Tag Archives: Phoenix concerts

REVIEW: “This Is for ONCE” – TWICE Turn Their First Arizona Show Into a Shared Celebration (1-28-26)

January 30, 2026 Jasmyne Haskie Leave a comment

PHOENIX — Celebrating a decade as a group, TWICE brought their “THIS IS FOR” World Tour to Mortgage Matchup Center, transforming their long-awaited Arizona debut into a night rooted in belonging, empowerment, and shared emotional release.

Ten: The Story Goes On (Cast Version) — **TEN: THE STORY GOES ON** (Cast Version), the 5th Korean studio album (11th overall) by TWICE. Released on October 10, 2025 to commemorate the group’s 10th anniversary. Available in Cast, Episode, & Party Lovely Versions

Marking the group’s 10-year anniversary, the performance felt less like a routine tour stop and more like a dedication to ONCE, a fandom built on mutual support, emotional connection, and collective growth. From large-scale production moments to deeply personal solo stages, TWICE delivered a show that honored its history while fully embracing Phoenix as part of the group’s journey.

This was TWICE’s first concert in Arizona, and that milestone shaped the tone of the entire evening — one defined by gratitude, intention, and a clear effort to make Phoenix feel seen, welcomed, and woven into the group’s story.

Community Before the Lights Went Down

Long before TWICE took the stage, a sense of community had already taken hold. Outside the venue, fans exchanged handmade bracelets, offered trinkets, volunteered to take photos for strangers, and struck up conversations with ease. When asked why they gave so freely without expecting anything in return, fans cited joy, connection and anticipation, offering something to look forward to after long days at work, school, hospitals or hours spent driving in from out of town.

That communal energy extended beyond giveaways. Informal dance battles broke out as short song clips played, drawing spontaneous participation. Others filmed TikToks together, interviewed one another and laughed while waiting in line. The experience felt participatory before the concert had even begun.

Inside the arena, fan fashion reflected TWICE’s longevity and cultural reach. Attendees recreated looks from different eras of the group, referencing past music videos and performances. Red hoods nodding to earlier releases appeared throughout the crowd alongside pink jumpsuits, coordinated red outfits, skirts paired with work ties and custom Candy Bong light sticks. Many were personalized with charms, teddy bear ears, wrist straps, or bedazzled designs, while some fans wore illuminated kitten ears.

Act 1: A Confident Opening Statement

As the lights rose for Act 1, it was immediately noticeable that only eight members stood on stage. Jeongyeon’s absence was apparent before a single note was sung, subtly altering TWICE’s familiar formation and signaling that the night would carry resilience and adaptation alongside celebration.

TWICE opened with “THIS IS FOR,” igniting the crowd under blue and yellow lighting. Fans sang and danced from the first moments, establishing a reciprocal exchange of energy that filled the arena. “STRATEGY” followed, quickly becoming a call-and-response moment as the repeated “go” prompted the audience to respond in unison. “MAKE ME GO” and “SET ME FREE” sustained the momentum, keeping the opening run tightly paced and high-energy.

A major visual shift arrived during “I CAN’T STOP ME.” Red lighting washed over the stage as dancers filled the space and a central platform rose, marking the first large-scale production moment of the night. The staging amplified the song’s central tension of desire versus restraint, heightening the urgency that defines the track.

After the opening run, the group paused to formally greet Phoenix. When the camera landed on Jihyo, the arena erupted with cheers and chants of her name. Smiling, she teased the crowd by asking, “Who am I?” before laughing and greeting the audience, effortlessly establishing command of both the stage and the room.

Introductions continued across the group, as TWICE welcomed Phoenix fans into its first Arizona show. Each member received waves of cheers, reinforcing the affection and anticipation that filled the venue.

When Dahyun appeared on screen, the crowd erupted into loud chants of “Dubu, Dubu.” Laughing, she responded, “Wow, the Phoenix energy is so high,” before addressing the audience more seriously. She explained that due to an ankle injury, she would be performing seated, reassuring fans that she was otherwise healthy.

Sana followed with warmth and honesty, acknowledging both the crowd’s anticipation and the group’s circumstances. Mina offered a brief greeting, keeping the introductions moving before the tone shifted.

Jihyo then addressed the audience with transparency, explaining that Jeongyeon had been receiving treatment backstage earlier in the day and was ultimately unable to perform. She asked the crowd to enjoy the show to the fullest in Jeongyeon’s place, which was met with resounding cheers.

Act 1 concluded with “OPTIONS” and “MOONLIGHT SUNRISE.” The latter softened the atmosphere as cosmic visuals of galaxies and stars filled the screen, allowing the audience to collectively pause before transitioning into the next act.

Act 2: From Cosmic Reset to Commanding Power

Between Acts 1 and 2, background dancers took over under strobe lighting, building tension through synchronized movement before the energy surged again.

Act 2 opened with “MARS,” launching with a high-impact introduction as TWICE appeared elevated on a platform in darker, earth-toned outfits under purple lighting. Despite performing seated, Dahyun remained fully engaged, matching choreography through upper-body movement and interacting with fans even when facing away from the group.

The set continued with “THE FEELS,” “GONE,” “CRY FOR ME,” “HELL IN HEAVEN,” and “RIGHT HAND GIRL.” “CRY FOR ME” stood out visually and emotionally, drenched in red lighting and carrying a message of resilience and empowerment. During “RIGHT HAND GIRL,” fan interaction increased again, reinforcing the reciprocal energy between TWICE and ONCE.

Throughout the night, one phrase echoed repeatedly: “This is for ONCE. This is for TWICE.”

Act 3: Individuality at the Core

The transition into Act 3 began with a live band moment positioned opposite the main stage. A guitar solo under red lighting and flame effects played out as the screen lowered in sections, creating a conversational exchange between performers and crowd.

Act 3 centered on solo stages, allowing each member’s individuality to come fully into focus. Transitions were seamless, maintaining momentum throughout the section.

Tzuyu opened with “DIVE IN,” staged in blue lighting and structured around a metal prop that confined both Tzuyu and her dancers, reinforcing the song’s emphasis on control and intentional intimacy. Mina followed with “STONE COLD,” a slow, emotionally weighted performance under warm orange lighting. Dressed in white and surrounded by black-clad dancers, the visual contrast evoked a striking Black Swan–White Swan dynamic that visibly moved audience members.

Nayeon shifted the energy with “MEEEEEE,” performing high above the crowd on a raised platform alongside multiple dancers. A duet moment highlighted her confidence and command. Jeongyeon’s “FIX A DRINK” was not performed due to illness, making Dahyun’s “CHESS” one of the most memorable moments of the night. Dahyun opened the song seated at the piano and proceeded to deliver an intimate performance defined by restraint and poise.

Chaeyoung followed with “SHOOT (Firecracker),” performing in a white dress against black-clad dancers as playful doodle-style visuals appeared above her. Jihyo drew one of the loudest crowd responses of the night with “ATM,” her hip-hop-influenced choreography commanding the arena. Sana’s “DECAFFEINATED” became a shared moment as the audience sang along to the repeated refrain.

