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Fresh off the most surreal summer of her career, LA-bred alternative punk artist MEGG caps her Vans Warped Tour run with the release of the music video for her latest single, “IDC.”
Filmed on a shoestring budget and an even tighter schedule, the video channels the rebellious energy of the track into a whirlwind of nostalgia and chaos.
MEGG at Vans Warped Tour Photography: Kat Seibert
“We pulled this music video off with like zero time or budget and the result is a fast-paced, nostalgic, chaotic ride,” MEGG shares. “It was such a team effort led by Rio Noir—he’s an insane talent. It really is a blast to watch and I think you can feel how much fun we had making it.”
Co-written by Brian Wight, Sophie Shredz, and MEGG, and produced by Wight and Rob Nagelhout, “IDC” is a snarling, anthemic statement piece—equal parts Joan Jett swagger and early Green Day grit. Mixed by Nagelhout and mastered by Grammy-winner John Greenham (Billie Eilish, FINNEAS), the single’s chorus all but dares you not to scream along.
The video’s release arrives just as MEGG wraps an unforgettable Warped Tour experience.
“Being on stage with my best friends at Warped Tour this year was the most insane experience of my life,” MEGG reflects. “My band and I grew up attending this festival when we were kids… to play our music in front of thousands of people as probably the smallest act on the bill… I’m still speechless. Thank you Kevin Lyman and Warped Tour! Grateful is an understatement.”
MEGG “IDC” cover artwork
A graduate of USC’s inaugural Popular Music Performance Program, MEGG has built her reputation on genre-bending songwriting, powerhouse vocals, and a relentless DIY spirit. She’s shared the stage with KISS, The Used, and other rock heavyweights, while headlining iconic Los Angeles venues like Saint Rocke and performing the National Anthem for the Dodgers, LA Galaxy, and LA Sparks.
Now splitting her time between Nashville and her California roots, MEGG is riding the momentum of “IDC” toward her upcoming EP, due this fall. With sand still in her Vans and a middle finger still raised, she’s primed to keep delivering the raw, unfiltered anthems her fans have come to love.
PHOENIX — The night kicked off with a light, Disney-esque melody, possibly a nod to her “Let It Go” cover from Disney’s pop-punk covers album A Whole New Sound. Behind the stage, a whimsical backdrop mirrored her albumfalling for robots and wishing i was one: a yellow brick road leading to the Emerald City, her name in bold red with yellow trim. A drum crash cut the melody short, and LØLØ bounded onto the stage in a very cute, circa-early-2000s pop-punk-princess look: a cropped argyle spaghetti-strap top, tight black miniskirt, fishnets, and her signature knee-high boots. “Ready to make some noise?!” she shouted, busting into her first song.
The opening song blended the lyric “It was only a kiss” from The Killers’ “Mr. Brightside” with her own “faceplant.” As an opening move, it was brilliant, dropping in one of the most recognizable alt-rock hooks guaranteed the crowd’s attention, even if they weren’t familiar with her music yet.
Simple Plan’s “Bigger Than You Think!” tour admat
Smiling, she announced it was her job to warm us up tonight for the legendary bands that raised her — a particularly funny line, considering we were in the desert and it was 100+ degrees outside.
Still, the respect conveyed in her tone showed she knew exactly what it meant to open for beloved pop-punk heavyweights like Simple Plan, Bowling for Soup and 3OH!3 on the “Bigger Than You Think!” tour.
After being part of the lineup for Simple Plan’s 25th anniversary tour, LØLØ will pick back up in November to finish the last leg of her ‘U Turn Me On’ U.S. headline run — which saw all but two shows sell out before pausing in March. See tour dates below.
Her second song, “2 of us”, found her bathed in golden spotlight while her guitarist and drummer played in violet and red shadows. She delivered the raw lines, “Do you think I’m stupid? Do you think I’m dumb? Well maybe I am, ’cause I still pick up…” with the kind of questions anyone who’s been in an endless rough relationship has asked as we answer the phone or text again.
“the devil wears converse” (her newest release) came next, and here she was fully in her element — moving with joyful precision across the stage, trading playful glances with her guitarist, and getting the audience clapping along. She never missed a beat, her live vocals spot-on with her recordings, her movements as expressive on stage as they are in her videos.
By the time she launched into “debbie downer”, the crowd was warming up too. She led a “Hey ho, let’s go” chant, flirty and confident as she playfully stumbled across the stage.
The second chant was a nod to the nostalgically millennial favorite film “Bring It On”, with the famous “It’s Cold in Here” chant while holding a blue pompom that ended with us all being officially inducted into her squad. The audience happily roared back.
The joy she has performing is infectious and obvious in the best way. “hurt less” had the whole crowd squatting down and popping back up on her command, and “u turn me on (but u give me depression)” was a clear highlight. Holding a striking blue-and-white guitar, she admitted the song was written about someone she’d obsessed over who made her “very mentally ill.” The crowd clapped along, and she stood more still here, letting the weight of the song land. At the end, she added, “If you were thinking of someone during that song, maybe take it as a sign to stop.” Solid advice.Just DON’T, per LØLØ.
“DON’T!” follows the same theme of hot, sexy bad-for-you exes — the late-night snacks of connections, filling but not fulfilling. She remained bubbly throughout the entire show, moving freely and animated, never losing her spark. “OMG” stood out as one of her best live numbers, alternating between breathy talk-sing verses reminding me of Taylor Swift and explosive choruses of “I can’t make it stop.” She threw herself into it, as bouncy and energized as the song demanded.
Then came the cover that sealed it: Icona Popfeat.Charli XCX’s “I Love It”, reimagined in her pop-punk style. Jumping, headbanging, leading the sing-along — she lit the room on fire, earning the biggest applause of her set.
Between songs, her banter made her even more likable. With a black guitar slung across her, she talked about her dog Slim (named after Eminem). A particularly fun audience engagement exchange was when she asked if we had exes. “Yes!” shouted the crowd. Then she asked if we had exes we hated. A louder “yes” from the crowd. She responded with a playful, “We all clearly need therapy.” She laughed before joking that it is perfectly healthy to imagine them burning in hell, then launched into the song “hot girls in hell”.
