Concerts, Media, Photo Galleries, Reviews

REVIEW: AL1CE Enthralls Pub Rock Live, Closing the Shadows and Light Tour (5-13-23)

May 27, 2023 Nate Wert Leave a comment

Scottsdale, AZ — On a mild Saturday night – one of the last mild evenings before the Arizona summer heat really sets in – a crowd gathered at Pub Rock Live to watch the final show of LA-based band AL1CE’s “Shadows and Light” tour, with Portland-based Adrian H. and the Wounds and AZ local bands Don’t Panic and Mike and the Molotovs opening the show up.

The venue sits less than half a mile from the border of Tempe and Scottsdale, situated in a low slung strip mall, a victim of the questionable design choices architects tended to make over half a century ago. A quick glance tells the viewer that form and function stopped talking to each other halfway through the design process, and at some point, form was found badly beaten in the alley.

It is a minor miracle that this plaza has survived the development of South Scottsdale, something that could perhaps be attributed to being consistently filled with tenants. Today, one can visit and find an smorgasbord of eclectic tenants: two churches, two gyms, a mattress store, three restaurants – including one that is also one of the best places to buy fresh seafood in all of Arizona – and a barbershop that doubles as a time capsule. The interior appears to have had few upgrades since the early 80s, and the owner – Justin, who the shop is named after – will only charge you $12 for a haircut and a conversation.

Around the corner from the barber shop, one will find the destination for this evening. Above the doors, you will be greeted with a simple sign that says “Pub Rock,” with an old-timey radio microphone dividing the words. Below, to the left of the double doors, there is a warning that you’re about to enter the AZ (Kansas City) Chiefs Kingdom.

Pub Rock started life as Atomic Café in the early 90s. Grey Daze – with Chester Bennington – reportedly played there around 1995. In 1998, the name changed to Chasers, and the clientele and music styles changed as well. In 2012, Chasers was sold, and became Pub Rock, hosting some broadcasts from the very short-lived revival of KUKQ. You will now find an autographed Joe Montana jersey hanging over the bar, surrounded with plenty of other memorabilia. There is a wall of CDs next to the stage, and neighboring that, the merch table. You will also find a security guard who may very well ask you to pet her by the end of the show, as she is a Great Dane named “Gucci,” who is exceedingly well behaved.

Mike and the Molotovs

Mike and the Molotovs (MATM) took the stage first, with frontman Mike Lee saying “Let’s get this shit started! Give it up for AL1CE! Thank you guys for making it out here, we’re gonna close your tour out right.” Lee, for those who are not acquainted with his work, deals in satire. One of his previous bands is Goth Brooks, a Phoenix-based band with a sound that combines the goth metal/industrial and country genres.

Some of the work of MATM is slightly more subtle than other pieces, but the opening number lacked all subtly, and instead reminded you that he is also not the biggest fan of capitalism. The opening line contains the excellent advice of “Don’t let your babies work at Wal-Mart.” The band bills itself as “Spaghetti Punk,” an apt description for the style. There is an undeniable country undertone with a dose of Flogging Molly with the fiddle – played by special guest Tim Sadow – over the guitars. As the first song came to an end, Lee urged the crowd to come a bit closer to the stage, telling them “we don’t bite,” to which guitarist and back-up vocalist Ivan deadpanned, “I bite. Don’t get too close to me.”

After informing the audience that they didn’t have a choice in if they wanted another song, Lee announced that the name of the next song was “If You Want To Be My Lover, The Two Party System Must End.” A glance at the song title may give one the impression that they are about to hear a cover of the well-known song by the Spice Girls named “Wannabe,” but nothing could be further from the truth. There are elements of “American Idiot” hidden in the first few bars of the song, and lyrics that are rather unlike the bubblegum pop that the Spice Girls were known for, save for the line “I’ll tell you what I want, what I really really want!” yelled by Ivan.

There were some surreal moments, including a song about Burger King that involved Ivan slowly ramping up to yelling, “Whopper whopper whopper WHOPPER,” into the microphone, much to the delight of the crowd. This is what makes seeing Mike and the Molotovs a fun event: the band has a message they take seriously, but they don’t turn it into an overly preachy event; instead you’ll have a bunch of fun with listening to a rather fun anti-capitalist band.

Don’t Panic

Don’t Panic took the stage next. Formed back in 2014, the band name is a reference to The Hitchhiker’s Guide to the Galaxy. This is reflected in their latest album – 42 – released in August of last year. If you are unfamiliar with “the Guide”, the number 42 is the answer to life, the universe, and everything. Unfortunately, no one knows what the question is. Why? Well, I would tell you, but I think you should read the book.

As the band took the stage, your eye could not help but to be drawn to the bejeweled mesh mask that lead vocalist Dylan Rowe wore. It would catch the light throughout the show, throwing it back into the audience, adding to the enchantment of the performance. Don’t Panic is a mix of genres, sounding a bit like rock some moments, then some dance, and weaving it all together is Rowe and the back-up vocalist Jeffery Robens, who is also the guitarist. Bassist Ryan Obermeit and drummer Jesse Mitchell round out the band.

There is a bit of Evanescence hidden away in the band, with Rowe and Robens sometimes sounding a bit like Amy Lee and Ben Moody from the very early days of the band. One must also recognize those who do not get nearly enough credit as well: whoever programmed the light show. The stage was small, but the production value punched way above its weight class, and it is impossible not to be impressed by the ethereal short set, which leaves you yearning for an encore.

Adrian H. and the Wounds

Adrian H. and the Wounds joined AL1CE on their continent wide tour, marking one of their first tours since the pandemic began. The band has garnered a bit of a cult following locally in Portland, though they haven’t been quite as active as before the pandemic. They have played with AL1CE previously in October of 2020, and at festivals and internationally, but have been a bit quiet when it comes to touring for the last few years.

Their sound – according to their website – is sinfully soulful. It could also be described as darkwave, mixed with a bit of Nine Inch Nails. It was a nearly blackout, smoky set, with the fog machine getting a bit of a warmup for AL1CE. The band was backlit, with Adrian H hunched over the keyboard on stage left, and the rest of the band cracking out the paradoxically pleasant and yet somewhat monotone EDM and goth metal music.

One could not help but – at the very least – sway along to the music, if not join the others in the audience on what was now a dance floor. The final song of the set brought vitality to the performance as the frontman stepped out from behind the keyboard and had a much stronger stage presence than before. The band was enjoyable as it was, but the change in pace and flow elevated the finale. The set ended without much said, and while it was not the most overwhelming set of the night, they had joined AL1CE on a marathon of a tour and undoubtedly felt all of the miles they traveled. Adrian H. and the Wounds kept the dark atmosphere strong and served as a good segue between Don’t Panic and AL1CE.

