REVIEW: Arshenic’s Brooding “Where Did You Sleep Last Night” Music Video

Arshenic

Arshenic’s new single and music video for “Where Did You Sleep Last Night” was released on April 12th and can be enjoyed on any listening format. It is a beautifully haunting cover of the classic Lead Belly song. Arshenic is a melodic metal band from Poland, formed in 2007 by the vocalist and songwriter, Oliwia “Ofilia” Bartuś-Staszak. The other current members of the band include electric guitarist Włodzimierz “Vlad” Czuba and drummer Bartosz Staszak.

The name of the band is a reference to arsenic, which is generally thought of as a poison, however it can also be a cure. The duality between the strong female vocals, both singing and screaming, matched with clean and distorted guitars, powerful bass, and zestful drums, with a pinch of cellos, electronics, and orchestral sounds rounding out the background can be heard throughout the group’s catalogue of songs.

The music was produced by Dawid Gorgolewski, Studio Osso. The music video’s script was written by Ofilia, and Creo Official was the video producer.

As the video begins, the camera focuses on the coastline near a wooded cliff. It briefly transitions to Ofilia facing the camera wearing a gas mask — a perfect reference to the meaning of the band name — while cradling a black and white cat in her arms.

Returning to the coastline, the camera follows Ofilia as she sings and walks along an empty coastline wearing a black dress, a crystal necklace, a belt with three pentagrams, skeleton tights, and black combat boots as waves crash near her feet. The instruments, her voice, and the beach give the video a nostalgic vibe. Interspersed slow-motion footage of her footsteps lends itself to an ominous atmosphere in the video, paired with the brooding tone of the song.

Włodzimierz “Vlad” Czuba (Guitars), Arshenic

The instrumentalists are slowly revealed during the music’s buildup. Closeups zoom in on black-gloved hands sliding on the guitar with a skeleton head on the frets. The drummer plays while wearing a white gas mask with the eyes covered in black Xs. The electric guitarist wears a black mask with silver studs covering all but his eyes with a backward baseball cap on his head. The band members wearing masks stare deadpan at the camera.

Bartosz Staszak (Drums), Arshenic

As the melody sways, Ofilia walks down a dirt path in the woods wearing another gas mask, the hood of her black dress up, with scenes cutting between the woods and the beach. The transitions of water breaking over the sand and clips of rocks with the soft music are soothing. 

As the song explodes, Oflilia walks through a graffiti-covered hallway of an abandoned building. These clips are entangled with footage of a forbidden romance, lit by a red-hued light.

The scenes cut back and forth with fluidity. The musicians flicker with high-speed cuts as they play with intensity — a duality of pacing between this point and the beginning, matching the vocals and instrumentals. The video concludes as it began, pulling away from the deserted coastline.

Many elements of this video can certainly speak to viewers that are currently practicing social distancing during the pandemic. Whether that was the intention or not, the video is an emotionally evocative, powerful watch that rolls out slowly and leaves the viewer impacted.

Arshenic’s latest album, Final Collison, released by Sliptrick Records, came out in August of 2019. With their new single out now, hopefully, there’s a new album coming out sometime in 2020. Until then, “Where Did You Sleep Last Night” will be playing on repeat.

Fans can find out more information about upcoming shows and announcements through the band’s website, Instagram, and Facebook page.

Arshenic Online

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All-Star Quintet IMONOLITH Announces Weekly Quarantine Sessions with Tracks Off New Album

All-star modern metal band IMONOLITH released their highly anticipated debut album, State of Being, this past March. Like many bands in the music industry, they have been affected by the COVID-19 pandemic and were forced to cancel their European tour dates in March and April. 

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While the guys have isolated themselves at home, they’re still in daily contact with each other, keeping their creative juices flowing. Even though they are separated across the globe from each other, the members of IMONOLITH have been able to put together something special for fans entitled “The Quarantine Sessions.”