By the end, she gave her band their moment of love, calling for cheers as her guitarist took a solo and her drummer drove the beat behind him. Then, the three of them came together at center stage, bowing and thanking Phoenix for coming — a rare show of appreciation from an opener, underscoring how much it meant to them to play for Phoenix.
LØLØ understood the assignment; she warmed up the crowd with charisma, pop-punk attitude, practiced precision, and just enough chaos to keep it raw. The legacy of pop-punk shone through her endless energy and crowd engagement, channeling the spirit of icons like Paramore and Avril Lavigne. As she opened for some of the most influential bands that helped build the scene, it was refreshing to experience a fun female voice in a sea of predominantly male artists.
Simple Plan, 3OH!3, Bowling for Soup and Phoenix all seemed to embrace the addition of a rising “pop-punk princess,” who left her mark on the desert with a standout set that was entirely her own. If you come out to see this tour and have a great time, LØLØ is an opener you don’t want to miss.
Tempe, Ariz. — With triple-digit temps blazing outside, the best way to beat the Arizona heat is inside a venue blasting air conditioning and even louder music. The “Idobi Radio Summer School Tour,” proudly sponsored by Hot Topic, brought the heat in a different way on Sunday, July 27, at the Marquee Theatre. Doors opened early at 6 p.m. to make room for a stacked lineup featuring Rain City Drive, Charlotte Sands, Taylor Acorn, Beauty School Dropout , Arrows in Action, If Not For Me, and Huddy. As the tour continues its westbound run through mid-August, this Tempe stop felt like the perfect send-off to summer—one last electrifying night before the school year kicks in.
Huddy started the night with a burst of energy that set the tone for the rest of the show. Best known for his viral fame on TikTok and his role in co-founding the Hype House, Huddy (formerly LilHuddy) has steadily transitioned from influencer to full-fledged pop-punk performer. Far from just a social media personality, his set proved he’s serious about music.
Backed by a tight band and moody visuals, he ripped through a six-song set that included fan favorites like “Vendetta,” “All the Things I Hate About You,” and “The Eulogy of You and Me.” Tracks like “Partycrasher” and “Cyanide” kept the crowd moving, while “Fragile” offered a more emotional moment. Whether you knew him from the For You Page feed or not, by the end of his set, Huddy had everyone ready for more.
If Not For Me took the stage next and wasted no time unleashing their signature brand of high-intensity metalcore. Hailing from Harrisburg, Pennsylvania, the four-piece—Patrick Glover (vocalist), Hayden Calhoun (guitarist), Zac Allen (bassist), and Cody Frain (drummer)—brought raw power, tight musicianship, and undeniable stage presence.
Known for blending punishing breakdowns with catchy, anthemic choruses, they delivered an explosive set that turned casual listeners into instant fans. The band tore through six crushing tracks: “Demons,” “No Thanks to You,” “Alone,” “Say It to My Face,” “Blameless,” and “Feel Me Now.” Each song hit harder than the last, and by the end of their set, the crowd was alive and fully locked in.
Arrows in Action brought a vibrant shift in tone, blending feel-good alt-pop with emotional punch. Since forming at the University of Florida in 2017, the trio—Victor Viramontes-Pattison (vocalist/guitarist), Matthew Fowler (guitarist), and Jesse Frimmel (drummer)—has built a loyal following thanks to their infectious melodies and heart-on-sleeve lyricism. Though guitarist Fowler was absent in Tempe due to illness, frontman Viramontes-Pattison reassured the crowd with a smirk, “He’s sick in the hotel, not dead,” earning laughs and cheers.
Despite the lineup change, the band didn’t miss a beat. A beach ball bounced across the crowd as they played through a sunny yet emotionally rich set featuring “Feel It Again,” “Light Like You,” “Cheekbones,” and “Wide Eyes.” Tracks like “Empty Canvas” and “All The Ways I Could Die” showcased the band’s deeper side, while “Uncomfortably Numb” closed the set on a high. With or without a full lineup, Arrows in Action proved they know how to connect and keep the good vibes going.
The band will end their jam-packed year at the 2025 Vans Warped Tour in Orlando, Florida on November 15th. For more information on upcoming tour dates and to purchase tickets, visit the band’s website HERE.
Beauty School Dropout hit the stage with a kind of swagger. Formed in 2020 in Los Angeles, the trio—Cole “Colie” Hutzler (vocalist), Brent “Beepus” Burdett (bassist), and Bardo Novotny (guitarist/producer)—has been making waves ever since their early days. Backed by a heavy-hitting sound and an unfiltered attitude, their live set was a chaotic good time. “If you like mosh pits. If you like crowd surfing…” Hutzler teased the crowd with a grin, before laughing, “I see some scared faces.”
It was one of the most family-friendly pits of the night in the best way. Kids on their parents’ shoulders, outfitted in headphones, rocked out right alongside the longtime fans. The band’s setlist included high-energy bangers like “Fever,” “SEX APPEAL,” “FIGHT MODE,” and “A$$A$$IN,” with crowd favorites like “On Your Lips” and “WE MADE PLANS & GOD LAUGHED” keeping the energy alive. As the band exited the stage, the speakers cheekily played “Beauty School Dropout” from the film Grease, bringing their performance full circle.
Taylor Acorn lit up the stage with a firecracker set that had the crowd—especially the girls up front—jumping, screaming, and singing along to every word. The Nashville-based singer-songwriter has quickly become a standout in the pop-punk revival scene, thanks to her powerhouse vocals, emotionally raw lyrics, and a sound that hits somewhere between nostalgic and freshly fierce.
Known for viral hits like her 2022 breakout single “Psycho” (which has racked up over 11 million Spotify streams), Acorn brought a personal, heartfelt energy to the stage that clearly resonated with fans. The stage visuals added an extra layer of charm, two large video boards flashed her name with butterflies fluttering around, and skeleton hands throwing peace signs, hearts, and “I love you” signs punctuated her set with punk-rock flair. She shared that while she’s played in Arizona before, this was her first time performing in Tempe, and she “loved the city.” The love was mutual.
