Tag Archives: Rock Concert

REVIEW: Evanescence, Spiritbox, & Nova Twins Deliver a Powerful Feminine Storm in Phoenix (7-15-26)

Jump to Photo Galleries

PHOENIX — On the dusty, windy night of July 15, 2026, two storms brewed in Phoenix: one from the desert’s monsoon season threatening dust and rain, and the other a lineup of powerhouse female vocalists taking over Talking Stick Resort Amphitheatre. Evanescence, a headliner needing no introduction to anyone who has listened to rock radio in the past 20 years, was supported by the ferocious Spiritbox and the electrifying Nova Twins. This was a millennial-fueled rock-girl dream lineup, mixing a legendary heavy hitter with two openers that have been making huge moves in the last decade. If there were any doubt about the draw, the lines wrapping around the venue for parking and entry made it undeniably clear.

Nova Twins

Nova Twins began their set as crowds were still wrapped around the venue and into the parking lot, but their sound carried well beyond the amphitheatre’s walls. They were impossible to ignore, even from the security lines. The duo may have been a familiar name for some, but for those unfamiliar, they wasted no time making a lasting impression. 

Amy Love of Nova Twins smiles at the microphone with a black electric guitar strapped across her body, both arms raised wide under red stage lighting, with a drum kit behind her
Amy Love, vocalist and guitarist of Nova Twins, throws her arms wide while commanding the stage at Talking Stick Resort Amphitheatre in Phoenix on July 15, 2026.
Photography: Mark Greenawalt © All Rights Reserved

Vocalist and guitarist Amy Love and bassist Georgia South delivered a fierce, tightly controlled performance, pairing heavy bass-driven distortion with a commanding stage presence. Even in the final portion of the set, their energy took hold and demanded full attention. Seated a few rows back from the stage, I relied on a colleague photographing the performance for a few of the finer visual details.

Nova Twins bassist Georgia South performs with an animated, open-mouthed expression while holding her bass upright under red stage lighting, with a drum kit behind her
Georgia South, bassist of Nova Twins, delivers an animated performance beneath red stage lighting in Phoenix.
Photography: Mark Greenawalt © All Rights Reserved

Touring drummer Jake Woodward was positioned off to the side while Love and South worked every inch of the stage available to them. Both utilized extensive pedalboards, along with a unique ring-controlled system that allowed for real-time manipulation of bass and synth effects. Their setup, paired with a more compact stage footprint, contrasted with the larger productions to follow, yet never felt lacking. 

Nova Twins touring drummer Jake Woodward performs behind a large drum kit, raising both drumsticks mid-strike beneath red stage lighting.
Jake Woodward, touring drummer for Nova Twins, strikes the kit with focused intensity beneath vivid red stage lighting.
Photography: Mark Greenawalt © All Rights Reserved

Before they finished their set, I already had them pulled up and added to my playlist. Their infectious, loud, fun, and impossible-to-ignore energy set the spark for a triple-stacked lineup packed with talent.

Spiritbox

As the set change began, the skies darkened and lightning flickered in the distance, setting the perfect scene as Spiritbox prepared to take the stage.

Red and white lights flashed as the band took their positions on stage. Vocalist Courtney LaPlante reached toward the sky before the drop into “Black Rainbow,” opening a twelve-song set featuring several tracks from their 2025 sophomore album, Tsunami Sea.

Courtney LaPlante stands at a microphone with both hands lifted high above her head and fingers spread, framed against a dark stage with faint purple lighting.
Courtney LaPlante, lead vocalist of Spiritbox, holds the audience’s attention with an expressive gesture and commanding presence at center stage.
Photography: Mark Greenawalt © All Rights Reserved

LaPlante carried a noticeably stronger confidence throughout the performance than when I’ve seen her before, sauntering around the microphone stand before stepping to face the crowd and unleashing her signature screams. 