Drummer Ryan Van Poederooyen explains in further detail: “It’s tough times for everyone world-wide with COVID-19. The music industry and bands world-wide have literally been shut down from touring, from doing press tours and anything to do with public appearances. The one thing COVID-19 has not disrupted is the Internet and Social Media. Many bands are getting creative and doing live stream concerts and more…

IMONOLITH has come up with the ‘Quarantine Sessions’ for our supporters in correlation with our debut album release ‘State of Being,’ which came out on March 27th, 2020. What are the ‘Quarantine Sessions?’ They are videos released on our YouTube page, each Monday at 8 a.m. PST, of the full band playing through a song on our debut album. We will be releasing a new song every Monday until we have finished all 10 songs on our album. Then on every Tuesday, at 9 a.m. PST we will be doing a ‘Quarantine Session Live Feed’ on our Instagram page to talk about the song we released on Monday. We’ll go into many behind-the-scenes specifics about each song we release and do a live Q&A with you all. Let’s hang, have some fun and catch up, while self-isolating at home during these challenging times! 

This is our Quarantine offering to our loyal and new supporters to show how we play our material and to be able to chat with you all, albeit in Quarantine from our homes. This is Self Isolation at it’s finest while helping flatten the curve of COVID-19. Finding the positive in the negative 😉 

Tune in on Mondays for our new video and see you on Tuesdays for our live feed discussion. Be safe out there!”

Check out the first episode, “Becoming the Enemy,” here or below:

Follow IMONOLITH‘s Videos

YouTube | Instagram

IMONOLITH features drummer Ryan Van Poederooyen (Devin Townsend Project), guitarist Brian ‘Beav’ Wadell (Devin Townsend Project), Jon Howard (Threat Signal), guitarist Kai Huppunen (Methods of MayhemNoise Therapy) and Scott Whalen (Econoline Crush). The collective of heavy-hitting players is at the top of their game recently releasing their debut album, State of Being, on March 27. The album features special guest appearances from Jens Kidman (Meshuggah) and famed Swedish vocalist Johannes Eckerström and is made up of 10 hook-laden, riff-heavy tracks that center around the theme of how people deal with various stages of life.

The album has already seen the release of four singles and videos – “Hollow,” the 2019 debut single that made big waves, racking up 216K Spotify streams, “Instinct,” “Dig,” and the most recent single, “Becoming The Enemy.” With the release of these singles, IMONOLITH has already received worldwide praise that has garnered them a massive number of streams and attention from the media and fans alike. 

Check out the videos here:

Hollow | Instinct | Dig | Becoming the Enemy

State of Being is available in exclusive vinyl and CD formats at www.ImonolithBand.com, or you can stream the album at the service of your choice here: https://lnk.to/stateofbeing.

IMONOLITH Online

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Atmospheric-Prog Rock Act Itayil Reveals Debut Single, “Bloom”

Bloom,” the first single from Itayil, the atmospheric-prog rock solo project of CanaItayil Reveals Debut Single, “Bloom”dian musician David Chunn, is available today. Listen to the song now exclusively via Sea of Tranquility here.

“This song reflects on the finite nature of life, and how nothing is constant,” Chunn says. “Just as quickly as we learn and grow, we forget and the light leaves us, similar to a flower in bloom.”

Translating to “in between,” Itayil is a word that resonates with Chunn on a personal level, both in terms of lifestyle and musical influences. A scientist by day and musician by night, Chunn blends sounds from various genres to create melodies that capture the meaning of Itayil.

In a swirl of ethereal soundscapes, with “Bloom” Chunn creates an immersive experience that ventures beyond sound and into the mind. Trained in piano and guitar, Chunn is a self-taught vocalist who cites Alcest, Tesseract and Tame Impala as influences.

“But I’m constantly trying to find new inspiration in any genre,” he adds.

Chunn previously served as vocalist for Calgary-based band Vallite and has appeared as a guest on tracks by Every Hour Kills, Depths of Titan and Gaia.

Itayil Bloom Art

Bloom” is available today via Itayil’s Bandcamp and major digital music providers.

Itayil Online:

Facebook | Instagram | Bandcamp


Lucky Boys Confusion Get Nostalgic on New Video “Arizona Stand”; For The First Time, Debut Album on Vinyl

Video Features Archival Footage from the Last 15+ Years

Lucky Boys Confusion and Mutant League Records have dropped an unofficial music video for LBC’s song “Arizona Stand.” The track appears on the limited-edition double vinyl release of the band’s 1998 debut album Growing Out Of It, which is out today. Featuring archival footage of the band from over the last 15+ years, the clip was edited by Alex Zarek.