Momo closed the solo section with “MOVE LIKE THAT,” delivering a dance-driven performance punctuated by a final lift that saw her raised into the air by two dancers. The section concluded with “TAKEDOWN,” a track from KPop Demon Hunters, featuring Chaeyoung and Jihyo. Originally intended as a trio, Jeongyeon’s absence was felt but did not diminish the moment’s intensity.

Act 4 and Encore: Where TWICE and ONCE Became One

Before Act 4, a high-fashion VCR played across the lowered screen, featuring editorial-style visuals of the members. Cheers peaked whenever Jeongyeon appeared, underscoring how strongly she was missed.

Act 4 opened with “FANCY,” reigniting the arena. TWICE appeared in coordinated yet individualized outfits in earthy tones of brown, sage and white, with no two looks identical, yet cohesive as a whole. The momentum continued into “WHAT IS LOVE?” and “YES OR YES,” sending the arena into full motion as nostalgia swept through the crowd.

During “YES OR YES,” Jihyo stepped fully into her role as leader, directing the audience with ease as fans followed her movements instantly. “DANCE THE NIGHT AWAY” followed, transforming the venue into a sea of synchronized light sticks that visually reinforced the collective energy building throughout the night.

TWICE lingered on stage, engaging directly with the audience. Jihyo mused that Phoenix may have surpassed Los Angeles in cheering, drawing explosive reactions. Nayeon acknowledged that the crowd was already standing before asking them to do so, then asked, “Phoenix, you have waited a long time for us. Are you ready to burn it all up?”

As the audience completed lyrics in unison, the moment seamlessly transitioned into “FEEL SPECIAL.” When TWICE declared, “This is for ONCE,” the crowd answered, “This is for TWICE.” The exchange felt ceremonial and earned.

The encore carried that energy forward. “FEEL SPECIAL” opened the final stretch as fireworks filled the screen and fans sang along, hugging, crying, raising lightsticks, and recording the moment. A dance cam highlighted fans throughout the arena, reinforcing ONCE’s role as active participants rather than spectators.

Before closing the night, TWICE promised to return to Arizona with Jeongyeon on stage. This statement was met with emotional applause. The fan-chosen closer, “ALCOHOL-FREE,” ended the night on a celebratory note. Rarely performed on tour, its inclusion felt like an intentional, final gift to Phoenix.

TWICE’s first Arizona performance was more than a concert. Throughout the night, the group deliberately bridged the distance between artist and audience, transforming a packed arena into a space where fans felt seen and emotionally present.

In Phoenix, TWICE and ONCE didn’t simply meet.

They became one.

Featured (top) photo credit: JYP ENTERTAINMENT, KYLIE BRENNAN

Concerts, Media, Reviews

REVIEW: Purity Ring & yuniVERSE Lead Phoenix Into a Night Suspended Between Worlds (11-10-25)

November 18, 2025 Ali Crimson Leave a comment

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PHOENIX — Purity Ring’s fall 2025 “place of my own” tour came to The Van Buren, with yuniVERSE as the sole opener on her first tour. The beautifully historic, repurposed downtown venue set the stage for an evening the band had described in their July Substack tour announcement as “three-dimensional… expansive but intimate,” and the night delivered as promised.

yuniVERSE

The venue’s stage at first was strange to look at, one half covered in human-sized flowers and the other looking like metal stars or fans. I waited in the rapidly filling room with no idea of what to expect. When the lights faded, people abandoned the bars and the winding merch line spilling into the main room as the attention turned to a new performer on her first tour, yuniVERSE.

Even though she only used a portion of the stage, she invited us into the jewel-lit garden of her design, where she shared her intimate confessions through emotive electric pop. yuniVERSE weaves through each song like a layer within a dream, her hair gently blowing as she captivates the audience with her presence and movements. Her performance feels like a journey into her private world as she navigates through love and life. She continued to captivate the room completely, her sensual, charismatic movements paired with the softness of her vocals as she sang behind the mask she wore in unity with Purity Ring’s request for community care.

yuniVERSE said she wished this tour were longer because she wasn’t ready for it to end yet, and I can imagine I’m not the only one who felt the same. She playfully joked, “I know you’re here for Purity Ring, but together, we’ll keep it a secret that you’re actually here for me, okay?” giving a little laugh before closing out her set and leaving the stage for the headliner, Purity Ring.

Purity Ring

The room settled as the stage shifted from yuniVERSE’s dreamlike garden into the darker, more mysterious world crafted by Purity Ring. Corin Roddick stood alone at first, lighting up sections of the stage with his touch while the star-shaped fans began to spin, projecting red light that looked like sparks spraying across the dark.

Megan James appeared a moment later, illuminated by a soft golden glow on her face in the sea of black around her.

With each song, the room shifted through new worlds and galaxies.

During “Many Lives,” the lights flickered and danced like floating embers. “Obedear” pulled us into caverns and stars, with what looked like fireflies curling upward like smoke. “Soshy” arrived with bright, breathy vocals and pounding bass, blue lights sparkling before shifting into sharp red flashes deeper into the song.

James took a moment to thank the people in the crowd who wore the masks the band provided for everyone’s health. She appreciated the contribution to community care and valued taking care of each other. As she gushed while thanking yuniVERSE, she admitted she was rambling before continuing the set. It was clear the two acts genuinely appreciated their time together. This became even more apparent after noticing Roddick’s contributions to at least three of yuniVERSE’s tracks (“FALL 4 U,” “18 nite texts,” and “wasted”).

Our journey resumed as holographic leaves of blue, green, and red light appeared and danced around the stage, swirling toward the crowd as the room stayed completely locked in the performance.

As the surreal landscape of each song immersed everyone further into the themes, the night kept expanding into something otherworldly.

The final song, “Begin Again,” brought everything together. Galaxy patterns pulsed behind the band, and the twinkling vocals reached out with swirls of light bursting like magic. The fans met the band’s energy as they sang along during the quiet pauses. As we traveled back to reality with this song, and as the band thanked Phoenix to end the night, cheers of fanfare erupted and filled the room with adoration as we exited the enchanted world of Purity Ring.

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Photographer: Katherine Amy Vega

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Purity Ring & yuniVERSE – The Van Buren 11-10-25

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Concerts, Media, Photo Galleries, Reviews

REVIEW: SUPERCHARGED Tour Surges in Phoenix with The Offspring, Jimmy Eat World, & New Found Glory (8-27-25)

September 2, 2025 Ali Crimson Leave a comment

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The Offspring "Supercharged" album artwork — **The Offspring “Supercharged”** album artwork

PHOENIX — The golden hour bathed Talking Stick Resort Amphitheatre as fans of all ages gathered for a triple bill of nostalgic icons: The Offspring and Jimmy Eat World co-headlining, supported by New Found Glory. The “SUPERCHARGED Worldwide in ‘25” tour follows The Offspring’s 2024 studio release, Supercharged, promising a night of their signature high-energy punk. Anticipation hummed through the amphitheatre, decades of beloved hits ready to be unleashed. Each band carried their own unique legacy of anthems and reputations to uphold.

New Found Glory

When the stage went dark for the first time, Phoenix was greeted by a “Y’all ready for this?” from vocalist Jordan Pundik of New Found Glory. Surrounded by the yellow and pink neon glow, the band tore across the stage faster than high school summers.

Pundik was an energetic force, one of the most physically demanding performances I’ve encountered, and his bandmates didn’t miss a step keeping up with him. Did they age? With moves like that, they seem to be just as on-point as they were in the early 2000s.