Low-angle close-up of Courtney LaPlante singing into a microphone beneath deep blue lighting, one hand gripping the mic and the other resting on the stand as her long dark hair flows behind her
Courtney LaPlante, lead vocalist of Spiritbox, carries herself with assured control as the band’s set builds toward its heaviest moments.
Photography: Mark Greenawalt © All Rights Reserved

Throughout the set, LaPlante took moments to connect with the crowd, thanking them for sticking it out in the Phoenix heat and building anticipation for Evanescence. She told the audience that “Most of you have no idea what you’re about to see, but I think it’s going to be the best show you ever did see.” Before “The Void,” she took a moment to shout out Nova Twins, telling the crowd, “We love them, and this next song goes out to them.” 

Side-profile view of Courtney LaPlante singing at a microphone stand in an all-black outfit, with her long dark hair streaming dramatically behind her and red nails visible against the dim stage.
Courtney LaPlante, lead vocalist of Spiritbox, brings a fluid sense of motion and poise to the band’s dynamic performance.
Photography: Mark Greenawalt © All Rights Reserved

A mid-set break shifted the tone as LaPlante told the crowd, “We thank you for your time, and this is the part of the set where we dance,” building into “Sew Me Up,” with drumming and clapping pulling the crowd into the rhythm. Another playful moment came when LaPlante inducted the wind as the fifth member of the band, saying “it’s making us look really cool.” The way the gusts whipped through their hair and clothing added to the atmosphere in a way that felt like an intentional part of the show. 

Close-up of Mike Stringer playing a red guitar, his tattooed hand gripping the neck as warm stage light illuminates his face and a drummer appears softly blurred behind him.
Mike Stringer, guitarist of Spiritbox, channels focused intensity into the band’s tightly controlled performance.
Photography: Mark Greenawalt © All Rights Reserved

The playful energy of the show took a sharp turn after “Holy Roller” finished. The set was stopped due to a disturbance in the pit, spotted by drummer Zev Rose from his elevated platform which LaPlante referred to as him witnessing “the fuckery about”, prompting the band to halt the show. 

Zev Rosenberg sits behind an expansive drum kit, looking downward as cymbals surround him and an electronic percussion pad partially obscures his right side.
Zev Rosenberg, drummer of Spiritbox, drives the band’s intricate heaviness with concentration and precision.
Photography: Mark Greenawalt © All Rights Reserved

“We’re not going to play another song and this show is not going to continue til we make sure everybody out there is safe. So I need you guys to be tattletales – who’s the fucking freak who’s hurting everybody? Point them out.”  

When the crowd shouted the person had run off to the restroom, LaPlante responded “Well guess what fucker, we all saw you, we know where you are, and your ass is going to get kicked the fuck out.” 

The crowd began chanting “kick him out, kick him out” while LaPlante checked in on an audience member. The individual was escorted by security out of the venue to a chorus of boos. 

The band and crowd rallied after LaPlante reminded the audience to take care of one another then rolled into their final song, “Soft Spine.” Their performance balanced intensity, control, playfulness and a deep care for their fans.

View Spiritbox photo gallery below.

Evanescence

After a lengthy changeover that seemed to rebuild the entire set, Evanescence emerged to a dramatically transformed stage. The show was now framed by cathedral-like structures behind them, backlit in deep crimson, while smoke rolled across a newly slanted stage and drummer Will Hunt sat elevated at the center. From the moment they took the stage, the crowd was on its feet, with many remaining standing for the entirety of the set.

Emma Anzai plays a black bass beneath vivid red and magenta lighting, with tall cathedral-inspired arches glowing behind her and the drummer blurred in the distance.
Emma Anzai, bassist of Evanescence, brings a poised intensity to the band’s visually striking set.
Photography: Mark Greenawalt © All Rights Reserved

Opening with “Sanctuary,” the title track from their newly released album, they wasted no time establishing the tone for the night. Amy Lee stepped to the front of the stage with a presence that felt both commanding and beautiful, her voice cutting cleanly through the instruments. The set continued with the new album woven throughout the 21-song set, effectively playing it in full across the night. The sands of time have not dared to dull Evanescence’s flame.