One of the night’s most anticipated moments came when Charlotte Sands joined her onstage for their collaborative track “Final Nail,” which the two originally recorded together—bringing their studio chemistry to life in a striking live duet.
Her set included fan favorites like “Hell of a Show,” “I Think I’m in Love,” and “Goodbye, Good Riddance,” along with deeper emotional cuts like “Burning House” and “Shapeshifting.” Acorn closed with “Psycho,” sending the crowd into one final singalong frenzy.
Charlotte Sands took the stage with a burst of bold energy—and her signature electric blue hair—to deliver one of the most emotionally charged sets of the night. Best known for her breakout 2020 single “Dress,” which went viral on TikTok, Sands has quickly carved out a space in the alt-pop/rock scene with her powerhouse vocals and deeply personal songwriting.
Her setlist hit hard from the start with “Tantrum” and “Bad Day,” and the energy never dipped. Songs like “pity,” “use me,” and “spite” showcased her ability to shift from vulnerable to defiant in a single breath.
Before performing “Alright,” Sands shared that she wrote the track during the COVID lockdown, when the world felt isolated and live music felt impossibly far away. She paused to reflect on how good it felt to be back in a room together again, then asked the crowd to light up the venue with their phone flashlights—a moment that turned intimate and unforgettable.
Rain City Drive closed out the night with a high-octane set that blended post-hardcore grit with anthemic rock melodies. Originally known as Slaves, the band has reinvented itself under a new name—inspired by Manchester, England, the “rainy city” where the five members first connected. Now fronted by The Voice runner-up Matt McAndrew, Rain City Drive has found a powerful new identity, releasing their self-titled album in 2022 on Thriller Records.
From the jump, the band commanded the room with “Lose My Composure” and “Over Me,” driving home why they’ve become a standout in the modern alt-rock scene. McAndrew’s vocals soared, and his playful banter kept the vibe loose: “If the crowd gets quiet,” he teased, “we’ll leave the stage.” No chance of that happening. The audience stayed loud through punchy performances of “Concrete Closure,” “Frozen,” and fan-favorite “Ride or Die,” which McAndrew shouted out as the band’s personal favorite.
Before launching into “Blood Runs Cold,” he rallied the room: “Let me hear you, Tempe. Make some noise, let’s pick it up!” They wrapped the night with the emotional “Talk to a Friend” and the hard-hitting “Medicate Me,” sending fans home sweaty, smiling, and fully satisfied.
Summer School Tour Leaves Tempe Fans Wanting More
As the final notes rang out and the house lights came up, one thing was clear; the “Idobi Radio Summer School Tour” delivered exactly what fans came for—high-energy sets, genre-spanning sounds, and a sense of connection that live music does best. From Huddy’s pop-punk punch to Rain City Drive’s emotionally charged closer, each artist brought something unique to the stage, creating a night that felt like both a celebration and a farewell to summer. This tour reminded everyone why we show up early, stay late, and scream every word. If the rest of the tour is anything like Tempe, then “Summer School” is a night that deserves a full house.
Photo Galleries
Photographer: Mark Greenawalt
View separate albums for additional photos: (opens in new window/tab)
Absinthe Green Unleashes New Single “Bittersweet” from Upcoming Debut Album Of Love and Pain
Greek alternative metal powerhouse Absinthe Green returns with a gripping new single, “Bittersweet”, a haunting dive into the seductive chaos of passionate love. Serving as the latest preview from their highly anticipated debut album, Of Love and Pain, the track offers an unapologetic exploration of emotional extremes.
“Bittersweet” is a raw portrayal of love’s darker side, where heartbreak and ecstasy coexist in a chaotic, addictive bond. The song dives into the emotional extremes of a relationship built on passion, pain, and power struggles, capturing the thrill of intensity even when it’s destructive. With visceral lyrics and a confessional edge, it reflects the allure of losing yourself in something that both consumes and completes you.
Watch the Official Video
A Nøble Nøir production Directed by Eirini ‘Absinthe Green’ Filmed and edited by Alikistis Terzi
Lyrics: A Taste of “Bittersweet”
In verses like “You can cover me in bruises as you tear me apart” and the recurring refrain “Cause baby we are bittersweet,” the band captures the duality of affection and torment in raw poetic form. The lyrics are unfiltered, emotionally brutal, and speak to the intoxicating push and pull of volatile love. Read the full lyrics below…
Behind the Music
“Bittersweet” was written and arranged by vocalist and guitarist Eirini ‘Absinthe Green’, produced in collaboration with renowned Finnish producer Hiili Hiilesmaa (HIM, The 69 Eyes). It was recorded by Geegor – Abyssal Productions at Vena Cava Studios in Athens, with drums tracked at Bombtrack Studios. The track was mixed and mastered at Coal House Studios in Hämeenlinna, Finland.
Fall UK and European Tour
To support the new release, Absinthe Green has announced select live dates across the UK and Greece.
Islington, UK – September 24 @ Hope & Anchor
Preston, UK – September 25 @ The Ferret
Stockport, UK – September 26 @ The Spinning Top
Brighton, UK – September 27 @ The Pipeline
York, UK – September 28 @ The Fulford Arms
Thessaloniki, GR – October 18 @ Eightball
Athens, GR – December 12 @ Piraeus Academy
Additional show dates to be announced. For updates and tickets, visit absinthegreen.com/#show
Click to Enlarge
About the Band
Absinthe Green started as the solo project of Eirini ‘Absinthe Green’ in Dortmund, Germany, in 2016. The project evolved into a full band after her return to Greece in 2019, joined by Harry Mason on drums, Villy Pirris on bass, and Panos Economakis on guitar.
Described by critics as “a melodic storm of beauty and heartbreak, both ferocious and tender”, the band delivers a bold fusion of alt-metal, hard rock, aggressive guitars, pop elements, and emotionally vulnerable songwriting.