AL1CE

AL1CE would finish the night off. In spite of a massive 25-day, 10,000-mile, 24-show tour, there was no indication of exhaustion throughout the set. Even though the band is based in the LA area, they have strong ties to the Phoenix area. Jonah Foree – a bandmate of Mike Lee in Goth Brooks, and the goth metal side of the band – was a prolific and well-loved musician who left us entirely too soon in 2022.

Foree, who was also a member of Ikonoklast and HARDWIRE, organized an annual free show called Mustache Massacre which fostered a collective bond of the gothic community for over a decade. It often featured his bands along with the AL1CE members’ previous project Mankind is Obsolete, and strongly supported other local industrial, metal, and punk music groups as well. This tour marked the first time AL1CE returned to Phoenix on tour after his passing, and a song written by Foree himself called “Drown” was played during tonight’s show. Vocalist Natasha “Tash” Cox was close friends with Jonah, and performed at the memorial show for Foree.

AL1CE is an experience. It is not just the music, it is also the feeling of being welcomed, of feeling like you know those on stage, even if you’ve never met them before. While one can eventually learn how to have a stage presence that will capture your attention, making the audience feel at home is not a talent that can be taught. There was nothing forced the entire night, nothing felt awkward or unnatural. Instead, you are welcomed into the venue, and you become a family of sorts with the band, even if you do not realize it at first. The band wears masks, they wear costumes, and it would be easy to think that they may be a bit different off stage, but that could not be further from the truth.

Cox is joined on stage by vocalist Sasha Travis, bassist and keyboardist Gordan Bash, drummer Steve Kefalas, percussionist Carl Garcia, and Scott Landes on the guitar. The band calls the music “dark electronic rock,” which is definitely true, but there is more to the band than just that. Their cover of “Land of Confusion” is nowhere near as abrasive as the Disturbed cover that most as used to, and is instead a heavy and enjoyable listen. Audience participation came halfway through the show, as a high hat was taken from the stage, put into the crowd, and those who wanted were handed a drum stick to hit the cymbal while one of the band members played a tambourine. While that may seem like a bit of a surreal experience, in context it made perfect sense, and was a unique experience.

AL1CE also performed an impressive cover of Bjork’s “Army of Me” in their unique and enthralling way. It takes talent to take a song, leave a major nod to the original artist, and yet add your own sound on top, a musical cake if you will. This is what this unique and lovely group of humans do: make music feel familiar in a show that feels like home. The show ended – this is the tragedy of all shows; they begin, and thus must also end – and the band stepped off the stage to mingle with those in the audience. And so, in that low-slung building that has witnessed history for the last half-century or so, another chapter closed, another show ends, and we all disperse into the night with gratitude for the memories made and the opportunity to remember Jonah Foree once again.

Photo Galleries

Photographer: Katherine Amy Vega

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AL1CE | Don’t Panic | Full Lineup

AL1CE, Adrian H and the Wounds, Don’t Panic, & Mike and the Molotovs – Pub Rock 5-13-23

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News

Tina Turner Passes Away at Age 83

May 24, 2023 Katherine Amy Vega Leave a comment

Today, the world collectively mourns the loss of a true icon, Tina Turner.

The legendary singer, dancer, and actress passed away at the age of 83, leaving behind a legacy that few can match. From her humble beginnings in Nutbush, Tennessee, to her rise to fame alongside her former husband Ike Turner and later as a solo artist, Tina Turner’s life was both tumultuous and inspiring.

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Despite the challenges she faced along the way, Tina never lost her unrelenting spirit. Her timeless hits like ‘Proud Mary’ and ‘What’s Love Got to Do with It’ continue to inspire generations of fans, and have earned her numerous accolades, including a spot in the Rock and Roll Hall of Fame.

But Tina’s influence extended far beyond her music. She was an actress, a philanthropist, and a survivor who never let her difficult past define her future. She taught us all how to be strong, how to persevere, and how to rise above our circumstances.

So today, we say goodbye to a true legend. While Tina may be gone, her legacy will live on forever. Rest in peace, Queen of Rock ‘n’ Roll.

News, Tracks

Nemophila Release “Night Flight” Digital Single & Video

May 24, 2023 Katherine Amy Vega Leave a comment

TOKYO – Nemophila, the all-female Japanese band who recently wrapped up a U.S. tour, which was preceded by a performance at Aftershock 2022, have released the new song “Night Flight,” and its accompanying video.

“This is a song we’ve been playing live for some time, but have not recorded or released it until now,” explains singer/Nemophila founder mayu of the new track. “Please take a look at the video as well, as it does a great job capturing the spirit of the song.”

In March, preceding the band’s SXSW show, Nemophila released the single, “Rise”.

Today’s arrival of “Night Flight” coincides with the release of “Seize The Fate,” a concert film featuring Nemophila’s February performance from Tokyo’s Zepp DiverCity.

Guitar Girl Magazine described the quintet as “one of the most thrilling metal bands in Japan,” Distorted Sound said their music is “a reminder of just how fun heavy metal can be,” and Glasse Factory, commenting on their riveting Aftershock performance, noted “they nodded to metal legends with their styling and offered a refreshing take on their own unique blend… the excitement was tangible and radiated through the crows ad they all leaned in to watch the rising rock stars.”

Nemophila formed in 2019, playing their first live show in August of the same year, supporting Loudness and Hammerfall at Tokyo’s Metal Weekend 2019. The band have released two albums: Seize The Fate (2022) and Revive (2021). Nemophila is mayu (vocals), Saki (guitar), Hazuki (guitar), Haraguchi-san (bass) and Tamu Murata (drums).

Concerts, Media, Photo Galleries, Reviews

REVIEW: Ringo Starr and His All-Starr Band — a Memorable Evening of Rock ‘N’ Roll Intimacy at Celebrity Theatre (5-20-23)

May 22, 2023 Ryan Novak 1 Comment

PHOENIX — Thinking of the history of popular music, especially rock ‘n’ roll history, I’ve always been fascinated by the idea of people who were “there.” Every legendary artist started small, as even the biggest artists of all time had those early shows before it all blew up, and inexplicably there were people — average everyday people — who were lucky enough to be “there” to see those struggling performers before they turned into superstars.