Amy Lee sings into a handheld microphone while leaning backward, her long dark hair falling behind her against a softly lit purple and blue stage.
Amy Lee, lead vocalist of Evanescence, leans into a soaring vocal passage with palpable intensity.
Photography: Mark Greenawalt © All Rights Reserved

When the band shifted to “Going Under,” the energy surged, phones rose throughout the crowd as fans captured a treasured moment. The transition between older and new material was seamless, creating a setlist that moved fluidly across each era.

Amy Lee sings into a handheld microphone with her head tilted back, one arm extended and her long dark hair sweeping broadly to the side under red and purple stage lighting.
Amy Lee, lead vocalist of Evanescence, pairs vocal power with dramatic movement during the band’s performance.
Photography: Mark Greenawalt © All Rights Reserved

“Lithium” shifted the performance into an intimate space, with Lee seated at the piano under a cool white spotlight. The tone softened, but the emotional weight was heavy. That same intensity deepened during “Like You,” the one song from their second album release they had never played live prior to this tour. Lee’s voice soared above the distorted growls of the guitar, adding depth to her clarity.

Tim McCord plays an angular black electric guitar while leaning to one side in a black leather jacket and ripped jeans, illuminated by bright white and golden stage light.
Tim McCord, guitarist of Evanescence, reinforces the band’s sweeping sound with forceful, finely controlled playing.
Photography: Mark Greenawalt © All Rights Reserved

The production throughout the set elevated the experience above and beyond rock standards. Between massive screens, shifting visuals, and pyrotechnics, it felt surreal to be in the audience, part of this magic.

That atmosphere of magic carried into the night’s more personal moments, particularly when Lee addressed the crowd before “Forever Without You,” sharing that the next song was very personal to her:

“I wrote it about my life, my journey and me getting here but I realize how many people have been through something so similar so if the story I’m about to tell you, if some words that I say resonate with you and make you feel like you’ve been there before or you are there now please uh,” she laughed softly, “first of all, don’t be afraid. I know that’s easier said than done but second of all never regret love. I’m done regretting love! You’re not bad, you’re not stupid for loving someone. But you don’t have to stay.” She then promised, “It’s better on the other side.”

Her words hung in the air as she moved into the song, her voice deeply emotive as it danced with her piano accompaniment. Lee held notes with precision, sustaining them in a way that felt almost impossible for such a heavy and personal performance, drawing cheers of support from the audience.

Tight close-up of Amy Lee singing with her eyes closed and mouth open, vivid magenta eye makeup contrasting with her dark hair and black stagewear.
Amy Lee, lead vocalist of Evanescence, is captured in a moment of complete immersion at the microphone.
Photography: Mark Greenawalt © All Rights Reserved

That emotional weight quickly shifted into one of the most explosive moments of the night with their 2003 Grammy Award-winning debut single, “Bring Me to Life.” The entire venue came alive as the crowd sang along, matching the band’s energy. Everyone on and off stage was rocking out. Lee held out the iconic note on “dead” with striking control before calling on the audience to join her, hands raised as confetti rained down over the pit. Without pause, the band pushed forward into “Imaginary,” maintaining a level of stamina that never seemed to falter.

Amy Lee sings with her head tilted back, microphone raised above her mouth and one hand extended upward beneath soft white stage lights.
Amy Lee, lead vocalist of Evanescence, delivers an expressive performance with striking theatricality.
Photography: Mark Greenawalt © All Rights Reserved

A standout and favorite moment of the night came when Courtney LaPlante of Spiritbox, along with Amy Love and Georgia South of Nova Twins, joined Lee on stage for “Fight Like a Girl,” a track originally featuring K.Flay from the film Ballerina. The collaboration created what felt like a powerful, unified front at the edge of the stage, highlighting the strength of the female-fronted lineup. It’s hard not to want more from that combination.

“My Immortal” delivered one of the deepest, most nostalgic emotional moments of the night. The performance resonated throughout the crowd, bringing this millennial back to her teens, wiping away tears while watching Lee smile one of the biggest and most beautiful smiles of the night. She carried the moment with grace and sincerity.