Their debut album, Of Love and Pain, is expected in 2025. It explores duality in human emotion—where destruction meets beauty, and heartbreak becomes transformative.
Also out now: “Give the Devil His Due” featuring Snowy Shaw
Out September 19th on LP, CD, and Cassette via Org Music
“A foundational classic of snotty melodic hardcore.” – Stereogum
Few records in punk history have left as massive a footprint as the Descendents’ Milo Goes to College. The 1982 debut fused the aggression of hardcore with catchy hooks, adolescent angst, and unmistakable personality — helping spark an entire genre now known as pop punk. Its influence remains undeniable over four decades later, earning spots on Rolling Stone’s list of the “40 Greatest Punk Albums of All Time,” Spin’s “50 Most Essential Punk Records,” and Pitchfork’s “200 Best Albums of the 1980s.”
Now, Descendents and Org Music are proud to announce the long-awaited reissue of Milo Goes to College, available September 19th on LP, CD, and cassette.
Reclaimed by the band and lovingly restored, this release marks the beginning of an extensive reissue campaign that will include the band’s foundational albums from their early years, originally released on New Alliance and SST Records.
Among them is a stunning limited “Punk Note” edition featuring alternate packaging by John Yates (Stealworks), inspired by the iconic jazz designs of Reid Miles and Francis Wolff. This visual reimagining of punk classics continues the aesthetic series that began with Org Music’s Bad Brains reissues.
The reissue will be available in the following variants:
WIDELY AVAILABLE FORMATS:
Descendents – ‘Milo Goes to College’ standard album art
Black LP
“Grey Matter” LP
Punk Note Edition (black vinyl)
CD
Cassette
LIMITED/EXCLUSIVE VARIANTS:
Descendents – ‘Milo Goes to College’ punk note album art
Punk Note Edition (silver vinyl) — Org Music exclusive
“Suspended Gold” LP — Descendents Exclusive
Pink LP — Zia Records exclusive
Smoke LP — Rough Trade exclusive
“Statue of Liberty” LP — Going Underground Records & Seasick Records exclusive
Black LP with Exclusive Obi Strip — Celebrated Summer Records
More classics are on the way. The reissue campaign will continue with I Don’t Want to Grow Up, Enjoy!, ALL, Bonus Fat, and more — each reissued under the band’s own control and vision.
This project isn’t just about nostalgia — it’s about preservation, intention, and giving a new generation access to one of punk’s most influential catalogs.
Listen to the latest Vinyl Guide episode featuring Milo Aukerman & Bill Stevenson:HERE
“One problem with constantly mining your own personal life for lyrical inspiration is that you sometimes catch yourself experiencing personal interactions through the lens of your own future lyrical depiction of the moment,” says We Are Scientists vocalist and guitarist Keith Murray about the band’s emotionally raw new single, “The Big One.”
He continues: “There’s a scene in Noah Baumbach’s Kicking and Screaming where a couple, fresh out of undergrad, are fighting over who gets to ‘use this material in a story.’ As a referendum on artistic solipsism, it haunts me to this day. I guess ‘The Big One’ is about those moments when things go so awry that that sort of in-the-moment arm’s-length analysis is no longer a possibility. Now you’re just in it. It also has maybe my favorite guitar solo ever, so, yeah.”
“The Big One” is the final preview of Qualifying Miles, the band’s highly anticipated ninth studio album, out this Friday, July 18viaGrönland Records. It follows a trio of emotionally rich singles that capture the band’s sharpened, guitar-forward direction and trademark lyrical wit: the aching, effervescent “Please Don’t Say It,” the shimmering, self-lacerating ballad “I Could Do Much Worse,” and “What You Want Is Gone,” a melancholic mid-tempo stunner paired with a fan-shot tour video that leans into memory, longing, and letting go.
Together, the four singles serve as a proper reintroduction to We Are Scientists: a band reflecting on their past without being trapped by it, chasing an immediacy that feels both familiar and revitalized. The album’s title, Qualifying Miles, plays like a wry nod to the band’s decades-long journey, but there’s no nostalgia for nostalgia’s sake here, this is a collection of songs that crackle with life and gut-punch emotional resonance.
Qualifying Miles is a stripped-down, emotionally expansive record that sees We Are Scientists embracing the ‘90s guitar rock influences that first lit the fuse back in their early Brooklyn days. Tracks like “Dead Letters,” “At The Mall In My Dreams” and “What You Want Is Gone” lean into themes of memory, impermanence, and the haunting weight of lost connections. But there’s levity, too — the band’s self-effacing humor and melodic swagger remain front and center.
Recorded with a “band in a room” ethos and a let-it-rip energy, Qualifying Miles finds longtime duo Keith Murray and Chris Cain pushing themselves toward something looser, louder, and more instinctive than anything they’ve done in years. For a band celebrating 20 years since their breakthrough debut With Love and Squalor, Qualifying Miles doesn’t feel like a victory lap — it feels like the start of something urgent and new.
We Are Scientists will support the release with an East Coast North American tour this fall, kicking off September 4th in Philadelphia and wrapping September 13th in Toronto.
New single from the album “Kaosmogonia” – Out now via Rockshots Records
Italian symphonic metal band HYPERSONIC push their sound to new extremes with the release of their latest single “You Bastard”, featuring the devastating vocals of Francesco Paoli, frontman of extreme symphonic death metal titans Fleshgod Apocalypse.
Taken from the band’s acclaimed third album Kaosmogonia, “You Bastard” is one of the heaviest and most emotionally charged tracks of the record. Musically, it delivers a relentless barrage of blast beats, crushing guitars, dramatic orchestration and male choir vocals recorded by the prestigious Teatro Massimo Bellini in Catania (Italy). The song dives deep into themes of rage, justice, and despair, portraying a father’s fury and anguish over the violation of his child’s innocence.