Jordan Pundik (vocals), Ian Grushka (bass), Dan O’Connor (guitar), Cyrus Bolooki (drums), New Found Glory
Photography: Katherine Amy Vega © All Rights Reserved

The crowd followed his every command, clapping and jumping to old favorites like “Dressed to Kill.” A new favorite, “100%,” was played as Pundik did a hurdle jump and encouraged the amped fans to open up the pit. The song was fresh but still the NFG we know and love, with a strong message about authenticity and perseverance: “My word is cement, I’m gonna give you one hundred percent.”

The band gave their shout-outs, with the most important being to missing guitarist Chad Gilbert, explaining that he couldn’t make it tonight because “cancer is kicking his ass.” Filling in for Gilbert was Dan O’Connor of Four Year Strong, with Dave Knox of Real Friends also joining on rhythm guitar.

They closed their set with “My Friends Over You,” where Pundik donned a large yellow finger, still never missing a beat despite what seemed to be a struggle with the soundboard. NFG gave Phoenix 100% until the very last moment on the stage.

Jimmy Eat World

The entirety of the amphitheatre went dark as hometown heavy hitters Jimmy Eat World took the stage in Phoenix for the first time since their 20th anniversary show for the album Futures. They began their set with a “What’s up y’all?!” from lead vocalist Jim Adkins, before leaping into “Pain,” the first single they dropped from Futures back in 2004. If anyone there was feeling any kind of pain that night, it would have been easy to let it wash away in Jimmy Eat World’s emotionally mesmerizing performance.

A brief storytime about mid-set with Adkins, complete with an important lesson:

“That’s my people right there,” he said, referring to the grassy GA section under the night sky. “I remember charging the barricade when Green Day was playing at Lollapalooza … They played, like, second that year, and I made it all the way down here, like from the GA down here.” He pointed toward the full pit. “And I was like, ‘Cool! There’s 10 more hours of this. I’m going back up there!’”

“Jim, that’s a great story. Your rock and roll talk is the best,” Adkins says to himself.

“If you think my rock and roll talk on stage is the bomb, everyone yell some shit!” The crowd was right along with him for the ride. “That’s right! I used the word ‘the bomb’… because I’m old!” he laughed, strumming his guitar.

“Anyway, aging is not a choice… Acting like a crotchety old bastard is, but aging isn’t. This song’s about everything that makes music special. It’s called “Something Loud.” Come on!”

And there you have it, folks—a truth for everyone as we grow older. Jimmy Eat World is still holding a mirror up, showing us who we choose to be.

The lighting team mirrored the emotion of each track, from the glow of mint green during “Lucky Denver Mint” to golden warmth and deep blues across their biggest anthems like “Sweetness” and “The Middle,” illuminating each musician with care. The air was thick with heat and the crowd’s passionate response, the songs pouring from the stage in the way so many once imagined while listening on the radio.

The Offspring

An abrupt countdown began when Jimmy Eat World left the stage, and the chaos of The Offspring began to be unleashed in waves, showing just how much they cherish their fans and a good time. A series of feature cams lit up the screens, including the “Kiss Cam,” “Fuck You Cam,” “Headbang Cam,” and “Booty Cam.”

During Offspring trivia, shirts were launched into the excited audience. A “GET LOUD” meter appeared on-screen as the band prepared to take the stage, and the fans were ready, wild, and dare I say, supercharged. A crew member ran around in an ape mask, upgrading fans to better seats.

Everything went dark, the final countdown began, and the fans chanted the numbers as they appeared. Blue electricity filled the screen, epic music swelled, and guitarist Kevin “Noodles” Wasserman stepped out, showering the crowd with love.

The band blasted into the first song, the anthem “Come Out and Play.” Vocalist Dexter Holland’s voice was better than the recording — with a little more grit and age, it was perfection.

Dripping with nostalgia and opening a bag of new tricks, the show’s props were next level: two gigantic blue-lit skeletons were moved on stage during one of the songs, confetti was blasted, and huge beach balls were tossed around the pavilion during “Pretty Fly For A White Guy.” The cams on fans kept rolling, making the audience a central part of the experience. The huge screens showcased the band members in different filters, changing with each song, adding an unexpected visual flair. The high-energy punk rock momentum continued all over the stage throughout the night, including the hilarious wacky waving inflatable tube “pretty fly” white guys.

In all of this rowdy fun, The Offspring did break for emotional segments like the beautiful performance of “Gone Away” and paying a touching tribute to the recently departed Ozzy Osbourne.

They told their electrified legion that Arizona always gives them the best shows, and they played like they believed that in their souls. The Offspring were playful and unexpected in the best ways. They pulled out all the stops for this tour, with the crew executing it exceptionally.

The triple bill delivered the type of concert people recall when asked what their favorite show was. The Offspring, Jimmy Eat World, and New Found Glory are a dream lineup, reminding us why this music is still embedded in our hearts decades later. The “SUPERCHARGED” tour is a timeless collision of past and present, still providing the soundtracks to our lives.

Setlists

See what each band played during the Phoenix stop on Setlist.fm:

The Offspring

Jimmy Eat World

New Found Glory

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The Offspring

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The Offspring & New Found Glory – Talking Stick Resort Amphitheatre 8-27-25

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Concerts, Media, News, Photo Galleries, Reviews

REVIEW: Hot Girl in Hell LØLØ Ignites as Simple Plan Tour Opener in Phoenix (8-14-25)

August 18, 2025 Ali Crimson Leave a comment

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PHOENIX — The night kicked off with a light, Disney-esque melody, possibly a nod to her “Let It Go” cover from Disney’s pop-punk covers album A Whole New Sound. Behind the stage, a whimsical backdrop mirrored her album falling for robots and wishing i was one: a yellow brick road leading to the Emerald City, her name in bold red with yellow trim. A drum crash cut the melody short, and LØLØ bounded onto the stage in a very cute, circa-early-2000s pop-punk-princess look: a cropped argyle spaghetti-strap top, tight black miniskirt, fishnets, and her signature knee-high boots. “Ready to make some noise?!” she shouted, busting into her first song.

The opening song blended the lyric “It was only a kiss” from The Killers’ “Mr. Brightside” with her own “faceplant.” As an opening move, it was brilliant, dropping in one of the most recognizable alt-rock hooks guaranteed the crowd’s attention, even if they weren’t familiar with her music yet.

Smiling, she announced it was her job to warm us up tonight for the legendary bands that raised her — a particularly funny line, considering we were in the desert and it was 100+ degrees outside.

Still, the respect conveyed in her tone showed she knew exactly what it meant to open for beloved pop-punk heavyweights like Simple Plan, Bowling for Soup and 3OH!3 on the “Bigger Than You Think!” tour.

After being part of the lineup for Simple Plan’s 25th anniversary tour, LØLØ will pick back up in November to finish the last leg of her ‘U Turn Me On’ U.S. headline run — which saw all but two shows sell out before pausing in March. See tour dates below.

Her second song, “2 of us”, found her bathed in golden spotlight while her guitarist and drummer played in violet and red shadows. She delivered the raw lines, “Do you think I’m stupid? Do you think I’m dumb? Well maybe I am, ’cause I still pick up…” with the kind of questions anyone who’s been in an endless rough relationship has asked as we answer the phone or text again.

