented members, but after their hit single “Go To War”, Hawkins and lead guitarist Mark Vollelunga decided to slow things down a bit. Midway through the night, the duo came together for a heart-wrenching acoustic performance of track “Just Say When”, which moved some neighboring fans and myself to tears. It’s a song that Hawkins said “almost didn’t make it onto the record” because they thought it might be “too sappy“. As is the case with many classic emo-toned favorites, the sad love story of the troubled rock star hit us right in the feels.

As “Just Say When” came to an impassioned end, the remaining members of Nothing More took the stage once again, throwing themselves into songs “I’ll Be Okay”, “Here’s To The Heartache”, and “Do You Really Want It”. Fans visibly rejoiced as bassist Daniel Oliver strapped his instrument into the infamous “Bassinator” while Vollelunga and Hawkins aggressively plucked and tapped along the fingerboard. They were, presumably, pumping up the audience for a prolific performance of profoundly personal track “Jenny”, the third single off Nothing More’s self-titled album which spotlights Hawkins’ sister’s struggle with mental illness — a topic that hits hard for many of the band’s listeners.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist), Daniel Oliver (Bassist), & Mark Vollelunga (Guitarist) – Nothing More, playing The Bassinator
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Just as we sang along to the closing lyrics of “This Is The Time”, Hawkins stepped forward to address the crowd for one of the last times that evening. “Well it’s that time of the night; it’s our last song. Who has seen us before? [Cheers] Who has never seen us before? [Cheers] We are a band that does not give encores because one: they’re fake, and two: they’re fake. We’re just going to play our last song instead, and give it all we’ve got.

Nothing More - Photo Credit: Katherine Amy Vega
 Mark Vollelunga (Guitarist) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

And just like that, Hawkins was back at it again, flinging his water bottle into the crowd and jumping all over the stage as he and his band mates poured their souls into iconic track “Salem – Burn The Witch”, standing atop their latest mega-futuristic, one-man-band machine – a 400-pound, 14-foot tall instrument. The members of Nothing More dubbed it as “The Scorpion Tail” in an interview with local radio station 98 KUPD earlier this week. The crowd went absolutely insane for it, cheering Hawkins on as he not only drummed with his feet, but sang as well. Even employees of the venue gathered to watch in awe, some with their fists thrust into the air.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist) – Nothing More, on The Scorpion Tail
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

To say this performance was “impressive” would be to sell it short. Nothing More swept us off our feet yet again, and Phoenix will absolutely be back for more.

Nothing More - Photo Credit: Katherine Amy Vega
 Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

PHOTO ALBUM

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Dreamcar – Crescent Ballroom 4-20-17

PHOENIX —The No Doubt & AFI hybrid Dreamcar drove into Crescent Ballroom and put on a colorful show! This band was everything fans expected of the union of Davey Havok & the No Doubt instrumentalists, and more! With a new single named “Kill for Candy”, this band of legends is solid and refreshing new ear candy that fans would kill for!

Dreamcar setlist from Crescent Ballroom 4-20-17
Dreamcar setlist
Crescent Ballroom 4-20-17
(Click to Enlarge)

Photo Album

Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

#iwokeupbadass – Katherine Amy Vega, Kataklizmic Design | Web Series Episode 5

Katherine Amy Vega of Kataklizmic Design provides services to artists, especially musicians, and opportunities to freelancers and entrepreneurs.

Watch #iwokeupbadass episode 5 to see how she became a media powerhouse, where her ambitions are leading her, and how her dream is building an artistic community! Katherine is also the Concert Photographer, Owner and Manager of Burning Hot Events.

#iwokeupbadass is a web series featuring the everyday movers and shakers who aim to create and change the world. Brought to you by Endless Dream Pictures, LLC.