View “Arizona StandHere:

1998 Debut Album Growing Out of It Out Now on Vinyl for The First Time Ever

Available for the first time ever on vinyl, the collectors edition deluxe double LP is limited to 500 copies and includes other fan favorites such as “Fred Astaire” and more. The record includes a double insert with song-by-song liner notes from the band.

LBC Growing Out of It LP
  • Pressing Info:
  • 200 copies – Solid Orange
  • 300 copies – Blue & yellow starburst

Purchase the Limited Edition Growing Out of It Vinyl here.

Lucky Boys Confusion Online:

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Ferocious “Beauty-Core” Trio GFM (Gold Frankincense & Myrrh) Debut New Video for Joey Sturgis-Produced Single “Taking Over”

GFM (Gold Frankincense & Myrrh), a trio of teenage sisters who have already mastered the art of balancing a Paramore style of melodicism with a Slipknot-like ferocity, have debuted a new video for the single “Taking Over.” “Taking Over” is premiering today, exclusively via Alternative Press.

“’Taking Over’ is a song about standing up for yourself and for others,” says bassist/vocalist Maggie English. “We’re not taking no for an answer and nothing is going to stand in our way. The time to join Team GFM is now before it’s too late.”

Visualizing the young band’s sound, which they have dubbed “beautycore,” director Dale Resteghini juxtaposes images of military tanks emblazoned with GFM’s pink logo with aggressive performance footage of the band in their trademark pink GFM cheerleader uniforms, as the sisters proclaim, “Get up, stand tall If we fall, then we fall together/Take your shot, the best you got/We won’t stop, and we’re taking over.”

“The girls crushed the video,” Resteghini says. “I love helping hot new bands breakthrough the noise. One listen to the single ‘Taking Over,’ I knew I had to do this. These young girls have already shown they can handle the rigors of tour life and are destined for greatness!”

The Joey Sturgis (Of Mice & Men, The Devil Wears Prada, Attack Attack!, Asking Alexandria) produced “Taking Over” is the second single from an upcoming EP.

“Prepare to hear GFM at their heaviest,” says Sturgis. “Working on this song was all about capturing the girls at their heaviest moment, shattering your ears while allowing their melodic ability to continue to shine through the rubble.”

Catch GFM Now on the First Ever Social Media E-Tour

While spending time at home during the quarantine, the trio is finding unique ways to connect with Team GFM. GFM is hosting the first ever “e-tour,” virtually touring a variety of different social media pages and platforms. The first round of tour dates have been announced on GFM’s social media pages, with more dates quickly being added. An entire acoustic performance will be featured along with a Q&A session during each livestream. Additionally, fans with a good eye will notice a phone number within the artwork for “Taking Over.” This Easter egg is an active number that is being used as fun and unique way to interact with fans.

Taking Over” is available via Apple Music

GFM Taking Over Artwork

GFM’s first album, Identity Crisis, was released in 2016, followed by Oh, The Horror! in April 2019. After touring the US multiple times, the group headed overseas to Germany in 2018, where their energetic performances established GFM as a festival favorite. A new EP is scheduled for release this spring.

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The first single from the EP, “I Don’t Need Your Fantasy” was released earlier this year. Listen to the track here.

Members of GFM are endorsed by PRS Guitars, Sinister Guitar Picks, Schecter Guitars, SJC Drums, Sabian Cymbals, 64 Audio, Orange Amps, Gator Cases, Enki USA, Pig Hog Cables, Coffin Cases, TUK Footwear, Cheerleading Company and Boathouse Sports.

GFM Is:

  • CJ Sanders English – Guitar, Vocals
  • Magdalene “Maggie” Rose English – Bass, Vocals
  • Evie “LuLu” Louise English – Drums, Background Vocals

GFM Online:

Website | Facebook | Twitter | Instagram
YouTube | Patreon | Bandsintown

Baroness Share “Tourniquet (Socially Distant)” Video

Baroness share a new video for the song “Tourniquet”. Dubbed “Tourniquet (Socially Distant)” the footage features the four band members playing the six-and-a-half minute song at their respective homes, showcasing the band’s ability to both socially isolate and come together to share the message of unity amidst the COVID-19 crisis. Watch the video here.