“the devil wears converse” (her newest release) came next, and here she was fully in her element — moving with joyful precision across the stage, trading playful glances with her guitarist, and getting the audience clapping along. She never missed a beat, her live vocals spot-on with her recordings, her movements as expressive on stage as they are in her videos.

By the time she launched into “debbie downer”, the crowd was warming up too. She led a “Hey ho, let’s go” chant, flirty and confident as she playfully stumbled across the stage.

The second chant was a nod to the nostalgically millennial favorite film “Bring It On”, with the famous “It’s Cold in Here” chant while holding a blue pompom that ended with us all being officially inducted into her squad. The audience happily roared back.

The joy she has performing is infectious and obvious in the best way. “hurt less” had the whole crowd squatting down and popping back up on her command, and “u turn me on (but u give me depression)” was a clear highlight. Holding a striking blue-and-white guitar, she admitted the song was written about someone she’d obsessed over who made her “very mentally ill.” The crowd clapped along, and she stood more still here, letting the weight of the song land. At the end, she added, “If you were thinking of someone during that song, maybe take it as a sign to stop.” Solid advice. Just DON’T, per LØLØ.

“DON’T!” follows the same theme of hot, sexy bad-for-you exes — the late-night snacks of connections, filling but not fulfilling. She remained bubbly throughout the entire show, moving freely and animated, never losing her spark. “OMG” stood out as one of her best live numbers, alternating between breathy talk-sing verses reminding me of Taylor Swift and explosive choruses of “I can’t make it stop.” She threw herself into it, as bouncy and energized as the song demanded.

Then came the cover that sealed it: Icona Pop feat. Charli XCX’s “I Love It”, reimagined in her pop-punk style. Jumping, headbanging, leading the sing-along — she lit the room on fire, earning the biggest applause of her set.

Between songs, her banter made her even more likable. With a black guitar slung across her, she talked about her dog Slim (named after Eminem). A particularly fun audience engagement exchange was when she asked if we had exes. “Yes!” shouted the crowd. Then she asked if we had exes we hated. A louder “yes” from the crowd. She responded with a playful, “We all clearly need therapy.” She laughed before joking that it is perfectly healthy to imagine them burning in hell, then launched into the song “hot girls in hell”.

By the end, she gave her band their moment of love, calling for cheers as her guitarist took a solo and her drummer drove the beat behind him. Then, the three of them came together at center stage, bowing and thanking Phoenix for coming — a rare show of appreciation from an opener, underscoring how much it meant to them to play for Phoenix.

LØLØ understood the assignment; she warmed up the crowd with charisma, pop-punk attitude, practiced precision, and just enough chaos to keep it raw. The legacy of pop-punk shone through her endless energy and crowd engagement, channeling the spirit of icons like Paramore and Avril Lavigne. As she opened for some of the most influential bands that helped build the scene, it was refreshing to experience a fun female voice in a sea of predominantly male artists.

Simple Plan, 3OH!3, Bowling for Soup and Phoenix all seemed to embrace the addition of a rising “pop-punk princess,” who left her mark on the desert with a standout set that was entirely her own. If you come out to see this tour and have a great time, LØLØ is an opener you don’t want to miss.

LØLØ’s USA Headline Tour Dates

Buy tickets at itslolomusic.com

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Photographer: Katherine Amy Vega

LØLØ – Arizona Financial Theatre 8-14-25

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Concerts, Photo Galleries, Reviews

REVIEW: Fitz and The Tantrums Delivers Essential Energy at Arizona Financial Theatre (8-7-24)

August 9, 2024 Ryan Novak 1 Comment

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PHOENIX — Arizona weather has been chaotic recently. We’ve had our sweltering days, relentless in the waves of heat emanating from every direction, making residents want to stay inside and bask in the glory of central air. Recently, with the monsoons, we’ve even been granted some of that humidity we’ve all heard so much about but rarely experience. We needed a reprieve from this heat and occasionally muggy air. Seeing Fitz and The Tantrums’ recent performance at the Arizona Financial Theatre was a spiritual amnesty — a stay of execution from excessive heat, if you will.

Fitz and The Tantrums

“We’re Fitz and The Tantrums!
Now, get your hands in the air!”

Fitz and The Tantrums’ arrival on stage seemed perfectly timed, as the seats had just completely filled, and the general admission around the stage had swelled to occupy every inch of space. The band’s dynamic hybrid of neo-soul and indie pop was the ideal remedy to combat the steamy temps and stifling air, a refreshing breeze that cools the body and revitalizes the soul.

The band opened with “Sway” and “Heaven,” letting the audience fully feel the moment, come alive, and cosmically link with the music. The energy was immediate, like an electric current surging through the crowd, passing from one person to the next. In those two songs, there was a moment of magic as the crowd began to dance. In the pit, they moved in unison, and it continued, like the wave at a sporting event, rising through the crowd and bringing those in the seats to their feet as they began to move.

What makes Fitz and The Tantrums so appealing and beloved by their audience — which ranged from young children to adults who have followed them for the entirety of their 17 years of existence — is their ability to blend old and new sounds into something wholly unique. For example, I noticed a family in front of me with three kids, approximately five to early teens, all of them overjoyed and grooving to every song, never once sitting down during the set. Each song seamlessly combines elements of classic soul, funk, and jazz, evoking an auditory experience that is both timeless and undeniably fresh. — a perfect cocktail of nostalgia with a modern twist.

As they powered through the next few songs — “OCD,” “Good Intentions,” and the relentless pop of “123456,” accompanied by the most enthusiastic, theatre-wide clap-along anyone has ever witnessed — they built momentum, with the band visibly feeding off of the crowd’s energy. Multi-instrumentalist James King, bassist Joseph Karnes, keyboardist Jeremy Ruzumna, and drummer Blair Sinta kept the heat up so that co-lead vocalists Michael Fitzpatrick and Noelle Scaggs, leading the clapping, could cook. Their cover of The Eurythmics “Sweet Dreams (Are Made of This),” originally released on their Live in Chicago album, was a delightful mid-set surprise.

With “Out of My League,” the band really hit the gas, urging the crowd to “lift a big heart into the sky.” The audience responded majestically, with both hands flying to the sky to form a field of swaying hearts, moving back and forth as if the music was the winds blowing them to and fro. Just as Fitz and the Tantrums got those symbolic hearts swaying and their literal hearts thumping, they built a giant backing-vocal ensemble from the crowd with “Moneymaker.”

In a personal moment, Fitzpatrick spoke about his wife, a native of Gilbert, and the time they spend in the area, visiting her family during holidays, signifying how much Arizona means to him and is in his heart, like a second home. Phone lights illuminated the theatre for “I Just Wanna Shine,” creating a sea of light. “All the Feels,” “The Walker,” and “Moneygrabber” propelled the show into the home stretch. After a moment when Fitzpatrick and Scaggs reflected on their journey as a band across the past 17 years, they led the show to a triumphant close with “Hand Clap.”

Right now, Arizona may be sultry on its best days and searing (mostly) on its worst, and Fitz and The Tantrums brough love and cool vibes to refresh us all.