Still walking around are those who saw Elvis play local shows in Memphis, Bob Dylan play coffee houses in New York or, most mind-blowing of all to me, The Beatles play The Cavern Club in Liverpool. For the rest of us, those artists existed bigger than life, playing the biggest stages in the world. Unless you were one of those lucky individuals in The Cavern Club, or The Star Club in Hamburg, they only existed as mega stars, playing the biggest venues the 60’s had to offer.

We would never get as close or as intimate as those lucky individuals who were there for those early days before they were legends, that is unless you were lucky enough to catch Ringo Starr and His All-Starr Band at Celebrity Theatre on one of two nights at their Phoenix stop on the tour. The Celebrity Theatre is a rare wonder that has no such thing as a “bad seat,” with its smaller intimate setting in the round with a rotating stage dead-center. It is certainly the most up-close anyone is likely to get to any of these legends since they first began their careers in bars and small clubs.

Ringo Starr and His All-Star Band

The “All-Starr Band” concept was originally conceived in 1989 by Ringo, with the idea that he would put together a band, not just of professional hired guns to help him perform many of his hits across his storied career from The Beatles to his many incredible solo records, but instead pack the band with fellow legendary performers who also had a bottomless well of hits from which to pull.

Over the years, the Ringo’s All-Starr Band has included members of The Band, Bruce Springsteen’s E-Street Band, The Eagles, The Who, Dr. John, Todd Rundgren, Peter Frampton, and the “fifth Beatle” Mr. Billy Preston. This, the 15th iteration of Ringo’s All-Starr Band, included Edgar Winter, Hamish Staurt from Average White Band, Steve Lukather from Toto, and Colin Hay from Men at Work. The band is rounded out with Warren Ham who has played with Kansas and Toto (nice pairing) on saxophone, flute, and keyboards and Gregg Bissonette, who has played with seemingly everyone (seriously, look him up) on all things percussion.

What of course makes the All-Starr Band so fun is that any given member could step up to the microphone and have enough hits at their disposal to play the show all by themselves. All of this results in a kind of jamboree of fun, as members take turns stepping into the spotlight for a song, only to then pass the spotlight to the next member, as the show rotates around the already rotating stage (if you’ve never been to the Celebrity Theatre, you need to get there for a show).

Ringo opened the show with a raucous cover of Carl Perkins’ “Matchbox,” a staple of The Beatles early live shows and later showing up as a single off of the Long Tall Sally EP. It was followed by “It Don’t Come Easy,” arguably Ringo’s most soulful vocal performance from his solo records. After blazing through “What Goes On” from The Beatles’ Rubber Soul, Ringo seceded the spotlight and moved to the drums.

This began what makes the All-Starr Band concept so much fun every time: each performer taking turns stepping up to the microphone to perform one of their own hits. Leading off was Edgar Winter who played his now 51-year-old hit “Free Ride,” which sounded as fresh and fun that night as it did the first time any of us played it in our cars with the windows down and the volume up.

This was followed by Steve Lukather leading the band through “Roseanna,” with the crowd spiritedly singing along and pumping their fist in time with the chord changes, Hamish Stuart playing a ripping version of Average White Band’s “Pick Up the Pieces,” and Colin Hay taking the band through an extended version of Men At Work’s hit “Down Under” that included a fun call-and-respond with the crowd. “I wrote this song in forty minutes, and it’s sustained me for forty years,” he told the crowd prior to starting the song.

At that time, Ringo returned from behind the drum kit for a run through of “Boys,” his first vocal performance on The Beatles first album Please, Please Me, “I’m the Greatest” from Ringo (a song written for him by John Lennon), and “Yellow Submarine,” which a quick scan of the theatre revealed that every generation of fan in attendance — from those who were there from the start with The Beatles to little kids who have since grown up with the band through their parents and grandparents love for them — was joyfully and exuberantly singing along. Following this, as the crowd was still on their feet, cheering and clapping, Ringo waved to the audience and left the stage. “Don’t worry. He’ll be back,” Edgar Winter playfully reassured the crowd.

With Ringo gone, the band performed Average White Band’s “Cut the Cake,” the title track from their third album. “I’m going to hand it over to Edgar Winter now to unleash the beast,” he said at the song’s closing. Winter’s performance of instrumental classic “Frankenstein” allowed the band to have fun on what turned out to be a jam session that impressively highlighted the drumming skills of Gregg Bissonette. Throughout the song, which stretched to nearly ten minutes, Bissonette worked in drum breaks that steered the song into a range of hits by other artists, including “Come Together” by The Beatles, “Rock ‘N’ Roll” by Led Zeppelin, and appropriately enough, “In-A-Gadda-Da-Vida” — the seventeen-minute Iron Butterfly classic in which the recognizable drumming comes during the lengthy instrumental break in the song. By the end of the jam, Bissonette, very deservedly, got one of the biggest pops from the crowd.

Ringo returned to the stage, and before going into “Octopus’s Garden” (rivaling “Yellow Submarine” for one of the most crowd-pleasing moments of the night), he introduced each member of the band, heaping praise on them as he did. It was followed by his solo hit “Back Off Boogaloo.” Next up was Colin Hay to perform Men at Work’s ode to anxiety “Overkill.”

“Every song we’ve played tonight is one you know, but I’d like to debut my 30-minute jazz odyssey,” Steve Lukather joked with the crowd, adding, “If you get really stoned first, you might just get into it,” before launching into “Africa” — Toto’s mega-smash that will live on for generations to come. The performance featured some incredible backing vocals from Colin Hay.

After going one more round with each performer, including Hamish Stuart with the Isley Brothers’ “Work to Do,” and Ringo playing The Beatles’ “I Wanna Be Your Man.” Edgar Winter took a moment to pay tribute to his brother Johnny Winter before playing “Johnny B. Goode,” a song the brothers used to play together growing up, as they each first learned to play the guitar. It was immediately followed by Colin Hay playing “Who Can It Be Now?” and Steve Lukather on Toto’s “Hold the Line.”

The evening closed as it began, with the tour’s namesake Ringo Starr on vocals for his solo classic “Photograph,” the Johnny Russell hit “Act Naturally”, made famous by Buck Owens and even more famous by The Beatles version on Help!, and finally and very fittingly given the vibe of the tour and the mutual respect and camaraderie amongst the performers, they closed the evening “With a Little Help From My Friends.” As the song came to a close, they shifted to a cover of John Lennon’s “Give Peace a Chance” to send the crowd home happy, still singing along in their own acapella as they exited the Celebrity Theatre and out into the warm Phoenix night.