The band issued a collective comment:

Hey everyone! Here’s an as-live-as-possible performance of ‘Tourniquet’ that we made over the course of a couple days during this period of isolation.

We have all maintained a rigid policy of social-distancing since becoming aware of this pandemic; which has unfortunately deprived us of our much preferred means of playing music. Throughout this crisis, the overall safety and responsibility of our global human community far outweighs the individual value of any show, festival or tour. We’re refocusing and redoubling our energy to adapt to this situation as it unfolds.

As difficult as it seems to navigate the effects of this virus, the isolation has not stripped us of our passion for Baroness’ music. Playing music so far from our bandmates will never be particularly natural. However, the experience of making this video through emails, texts and phone calls has been a powerful reminder of how inspiring and invigorating music can be in times of stress, struggle and confusion.

We hope you enjoy this performance. It isn’t meant to highlight musical perfection or precision. Personally, it serves as a reminder that, no matter what situation we face, we are still able to enjoy friendship, family and community through something as simple as a song. Isolated but never alone… Baroness.

The video closes with a message to fans: “Be safe. Be good to each other. Act with personal and civic responsibility. We’ll see you again soon.”

Tourniquet” is featured on the album Gold & Grey, which arrived in June of 2019 with Stereogum saying the collection “is the best thing Baroness has ever done… a masterpiece,” NME declaring it “a work of art in the truest sense of the word” and NPR, noting the synchronicity between Baroness’ music and imagery, observing that “Gold & Grey feels like a callback to the heyday of the rock album as art object.” The 17-track release debuted atop Billboard’s Hard Rock Albums Sales and Independent Albums’ Charts and found the band gracing the covers of both Revolver and Kerrang! magazines. Baroness has taken fans behind-the-scenes into the making of the Dave Fridmann (The Flaming Lips, At War With The Mystics) produced album, releasing an 11-part web series dubbed “Making Gold & Grey”. Watch here.

The Philadelphia-meets-New York based band have grown to be one of rock music’s most critically-revered as well as one of the most inventive artists of the modern era with each release in their kaleidoscopic canon seeing the band further defining their unique musical vantage point. Baroness’ catalog of studio recordings is: Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), Red Album (2007), A Grey Sigh in a Flower Husk (Split LP, 2007), Second (EP, 2004) and First (EP, 2004).

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Baroness Is:

  • John Baizley (vocals/guitar)
  • Gina Gleason (guitar)
  • Nick Jost (bass)
  • Sebastian Thomson (drums)

Baroness Online:

Website | Facebook | Twitter
YouTube | Instagram



Songwriter Mark Greenawalt Self-Makes “Don’t Cry Angel” Video While in Quarantine

PHOENIX — Singer-songwriter Mark Greenwalt took the opportunity to make a music video during the government mandated stay-at-home policy. With a crew of one, he propped his prosumer camera on a tripod to film himself at the piano and behind a guitar playing his original song, “Don’t Cry Angel.” The video was released on his YouTube channel on April 4th, Greenawalt’s 53rd birthday.

The Making of the Video

He co-wrote the song with songwriter Angel Pizzaro in 2011. Pizarro presented the heart-felt lyrics about a personal friend of his who had tragically passed away. The songwriting team crafted the story to discuss the relationship between a new angel and the grieving friends and family they have left behind. “It seemed to have a message,” he said, “for people to relate to who are suffering from losses during our current pandemic.

The chords and melody of the song were developed while Pizarro sat with Greenawalt at his piano nearly ten years ago. The opportunity to record the song came from a mutually beneficial relationship with the Conservatory of Recording Arts and Sciences (CRAS) in Phoenix, who needs bands and musicians to help their students learn the ropes of professional recording techniques. The core players in the session were Pizarro on drums, Webb Pickersgill on bass, and Greenawalt on keyboards, guitars, and vocals. Student engineer, Daniel Armijo, later stated that he ended up getting a grade of 97 on the project and a song was born.

