Manager & Concert Photographer of Burning Hot Events
Photographer, Web Designer & Developer, Video Producer, Graphic Designer, Entrepreneur, Freelancer, concert-junkie, musician, dancer, #1 fan of LOTR & the Spice Girls, cat-lover, & moar!
LOS ANGELES — TOOL has issued the following statement regarding their postponed concerts (original dates listed below):
“As so many music lovers have come to realize over the last several weeks, there is no playbook that artists, promoters and venues can pull from in these unprecedented times.
When we played what would be our final show of 2020, March 11 at Portland’s Moda Center, we believed we would be back on the road sometime this Fall. As we worked towards that goal we’ve come to realize that there is absolutely no certainty in re-scheduling dates for this Fall or 2021. State and local ordinances vary widely and no one can predict when high capacity events will safely return.
At the same time that we were working to reschedule this tour, we read your messages. Messages of job losses, illness, emotional and financial pain. We could continue to postpone or reschedule dates for some time into 2021 but ethically, we do not think this is the right course of action. In our opinion, tying up our fans’ money for months, if not a full year, is unfair. With that in mind, we have made the very difficult decision to cancel the tour so we can help support the people who have supported us for years.
Please know, we want nothing more than to return to the road, to play these songs for you and to celebrate our shared recovery. When the time is right, we will do just that.
In the coming days you will receive an email from the ticketing service you purchased tickets through notifying you of the event cancellation and when to expect your refund.”
Impacted Dates:
March 12 Eugene, OR Matthew Knight Center
March 14 Boise, ID Ford Idaho Center Arena
March 16 Salt Lake City, UT Maverik Center
April 16 Miami, FL American Airlines Arena
April 17 Orlando, FL Amway Center
April 19 Tampa, FL Amalie Arena
April 21 Charlotte, NC Spectrum Center
April 22 Charlottesville, VA John Paul Jones Arena
April 24 Baltimore, MD Royal Farms Arena
April 25 Uniondale, NY Nassau Veterans Memorial Coliseum
April 28 Montreal, QC Bell Centre
April 29 Quebec City, QC Videotron Centre
May 1 Wilkes Barre, PA Mohegan Sun Arena
May 2 Buffalo, NY KeyBank Centre
May 4 Toledo, OH Huntington Center
May 5 Grand Rapids, MI Van Andel Arena
May 29 Tacoma, WA Tacoma Dome
May 31 Vancouver, BC Rogers Arena
June 2 Edmonton, AB Rogers Place
June 4 Winnipeg, MB Bell MTS Place
June 6 Minneapolis, MN Target Center
June 7 Sioux Falls, SD Denny Sanford Premier Center
June 9 Madison, WI Kohl Center
June 10 Moline, IL TaxSlayer Center
June 13 St. Louis, MO Enterprise Center
June 16 Wichita, KS INTRUST Bank Arena
June 17 Oklahoma City, OK Chesapeake Energy Center
June 19 Colorado Springs, CO Broadmoor World Arena
Ice Cube’s Everythangs Corrupt was released on December 7, 2018. It was the first album from Ice Cube in 8 years (I Am The West was released in September of 2010 and peaked at #6 on the Billboard Top Rap Albums chart). Since then, he’s released the hit film, Straight Outta Compton, been inducted into the Rock & Roll Hall of Fame and received a Star on the Hollywood Walk of Fame.
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Burning Hot Events will donate any commissions earned through the purchase of Everythings Corrupt on Amazon through our links during the month of June to Rights4Girls — a human rights organization dedicated to ending gender-based violence against young women and girls in the U.S.
Black Lives Matter
“Racism is everywhere in sexual exploitation.
Pornography is rife with racist material that celebrates the degradation of black women and girls. Commercial sex buyers are predominantly white while victims of sex trafficking are disproportionately women and girls of color. Predators prey upon the people society has marginalized, which means minority communities are a prime target. The list goes on.