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Photo Gallery

Photographer: Mark Greenawalt

Ringo Starr & His All-Star Band – Celebrity Theatre 5-20-23

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News, Tours

Alicia Keys is Returning to North America with a 360 Degree Concert Experience

April 18, 2023 Katherine Amy Vega Leave a comment

Alicia Keys will be launching a 23-date North American summer concert tour which starts on June 28^th. The “Keys to the Summer Tour” ensues the ongoing sold-out, critically acclaimed “The Alicia + Keys World Tour”, which has spanned Europe, North America and will soon head to Latin America.

The general on sale for the tour will begin Friday, April 21^st at 9am local time. Pre-sales will run from Tuesday, April 18^th – Thursday, April 20^th. Alicia Keys Fan Club and Keys Soulcare Pre-Sales will launch Tuesday, April 18^that 1pm ET. Spotify, Live Nation, Ticketmaster and Venue Pre-sales will launch Thursday, April 20^th at 10am local time. For more ticketing information visit LiveNation.com.

This tour will bring the GRAMMY Award-winning global superstar to arenas across North America with an all new, completely reimagined and redesigned concert experience and setlist. A first for Keys, it will feature her in an “in the round” production setup, allowing fans to experience her live performance in an entirely new and exhilarating 360-degree form. Keys is known for incorporating innovative and engaging production design into her live performances, and she worked together with director Diane Martel (director of the powerful “If I Ain’t Got You” and “Like You’ll Never See Me Again” music videos) and designer Chiara Stephenson to conceptualize and design the staging of the “Keys to Summer Tour”.

Keys has said, “The ‘Keys to the Summer Tour’ is going to be completely unforgettable and unmissable! I describe it as a celebration of freedom and self-liberation! It’s going to be colorful, magical and will light up your body, soul and all of your senses! This is my first time creating a 360 experience and we’ve made sure it’s like nothing you’ve ever seen! I’m so excited to see y’all this summer!”

Lauded by critics for her stunning shows, Keys’ last tour earned rave reviews from press. The Tampa Bay Times called it an “outstanding live performance that cemented her as one of the greatest musicians and singers of all time.”

The tour will be offering a variety of VIP packages and next-level experiences for fans. Various packages will range from inclusion of premium tickets to the chance to join Keys in an exclusive, intimate and inspirational “Soulcare Session” before the show. For more info, visit the tour’s page on VIPNation.com.

Alicia Keys Tour Dates

June 28 – Ft. Lauderdale, FL – FLA Live Arena
June 30 – Tampa, FL – Amalie Arena
July 2 – Charlotte, NC – Spectrum Center
July 3 – Atlanta, GA – State Farm Arena
July 5 – Memphis, TN – FedExForum
July 7 – Washington, DC – Capital One Arena
July 9 – Boston, MA – TD Garden
July 10 – Philadelphia, PA – Wells Fargo Center
July 12 – Brooklyn, NY – Barclays Center
July 14 – Toronto, ON – Scotiabank Arena
July 15 – Cleveland, OH – Rocket Mortgage Fieldhouse
July 17 – Detroit, MI – Little Caesars Arena
July 18 – Chicago, IL – United Center
July 20 – Louisville, KY – KFC Yum! Center
July 21 – St. Louis, MO – Enterprise Center
July 23 – New Orleans, LA – Smoothie King Arena
July 24 – Austin, TX – Moody Center
July 27 – Denver, CO – Ball Arena
July 28 – Salt Lake City, UT – Maverik Center
July 30 – Seattle, WA – Climate Pledge Arena
August 1 – Oakland, CA – Oakland Arena
August 2 – Los Angeles, CA – The KIA Forum

News, Performances, Tours

SOLD OUT: Hobo Johnson‘s “Loves the West Coast” Tour – Coming to Crescent Ballroom

April 14, 2023 Katherine Amy Vega Leave a comment

Tickets for Hobo Johnson‘s performance at the Crescent Ballroom in Phoenix have gone on sale! If you are a fan of his unique blend of spoken word poetry and hip hop, you don’t want to miss out on this opportunity. Hobo Johnson is touring all across North America with two tour legs: the “Loves the West Coast” and “Really Likes the Midwest…and East Coast” tours. All tour dates below.

For those who may not be familiar with Hobo Johnson, his real name is Frank Lopes Jr., and he gained popularity with his hit single “Peach Scone” in 2017.

Since then, he has released five studio albums and has been praised for his raw and honest approach to music. His live shows are known for their energy and unpredictability, and he has been known to engage crowds with his infectious personality, colorful stage presence, and undeniable talent as a performer.

The Crescent Ballroom is an intimate venue, which will allow for an even more immersive experience for concertgoers.

The performance is set to take place on Thursday, June 24th. Doors will open at 7:00 PM, and the show will start at 8:00 PM. Tickets are reasonably priced, and they are expected to sell out quickly. So, don’t wait too long to purchase your tickets.

If you are looking for a memorable night of passionate and relatable music, mark your calendars for Hobo Johnson’s performance at the Crescent Ballroom on June 24th. Get your tickets now before it’s too late!

All Hobo Johnson Tour Dates Can Be Found Here:

Concerts, Photo Galleries, Reviews

REVIEW: M83 Brings a Double-dose of The Dreamy Vibes of ‘Fantasy’ to The Van Buren (4-10-23)

April 13, 2023 Katherine Amy Vega 1 Comment

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M83 Setlist

PHOENIX — M83, an electronic group from France named after the galaxy Messier 83, performed at The Van Buren with experimental artist Rachika Nayar opening the show in a line-up consisting of only the two acts. The night of focus here is April 10, which was the original tour launch date scheduled in Phoenix and became the second night after it sold out, resulting in an add-on of April 9.

Rachika Nayar

Opener Rachika Nayar, a composer and producer from Brooklyn, New York, set an ambiance that helped prime the audience for the vibes of M83. With the stillness of the crowd that portrayed an uncertainty of how to behave during this sensory electronic set, and a respectful patience, the performance came across almost like a pre-show DJ set.

Nayar has a muted stage presence, and she remained stationed at her equipment throughout the set, not speaking until the end when she expressed gratitude in an unassuming tone and wished a friend in the audience a happy birthday.

Rachika Nayar has released two albums: Out Hands Against the Dusk and Heaven Come Crashing — both featuring heavily mutated and digitally-processed guitar, along with the fragments EP featuring raw guitar. All 3 of these records are available as MP3 downloads and/or as vinyls to add to your prized collection.