While in the studio, Greenawalt had shot some video of Pizarro playing drums. “It wasn’t the greatest of quality,” he said, “but it seemed to be a good way to get started on the music video.” There wasn’t any usable footage of Greenawalt and Pickersgill from the studio, and at this point Pickersgill had moved to Colorado to be a game director with Deck Nine (Life Is Strange). Pickersgill, however, was very interested when asked if he would be willing to film himself playing the song. “I’ll bring my bass to work”, he said, “and just ‘Milli-Vanilli’ a few takes on video for you.

When it was time for Greenawalt to perform his sequences, he envisioned singing in front of a stained glass window. At a loss for where to find one that he could record in front of, he went to YouTube to find a DIY way to make his own. After a trip to the hobby shop to get glass paint and faux leading, he created a mosaic image of angel wings with sun rays reminiscent of the Arizona state flag.

Watch Mark Greenawalt’s Time-Lapse Video

Another project behind the scenes was getting the overhead shots of the piano. For this, Greenawalt build an iPhone carrier and hung it from fishing string over a raised backdrop stand. The raising and lowering was accomplished by reeling the string around a rotating electric drill bit. “It seemed to be a good idea,” said Greenawalt, “but most of the footage was shaky and unusable. It was worth a try and a few clips actually made it into the video.

Overhead shot of Mark Greenawalt playing the piano

I wanted to include an aerialist in the video who would be spinning up high in hoop,” he said, “And I envisioned filming them over water and wearing angel wings. With the quarantine if full swing, it didn’t seem like I was going to have the opportunity to get that footage.” The eureka moment came when he found a video on a friend’s page on Facebook that was as beautiful as he had envisioned. I wasn’t over water and aerialist Dakoa O’Kane wasn’t wearing angel wings, but the imagery was stunning. He reached out to videographer Glen Goldblatt for permission to use the footage was thrilled when it was granted. This footage ended up being the bookends of the fade in and fade out of the video.

Aerialist Dakoa O’Kane footage by Videographer Glen Goldblatt

Greenawalt had a guest vocalist come to his home studio to record some harmony vocals on the song after the initial recordings at CRAS. She also “sang” some angelic whispers saying, “Goodbye, I’ll be waiting for you.” This was such a feature in the song that it seemed important to have it performed in the video. Keeping social distancing to a minimum, Greenawalt reached out to his daughter-in-law Savannah Greenawalt to play the part of the angel in the video. There were just a few short takes of her behind the stained glass and some extreme closeups of her singing the harmonies and it was a wrap for Savannah on the home “set.”

Savannah Greenawalt behind Mark Greenawalt’s handmade stained glass window

The rest of the shots were self performed and filmed by Greenawalt in his living room including a “martini shot” of him playing a “keytar” in the recently renovated tile bathroom. He culled on his knowledge from his day job as a lighting designer to successfully illuminate the sets and his brief education from film classes at The Film School at Scottsdale Community College for the editing process.

The video was completed in time for a premiere on the evening of his 53rd birthday where friends and family joined in on the chat to speak with songwriters Greenawalt and Pizarro.

“Don’t Cry Angel”

  • Written by Mark Greenawalt and Angel L. Pizarro Jr.
  • Future-Class X Publishing, ASCAP
  • Faded Periwinkle Publishing, ASCAP

Mark Greenawalt is both a Senior Concert Photographer and part-time Music Journalist for Burning Hot Events! See his concert photography here, and writing here.

Mark Greenawalt Online

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Instagram | YouTube | Patreon


BANKS Releases Live and Stripped EP

Avant-pop/dark R&B artist BANKS has released an EP entitled Live and Stripped, stating that she is “using music as a tool to bring us together.” BANKS utilizes her music to release her emotions, which is both apparent through her lyrics and the raw vocals heard on this EP.

One of her messages to fans was: “My new Live and Stripped EP is out today! I’m so excited to be able to share these stripped back versions of my songs with you.

Most of my songs are written on the piano before anything else, so it is a gift to be able to share these acoustic versions of songs with my fans during this tough time. We cannot physically be near each other right now, so I am using music as a tool to bring us together.”