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Fitz and The Tantrums – Arizona Financial Theatre 8-8-24

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News, Performances, Tours

SOLD OUT: Hobo Johnson‘s “Loves the West Coast” Tour – Coming to Crescent Ballroom

April 14, 2023 Katherine Amy Vega Leave a comment

Tickets for Hobo Johnson‘s performance at the Crescent Ballroom in Phoenix have gone on sale! If you are a fan of his unique blend of spoken word poetry and hip hop, you don’t want to miss out on this opportunity. Hobo Johnson is touring all across North America with two tour legs: the “Loves the West Coast” and “Really Likes the Midwest…and East Coast” tours. All tour dates below.

For those who may not be familiar with Hobo Johnson, his real name is Frank Lopes Jr., and he gained popularity with his hit single “Peach Scone” in 2017.

Since then, he has released five studio albums and has been praised for his raw and honest approach to music. His live shows are known for their energy and unpredictability, and he has been known to engage crowds with his infectious personality, colorful stage presence, and undeniable talent as a performer.

The Crescent Ballroom is an intimate venue, which will allow for an even more immersive experience for concertgoers.

The performance is set to take place on Thursday, June 24th. Doors will open at 7:00 PM, and the show will start at 8:00 PM. Tickets are reasonably priced, and they are expected to sell out quickly. So, don’t wait too long to purchase your tickets.

If you are looking for a memorable night of passionate and relatable music, mark your calendars for Hobo Johnson’s performance at the Crescent Ballroom on June 24th. Get your tickets now before it’s too late!

All Hobo Johnson Tour Dates Can Be Found Here:

News, Performances, Tours

Fall Out Boy to Take the Stage for “So Much for (Tour) Dust” Summer Tour

March 26, 2023 Katherine Amy Vega Leave a comment

Fall Out Boy is set to hit the stage for their highly anticipated “So Much for (Tour) Dust” North American summer tour. The band, which has been making waves in the music industry for over a decade, plans to bring you their latest music from their 8th studio album, So Much (for) Stardust. The album was released on March 24, 2023, a staggering five years after their previous album, M A N I A.

The tour will launch in the Chicago-band’s hometown and Wrigley Field. Fans across the country have been eagerly awaiting the release, and now they’re finally getting their chance to hear the new tracks live. And the best part? They won’t be doing it alone. Bring Me to the Horizon will join them on most tour dates. And, on select shows, you can catch other incredible acts like Alkaline Trio, New Found Glory, Four Year Strong, The Academy Is…, Royal & The Serpent, Games We Play, Daisy Grenade, and Carr.

For the Phoenix tour date, the band will be taking the stage on June 30th at Talking Stick Resort Amphitheatre. It’s just one of the many shows the outdoor venue has planned for its jam-packed summer schedule.

If you’re a fan of the band, you won’t want to miss out on any of the action. Head over to https://bit.ly/3lDcodj more details on the “So Much for (Tour) Dust” North American summer tour.

With their combination of punk rock, pop and emo influences, Fall Out Boy is sure to bring you an unforgettable experience that you won’t want to miss. Mark your calendars and get ready to rock out with one of the biggest bands in the world!

Fall Out Boy Summer 2023 Tour Dates:

June 21* – Chicago, IL – Wrigley Field
June 23* – Maryland Heights, MO – Hollywood Casino Amphitheatre
June 24≠* – Bonner Springs, KS – Azura Amphitheater
June 27 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
June 28 – Dallas, TX – Dos Equis Pavilion
June 30 – Phoenix, AZ – Talking Stick Resort Amphitheatre
July 1 – Chula Vista, CA – North Island Credit Union Amphitheatre
July 2 – Los Angeles, CA – BMO Stadium
July 5 – Mountain View, CA – Shoreline Amphitheatre
July 7 – Salt Lake City, UT – USANA Amphitheatre
July 9≠ – Englewood, CO – Fiddler’s Green Amphitheatre
July 11 – Rogers, AR – Walmart AMP
July 13 – Somerset, WI – Somerset Amphitheater
July 15 – Cincinnati, OH – Riverbend Music Center
July 16 – Noblesville, IN – Ruoff Music Center
July 18 – Cuyahoga Falls, OH – Blossom Music Center
July 19 – Bristow, VA – Jiffy Lube Live
July 21 – Charlotte, NC – PNC Music Pavilion
July 22 – Virginia Beach, VA – Veterans United Home Loans Amphitheater
July 24 – West Palm Beach, FL – iTHINK Financial Amphitheatre
July 25 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
July 26 – Atlanta, GA – Lakewood Amphitheater
July 29 – Clarkston, MI – Pine Knob Music Theatre
July 30 – Toronto, ON – Budweiser Stage
August 1 – Forest Hills, NY – Forest Hills Stadium
August 2 – Boston, MA – Fenway Park
August 4 – Darien Center, NY – Darien Lake Amphitheater
August 5 – Holmdel, NJ – PNC Bank Arts Center
August 6 – Camden, NJ – Freedom Mortgage Pavilion

^≠Non-Live Nation date

*Alkaline Trio as direct support; all other dates feature Bring Me The Horizon as direct support

News, Performances

Weekend Bliss – Find Your Groove at These Phoenix Concerts

March 24, 2023 Katherine Amy Vega Leave a comment

The Phoenix metro area is set to host a myriad of concerts this weekend. So, if you’re looking forward to some live music and entertainment, we’ve got you covered with a list of some of the most prominent shows lined up in the coming days.

MANÁ

If you’re in the mood for some rock music, head over to the Footprint Center for MANÁ’s energetic performance. MANÁ is one of the most successful and influential Latin American rock bands of all time. Their unique blend of rock, pop, and Latin rhythms has garnered them millions of fans worldwide, and their live shows are renowned for their high-energy and electrifying performances. Their Footprint Center show promises to be no exception. Featuring a mix of their classic hits like “Rayando El Sol” and “Labios Compartidos” as well as new material from their most recent album “Cama Incendiada,” MANÁ is sure to have the crowd rocking all night long.

Tickets

Puddle of Mudd

On March 25, rock band Puddle of Mudd will be taking the stage at Marquee Theatre. Puddle of Mudd is a four-member rock band from Kansas City, Missouri. They have been active in the music industry since 1991 and have released several hit songs, including “Blurry,” “She Hates Me,” and “Control.” Their unique blend of alternative rock and post-grunge is sure to get you grooving and headbanging. Marquee Theatre, located in Tempe, Arizona, is an iconic venue that has hosted several legendary artists over the years. It offers a fantastic atmosphere for live concerts and has state-of-the-art sound and lighting systems, ensuring a one-of-a-kind concert experience.

Tickets

Meet Me at the Altar with Young Culture & Daisy Grenade

Alternatively, you can check out Meet Me at the Altar with Young Culture & Daisy Grenade performing live at The Rebel Lounge, one of the premier music venues in the city. These three groundbreaking acts are set to perform together on stage, promising an unforgettable night of music, energy, and fun. Meet Me at the Altar, a punk-pop trio from Florida, has been taking the music world by storm with their infectious beats, incredible energy, and undeniably catchy melodies. Their live shows are an experience not to be missed, as they command the stage with their upbeat sound and electric energy. Young Culture, an alternative band that has been making waves in the music scene, is also set to take the stage at The Rebel Lounge. Known for their emotive lyrics, smooth vocals, and catchy pop hooks, Young Culture’s live performances are a testament to their passion for music and their undeniable talent. And Daisy Grenade, a local indie-pop artist, is the perfect addition to this lineup with her charming personality, playful lyrics, and electric stage presence.