Tight three-quarter close-up of Amy Lee singing into a black handheld microphone, her vivid pink eye makeup and long dark hair illuminated by warm yellow-green stage lights.
Amy Lee, lead vocalist of Evanescence, wears the song’s emotion openly, her expression conveying both vulnerability and resolve.
Photography: Mark Greenawalt © All Rights Reserved

The evening closed with “Wide Open Heart,” the band’s energy never fading as they pushed through the final moments of the set with the same intensity they opened with.

Will Hunt plays amid a large drum setup, his long blond hair falling across his face as cymbals frame him against a bright blue-and-white video backdrop.
Will Hunt, drummer of Evanescence, punctuates the closing stretch with an imposing presence from his elevated position.
Photography: Mark Greenawalt © All Rights Reserved

To call two-time Grammy Award-winning Evanescence and vocalist Amy Lee epic and legendary feels like only scratching the surface. The sheer force of the band, wielding their instruments like magicians time-traveling us through over two decades of beloved music, is an experience difficult to fully capture in words alone. Lee, alongside Emma Anzai, Will Hunt, Tim McCord, and Troy McLawhorn, delivered a performance that proves Evanescence continues to evolve while remaining exactly what fans have loved for decades and will continue to love for generations.

Photo Galleries

Photographer: Mark Greenawalt

View Separately

Photography © Mark Greenawalt.
All Rights Reserved

REVIEW: Halestorm and I Prevail Bring High-Octane Performances to Arizona Financial Theatre (8-16-24)

PHOENIX — Halestorm and I Prevail brought their co-headlining tour to Arizona Financial Theatre last Friday night, delivering a night of unforgettable performances. With Halestorm taking the final slot this evening, the packed crowd was treated to a high-energy show. Hollywood Undead and Fit for a King added their own powerful sets to the lineup, making the night a standout for rock and metal fans. 

Fit for a King

The mindblowing evening started with the American metalcore band from Tyler, Texas, Fit for a King (FFAK). The band members—Ryan Kirby (vocals), Bobby Lynge and Daniel Gailey (guitars), Ryan “Tuck” O’Leary (bass), and Trey Celaya (drums)—have been melting faces since 2007. They played a blistering eight-song set that fired up the crowd, even igniting a circle pit among the general admission audience in front of the stage.

Ryan Kirby of Fit for a King singing live in Phoenix
Ryan Kirby (Vocalist), Hollywood Undead
Photography:
Katherine Amy Vega © All Rights Reserved

Hollywood Undead

Up next was the American rap rock band, Hollywood Undead, formed in 2005 in sunny Los Angeles, California. The current lineup includes Jorel “J-Dog” Decker (vocals, guitar, keyboards), Dylan “Funny Man” Alvarez (vocals), George “Johnny 3 Tears” Ragan (vocals, bass), Jordon “Charlie Scene” Terrell (vocals, guitar), Danny Murillo (vocals, keyboards, guitar), and finally, Matt “The Cat” Oloffson (drums).

Danny Murillo of Hollywood Undead singing live in Phoenix
Danny Murillo (Vocalist), Hollywood Undead
Photography:
Katherine Amy Vega © All Rights Reserved

They recreated the “Cali” vibe with four light-up palm trees on stage, two trash fire barrels, and a cardboard sign hanging from the keyboard with “Hotel Kalifornia” handwritten on it. Hotel Kalifornia is their most recent album, released in August of 2022.

George "Johnny 3 Tears" Ragan singing live in Phoenix
George “Johnny 3 Tears” Ragan (Vocalist, Bassist), Hollywood Undead
Photography:
Katherine Amy Vega © All Rights Reserved

Hollywood Undead’s twelve-song set kicked off with “California Dreaming,” and by the third song, the fully-engaged crowd headbanged to “Riot” with contagious energy spreading like wildfire. The band threw beach balls into the crowd, which bounced above the audience as they rocked out. Right before starting the song, “Comin’ In Hot,” they brought up an eleven-year-old girl from the audience to jam on stage with them. Concertgoers sang and danced along to their cover of Neil Diamond’s “Sweet Caroline,” and Hollywood Undead wrapped up their set with “Bullet” and “Undead.” 