Addressing sexual exploitation means addressing racism and the systems that allow oppression and marginalization to continue.” — The National Center on Sexual Exploitation
SAN FRANCISCO – Faith No More have announced a number of rescheduled dates for the band’s European tour that was originally slated for this Summer:
Original Date
New Date
Venue
June 09, 2020
June 7, 2021
Manchester, UK O2 Apollo
June 10, 2020
June 8, 2021
Manchester, UK O2 Apollo
June 11, 2020
June 9, 2021
Glasgow, UK O2 Academy
June 15, 2020
June 11, 2021
Birmingham, UK O2 Academy
June 16, 2020
June 12, 2021
London, UK O2 Academy Brixton
June 17, 2020
June 13, 2021
London, UK O2 Academy Brixton
June 22, 2020
June 21, 2021
Stuttgart, GER Schleyerhalle
June 23, 2020
June 23, 2021
Berlin, GER Max Schmeling Halle
June 26, 2020
June 25, 2021
Oslo, NOR Tons of Rock
July 03, 2020
July 4, 2021
Amsterdam, HOL AFAS Live
July 07, 2020
July 7, 2021
Zurich, SWI Halle 622
All currently held tickets remain valid for the new date. Refunds are available upon request. Please direct inquiries to the original point of purchase.
News regarding the band’s North American Summer tour dates is forthcoming. On Friday, rescheduled dates for Faith No More’s performances with System of a Down were announced: originally slated for May 22 and 23 of this year, the shows will now take place on May 21 and 22 of 2021 at Los Angeles’ Banc of California Stadium.
FNM Launch Fundraiser for Crew
Faith No More has also launched a fundraiser for their crew who were deeply impacted by the postponed tour plans, Bill Gould explains: “There’s been plenty of attention about the collapse of the concert industry, how it has been impacting musicians, artists, agents… but very little coverage has focused on the impact it’s made on a crucial element of live music and touring: the crew. Without a band’s crew, the show does not go on; yet, in light of the recent postponements, they have been left with few options to support themselves, or their families. And speaking of families, the band that you know as Faith No More is more than the five musicians you see on stage. It is a larger family, an ecosystem that includes backline, a production manager, lighting, sound and tour management. We had an entire summer of touring booked – and now, as a result of this pandemic, all of our crew have been put into a seriously vulnerable financial position. We have been working with these folks for years, and we feel very close to them. Since shows are not an option, we are trying to do what we can to offset this unfortunate turn of events with a special merch sale.”
The fundraiser includes an exclusive, limited edition t-shirt design, a Faith No More logo mask as well as several highly collectible autographed vinyl copies of the band’s most recent album Sol Invictus, as well as a variety of gig posters and show-used drumheads from Faith No More’s 2015 tour. The merch is available now via FNM.com/crew-relief/.
Photo credit: Jimmy Hubbard
About Faith No More
Faith No More is Mike Bordin (drums), Roddy Bottum (keyboards), Bill Gould (bass), Jon Hudson (guitar), and Mike Patton (vocals). The San Francisco-born, platinum-selling band have released seven studio albums: We Care A Lot (1985), Introduce Yourself (1987), The Real Thing (1989), Angel Dust (1992), King For A Day… Fool For A Lifetime (1995), Album of the Year (1997) and Sol Invictus (2015).
Maynard James Keenan-fronted Band Releases First New Music since 2015
Jerome, AZ — Puscifer, the Arizona-born, “exceptionally groovy” (Entertainment Weekly) band that Revolver dubbed “Maynard James Keenan’s… indescribable musical/performance-art collective,” release the eerily topical “Apocalyptical” single and video:
A message from Keenan arrives alongside the track: “Manipulated information disseminated by kings, queens, dictators, so called leaders, supposed professionals or outliers and conspiracy theorists living underground, or in basements, is not new or unique to this generation. Misdirection is Power Struggles’ conjoined twin but the speed at which it now travels in this digital age is dangerous and destructive on many levels. This rapid distribution of poison and its immediate impact will be the hallmark of our generation. Even In light of all this, and all the noise the digital landscape generates, all I keep asking myself is ‘what is it with the whole hoarding toilet paper thing?’”
The ”Apocalyptical” release follows social media breadcrumbs hinting at imminent moves amongst the Puscifer camp. As had been speculated, and can now be confirmed, the band’s fourth full-length studio album will arrive this Fall via Alchemy Recordings, a partnership with BMG. Alchemy Recordings is a new record label created in partnership between Dino Paredes, former American Recordings Vice President of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.
Vocalist Carina Round sheds light on the darkly prophetic timing of the song: “’Apocalyptical’ was one of the very first musical ideas for the new record that we put our voices on out in Arizona in late 2019. It was simultaneously very fresh and also felt like we had never been apart.”