M83

Touring in support of Fantasy, which was released last month, M83 opened with the deeply relaxing and ethereal “Water Deep,” continuing with the chill vibes emanated by Nayar, unlike many other acts that will typically burst onto a performance as they start their set.

Fronted by 43-year-old Anthony Gonzalez, M83 has existed for about 24 years. Gonzalez is not a glamorous showman, yet his prowess shines for him. More than just a singer, he is a renaissance man responsible for lead vox, guitar, synths, keys, bass, percussion, mixing, arranging, and producing.

M83 transitioned to a danceable energy with the upbeat title-track from Fantasy, which was the 8th song in a setlist of 20 (including the encore). “Fantasy” hearkens back to the primary energy of the Junk album — a personal favorite that I have kept on heavy rotation after being lucky enough to experience it live on their April 13, 2016 tour stop at Comerica Theatre (which, while I knew of M83 before that point, was what impacted me so much as to cement me as a fan).

It was during “Fantasy” that Joe Berry stepped away from the synthesizers and pleased the crowd with the EWI. The stage lights brightened and bathed the band in many more colors, and it was especially in that moment that the slow-roll of the night proved worth the wait. Though I may be biased as a sax player myself, I am confident in my opinion that anyone would be in agreement that the show really gets ripping once Berry starts wailing on the saxophone.

Kaela Sinclair commands attention as the siren of a soprano vocal that is a signature and integral part of M83’s sound. You can also catch her sultry, haunting, and powerful vocals outside of M83 as a solo artist.

The band’s show ebbs and flows from there, following “Fantasy” with “Laura”, which channels the 80s prom night air that much of M83’s music exudes. Afterward, they brought some of their highest energy with “Don’t Save Us From the Flames.” “Noise” from 2003 release Dead Cities, Red Seas & Lost Ghosts served as a segue to “Wait” from Hurry Up We’re Dreaming (2011). Delightfully, “Solitude” from Junk was next, and the bopping “Sunny Boy” from Fantasy after that.

The tracks that go heavier on the guitars for a dramatic electronic-meets-rock sound are absolutely soul igniting. The live band is rounded out with Julien Aoufi on drums, the skills of guitarist Théophile Antolinos, and bass rhythms from Clément Libes. These 3 musicians were shrouded in smoke and lights in the background as the front of the stage was filled with the synths and keyboards, along with Gozales, Sinclair, and Berry.

It comes as no surprise that the crowd’s energy climaxed during the encore as the group launched into the highly recognizable “Midnight City”, which has received heavy radio play since its release in 2011. If you are a regular listener of ALT AZ 93.3, you’ve heard it a lifetime’s worth. One can only long for more of M83’s superior tracks to hit the mainstream to give respite from the overabundance of formulaic, forgettable, and overplayed tracks of other artists that pervade popular music today.

This night of music was nourishing to the spirit with a perfect blend of chill time and outright fun, which was quite apparent by the invigorated energy that was effortlessly perceptible from the crowd leaving the venue following “Outro.”

See the full M83 setlist from April 10, 2023 at The Van Buren here:

Setlist

Burning Hot Events highly recommends catching this tour. There is ample opportunity to do so, as it has just started, and the band has dates scheduled all across North America up through May 16th. Check out the tour dates here:

Tour Dates

Photo Album

Photographer: Katherine Amy Vega

M83 & Rachika Nayar – The Van Buren 4-10-23

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News, Tours, Tracks

Joy Kills Sorrow‘s Bluegrass Cover of “Such Great Heights” Deserves Your Attention

April 4, 2023 Katherine Amy Vega Leave a comment

If you’re a fan of The Postal Service’s iconic hit “Such Great Heights,” you’ve probably heard countless covers of the song over the years. But have you ever heard a cover of a song that completely transforms it into something new and exciting? That’s exactly the case with Joy Kills Sorrow’s bluegrass version of this hit. This rendition, which was released on their EP Wide Awake in 2013, deserves your attention if you haven’t heard it yet.

What is particularly impressive about this cover is how effortlessly the band took an electronic indie-pop hit and made it their own, infusing it with their signature Americana sound that is a refreshing departure from the original. Fueled by Jacob Jolliff’s intricate mandolin playing and lead singer Emma Beaton’s soaring vocals, the song was transformed into a foot-stomping bluegrass number that’s impossible not to dance along to.

Right from the beginning, the mandolin and banjo (played by Wes Corbett) take over, providing a lively and instantly engaging introduction. While staying true to the melody and lyrics, the band injects their signature style, adding instrumental breakdowns and harmonies that showcase their musical prowess. Beaton’s vocals add a touch of sweetness and vulnerability to the already poignant lyrics. As the song progresses, each instrument takes its turn to shine, from the rhythm of Matthew Arcara flatpicking the guitar, to the harmonies of Zoe Guigueno and her upright bass. You can feel the energy building up, culminating in a triumphant ending that will leave you with chills. The result is a cover that’s just as catchy and memorable as the original, but with a new energy and vibrancy that’s impossible to resist.

What makes this cover so successful is that it doesn’t try to imitate the original, but rather reinvents it completely. It manages to capture the essence and emotion of the song while putting a new spin on it. Overall, Joy Kills Sorrow’s bluegrass cover of “Such Great Heights” is a testament to the power of musical creativity and innovation. It proves that good music can transcend genres and styles, and that sometimes the most unexpected artist can surprise you. So, if you haven’t given it a listen yet, it’s high time that changes.

Even die-hard The Postal Service fans will find themselves tapping their feet along to this bluegrass rendition. If you haven’t heard Joy Kills Sorrow’s cover of “Such Great Heights” yet, do yourself a favor and give it a listen. Although Joy Kills Sorrow disbanded after performing their last show in 2014, their legacy includes a stunning example of how a great cover can take a beloved song and elevate it to new heights.

Ben Gibbard Returns with a “Double Feature” Performance

Speaking of The Postal Service… lead vocalist Ben Gibbard is making a comeback to Arizona and other cities (listed below) with a “double feature” show that is sure to delight. As part of the “Give Up & Transatlanticism 20th Anniversary Tour,” The Postal Service and Death Cab for Cutie will be co-headlining, and Gibbard will be at the forefront of it all.