I Prevail

The third band to take the stage was I Prevail, a rock band from Southfield, Michigan. The current band members are Brian Burkheiser (clean vocals), Eric Vanlerberghe (unclean and clean vocals), Steve Menoian (lead guitar), Dylan Bowman (rhythm guitar, backing vocals), Gabe Helguera (drums), and Jon Eberhard (bass, keyboards).

Eric Vanlerberghe of I Prevail singing live in Phoenix
Eric Vanlerberghe (Vocalist), I Prevail
Photography:
Katherine Amy Vega © All Rights Reserved

They rose in popularity in 2013 after releasing a metal cover of Taylor Swift’s “Blank Space” on YouTube. Since then, they have released three studio albums, with their single “Bow Down” earning a Grammy nomination for “Best Metal Performance” in 2019, and their album Trauma receiving one for “Best Rock Album” that same year.

When they took the stage, the venue shook—like literally shook. It made eardrums buzz, hearts race, and it knocked old confetti from past concerts down from the rafters to gently fall onto the crowd below.

Brian Burkheiser of I Prevail performing in Phoenix
Brian Burkheiser (Vocalist), I Prevail
Photography:
Katherine Amy Vega © All Rights Reserved

I Prevail started with a video of an anonymous speaker talking about fear before starting “There’s Fear in Letting Go.” Vanlerberghe told the crowd that it’s been ten years since the band dropped their cover of Swift’s song, and they hate singing it, but they added it to the setlist for the fans. Everyone cheered and threw up their horns.

Closeup of Eric Vanlerberghe of I Prevail singing live in Phoenix
Eric Vanlerberghe (Vocalist), I Prevail
Photography:
Katherine Amy Vega © All Rights Reserved

Before playing “Breaking Down,” Vanlerberghe got personal with the audience, talking about how he is doing well in therapy and to talk to someone if you need to. That mental health is important. I Prevail gave the crowd everything they had, just as they promised.

Halestorm

Wrapping up the heavy metal night was Halestorm, the American rock band from Red Lion, Pennsylvania, formed in 1997 by lead vocalist and guitarist Lzzy Hale and her brother, drummer Arejay Hale. Other members include Joe Hottinger as guitarist and Josh Smith as bassist.

Lzzy Hale (Vocalist, Guitarist), Halestorm
Photography:
Katherine Amy Vega © All Rights Reserved

Grammy-Award winning Halestorm introduced their set with Lzzy singing an a capella “Raise Your Horns” before launching into “I Miss the Misery.” She shows no reserve for showcasing her unparalleled vocals, with an almost-menacing, growling belt prominently featured from start to finish. She figuratively blew the roof off the venue, jaws dropping, during the “I Get Off” interlude of Heart’s “Crazy On You.”

Lzzy Hale (Vocalist, Guitarist), Halestorm
Photography:
Katherine Amy Vega © All Rights Reserved

Lzzy addressed the crowd: “It’s for all the letters that you’ve given me, all of the love online, you guys just standing out here singing every word. I can’t believe it, man, I can’t believe it. It blows my mind. So, this one is for all of you tonight, this is called, ‘Familiar Taste of Poison’”. They played the long-beloved song from their first album, self-titled Halestorm.

Lzzy Hale (Vocalist, Guitarist), Halestorm
Photography:
Katherine Amy Vega © All Rights Reserved

Also in support of mental health, Halestorm has teamed up with the mental health organization Sound Mind Live to encourage fans to pledge their support, helping to fund free mental health programs that will be available to communities across the country.