“For the initial writing process of ‘Apocalyptical,” we relied heavily on a Fairlight IIx (an early musical computer using 8 bit samples), and a Synclavier II (another early digital workstation that relied on FM synthesis),” explains guitar player and co-producer Mat Mitchell of the behind-the-scenes creation of the song. “These were heavyweights in early digital music productions and defined a generation of music. We decided to set modern computers aside by working within the limitations of these early computer technologies. This created a unique space for us to explore and the results can be heard throughout this track.”
Puscifer has released three full-length studio albums: “V” is for Vagina (2007), Conditions of My Parole (2011) and Money Shot (2015). Maynard James Keenan initially used the moniker in a 1995 episode of “Mr. Show,” bringing the band to life in 2007. Keenan’s companions in the electro-rock outfit have been Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting). The band brings a unique mix of recorded output and on-stage theatrics, pairing each release with a conceptual live show, from a “Hee Haw”-infused performance featuring recurring Puscifer characters Billy Dee and Hildy to 2017’s luchadores-themed outing.
Covid has cancelled all of the tours that our concert photographers were set to shoot. Any support you can offer to help offset our loss of income stream during this unprecedented time is truly appreciated by our talent staff of photographers and journalists. Consider contributing to our Patreon account so that we “Get Back To Where We Once Belonged!”
(Pictured: One of our team photographers- Mark Greenawalt – who has been able to have dreams come true over and over with the opportunity to shoot all of his favorite classic rock artists for Burning Hot Events – including the legendary Sir Paul McCartney!)
About a decade ago, I was first introduced to Georgia Train as part of a two-piece band named Bitter Ruin. From the moment of first hearing the track that introduced me to them on Myspace, “Trust”, their dramatic music had the ability to connect with my mental and emotional state. Released on May 1, her 10-track solo album I do is no exception, as it resonates deeply on personal levels.
(Please check Bitter Ruin out. They are mind-blowing and deserve all of the love in the world. )
I have developed many of my own website projects over the years that never quite took off, and one of them was a alternative/goth fashion and feminist website called Mistress Ravine – which I created in my early 20s. On that site, I had an Advice & Opinion blog that I intended to help educate young women, and put a spotlight on artists that I felt deserved recognition. For that blog, I wrote an album review for Bitter Ruin, and it’s funny to think back and wonder how much of my track-by-track dissection of Hung, Drawn, and Quartered may have possibly missed the mark when it came to interpreting the songs. It is, of course, a given that listeners will always apply their own understanding from their unique realities to tracks, yet I have thought back on it over the years a bit self-critically. Listening to Train’s commentary after having already listened to I do about seven times since its release, it is fascinating to learn the true meaning and the headspace behind the songs — it’s so much more intricate than what I tend to assume… so much more potent.
While in quarantine, Train produced this album herself, regarding which she comes across as humble and intentional in her commentary. Her solo work differs from Bitter Ruin’s past work in that it is less theatrical, or to use a word from her commentary, flamboyant. To be forthcoming, I wasn’t sure whether I would connect with the album in the same way as their past work when I heard teaser clips. However, the maturity and sophistication of I do do parallel my evolution and speak to me. The album having been recorded at home and serving as an introspection on love and marriage, it is a uniquely authentic, raw listen. However, do not go into this album expecting a series of mere love songs.
I do is, to me, an album of healing and acceptance. When we fight “to the death” to make a relationship work, it’s as if we stick our fingers in our ears, unfold our blinders, and charge forward. We feel righteous, we feel we are doing a good thing, the loving thing, and yet in actuality, we may be more doing harm than good. That is one of the most difficult things we can ever face. Sometimes, music is the key to revealing the truth, to waking us up. Sometimes we need a song to give us a poignant message (or more bluntly, hit us over the head with it) that compels us to simply utter a self-aware “ouch.”
Train, who is known — with no exaggeration — for her vocal acrobatics (a bit trite, but such an apt phrase), also has an impressive vocal range. You will catch her voice flying high, as well as dipping deep, throughout the album. Often, she flutters around in a falsetto, though any old Bitter Ruin fan knows how she can belt that chest voice (a favorite example being “Leather for Hell” — a unique rock song for Bitter Ruin). Her graceful singing on I do is a perfect fit for the very private conversation she is having through her music.