The tour runs in September and October of this year. Arizona Financial Theatre, one of the iconic spots to host this show, is set to witness an unforgettable night of music that showcases the evolution of the creative genius of Gibbard and his bandmates. (Fun fact: Jenny Lewis of The Postal Service is also a solo artist, actress, and was the lead singer, rhythm guitarist, and keyboardist for the indie rock band Rilo Kiley.) It goes without saying that Death Cab for Cutie and The Postal Service carry energies that leave fans yearning for more. But, to have both bands share the stage on a joint tour is something else entirely.

Back in 2003, The Postal Service and Death Cab for Cutie became musical sensations that rocked the world with Gibbard at the helm. The Postal Service’s debut album, Give Up, and Death Cab for Cutie’s fourth studio album, Transatlanticism, showcased the range of Gibbard’s vocal and songwriting abilities. It’s been twenty years since those albums’ releases, and that is all the more reason to celebrate. The “Give Up & Transatlanticism 20th Anniversary Tour” is, therefore, more than just a tour. As each band performs their respective albums in their entirety, it’s a trip down memory lane accompanied by heart-thumping instrumentals and performances that leave concertgoers reveling in nostalgia.

With Gibbard headlining, The Postal Service & Death Cab For Cutie: Give Up & Transatlanticism promises to be a night to remember.
Get your tickets now!

The Postal Service & Death Cab for Cutie 2023 Tour Dates

September 8 – Portland, ME – Cross Insurance Arena
September 9 – Kingston, RI – The Ryan Center
September 10 – New Haven, CT – Westville Music Bowl
September 12 – Boston, MA – MGM Music Hall
September 13 – Boston, MA – MGM Music Hall
September 14 – Washington, DC – Merriweather Post Pavilion
September 17 – Detroit, MI – Meadow Brook Amphitheater
September 20 – New York, NY – Madison Square Garden
September 21 – Philadelphia, PA – The Mann Center
September 24 – Minneapolis, MN – Armory
September 26 – Denver, CO – Mission Ballroom
September 27 – Denver, CO – Mission Ballroom
October 3 – Phoenix, AZ – Arizona Financial Theatre
October 4 – Las Vegas, NV – The Chelsea Ballroom at The Cosmopolitan of Las Vegas
October 7 – Seattle, WA – Climate Pledge Arena
October 10 – Berkeley, CA – Greek Theatre – UC Berkeley
October 13 – Los Angeles, CA – Hollywood Bowl

Featured photo (top) courtesy of Mongrel Music

Music Videos, News, Performances

Taiwanese Extreme Metal Band CHTHONIC Livestream Event at The Megaport Festival, April 1

April 1, 2023 Katherine Amy Vega Leave a comment

CHTHONIC will play Megaport Festival‘s main stage today, April 1, and metalheads all over the world can watch the livestream online at 21:00(GMT+8) = 09:00(EST). (Invitation link below.)

Live Stream Invitation: Click Here

Click the link above on April 1, 2023, and the livestream link will be on the page you are directed to.

About CHTHONIC’s Newest Music Video

After a five year wait for new music from CHTHONIC, the band premiered the music video for their new single “Pattonkan” March 1 at Knotfest. “Pattonkan“ was then released on all digital platforms on March 2.

Although the song “Pattonkan” is completely in Taiwanese, English subtitles are available on YouTube:

CHTHONIC’s lead vocalist and sitting member of Taiwan’s Parliament, Freddy Lim, has invested most of his time in parliamentary works, yet inspirations for music have still popped up from time to time when he felt depressed. However, he didn’t have time to sit down quietly and write them down. “I feel anxious sometimes, there are so many things I want to do, but I feel I don’t have sufficient time in my life to do everything,” he said. “How would those who came before us think of us in Heaven if we don’t move forward?”

With such emotions in mind, Lim once met Mr. Kao Ying-chieh（高英傑, son of an indigenous victim of Taiwan’s White Terror authoritarian period Kao Yi-sheng（高一生, and his family. Lim listened to him telling the story of how his father advocated for democracy and was eventually executed, and read the over 60 letters that Kao Yi-sheng sent to his family before he was executed.

“The very strong emotional bonds between Kao Yi-sheng and his wife, as well as with his children were an inspiration to me,” Lim said. “As long as we don’t give up, defend the people and land we love, and move as hard as we can, we’re on the right track.”

Guitarist and backup vocalist Jesse Liu, who co-composed the music, said that they first wrote a lot of complicated stuff, but later simplified it as the emotions flew. “We found that the simplified version actually really hit the spot!” So the new song was born.

The title “Pattonkan“ is the indigenous Tsou name for “Yushan（玉山）” or “Jade Mountain”. Jade Mountain is the highest peak in northeast Asia, and considered as a sacred mountain to the Taiwanese. The name “Pattonkan” is meant to be a reminder of the inspiration for the song. The line 風起田地過溪山野吾魂四時看顧守護 actually echoes a line in Kao Yi-sheng’s final letter “田地和山野都有我的魂守著”, meaning that his soul will safeguard the fields and mountains of Taiwan.

CHTHONIC worked with film director Hung Po-te once again for the music video for “Pattonkan”. The actors in the video are the same ones that acted in the videos for “Kaoru“, “Defenders of Bú-Tik Palace“, and “Millennia’s Faith Undone“. Hung Shih-hsun acted as the male lead Tsing-guan, and Wang Ting-chu acted as his wife Kaoru. The actress who played the daughter in the music video of “Millennia’s Faith Undone (the Aeon’s Wraith Version)” appeared as an adult. Lee Hsueh, who played a role in the movie Untold Herstory also appeared in the video.

The painting that appeared in the “Pattonkan” video is Looking at Jade Mountain from Alishan by Chen Cheng-po （陳澄波）. Chen Cheng-po and Kao Yi-sheng were both key players during the 228 Massacre. Chen was executed openly in the street, while Kao was arrested and executed years later. The production team decided to make it more powerful artistically through the connection of the painting and music.

The director, Hung Po-te, pointed out that previous videos in the same series gradually turned from the husband Tsing-guan’s perspective to his wife Kaoru’s. This time, he wished to show the kid Kiku’s perspective. The child’s story was inspired by that of Kao Yi-sheng’s daughter Nana. After Kao was executed, his family was still under long-time surveillance and repression by the authoritarian regime. Nana, who dreamed of becoming a singer, became a controlled “toy” for high-ranking officials.

Band lead and bassist Doris Yeh is very supportive of the director’s interpretation of the storyline.

“The song is not about praising a hero, but to see a family through a person, and see a generation of people through a family,” Yeh said. “This is a song that’s full of brevity, yet also sorrowful.”