Drummer Arejay Hale of Halestorm performing in Phoenix
Arejay Hale (Drummer), Halestorm
Photography:
Katherine Amy Vega © All Rights Reserved

The band members’ percussive skills were on display as they played a taiko-style mid-set drum ensemble. Lzzy’s in-your-face stage presence admirably dominated throughout the night, and she delighted with moves such as a backbend contorting her body down to the floor as she shredded on her guitar.

Lzzy Hale (Vocalist, Guitarist), Halestorm
Photography:
Katherine Amy Vega © All Rights Reserved

Vanlerberghe rejoined the stage to sing the duet of “can u see me in the dark?” with Lzzy. Halestorm wrapped up the night with “Mz. Hyde” and “The Steeple.” Fans were left with ringing ears and giant smiles as all departed the venue into the blazing Phoenix night.

View Setlists

Photo Galleries

Photographer: Katherine Amy Vega

View Separately:
Halestorm  | I Prevail  | Hollywood Undead  | Fit for a King

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Nickelback Ignites Footprint Center with Brantley Gilbert & Josh Ross (7-12-23)

PHOENIX – The “Get Rollin’ Tour” made a tour stop in Arizona last Wednesday night, featuring Nickelback, Brantley Gilbert, and Josh Ross. The music was a mix of country and rock, and fans of all ages came ready to party. The show was held at Footprint Center, which serves as home to the Phoenix Suns, Phoenix Mercury, and the Rattlers. The arena has had many names since opening in 1996. A few previous names that may sound familiar are Talking Stick Resort Arena, US Airways Center, and America West Arena. It was once the home of the Phoenix Coyotes in the late ’90s. It’s also the venue for various events such as professional wrestling, Disney on Ice, and concerts.

Josh Ross

Josh Ross is a Canadian country singer, and he opened the show and warmed up the crowd with his eight-song setlist. His cover of “Iris” by The Goo Goo Dolls had everyone singing along, with their phones’ flashlights waving in the air.

Brantley Gilbert

Brantley Gilbert - Footprint Center
Brantley Gilbert (Vocalist, Guitarist)
| Photography:
Kara Blakemore © All Rights Reserved

Brantley Gilbert is a country rock singer from Georgia, and he knows how to put on a show with flair. He opened with “Kick It In The Sticks,” and he brought the heat – pyro and fog continuously blasted on stage.

Ben Sims (Drummer), Brantley Gilbert
| Photography:
Kara Blakemore © All Rights Reserved

We live in a world where we can’t punch anyone in the face anymore. I went to my social media, but I forgot my passwords. So, I decided to write the trolls a song instead,” Gilbert said before playing “Bury Me Upside Down” from the album So Help Me God.

Before singing “Son of the Dirty South,” Gilbert explained how he wrote the song with Jelly Roll, and that they both take pride in being boys from the South. He aimed to transform Phoenix into the dirty South for a few moments – a vision readily embraced by the enthusiastic crowd.

Noah Henson ( Guitarist), Brantley Gilbert
| Photography:
Kara Blakemore © All Rights Reserved

Gilbert played seventeen songs in total, including five covers. The audience cheered and sang along with every song. His energetic performance and ability to connect with the audience were amazing. His voice is a perfect blend of rock-infused country music, and fans loved his raw and authentic stage performance.

Nickelback

Chad Kroeger of Nickelback
Chad Kroeger (Vocalist, Guitarist), Nickelback
Photography:
Kara Blakemore © All Rights Reserved

The Canadian rock band Nickelback formed in 1995 and is still going strong, despite anything their haters might say. Chad Kroeger is the band’s lead vocalist, Ryan Peake is their rhythm guitarist, keyboardist, and backing vocalist, Daniel Adair is the drummer, and Mike Kroeger is the bass guitarist. The tour is supporting their seventh and newest album, Get Rollin’, which was released in September 2022.

Mike Kroeger (Bassist), Nickelback
| Photography:
Kara Blakemore © All Rights Reserved

Before the band steps on stage, a yellow CGI van with a red stripe appears on the big screen. It’s the symbol of their current tour. Then posters of each band member flash on the big screen with the words “Wanted Dead or Alive.” The crowd is on their feet and screaming when the video ends, and the CGI van turns onto an exit, and the highway signs read, “Phoenix, 12 parsecs.”