That is not to suggest that the album lacks intensity — to the contrary, my favorite track from the album, titled “Pressure”, crescendos and inspires heartache.
“Did I put too much pressure on you to be the one I can lean on? Maybe I was wrong to”
The following track, “Shatter”, paints a picture of the unintentional self-harm we participate in out of desperation to repair a broken relationship. The song is a twisted knife in the heart of anyone that has been in this situation, yet serves as commiseration.
“On my knees finding pieces of the shatter, these tiny cuts don’t matter Work all night just to put us back together, I swear I’ll make us better”
“Marry This” is a unique, nuanced track that addresses the way people that commit to each other inevitably change — a topic I have yet to see Disney tackle.
“I didn’t marry this (don’t know what it is, don’t know what it is), I need to know what this is.”
The most beautiful song on the album is, in my opinion, “White Snow”. In the commentary, it was very interesting to hear who she states influenced the track. (Speaking of Disney, I can imagine Frozen’s Elsa singing this song. Though, with all due respect, this song is meant for Georgia Train, not Idina Menzel.)
“Unholy”, with a gospel style chord progression, has the perfect sound for the closing track. If you listen to the commentary, it is mind-blowing how quickly it was written and recorded. It is the only track on the album that addresses sexuality, but as an intellectual study of sexuality — something I have never heard in a song before. Within the Gregorian chanting, she sings in a language which I was trying to pinpoint as either Italian or Latin, and it turned out to be neither. Find out what it is in the commentary.
I do is an album for listeners who like music to draw out their emotions. It is for those who like to ruminate on their relationships, or to analyze the psychology of love and behavior. (Ok, so, it’s made for me.) It fluctuates between grief, regret, desperation, ambiguity, fear, and hope. It is unlike any other I have heard, and I am very grateful it is in my life now.
I do – with track-by-track commentary- album cover
Among many things, the album is about musing on what has transpired in relationships, the uncomfortable truths about relationships we do not often hear in pop culture, struggling to understand, confronting tough realities, and coming to terms. Over the commentary, Train explains how some of her personal experiences inspired certain tracks, how songs evolved, her intentions and stylistic choices, how she reclaimed some of her music, and so much more. The commentary makes the album feel that much more whole, and I think it’s especially significant to include with a quarantine release. I absolutely support the idea of the commentary for future releases.
I highly recommend not only purchasing the version of the album with the commentary on Bandcamp, but for just a bit more, support Georgia Train by purchasing her full digital discography. Either way, you can get it here.
A Message from Georgia Train
A Few Recommendations:
If you can, listen to the album with noise-cancelling headphones over your ears to experience it intimately.
If you are able, please purchase it even if you have access to Spotify.
If you purchase the commentary, you can do what I do and stream the regular version of the album on Spotify as well for a tiny bit of extra support!
Check out my favorite Georgia Train song, “Get Out” — another belter:
CHECK OUT BITTER RUIN!!! They released the track “Caution to the Wind” last year after about 5 years of hiatus, and two more this year! They’re one of my all-time favorites, and I am thrilled to finally have the opportunity to share them on Burning Hot Events.
Now Streaming and Available as FREE Download on Bandcamp
San Diego’s Hey, Chels have released their debut full-length Everything Goes digitally for FREE on Bandcamp. The LP is also streaming on DSPs and will be released on vinyl later this year via Brainworm Records.
The band says, “Our reasoning is that we don’t feel right asking for money right now with the current state of everything. If you feel like helping the band out, share us with a friend, add us to a playlist, share us on your socials, we would very much appreciate it.”
A music video for the new track “You’ve Got You Now” is streaming here:
The follow up to the band’s well-received 2019 self-titled EP, Everything Goes was recorded by Pat Hills at Earthtone Studios in Sacramento, CA.
Due to the current state of the world Hey, Chels had to cancel all tour plans but will be back out as soon as it’s safe again.