About CHTHONIC

While Taiwan is considered home of Austronesian peoples and a mystic island nation in the Orient, the image of Taiwan also encompasses advanced technologies, modern cities, and upholding human rights and progressive values. The metal band CHTHONIC has given the best interpretation of the contrasting images of the country.

CHTHONIC’s lyrics are inspired by Taiwanese mythology, folk stories, and history, and their music incorporates elements of traditional Taiwanese folk music, enka, and sorrowful melodies from Taiwanese opera, accompanied by traditional Taiwanese musical instruments, such as hena, zheng – also known as “box zither” – and pgaku flute. Elements from contemporary symphonic black metal, melodic death metal, blood-boiling riffs and solos are also integral parts of CHTHONIC’s music . Critics have tried to label CHTHONIC’s music as black metal, death metal or folk metal, but CHTHONIC has opted for simply “metal” for its simplicity and authenticity.

From the festivals Fuji Rock and Summer Sonic in Japan, to Ozzfest in the US, to Download festival in the UK, and Wacken Open Air (WOA) in Germany, CHTHONIC has been to major music festivals around the world, and has had toured hundreds of shows in Europe, North America, and Asia. They have also worked with many internationally renowned artists. Lamb of God’s Randy Blythe, Trivium’s Matt Heafy, guitarist Marty Friedman, Japanese folk singer Hajime Chitose, and Hong Kong diva Dennise Ho have all appeared in CHTHONIC’s works.

In Taiwan, several of CHTHONIC’s albums have been on the pop-music charts, and the band has been awarded the “Golden Melody Award” – the Taiwanese version of the Grammy Award. Besides being CHTHONIC, band members are also active in different fields: Doris Yen, the bassist and the band leader, has been advocating for women’s rights, acted in movies, and has curated major rock music festivals. Drummer Dani Wang is working in music education to bring up younger generation musicians, Guitarist Jesse Liu and the keyboard player CJ Kao are involved in the production of many albums from Taiwanese bands. Lead vocalist Freddy Lim is active in public affairs relating to human rights and social justice issues, and now he is a member of the Taiwanese parliament, elected in 2016, and re-elected in 2020.

With exception of its earlier works, CHTHONIC’s albums – including Seediq Bale (2007), Mirror of Retribution (2009), Takasago Army (2011), and Bú-Tik (2013) – were all released worldwide, with positive feedback from music critiques.

Since the Lim was elected, CHTHONIC continues to operate, but in a low-profile manner, without tense performance, and they still released the album Battlefields of Asura and won another Golden Melody Award. In 2019, CHTHONIC worked with an orchestra to perform in the “Taiwan Victory Live” concert on Ketagalan Boulevard in front of the Presidential Office in Taipei, which attracted an audience of over 50,000 and from which a live album was released.

CHTHONIC online:

Concerts, Photo Galleries, Reviews

REVIEW: The Triumphant Return of Alter Bridge Brings “Pawns & Kings” To Marquee Theatre (3-29-23)

March 31, 2023 Mark Greenawalt Leave a comment

Jump to Photo Galleries

Setlists

Tempe, AZ — It was 2017 when Alter Bridge last took the stage at the Marquee Theatre. As the pandemic subsided, they released new music with Pawns & Kings in October last year and set out on a North American Tour. On this night the stop in Arizona included opening sets by Wolfgang Van Halen’s Mammoth WVH and Pistols At Dawn. Although the popular music scene seems to have forgotten how to play guitars, rest assured that the great American guitar heroes are alive and well in the rock world.

In fact, the night opened with a shredding solo from 22-year-old phenom, Will James, that brought the house down just minutes after the lights went down. The second act delivered the Van Halen 2.0 guitarist that wowed the world when he played his father’s solos at the tribute shows for the late Taylor Hawkins of Foo Fighters. And the icing on the cake was rock royalty, Mark Tremonti! Fans who love heavy guitar played by virtuosos were in their glory at this show and the decibels were sufficiently over 100dB as prescribed to make sure you heard and felt the music. The vocalists of the night were in top form for this show too as expected, but Myles Kennedy of Alter Bridge was beyond outstanding and proved that he is arguably one of the best singers…ever. Some of his melodies that soared into the stratosphere brought cheers from the audience that rose above the volume of the PA system.

Pistols At Dawn

Sometimes the opening band makes you scratch your head and wonder why they are there, but Pistols At Dawn complemented the essence of Alter Bridge perfectly. They formed in Atlanta in 2015 and shuffled through several lineup changes while recording and releasing singles and a 7-song EP. Last year, the latest incarnation recorded their debut album Ascension on Megaforce Records with producer Sylvia Massy (Tool) and founding members Devin White (guitar) and Adam Jaffe (drums). The band was reinvented with additions of Cris Hodges (vocals), Sean Benham (bass), and the young Will James (guitar) mentioned above.

Ascension has an epic big production sound, which is typical and possibly necessary to complement their contemporaries, but their short set of five songs sounded better live than on the recordings. Hodges, with his day-glo sneakers and open sided muscle shirt, entertained while delivering a flawless performance. Burning Hot Events spoke with him after their set about his upcoming tour with Ugly Kid Joe and Fozzy, and he mentioned that he’ll be back in town for U-Fest as a guest singer for Chester Bennington’s former band Grey Daze.

They confirmed it on Instagram saying, “After many requests to perform live, we finally said yes! We will honor our original intention while still paying homage to Chester, by bringing in guest vocalist Chris [sic] Hodges @hodgesofficial to perform with us.” Before joining Pistols At Dawn, Hodges fronted a Linkin Park tribute band called In The End and guitarist James was playing his signature green neon-light guitar in a Bon Jovi tribute band called Shot Thru The Heart. They advanced from tribute band to touring with Alter Bridge shows. Dreams do come true.

Mammoth WVH

You’d have to admit that you had your doubts when his dad let him play bass in the mighty Van Halen, but Wolfgang has won over all of the naysayers. When we finally heard him play guitar and sing, and then found out that he also played everything including drums, bass, and keyboards on the debut Mammoth WVH album, we all realized there is something really special in this kid. He inherited that captivating smile from his mother, Valerie Bertinelli, and a broad appreciation and mastery of music from the late Eddie Van Halen. But now he is blazing his own trail and there were no Van Halen songs in the set (or technically we can say that they were all “Van Halen” songs since he wrote every one of them).