The lyrics, written by Emanuele Gangemi, carry a raw emotional intensity, mirrored by the extreme and symphonic arrangements crafted by band founder and drummer Salvo Grasso. The duet between Francesco Paoli and Eleonora Russo brings an explosive contrast between fury and fragility.
“This song is pure chaos and fire. We imagined a desperate and furious father speaking directly to a monster, full of pain, anger, and madness. Having Francesco on vocals was the perfect way to translate that extreme emotional charge into music.” – HYPERSONIC
Stream / Download “Kaosmogonia” now on all digital platforms.
Hypersonic‘s musical evolution has been shaped by intensive listening, arrangement studies, and a commitment to self-awareness. Their symphonic metal draws influences from various aspects of their lives, resulting in a sound that is rich, dynamic, and wholly their own.
“Kaosmogonia” is a total musical experience deeply connected to Greek philosophy. The title, a fusion of “Kaos” and “Cosmos,” represents the dual nature of humanity—chaotic and ordered. The album explores the interplay between chaos and cosmos, mirroring the Greek understanding of the world.
The album goes beyond the musical realm, delving into the complexities of human emotions, reflections on life, and the impact of historical events. It aims to express the spectrum of human experiences, from restlessness and melancholy to hope and the positive aspects of life.
The lyrics of “Kaosmogonia” were born during a period of historical darkness, reflecting the emotions and challenges faced by humanity. The lockdown served as a catalyst for introspection, inspiring the band to confront human weaknesses such as depression, fears, and unhealthy relationships, while also expressing hope for a better future.
“Kaosmogonia” is not just an album; it’s a musical odyssey that invites metal enthusiasts to explore diverse sonic landscapes, cinematic arrangements, and profound storytelling. The album features Mark Jansen (Epica), Francesco Paoli & Francesco Ferrini (Fleshgod Apocalypse), Emma Zoldan & Nils Courbaron (Sirenia), the male choir from Teatro Massimo Bellini (Catania-Italy) and more. The artwork was created by the renowned graphic designer Heilemania (Epica, Kamelot, Lindemann, Turilli/Lione Rhapsody).
Fans ofEpica, Fleshgod Apocalypse, Dimmu Borgir, Nightwish, and Septicflesh will find a rich and diverse sonic experience that goes beyond the genre’s conventions.
Tempe, AZ – The Tempe Improv was the epicenter of vibrant entertainment this past Sunday as the sold-out Wicked Sing-Along Drag Brunch, hosted by the vivacious Espressa Grande, delivered a premium theatre-geek experience where urban witches and wizards crooned along to songs from the runaway musical-turned-cinema phenomenon.
A fusion of musical theatre appreciation and dynamic drag artistry, Grande (not Ariana) and her fabulous trio sauntered and split their way through a two-hour set that also included well-worn hits and deep cuts from the original Broadway production and The Wiz.
From the moment doors opened, a palpable energy filled the venue. Patrons, many adorned in shades of green and glittering ensembles, eagerly anticipated the performance while enjoying brunch offerings from a collectible themed menu and specialty house cocktails like the shimmering “Ruby Slippers”.
The anticipation peaked with the entrance of Espressa Grande, the event’s charismatic host. Possessing a commanding stage presence and a bravado that resonated throughout the Improv, Grande immediately established a lively and engaging rapport with the audience. Her sharp wit and seamless transitions between acts kept the energy levels consistently high.
The brunch featured a lineup of talented drag performers who delivered lip-sync performances and showcased elaborate costuming that paid homage to a menagerie of Oz tunes interspersed with pop favorites. Eddie Broadway kicked-off the performance, delivering a sultry homage to Dr. Dillamond, transitioning to the apt “Throat Goat” by Kim Petras.
From there, Ms. Stella Prince took a turn as Elphaba, passionately delivering a performance of “I’m Not That Girl” before switching it up to fan favorite “Defying Gravity” with a defiant drop of her cape.
Not to be left behind in the wake of the Oz film that has yet to feature her—Rosie C. Savage captivated as dreamy farm girl Dorothy with her The Wiz rendition of “Over the Rainbow.”
The audience eagerly participated in the “sing-along” aspect of the event, passionately belting out iconic tunes such as “What Is This feeling?” and “Popular,” transforming the Improv into a collective chorus of Wicked enthusiasts. These featured numbers were just a taste of the lineup; each queen brought multiple looks and performances, blending Wicked deep cuts with clever, thematically on-point pop hits that kept the crowd engaged and surprised.
Beyond the captivating performances, the event fostered a sense of community and unbridled fun. Espressa Grande’s interactive segments encouraged audience participation, eliciting laughter and creating memorable moments.
The combination of high-caliber drag artistry, audience engagement, and the shared love for Wicked and all things Oz culminated in an afternoon of exuberant entertainment.
The Wicked Sing-Along Drag Brunch, spearheaded by Espressa Grande, proves to be a unique and highly engaging event within the local entertainment scene. Its successful blend of drag performance and interactive sing-along elements offers a refreshing and energetic brunch experience that resonates with a diverse audience.
For those seeking a departure from the conventional brunch outing, this event at the Tempe Improv and Improv family locations presents a compelling option for an afternoon of spirited entertainment. Flip Phone Events maintains a regular rotation at Improv family locations around the Valley—with themes changing every event, guaranteeing fresh concepts and dazzling performances.
But if you missed the magic this time, don’t worry—due to overwhelming demand, the Wicked drag brunch returns to the Tempe Improv on June 8. After all, some themes are just too pop-u-lar to bring down.
Multi-Platinum global pop superstar Kesha has announced plans for a milestone North American headline tour – the biggest live run of her already extraordinary career. Newly reunited glam-pop legends Scissor Sisters (Jake Shears, Babydaddy & Del Marquis) join on all dates, marking their first North American tour in over a decade.