Hey, Chels – Everything Goes | Cover Art by SICKPLEASURE
Everything Goes Track Listing:
Clear
Crumbling
Masterpiece
Pulse Check
You’ve Got You Now
Okay
Everything Goes
Floating Through Days
Tough
Away
About Hey, Chels
Hey, Chels
Hey, Chels is what you get when you spend 10 years of your life working for a degree you’ll never pay off. It’s realizing the whole world is terrible, while also serving as a reassuring pat on the cheek that everything is going to be ok. It’s a warm summer day and a cold winter night. Hey, Chels is a four-piece rock n roll band from San Diego fronted by Jax Mendez (New Way On) and featuring Stephanie Presz (The Newports) on drums, Kevin White (Squarecrow) on guitar, and Ricky Schmidt (Western Settings) on bass.
All-star modern metal band IMONOLITH released their highly anticipated debut album, State of Being, this past March. Like many bands in the music industry, they have been affected by the COVID-19 pandemic and were forced to cancel their European tour dates in March and April.
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While the guys have isolated themselves at home, they’re still in daily contact with each other, keeping their creative juices flowing. Even though they are separated across the globe from each other, the members of IMONOLITH have been able to put together something special for fans entitled “The Quarantine Sessions.”
Drummer Ryan Van Poederooyen explains in further detail: “It’s tough times for everyone world-wide with COVID-19. The music industry and bands world-wide have literally been shut down from touring, from doing press tours and anything to do with public appearances. The one thing COVID-19 has not disrupted is the Internet and Social Media. Many bands are getting creative and doing live stream concerts and more…
IMONOLITH has come up with the ‘Quarantine Sessions’ for our supporters in correlation with our debut album release ‘State of Being,’ which came out on March 27th, 2020. What are the ‘Quarantine Sessions?’ They are videos released on our YouTube page, each Monday at 8 a.m. PST, of the full band playing through a song on our debut album. We will be releasing a new song every Monday until we have finished all 10 songs on our album. Then on every Tuesday, at 9 a.m. PST we will be doing a ‘Quarantine Session Live Feed’ on our Instagram page to talk about the song we released on Monday. We’ll go into many behind-the-scenes specifics about each song we release and do a live Q&A with you all. Let’s hang, have some fun and catch up, while self-isolating at home during these challenging times!
This is our Quarantine offering to our loyal and new supporters to show how we play our material and to be able to chat with you all, albeit in Quarantine from our homes. This is Self Isolation at it’s finest while helping flatten the curve of COVID-19. Finding the positive in the negative 😉
Tune in on Mondays for our new video and see you on Tuesdays for our live feed discussion. Be safe out there!”
Check out the first episode, “Becoming the Enemy,”here or below:
IMONOLITH features drummer Ryan Van Poederooyen (Devin Townsend Project), guitarist Brian ‘Beav’ Wadell (Devin Townsend Project), Jon Howard (Threat Signal), guitarist Kai Huppunen (Methods of Mayhem, Noise Therapy) and Scott Whalen (Econoline Crush). The collective of heavy-hitting players is at the top of their game recently releasing their debut album, State of Being,on March 27. The album features special guest appearances from Jens Kidman (Meshuggah) and famed Swedish vocalist Johannes Eckerström and is made up of 10 hook-laden, riff-heavy tracks that center around the theme of how people deal with various stages of life.
The album has already seen the release of four singles and videos – “Hollow,” the 2019 debut single that made big waves, racking up 216K Spotify streams, “Instinct,” “Dig,” and the most recent single, “Becoming The Enemy.” With the release of these singles, IMONOLITH has already received worldwide praise that has garnered them a massive number of streams and attention from the media and fans alike.
Avant-pop/dark R&B artist BANKS has released an EP entitled Live and Stripped, stating that she is “using music as a tool to bring us together.” BANKS utilizes her music to release her emotions, which is both apparent through her lyrics and the raw vocals heard on this EP.
One of her messages to fans was: “My new Live and Stripped EP is out today! I’m so excited to be able to share these stripped back versions of my songs with you.
Most of my songs are written on the piano before anything else, so it is a gift to be able to share these acoustic versions of songs with my fans during this tough time. We cannot physically be near each other right now, so I am using music as a tool to bring us together.”
“I think people are most beautiful in their rawest form, and sometimes same goes for music. I am so happy you guys can get to know me a little better by hearing these songs like this.” says BANKS.
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During the unprecedented COVID-19 pandemic, some artists have taken advantage of the opportunity help us cope through music featuring grim and ironic humor in this dire situation. We’ve curated a list of music videos, memes, tweets, and a Spotify playlist for your enjoyment while you’re stuck at home. (We appreciate your patience while the page loads – it is full of content to entertain you!)