Tickets

Good Life Festival ft Kansas, Kenny Loggins, Blue Oyster Cult, & More

For a more laid-back experience, enjoy the 2-day Good Life Festival, headlined by Grammy Award winners Kenny Loggins and Kansas, at Schnepf Farms on March 25th and 26th. Saturday features 1964 the Tribute, former lead vocalist of Journey – Steve Augeri, Blue Oyster Cult, and Kansas. Sunday features Nate Nathan and the Mac Daddy-O’s Band and Kenny Loggins. This location is known for providing an exceptional atmosphere for all ages. With their sweet-smelling fruit orchards, charming atmosphere, and exciting events, it’s no surprise why Schnepf Farms is a top destination among locals and tourists alike. These acts are set to bring their best hits to Schnepf Farms, and this is a fantastic opportunity to experience great music in a family-friendly environment, surrounded by the beautiful landscapes that Schnepf Farms has to offer.

Saturday Tickets | Sunday Tickets

Copeland

Finally, ending the weekend with a bang, on March 26, Copeland will be bringing their signature indie-alternative sound to The Rebel Lounge, along with opener Kevin Garrett. Copeland has been a constant in the indie-alternative music scene for over two decades, capturing our hearts with their heartwarming lyrics and signature sound. The band has left a mark on the music industry with their unique style, and their latest tour promises to be a showstopper. Their music is a fusion of indie rock, pop, and alternative music. With each melody, they create a fusion of sounds that are uniquely theirs that will send shivers down your spine.

Their latest album, Blushing, is a culmination of their musical journey, showcasing their growth over the years. Their live shows are an experience that embodies the essence of their music perfectly. From their ethereal soundscapes to their heartfelt ballads, Copeland’s performance is an emotional rollercoaster. Their music is deep, meaningful and cooked to perfection, making it a dish that no one can refuse. For those who haven’t had the chance to watch them live, here’s your chance.

SOLD OUT

Yeat

Want to take it to the next level? American rapper, singer-songwriter, and record producer Yeat’s concert at Arizona Financial Theatre is the ultimate destination that you need to visit. Since 2021, Yeat has been viral online, and on February 24, 2023, Yeat already released his third studio album, Afterlyfe. Yeat is a dynamic performer with an exceptional talent that ignites the stage, leaving his audience immersed with a mesmerizing experience. Arizona Financial Theatre is the most prestigious venue for concerts in the region, famous for hosting prominent artists and performers. Since its inauguration, the theatre has garnered an excellent reputation for its advanced facilities and impeccable services, creating the ideal ambiance for music lovers.

Tickets

With this exciting lineup of artists, there’s something for everyone to enjoy this weekend. So, grab your friends and family, and head over to these concerts to groove to the beat and enjoy a spectacular evening filled with music, entertainment, and unforgettable memories. Ensure that you have all the latest information and details for each event to guarantee an uninterrupted concert experience.

So, what are you waiting for? It’s time to feel the rhythm and hit up these concerts in the Phoenix metro area – you won’t be disappointed!

Concerts, Kataklizmic Design, Photo Galleries, Reviews

REVIEW: Covet Blossoms on Stage at The Rebel Lounge in Phoenix 7-22-18

July 24, 2018 Sean Tingle Leave a comment

PHOENIX – Covet, touring with special guests and friends HOLY FAWN and Vasudeva, bloomed in a magnificent way at The Rebel Lounge and shared their sublime sounds during the hottest period of the unrelenting desert summer. Luckily, nobody was a pile of goo by the time the show started.

Bout time we play this here venue. See ya tonight Phoenix if we aren’t a pile of goo by then pic.twitter.com/K7qkAhgQnq

— Vasudeva (@VasudevaMusic) July 22, 2018

This esoteric collection of musicians was a sight to behold, sharing a fascinating mix of influences from genres such as post-rock, math rock, ambient music, alternative rock, indie rock, experimental sounds, and many more. While stage banter and lyrics may have been at a minimum, fans certainly have a lot to talk about after witnessing this stunning bouquet of musical aptitude.

HOLY FAWN

Kicking off the evening was local band HOLY FAWN, self-described as “four creatures making loud heavy pretty noises.” They certainly lived up to their description, as the noises varied from gentle electric sounds to earth-shattering riffs and screams. They were also the only band of the evening to feature some vocals in their songs, but for the most part, they fit right in with a heavy focus on unique instrumentals.

HOLY FAWN began their set with some ambient music playing over a dark stage covered in laser lights. The darkness and the soothing sounds made for some great ambiance, but soon it was time to rock. Without really announcing themselves, HOLY FAWN made their way to the stage from the merch booth area — not a long walk at all in the cozy, intimate Rebel Lounge. One member said “alright, let’s do this,” as they prepared for the show.

As HOLY FAWN began to play along with the ambient music, their energy slowly rose until climaxing with some epic, loud sounds. The vocals were hard to discern in The Rebel Lounge, but the music was still enjoyable. It was all about the instruments, with some screaming thrown in every once in a while for good measure.

Vasudeva

Vasudeva took the stage shortly after HOLY FAWN, and they brought a different sound to the room. Their approach is purely instrumental, and each band member can play their instruments brilliantly. Watching all three of them on stage is a beautiful sight, and it is clear they love playing music together. Not only is their music beautiful and enjoyable, but so is their presence on stage. Their commitment to the craft is hypnotic.

Vasudeva spent most of their time on stage rocking out and sharing their captivating sounds with the crowd, but they were sure to add a quick “thank you” after each song was over. They were also sure to throw in a few other tidbits, such as “this is dope,” “this is so cool,” and “righteous.” They were also sure to thank Covet for asking them to go on tour together. Vasudeva said, “Our friends Covet are on after us. Give it up for them! We’ve been touring with them for about a week now. Wish it was longer.”

Each member of Vasudeva was really into the music and the performance, and they finished their set with an energizing finale. While many people may have come to The Rebel Lounge to see Covet, Vasudeva certainly gave them their money’s worth. The crowd was prepped for more scintillating instrumental music, but it was clear that everyone had immensely enjoyed the show so far. Unfortunately for Vasudeva fans, merch was sparse; as they said, “we’ve been on tour for a while, so we’re running low on merch. We have 2 records left. It’s crazy.” That didn’t stop people from rushing to buy things later, though.

Covet

At long last, it was time to effloresce. Similar to how HOLY FAWN began, there was ambient music playing — a prologue to the epic odyssey that was about to commence. Covet took the stage by gentle storm, with David Adamiak coming out to join the ambient music and add some bass currents to the mix. Shortly after that, Yvette Young and Forrest Rice joined him on stage to a ton of applause.

As Covet says, they are “just 3 people making music” — this is the best way to describe their performance on stage. Rather than one person taking center stage, with the others supporting them, Covet is a group of musicians who somehow share the spotlight evenly. What could easily devolve into a discordant mix of conflicting instrumentals becomes a truly majestic melody.