Produced by Live Nation and in partnership with Feeld, the dating app for the curious, The Tits Out Tour kicks off July 1 at West Valley City, UT’s Utah First Credit Union Amphitheatre and then hits arenas and amphitheaters across the continent through an August 10 finale at Tampa, FL’s MIDFLORIDA Credit Union Amphitheatre. Highlights include Kesha’s first-ever solo headline shows at such world-famous venues as Los Angeles, CA’s Kia Forum (July 5) and New York City’s Madison Square Garden (July 23). Pop disruptor Slayyyter (July 1-July 18) and rising UK artist Rose Gray (July 19-21, July 24-August 10) will also join as support on select dates. Full routing available below.
Kesha | Photo Credit: Brendan Walter
“The most political thing we can do right now is love. Love ourselves and love each other,” says Kesha. “Americans need to have more safe, consensual sex. Our administration is so disembodied and disconnected. I’m going TITS OUT this summer to bring as much safety, fun, acceptance, love, connection, and celebration to this country because we are just as much the fabric of this FREE nation as anyone else. We will not be quiet, and we will fight through joy! I think it’s time to make LOVE, not content. LOVE, not anger. LOVE, not hatred, and love, not war.
I’m committed to bringing my newfound freedom to a city near you. A celebration is in order. I have partnered with Feeld, a dating app for open-minded people, in order to bring our sexually liberated selves and give us a place to flirt, meet, connect, and dance.
Color-coded options will be available soon, but this summer wear RED if you are single, horny, and down to flirt!
Let’s fight chaos with love, so let’s see how much love we can bring to the summer of 2025.
And along the way, I’m looking for a sugar daddy, so if you bring a tall, hot, single friend, you get extra animal points.
Let’s help each other find some love and connection this summer.
Let’s go tits out!”
Fans can sign up now for access to presale tickets beginning Tuesday, April 8 at 10 am (local) at keshaofficial.com and scissorsisters.com. Additional presales will run throughout the week. All remaining tickets will be available through a general onsale on Thursday, April 10 at 10 am (local). For complete details, please visit keshaofficial.com/tour.
“We are stoked to extend our reunion to the US and Canada this summer alongside Kesha,” says Scissor Sisters. “There has always been a bit of anarchy and chaos to both of our live shows – and we can’t wait to bring that ‘anything can happen’ energy across North America again.”
Scissor Sisters | Photo Credit: Kevin Tachman
To celebrate today’s announcement of The Tits Out Tour – which comes amid a recent swirl of cryptic teasers across social media – tonight will see Kesha play a special Boiler Room set in Miami.
Kesha Tour Dates 2025
^ with Slayyyter # with Rose Gray † Festival performance
May 29 – Glasgow, UK – House of Kesha @ O2 Academy 1 (SOLD OUT)
May 30 – Manchester, UK – House of Kesha @ Albert Hall (SOLD OUT)
June 1 – London, UK – Mighty Hoopla †
July 1 – West Valley City, UT – Utah First Credit Union Amphitheatre ^
July 3 – Mountain View, CA – Shoreline Amphitheatre ^
July 5 – Inglewood, CA – Kia Forum ^
July 6 – Phoenix, AZ – Talking Stick Resort Amphitheatre ^
July 8 – Dallas, TX – Dos Equis Pavilion * ^
July 10 – The Woodlands, TX – The Cynthia Woods Mitchell Pavilion ^
July 12 – Tinley Park, IL – Credit Union 1 Amphitheatre ^
July 13 – St. Louis, MO – Hollywood Casino Amphitheatre ^
July 15 – Nashville, TN – Ascend Amphitheater ^
July 16 – Cincinnati, OH – Riverbend Music Center ^
July 18 – Noblesville, IN – Ruoff Music Center ^
July 19 – Clarkston, MI – Pine Knob Music Theatre #
July 21 – Toronto, ON – Budweiser Stage #
July 23 – New York, NY – Madison Square Garden
July 24 – Mansfield, MA – Xfinity Center #
July 26 – Burgettstown, PA – The Pavilion at Star Lake #
July 28 – Cuyahoga Falls, OH – Blossom Music Center #
July 29 – Philadelphia, PA – TD Pavilion at The Mann #
July 31 – Buffalo, NY – Darien Lake Amphitheater #
August 2 – Virginia Beach, VA – Veterans United Home Loans Amphitheater #
August 3 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek #
August 5 – Charlotte, NC – PNC Music Pavilion #
August 7 – Alpharetta, GA – Ameris Bank Amphitheatre #
August 9 – West Palm Beach, FL – iTHINK Financial Amphitheatre #
August 10 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre #
Kesha’s Community-Minded Initiatives
In the spirit of finding her partner(s), Kesha is teaming up with Feeld, the dating app for the curious, for The Tits Out Tour to empower her fans along their journeys of self-discovery. Both Feeld and Kesha share a commitment to breaking barriers, embracing individuality, and encouraging people to live their truth. This collaboration is an exciting opportunity for Feeld and Kesha to host spaces where being unapologetically yourself is not just celebrated, but encouraged. With Kesha’s fearless attitude and Feeld’s commitment to create a platform for honest connection, their partnership will emphasize the importance of embracing who you truly are.
“I’m beaming with joy to be sharing this journey with Kesha, as we empower humans to find their authenticity,” said Ana Kirova, CEO of Feeld. “Her creativity and the courage in her expression that she carries so lightly have been a true inspiration for us, as they relate so closely with our mission at Feeld. The journey we’ll share this summer will give new worlds for everything we stand for – discovering who you are, living boldly as one’s true self and feeling the joy of freedom to be oneself.”
Additional support for The Tits Out Tour comes from Spot Pet Insurance, one of the fastest growing pet insurance providers in North America. Partnering with the ultimate Mother of Pets, Kesha, Spot Pet Insurance is making pet adoption the real star of the show, by spotlighting local rescues across the tour. This partnership highlights Kesha’s lifelong love of pets and Spot’s mission to help every cat and dog live their longest, healthiest lives. This collaboration realizes both Kesha and Spot Pet Insurance’s belief that every pet deserves a loving home, and every pet parent deserves the peace of mind that pet insurance can offer.
Kesha’s Upcoming Album: .(PERIOD)
The Tits Out Tour heralds the hugely anticipated release of Kesha’s long awaited new album, . (PERIOD), arriving at last Independence Day, Friday, July 4 on her own Kesha Records. Pre-orders/pre-saves are available now.