The first song is “San Quentin” from their newest album, and the audience is ready to rock out. After the song, Chad Kroeger addresses the crowd, asking, “Let’s see if you remember the words to this one.” They begin to play “Savin’ Me” from their album All The Right Reasons.

Ryan Peake (Gutiarist, Backup Vocalist), Nickelback
| Photography:
Kara Blakemore © All Rights Reserved

The yellow CGI van returns to the screen, racing down a dark road before they play “Animals.” A guitar riff fills the air as a fiery phoenix lands on the CGI van and transforms it into a sexy muscle car. Blasts of pyro pop, and screams are heard all around the arena in excitement. As the song concludes, Chad Kroeger thanks the audience for their energy and excitement. He says, “It’s crowds like you that make me want to do this for the rest of my fucking life. Cheers.” He then drinks a shot with the crowd and adds, “It’s an honor and a fucking privilege to play for you.

Chad Kroeger (Vocalist, Guitarist), Nickelback
| Photography:
Kara Blakemore © All Rights Reserved

I’m going to play a song that would probably get us canceled today. But then again, they’ve been trying to cancel us for twenty years,” Chad Kroeger jokes, and they play “Figured You Out” from their album The Long Road.

Nickelback covers Steve Earle’s “Copperhead Road,” and to surprise the audience, Gilbert and Ross return to the stage to sing along. The crowd eats it up, and the dark arena fills with phones filming the three singing and jamming together.

After playing “High Time,” Chad Kroeger chuckles and says, “We snuck a new one in on you. Has anyone heard it?” The fans respond with cheers, affirming their familiarity with the song. Proving after twenty-eight years that their loyal following still listens to and loves them.

Chad Kroeger (Vocalist, Guitarist) & Daniel Adair (Drummer), Nickelback
Photography:
Kara Blakemore © All Rights Reserved

Chad Kroeger picks a lucky lady from the audience to come up and sing a fan favorite, “Rockstar.” The woman is starstruck as she is welcomed to the stage and handed a mic. But she soon gets into the song, sings a bit, and dances as the band plays around her.

When playing “Those Days,” movies, TV shows, bands, and MTV logos from the ’80s appear on the big screen as the band reflects on the simpler times of growing up.

Mike Kroeger (Bassist), Nickelback
| Photography:
Kara Blakemore © All Rights Reserved

Chad Kroeger smiles at the crowd and says, “You’ve got my vote for the best crowd on tour. Phoenix is fucking amazing.” Just before singing “How You Remind Me” from their album Silver Side Up.

The band thanks the crowd and steps off stage for a few minutes while the crowd cheers and cries for an encore. Nickelback returns to applause and cheers before playing “Gotta Be Somebody” from their album Dark Horse.

Chad Kroeger (Vocalist, Guitarist) & Daniel Adair (Drummer), Nickelback
Photography:
Kara Blakemore © All Rights Reserved

Chad Kroeger speaks to the crowd a final time, saying, “I’m going to be honest with you, as I normally am, incredibly honest to a fault. Earlier today, we did an interview with somebody from a foreign country, and they just started asking us all these shitty fucking questions, and it absolutely ruined my fucking day until I got on this stage, and I heard you.” He pauses as fans cheer and fists shoot up into the air. He continues, “And you turned it all around. I want to thank you from the bottom of my fucking heart, Phoenix. Thank you. I want to take you with me to every fucking city so you can give lessons on how a rock ‘n roll crowd is supposed to behave. I’m in such a good fucking mood right now. Phoenix! Let’s have some fun!” They wrap up the night with tons of pyro and the powerful song, “Burn It to the Ground.”

The “Get Rollin’ Tour” was fiery and left the audience with memories they’ll treasure for a long time. This tour is the perfect blend of country and rock and should not be missed.

Photo Gallery

Photography: Kara Blakemore

Photography © Electric Eye Photo AZ
All Rights Reserved