Rice, the drummer, truly rocked The Rebel Lounge into oblivion. His performance was spectacular, and by the look on his face, he loved every second of it. He gave the music so much energy, and his massive smile could pierce even the darkest of sorrows. Meanwhile, Young was in the zone, hyper-focused on plucking the strings on her collection of beautiful, unique guitars. Tying it all together was Adamiak, traipsing around the stage with his bass guitar, really getting into the music and the moment.

Young has made waves in recent years with her unique style of playing the guitar, and she has also recently been featured in a few interesting articles that reveal some insights into her artistic powers. While she plays many instruments, the way she plucks the guitar strings is quite unique; the sounds this technique creates are fascinating and entrancing. Not only does this show off her sheer mastery of guitar, but her immense creativity as well. It is no wonder she has been called a true “Renaissance woman” by many.

Adamiak brought his own creative spin to the show as well. While he merrily wandered all over stage, he made sure to engage with the audience whenever possible. If he didn’t make eye contact with every single person in The Rebel Lounge, it must have been close! He also seemed to have a great time making silly faces at people, as well as jumping out at the crowd from time to time to really rock out. At the end of the show, he made sure to dispense plenty of high fives to those at the front, too! Rice ran up to join him in the high fiving at that point, so there was plenty of love to go around.

Covet had such a pleasant presence on stage and infected the entire crowd with their joy. Along with spreading the music love, they also shared some beautiful stories and useful information. They referred to HOLY FAWN and Vasudeva as their “ultra homies,” told a story about the importance of staying hydrated, and thanked the audience profusely for joining them that evening. As Adamiak said, “thanks for staying out so late with us, on a Sunday night of all nights.” He repeated similar sentiments at the end of the show.

At the end of the show, Covet performed “Howl” from their new album effloresce, which just came out on July 13th; this song is a great way to send a crowd on their way, as it is full of phenomenal energy truly worthy of a grand finale. After, Adamiak said “you guys make us really happy” and mentioned they’d all be by the merch later if anyone wanted to say hi. However, the crowd chanted “one more song” for a brief time after they had left the stage, so the grand finale wasn’t so final after all.

They came back on stage, and Adamiak said “y’all are a bunch of sweethearts, thank you.” As he was letting his hair down, he added, “we’re gonna do one that doesn’t require hair ties.” Then, “on a very serious note,” he introduced the song “Ares” as their actual final song for the evening. While not quite as thunderous as “Howl,” it is still a superb way to end a show.

When the show was over, Covet, Vasudeva, and HOLY FAWN were all hanging around the merch area waiting to greet fans, sign merch, and say some farewells. For fans of HOLY FAWN, the farewell isn’t so long either — earlier in the show, Adamiak also added that HOLY FAWN will be having an album release at The Rebel Lounge on September 21st, so mark that one on your calendar!

Photo Album

Photographer: Rodrigo Izquierdo

Covet, Vasudeva, & HOLY FAWN – The Rebel Lounge 7-22-18

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Concerts, Kataklizmic Design, Photo Galleries, Reviews

REVIEW: Lights Returns to Arizona Stronger Than Ever at Marquee Theatre 2-8-18

February 11, 2018 Sean Tingle Leave a comment

TEMPE, AZ – Lights, along with special guests Chase Atlantic and DCF, illuminated Marquee Theatre last Thursday. This eclectic mix of musicians magnetized a diverse crowd to The Marquee’s doors, and together, the entire venue celebrated a night of pure joy and musical euphoria. Fans of all ages blissfully enjoyed the great sound, atmosphere, and company of each band, but Lights certainly shone brightest of all — fans were dazzled by their otherworldly sounds and gorgeous visuals on stage, and it is clear for any outside observer to understand why they command an army of such devoted fans.

For those who know and love Lights already, they’re aware that this is certainly not Lights’ first rodeo — they’ve been to Phoenix many times since 2008, but as lead singer Lights Valerie Poxleitner put it, they come back stronger every time. From The Nile to Warped Tour, Lights certainly know how to command a stage of any size and location, and their attention to detail certainly transfixes audiences on multiple levels. As Poxleitner is an artist in more ways than one, it is no surprise that Lights’ live performances are as much visual spectacle as they are aural extravaganza. It’s no wonder that Lights has recently received nominations for the Pop Album of the Year and Artist of the Year categories in the 2018 JUNO Awards.

DCF

The first performance of the evening was DCF, an artist who is a compelling example of contemporary pop, alternative, and indie music styles. His was a solo act, yet he projected enough energy and personality to decently command the entire stage and crowd. Concert-goers, in fact, were somewhat devastated when it came time for Prince DCF to exit the stage after an acoustic version of “Misery Business” by Paramore, letting out an audible sigh as he departed.

SCF - Photography: Katherine Amy Vega — **DCF**
**Photo Credit:** Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
*Click for More DCF Photos*

DCF’s interesting style, mix of genres, and unique take on what is considered pop music all went well with what could only have been a Napoleonic-era Royal Navy Admiral’s Coat. Together with his stylish hairstyle and glasses, DCF exudes confidence and mirth as he DJs, sings, cracks jokes, and finds any other way to entertain a crowd. His performance was certainly a great ice breaker for the evening, though it did end on a relatively anticlimactic note.

Chase Atlantic

Next up was Chase Atlantic, a wonderful group visiting all the way from Australia; they likely chased the Pacific in this case, but everyone at The Marquee was certainly happy to see them. They instantly took over the stage and crowd, carrying the momentum over from DCF and further building fans up for Lights later in the evening. Their high energy was contagious, and they also shared a unique take on contemporary music, just as DCF had done before them. It would be difficult to say exactly what they sound like, but all alternative musicians seem to be elusive when it comes to absolute definition.

Due to their eclectic mix of sounds, it was easy for everyone in the crowd to join in on the fun. Lead singer Mitchel Cave, who first got his big start on the world stage by performing on X-Factor Australia, must have chugged several energy drinks prior to coming out, because he was moving at the speed of light all over the stage. He also seemed to love having the audience join him in the adventure, jumping down to join them briefly, before hopping back up on stage to hype everyone up even further. Chase Atlantic was definitely a great act to follow DCF with, and these boys made the transition into Lights’ scintillating performance a flawless one.

LIGHTS

Though the performances of Chase Atlantic and DCF were fantastic, some fans simply could not contain their excitement for the main act of the evening — Lights; in fact, one young fan was spotted running all over The Marquee, seemingly unable to contain her excitement. It was clear this was likely not her first time seeing Lights, and her excitement proved to be quite the harbinger of the incredible musical and visual adventure ahead.

Lights came out on stage after quite the setup time, but the wait was certainly well worth it. Immediately, fans were greeted by lead vocalist Lights Valerie Poxleitner’s silhouette in front of a massive screen; the bright, neon lights behind her perfectly symbolized the band’s name, and the hype and tension felt throughout the crowd instantly reached a breaking point. The buildup to her full visual reveal was palpable, and her glamorous, vogue-like poses as she sang in her spectral, ethereal form brought out the best fashion week vibes. Finally, she emerged from the darkness and into the light to a feverish sea of fans.