. (PERIOD) – which arrives exactly one year since Kesha returned on her own terms with 2024’s smash comeback hit, “JOYRIDE” – was first unveiled last month with the premiere of the thrilling new single, “YIPPEE-KI-YAY. (Feat. T-Pain),” available now at all DSPs and streaming services. Produced by Pink Slip (Ava Max, Jason Derulo) and Nova Wav (Rihanna, Beyoncé), the track is joined by an official visualizer, premiering today via YouTube.
WATCH “YIPPEE KIYAY (FEAT. T-PAIN)” OFFICIAL LYRIC VIDEO
Kesha’s sixth studio album, . (PERIOD) – yes, it’s just a period. – is an unapologetic, unfiltered declaration of artistic freedom and fearless authenticity from the 2x GRAMMY® Award-nominated pop icon. Conceived, co-produced and co-written by Kesha, the 11-song collection transcends pop norms to create a raw, daring, and intensely personal sonic journey, a defiant act of self-expression that refuses to adhere to expectations or play it safe. More than just a new album, . (PERIOD) is Kesha at her most powerful best, turning her experiences into vibrant, audacious art with a spiked heel at the neck of pop culture.
Among its many exhilarating highlights, . (PERIOD) includes 2024’s aforementioned “JOYRIDE” and the blockbuster “DELUSIONAL,” both available everywhere now. Currently boasting over 103M streams at Spotify alone, “JOYRIDE” proved a true sensation since its Independence Day 2024 release, reaching #6 on Billboard’s “Bubbling Under Hot 100 Singles” and “Hot Dance/Electronic Songs” along with the top 30 on “Pop Airplay” and chart success around the world from the UK to New Zealand.
Produced by Zhone and co-written by Kesha, Zhone, and Madison Love, the track marked the triumphant first chapter of a milestone new era for Kesha, celebrating both her long overdue empowerment as an independent artist as well as a powerful sonic evolution following 2023’s critically acclaimed fifth studio album, Gag Order. Along with its popular achievement, “JOYRIDE” has been met by high-profile critical applause from the likes of Rolling Stone,Variety, and Vulture, to name only a few. Perhaps NYLON said it best: “Everything about ‘JOYRIDE’ is a trip…The original glitter-faced party animal of the 2010s is back with a fiery vengeance.”
“JOYRIDE” joined by an equally acclaimed official music video streaming now at YouTube. Directed by Dimitri Basil (Kylie Minogue, Vance Joy), Cooper Roussel (Unknown Mortal Orchestra, Miami Horror), and Laura Gorun (Joywave, Kings of Leon), the high-octane visual received wide-ranging attention from major publications and top online outlets around the globe, including Billboard, Vulture, and Rolling Stone, the latter of which raved, ““Kesha is taking her foot off the brakes and going full-speed ahead on her new video for ‘JOYRIDE.’ The video sees Kesha racing through the desert in a hot red convertible while being chased by a helicopter, gun-toting assassins, and a shirtless dude hell-bent on catching up to the pop diva.”
One of Spotify’s Top 100 Artists with close to 40M monthly listeners, Kesha will further herald the arrival of . (PERIOD) with a number of sold-out “House of Kesha” headline shows and festival dates around the globe, including a top-billed performance at London’s Mighty Hoopla pop extravaganza on June 1. For additional details, please visit keshaofficial.com/tour.
After much anticipation, 14-time Grammy Award-winner Lady Gaga has officially announced ‘The MAYHEM Ball’ tour with dates across North America, Europe, and the UK this year in support of her new album, MAYHEM, which received widespread acclaim from critics and fans upon release and debuted at #1 on the Billboard 200. Stream MAYHEMHERE.
Following her 2025 headlining sets at Coachella, stadium residencies in Mexico City and Singapore, and landmark free concert on Copacabana Beach in Rio de Janeiro, Gaga will kick off The MAYHEM Ball on July 16 in Las Vegas at T-Mobile Arena. With multiple nights in Seattle, New York, Miami, Toronto, Chicago, London, Stockholm, Milan, Barcelona, Berlin, and more, this tour marks Gaga’s first North American and Europe/UK run since her iconic 2022 Chromatica Ball Tour.
“This is my first arena tour since 2018,” said Gaga. “There’s something electric about a stadium, and I love every moment of those shows. But with The MAYHEM Ball, I wanted to create a different kind of experience—something more intimate—closer, more connected—that lends itself to the live theatrical art I love to create.”
Lady Gaga | Photo credit: Frank Lebo
Lady Gaga 2025 Tour Dates
SPRING 2025 – PREVIOUSLY ANNOUNCED
Sat Apr 26 – Mexico City, Mexico – Estadio GNP Seguros
Sun Apr 27 – Mexico City, Mexico – Estadio GNP Seguros
Sat May 3 – Rio de Janeiro, Brazil – Copacabana Beach
Sun May 18 – Singapore – National Stadium
Mon May 19 – Singapore – National Stadium
Wed May 21 – Singapore – National Stadium
Sat May 24 – Singapore – National Stadium
THE MAYHEM BALL NORTH AMERICAN TOUR DATES
Wed Jul 16 – Las Vegas, NV – T-Mobile Arena
Fri Jul 18 – Las Vegas, NV – T-Mobile Arena
Wed Aug 06 – Seattle, WA – Climate Pledge Arena
Thu Aug 07 – Seattle, WA – Climate Pledge Arena
Fri Aug 22 – New York, NY – Madison Square Garden
Sat Aug 23 – New York, NY – Madison Square Garden
Tue Aug 26 – New York, NY – Madison Square Garden
Sun Aug 31 – Miami, FL – Kaseya Center
Mon Sep 01 – Miami, FL – Kaseya Center
Wed Sep 10 – Toronto, ON – Scotiabank Arena
Thu Sep 11 – Toronto, ON – Scotiabank Arena
Mon Sep 15 – Chicago, IL – United Center
Wed Sep 17 – Chicago, IL – United Center
THE MAYHEM BALL EUROPE/UK DATES
Mon Sep 29 – London, UK – The O2
Tue Sep 30 – London, UK – The O2
Thu Oct 02 – London, UK – The O2
Tue Oct 07 – Manchester, UK – Co-op Live
Sun Oct 12 – Stockholm, Sweden – Avicii Arena
Mon Oct 13 – Stockholm, Sweden – Avicii Arena
Sun Oct 19 – Milan, Italy – Unipol Forum
Mon Oct 20 – Milan, Italy – Unipol Forum
Tue Oct 28 – Barcelona, Spain – Palau Sant Jordi
Wed Oct 29 – Barcelona, Spain – Palau Sant Jordi
Tue Nov 04 – Berlin, Germany – Uber Arena
Wed Nov 05 – Berlin, Germany – Ua
About Lady Gaga Tickets
NORTH AMERICA: Tickets for the North American tour dates will be available starting Monday, March 31 with various presales (details below). The Artist Presale will begin Wednesday, April 2 at 12pm local time. Fans can sign up for the Artist Presale now HERE until Sunday, March 30 at 8am ET. The general onsale will begin Thursday, April 3 at 12pm local time at LiveNation.com.