EXPLICIT LANGUAGE WARNING: Some of this content contains swears.
“One Week of COVID-19”
Beginning on a light note, we are sharing a parody of “One Week” by Barenaked Ladies, performed by Pepper Coyote and titled “One Week of COVID-19”. Originally written by Dana Jay Bein (aka @daniAWESOME), some of you might recognize a reference to a rather unique anime that you explored on Netflix while shut in. #NoSpoilers:
“Coronavirus Rhapsody”
One of the first we saw hit the internet was “Coronavirus Rhapsody”, and while there are multiple coronavirus parodies born from Queen’s “Bohemian Rhapsody”, we chose to share the version performed by Adrian Grimes, with lyrics by Dana Jay Bein:
You can see the same version being performed by the Phoenix Chamber Choir here.
Same have criticized the parody as being insensitive. Grimes addressed those opinions in his video description:
“I’ve had a few comments suggesting that this is ‘insensitive’. I want to emphasize that I know where these people are coming from. My wife works in healthcare and I have two young kids; I know very well how this virus could impact my family. Every day that my wife goes to work, I hope it is another “bonus” day we get together before the wave hits and I don’t have to quarantine her and stop our children from hugging her. However, I hope that even in those circumstances, should they occur, I will still be able to maintain a sense of humor, and a lot of comments from people already affected by coronavirus have told me how much they appreciate this. I thank you for your understanding in these unprecedented times.”
“Coronan Rhampsody”
Maestro Ziikos took a bit of a different approach with his own compilation of manipulated clips of President Trump to form the “Coronan Rhampsody”:
“Quarantine Song”
This type of political music video is was Ziikos is all about, as evidenced by his YouTube channel and Spotify. He is also responsible for the “Quarantine Song”, a parody of Bruno Mars‘ “The Lazy Song”:
Chris Mann, a second season contestant on NBC’s The Voice has made a bundle of pandemic-themed music videos, and doesn’t seem to plan on stopping. Here are a few of them:
“My Corona”
“Stay At Home”
For the third video of his that we are sharing, rather than comedy, Mann opted for an emotional parody of Alanis Morrissette’s “Thank U” to express appreciation for those on the frontline: Doctors, nurses, scientists, pharmacists, the postal service, grocery clerks, and more:
However, if death metal is more of your jam, we have “Coronaviscerated” by Vermicide Violence for you:
“Coronaviscerated”
“COVID 19”
Born from a choir rehearsal cancellation, Sam Chaplin offers a more stripped-down parody with simply “COVID 19” performed at his piano. This parody is derived form “Come on Eileen” by Dexys Midnight Runners:
It is truly amazing that musicians and artists can rise up and create this entertainment for us during an otherwise downright scary time with an ambiguous future ahead. Please seek out ways to support these artists while they are supporting us. Many of the videos have song purchasing links in their descriptions! You can support Burning Hot Events’ hard work by pledging to our Patreon.
There are countless more music videos on YouTube about COVID-19, the pandemic, quarantine, the lockdown, and the absurd ways some people have chosen to handle the situation. Unfortunately there are too many to display in one article, but you can go down the rabbit hole to your heart’s content on YouTube. See More Here
Loads of musicians are adapting by doing live streams, and Burning Hot Events frequently shares posts to let you know about them on our Facebook, Twitter, and Instagram accounts!
COVID-19 Music Memes & Tweets
Not only has the internet has made so many songs and music videos easily distributable and accessible, but also an endless supply of relevant music related memes & tweets. Here are some that we gathered:
COVID Apocalypse
A Spotify playlist curated by Katherine Amy Vega (Owner, Manager, Senior Concert Photographer of Burning Hot Events) Featuring carefully crafted transitions and juxtapositions between themes and genres, and an eclectic array of artists:
“A journey of navigating the pandemic. Themes of illness, depression, dissociation, death, angst, illness, disgust, rage, ignorance, propaganda, conspiracy, anarchy, war, disaster, revolt, isolation, self-medication (addiction), slavery, incarceration, religion, despair, hope, perseverance, rising up” Open in Spotify
“Now is a crucial time for the arts. I’m watching values shift.” — Katherine Amy Vega