Lights - Photography: Katherine Amy Vega — Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
*(Lights Photo Gallery Below)*

We Were Here Tour – Issue One

Lights performed in 3 major acts throughout the evening. During the first act, Poxleitner kept the energy from Chase Atlantic going, with some of their most exciting, upbeat songs. During this portion of the show, she asked the audience if anyone here has seen them live before. There was a resounding, screaming yes, with the majority of hands within the crowd immediately shooting up as high as they could go. She continued, clearly pleased by this reaction, explaining that they love coming back to Phoenix, and that their first time here was at The Nile (Nile Theater) over in Mesa, AZ back in 2008, where they performed with Copeland. They’ve been back many times, including to Warped Tour, and she stated, “Year after year, we keep coming back stronger.” For fans who missed out on this tour, I think it is safe to assume that Lights will surely be back soon.

As the mood seemed to chill out a bit, Poxleitner began a new discussion: “I wrote this song when I was going through a shitty time. Who’s been through a shitty time?” The oddly enthusiastic screams from the crowd were certainly clear answer enough; “We’ve all been through shitty times. Do you know what helps get us through it? Friendship, a little bit of wine, and music.” The crowd loved this strategy, and prior to performing “Face Up,” Poxleitner gave them further inspiration: “Your weaknesses become your strengths.” This phrase would certainly make a great tattoo.

“Your weaknesses become your strengths” – Lights

We Were Here Tour – Issue Two

After “Face Up,” Lights retreated off stage for a brief respite. During this time, Poxleitner displayed some of her artwork on the huge screen on stage. Since she is an artist and illustrator, it only made sense — we got to see some of her characters and settings from her Skin & Earth comic series, synonymous with Lights’ new album of the same name, which currently has 6 issues out for purchase. The images and scenes shown were quite similar to the trailer for Skin & Earth, which can be viewed here: https://youtu.be/FnbL7ZE4hmo

Skin & Earth illustration at concert - Photography: Katherine Amy Vega — Illustration on screen from Lights’ comic book series Skin & Earth
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
*(Lights Photo Gallery Below)*

During this phase of the performance, Lights returned to the stage with a more somber attitude. The setup had changed during this short intermission as well — suddenly, there was a piano with lots of candles on top, helping to relax the mood even further. It was time for some calm, more acoustic songs. Poxleitner was back on stage in a new outfit, sporting an acoustic guitar. It was a pleasant change of pace, and it certainly kept the vibes fresh for the evening. It also made the grand finale that much more powerful.

We Were Here Tour – Issue Three

After another quick break and some more stunning illustrations on the big screen, Lights was back on stage, and Poxleitner was sporting a third and final outfit. They brought back the high energy with a vengeance this time around, and Poxleitner joined the band with her own electric guitar. This guitar, she explained, represented her second character in her comic books, and it sported the beautiful Skin & Earth logo seen on stage, on the cover of her books, and all over her website and social media accounts — not to mention she also has it tattooed on her arm. She transitioned into her song “Running with the Boys” after this interesting discussion.

A highlight from this phase of the show was the video clips of Sailor Moon’s transformation and Street Fighter’s Chun Li pronouncing, “I am the strongest woman in the world!” playing in the background, which perfectly complemented the power behind Lights’ performance. Towards the end of this third act, Poxleitner brought up her song “We Were Here,” asking everyone, “When the song starts, do you hear waves or a storm?” The majority seemed to scream, “WAVES!” Poxleitner replied with, “Fuck. I always hear a storm.” She continued to discuss the music video for “We Were Here,” saying that she doesn’t recommend burning a bus, but that it was definitely a lot of fun: “Full disclosure — a pyrotech got to do it. But I got to throw the lighter.”

Bonus Issue – The Encore

Once more unto the breach, Lights came back on stage for a quick encore. They weren’t off stage long, likely because the crowd’s chants, screams, and claps were so demanding. Poxleitner picked the mic back up and asked, “Do you guys wanna hear another song?” Everyone, of course, responded with a loud “YES!” She replied, “Alright, so be it, but you guys gotta dance, and you gotta sing,” and the crowd certainly complied. To reward fans, Poxleitner jumped down into the crowd for a bit to give most people up front the best high-fives ever before jumping back on stage for a special surprise for Poxleitner’s sister.

Poxleitner pulled out her phone near the very end of the show and told everyone that it was her sister’s birthday. She wanted to get a video of herself singing “Happy Birthday” with everyone in the audience, so the lights lit the house up, and everyone sang along while she recorded. “I’ve never done one of these before!” she exclaimed after. Her sister certainly got the best little gift from that moment.

Overall, the Phoenix stop of Lights’ We Were Here Tour was an exhilarating experience for everyone, and it was clear the entire band had just as great of a time as the crowd. In fact, Poxleitner may have had the most fun of all — she truly seems to love what she does, and this shines through in her incredible displays of creativity. From the life-sized cardboard cutouts of her comic book character illustrations out in the lobby to the strange vegan pizza box introduction to some synthy song intro tunes, her contagious enthusiasm spread throughout Marquee Theatre and well beyond. This went well with her aura of power her music, and she herself exudes, in addition to her uplifting spirit. She is an inspiration in many ways — a true Renaissance Woman.

Prior to heading out for the evening, Poxleitner explained that Lights is part of Plus 1, a movement and organization that ensures $1 from every ticket sold for participating shows and artists goes to causes they believe in. Lights decided on GRID Alternatives, an organization that helps to bring solar power to places across the states. Poxleitner closed by stating we all need to “protect this little planet that we have… it’s all we got.” They left the stage to resounding cheers of joy, leaving everyone to their evenings with a little positive thinking and a lot of great memories.

PHOTO ALBUM

by Katherine Amy Vega

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Community Before the Lights Went Down

Act 1: A Confident Opening Statement

Act 2: From Cosmic Reset to Commanding Power

Act 3: Individuality at the Core

Act 4 and Encore: Where TWICE and ONCE Became One

yuniVERSE

Purity Ring

Photo Galleries

View Extended Galleries for Each Artist:

Purity Ring & yuniVERSE – The Van Buren 11-10-25

New Found Glory

Jimmy Eat World

The Offspring

Setlists

Photo Galleries

The Offspring & New Found Glory – Talking Stick Resort Amphitheatre 8-27-25

LØLØ’s USA Headline Tour Dates

Photo Gallery

LØLØ – Arizona Financial Theatre 8-14-25

Follow LØLØ

Fitz and The Tantrums

Photo Gallery

Fitz and The Tantrums – Arizona Financial Theatre 8-8-24

All Hobo Johnson Tour Dates Can Be Found Here:

Fall Out Boy Summer 2023 Tour Dates:

MANÁ

Puddle of Mudd

Meet Me at the Altar with Young Culture & Daisy Grenade

Good Life Festival ft Kansas, Kenny Loggins, Blue Oyster Cult, & More

Saturday Tickets | Sunday Tickets

Copeland

SOLD OUT

Yeat

HOLY FAWN

Vasudeva

Covet

Photo Album

Covet, Vasudeva, & HOLY FAWN – The Rebel Lounge 7-22-18

DCF

Chase Atlantic

LIGHTS

We Were Here Tour – Issue One

We Were Here Tour – Issue Two

We Were Here Tour – Issue Three

Bonus Issue – The Encore

PHOTO ALBUM

News & Reviews from the Fiery Mosh Pits of Arizona