CITI PRESALE: Citi is the official card of the Lady Gaga North American tour. Citi cardmembers will have access to presale tickets beginning Monday, March 31 at 12pm local time until Wednesday, April 2 at 11am local time through the Citi Entertainment program. For details, visit www.citientertainment.com.
VERIZON PRESALE: Verizon will offer an exclusive presale for Lady Gaga tour dates in the U.S. through Verizon Access. Presale tickets for select shows begin Tuesday, April 1 at 12pm local time until Wednesday, April 2 at 11am local time. More details at Verizon.com/Access.
EUROPE/UK: Tickets for select shows in Europe will be available starting Monday, March 31 with Mastercard presales. Additional presales will run throughout the week ahead of the general onsale for all EU/UK dates beginning Thursday, April 3 at 12pm local time at ladygaga.com.
MASTERCARD CARDHOLDERS have special access to Presale tickets in Sweden, Italy, Netherlands, France & Belgium. Presale starts Monday, March 31 at 12pm local and ends Wednesday, April 2 at 10pm local. Preferred ticket access begins April 3. Details at priceless.com/music.
VIP: The tour will offer VIP packages including premium tickets, pre-show hospitality lounge, limited edition merch & more. Details at vipnation.com.
MAYHEM – The New Studio Album
MAYHEM continues to dominate the charts. The album debuted at No. 1 on the Billboard 200, marking Gaga’s seventh consecutive No. 1 album. In its second week, it remains one of the biggest releases of the year, maintaining Top 2 positions across key charts including No. 2 on the Billboard 200, Digital Albums, and US LP Vinyl Albums charts. It also retains the No. 1 spot on both the Billboard Top Pop Albums chart and the Top Dance/Electronic Albums chart for the second consecutive week—the latter of which earned Gaga her eighth career No. 1 on the tally, making her the most successful artist of all time in the chart’s history.
“Gaga feels like her most authentic self from start to finish on this album: There’s no characters, concepts, or aesthetic impulses overshadowing the songs. Instead, she’s made one of her most sonically challenging and uniform albums yet: a mix of Nine Inch Nails, David Bowie, Prince and her Fame Monster-era self, rolled into the year’s strongest pop release yet.” – ROLLING STONE
The fastest-selling international release of the year, MAYHEM debuted at No. 1 in 12 countries, including the U.S., UK, Germany, Japan, Italy, Canada, Australia, France, Spain, Mexico, Brazil, and South Korea, and landed at No. 2 in the Netherlands and Sweden—further cementing Gaga’s global dominance. “Abracadabra” entered the UK Singles Chart at No. 3 and the UK Airplay Chart at No. 2, while in France, MAYHEM posted the biggest first-week sales since Born This Way. In Japan, it ranked among the biggest international albums in recent years; in Finland, it was the only international album to crack the Top 10; and in Ireland, three MAYHEM tracks landed in the Top 40—reinforcing its worldwide impact.
In its first week alone, MAYHEM amassed over 240 million streams worldwide, marking her biggest streaming week ever. It also marked her biggest vinyl week to date, with 74,000 units sold across 14 collectible variants, some of which featured exclusive bonus tracks like “Kill for Love” and “Can’t Stop the High.” The digital edition of the album includes music videos for “Die With a Smile,” “Disease,” and “Abracadabra,” all of which helped fuel the album’s massive first week impact.
“In a musical landscape concerned with “album eras,” Mayhem refuses to be easily categorized. Ranging from grinding industrial techno one moment to soulful, heartfelt balladry the next, Mayhem makes its title a thesis statement — the throughline is disorder.” – BILLBOARD
“Die With a Smile,” Gaga’s collaboration with Bruno Mars, continues to break records, holding the No. 1 spot on the Billboard Global 200 chart for a 13th consecutive week. With more than 100 million streams worldwide each week, the track is now tied for the third-longest-running No. 1 in chart history.
MAYHEM marks a return to Gaga’s pop roots, reaffirming that she is a master of reinvention, crafting an album that is as bold and eclectic as it is deeply personal. A declaration of artistic freedom, it embraces the fractured pieces of oneself and how they come together to form something unexpected and beautiful. The album mirrors this concept with its diverse sonic palette and thematic layers, combining elements of chaos, defiance, and vulnerability into a cohesive artistic statement. Gaga describes this process as assembling a shattered mirror: “Even if you can’t put the pieces back together perfectly, you can create something memorable and whole in its own way.”
“In a world of so-called lowercase pop, Gaga still has the caps-lock on in a bold, 96-point font, like she did in 2009. Throughout the album, she belts to the heavens and hits her marks with precision and flair, reminding her peers what a capital-E entertainer sounds like.” – NEW YORK TIMES
News & Reviews from the Fiery Mosh Pits of Arizona