In the music video for “Don’t Back Down”, they show four clones of Wolfgang playing all of the instruments, and while that would be awesome to see live, they had to get some hired guns to cover the parts that he didn’t play live. The guitarist on his right was Frank Sidoris who many in the audience recognized from Slash’s band with Myles Kennedy and The Conspirators. Ron Ficarro (I Am Ghost, Falling In Reverse) played bass, and Garrett Whitlock (who Wolfgang had played with in the band Tremonti) joined as the live drummer, and lastly the charismatic Jon Jourdan (To Whom It May) joined as a third guitarist. So Wolfgang didn’t get to play drums or bass on any songs, but he did play a little bit of keyboards in addition to his guitars.

The 8-song set flew by leaving the crowd wanting more, but they were at least able to include their first two singles which both went to number 1: “Distance” and “Don’t Back Down,” which closed their set. We were also treated to a new song that had just been released last week called “Another Celebration At The End Of The World” – a true crowd pleaser that drives hard and included a finger tapping speed solo that garnered a round of applause mid-song.

Alter Bridge

This four-piece leviathan keeps building on their foundation of stellar musicianship and rock-solid songwriting. It’s a full-on blitzkrieg from the top of the setlist with “Silver Tongue,” from the latest Alter Bridge release, Pawns & Kings to the closer “Rise Today” from the Blackbird LP.

Had it really been 6 years since they last came to town? Their loyal fans showed up in droves to welcome them back from the silence of the pandemic, and it was great to see them back on stage where they belong!

It was a packed house and they may have actually outgrown this midsize theater, but it proved to be the perfect intimate setting to showcase highlights from their 7 studio albums (note that no songs made the setlist from The Last Hero or Walk The Sky). It’s not unusual for bands to tell every city that they are the best audience, but Kennedy seemed to genuinely appreciate the fan engagement on this night and gave a heartfelt thank you to the Phoenician crowd.

Tremonti is the guitar hero and Kennedy is the vocal maestro, however they each showed their prowess at switching roles. Tremonti sang harmonies all night and then took center stage to sing the melancholy “Burn It Down” and did an incredible job. Most loyal followers were not surprised knowing that he sings lead in his self-titled band Tremonti and also on his incredible Mark Tremonti Sings Frank Sinatra solo album (seriously check this out if you haven’t heard about it).

And on the flip side, Kennedy is relegated to being “just” a phenomenal frontman singer when he is touring with Slash, but in Alter Bridge he contributes to the six-string shredding too. These dual talents shone brightest on the song “Blackbird.” He started the song in silhouette against beams of amber lights emulating angelic wings. An homage of the familiar chords of The Beatles’ “Blackbird” ushered in the somber chords of the title track from the Alter Bridge 2007 album of the same name.

The song begins delicately but ultimately crescendos into a symphony of sound bathed in violet lights as Kennedy plays the most soulful guitar solo of the night and then tosses the reins to Tremonti who adds his stamp of originality for this rock anthem. Few songs are truly “moving.” This is one. The ending was so powerful that it felt like the final encore as the crowd shouted their approval.

The four new songs were heavy. “Silver Tongue” and “Holiday” carried the traditional flame of fast and furious, while “Sin After Sin” was best received and had that epic slow march of classic metal. The title track, “Pawns and Kings” is a great song with meticulously crafted lyrics, but for some reason it didn’t resonate live (possibly the newness needs to become more ingrained or maybe it was the strobe lights aimed at the audience throughout the song).

There was a brief respite from the onslaught of loud guitars with a two-song acoustic set that was just stellar. For “Watch Over You,” Kennedy was alone on stage with his Taylor acoustic guitar and a microphone. With each lyric of the song he emoted the feelings of loss of a friend that is just beyond helping. You can’t “phone in” the vocals on a song like this, stripped down to just a guitar/vocal, you have to “feel” the emotions and Kennedy made us feel it too.

For the second acoustic song, Tremonti commandeered his Taylor acoustic guitar with the cutaway neck as they went back to their first album for the song “In Loving Memory.” Another beautiful song. Cheers arose as Kennedy held the soft falsetto note for 14 seconds effortlessly. Two guys in unassuming black T-shirts held the reverent gaze of everyone in attendance who came to rock-out, but communed in this peaceful moment. All hell would soon break out again with the aggressive Alter Bridge rockers “Isolation” and “Metalingus.”

After a 15-song set, they bowed and expressed their heart-felt gratitude to the fans who came out on this night to cheer them on. They left the stage, but the house lights refused to come up and the people began to chant “AL – TER – BRIDGE!” They wasted no time getting back on stage and began some banter with the audience. They apologized to one guy that wanted to come up and play drums with them, but offered maybe next time. Then some guy named Al got the coolest birthday present as Alter Bridge and all of us sang “Happy Birthday” to him.

To close the night they chose two iconic songs. First was “Open Your Eyes,” which is the first song that really put them on the map with heavy rotation on MTV (it was much later when most of us learned that Kennedy was that guy from the audience that got up and sang with Steel Dragon in the movie Rock Star). Kennedy let the audience chime in on the signature falsetto melody in the bridge and then proceeded to show everyone how it was really done…so impressive. The choice for the song to close the night was “Rise Today,” which most succinctly defined the Alter Bridge sound. The energy was still high and Tremonti banged his head all night (if not for his military haircut, his hair would have been flying all evening).

One last shout out to the rhythm sections for all three bands that aren’t as much in the spotlight, but contribute so much to the sound and presence of the stars they support. Brian Marshal (bass) and Scott Phillips (drums) have been working with Tremonti since their commercial success with Creed and they were absolutely phenomenal all night. It’s funny how you just expect them to be perfect so you might only notice their passionate playing if there were mistakes…and there were no mistakes that I noticed. They deserve all of the recognition as key components of Alter Bridge!

As the house lights came on and the recorded music came up, was that Frank Sinatra singing as the audience shuffled out? Or could it have been Tremonti?

Setlists

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Photographer: Rodrigo Izquierdo

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Alter Bridge | Mammoth WVH | Pistols at Dawn

Alter Bridge, Mammoth WVH, & Pistols at Dawn – Marquee Theatre 3-29-23

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Adrian H. and the Wounds

AL1CE

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Ben Gibbard Returns with a “Double Feature” Performance

The Postal Service & Death Cab for Cutie 2023 Tour Dates

Live Stream Invitation: Click Here

About CHTHONIC’s Newest Music Video

About CHTHONIC

CHTHONIC online:

Pistols At Dawn

Mammoth WVH

Alter Bridge

Photo Galleries

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Alter Bridge, Mammoth WVH, & Pistols at Dawn – Marquee Theatre 3-29-23

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