Live and Stripped Track List

  1. Stroke
  2. Contaminated
  3. Drowning
  4. If We Were Made of Water

Listen to the Live and Stripped EP

I think people are most beautiful in their rawest form, and sometimes same goes for music. I am so happy you guys can get to know me a little better by hearing these songs like this.” says BANKS.

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Watch “Drowning” 1 Mic 1 Take Video

BANKS Online

Website | Facebook | Twitter
Instagram | YouTube


COVID Compilation – Musical Gallows Humor To Get Us By During Lockdown

During the unprecedented COVID-19 pandemic, some artists have taken advantage of the opportunity help us cope through music featuring grim and ironic humor in this dire situation. We’ve curated a list of music videos, memes, tweets, and a Spotify playlist for your enjoyment while you’re stuck at home. (We appreciate your patience while the page loads – it is full of content to entertain you!)

EXPLICIT LANGUAGE WARNING: Some of this content contains swears.

“One Week of COVID-19”

Beginning on a light note, we are sharing a parody of “One Week” by Barenaked Ladies, performed by Pepper Coyote and titled “One Week of COVID-19”. Originally written by Dana Jay Bein (aka @daniAWESOME), some of you might recognize a reference to a rather unique anime that you explored on Netflix while shut in. #NoSpoilers:

“Coronavirus Rhapsody”

One of the first we saw hit the internet was “Coronavirus Rhapsody”, and while there are multiple coronavirus parodies born from Queen’s “Bohemian Rhapsody”, we chose to share the version performed by Adrian Grimes, with lyrics by Dana Jay Bein:

You can see the same version being performed by the Phoenix Chamber Choir here.

Same have criticized the parody as being insensitive. Grimes addressed those opinions in his video description:

“I’ve had a few comments suggesting that this is ‘insensitive’. I want to emphasize that I know where these people are coming from. My wife works in healthcare and I have two young kids; I know very well how this virus could impact my family. Every day that my wife goes to work, I hope it is another “bonus” day we get together before the wave hits and I don’t have to quarantine her and stop our children from hugging her. However, I hope that even in those circumstances, should they occur, I will still be able to maintain a sense of humor, and a lot of comments from people already affected by coronavirus have told me how much they appreciate this. I thank you for your understanding in these unprecedented times.”

“Coronan Rhampsody”

Maestro Ziikos took a bit of a different approach with his own compilation of manipulated clips of President Trump to form the “Coronan Rhampsody”:

“Quarantine Song”

This type of political music video is was Ziikos is all about, as evidenced by his YouTube channel and Spotify. He is also responsible for the “Quarantine Song”, a parody of Bruno Mars‘ “The Lazy Song”:


Chris Mann, a second season contestant on NBC’s The Voice has made a bundle of pandemic-themed music videos, and doesn’t seem to plan on stopping. Here are a few of them:

“My Corona”

“Stay At Home”

For the third video of his that we are sharing, rather than comedy, Mann opted for an emotional parody of Alanis Morrissette’s “Thank U” to express appreciation for those on the frontline: Doctors, nurses, scientists, pharmacists, the postal service, grocery clerks, and more:

“Thank U Frontline”

See more of Mann’s COVID-related videos on his YouTube channel.

However, if death metal is more of your jam, we have “Coronaviscerated” by Vermicide Violence for you:

“Coronaviscerated”

“COVID 19”

Born from a choir rehearsal cancellation, Sam Chaplin offers a more stripped-down parody with simply “COVID 19” performed at his piano. This parody is derived form “Come on Eileen” by Dexys Midnight Runners:

It is truly amazing that musicians and artists can rise up and create this entertainment for us during an otherwise downright scary time with an ambiguous future ahead. Please seek out ways to support these artists while they are supporting us. Many of the videos have song purchasing links in their descriptions! You can support Burning Hot Events’ hard work by pledging to our Patreon.

There are countless more music videos on YouTube about COVID-19, the pandemic, quarantine, the lockdown, and the absurd ways some people have chosen to handle the situation. Unfortunately there are too many to display in one article, but you can go down the rabbit hole to your heart’s content on YouTube. See More Here

Loads of musicians are adapting by doing live streams, and Burning Hot Events frequently shares posts to let you know about them on our Facebook, Twitter, and Instagram accounts!

COVID-19 Music Memes & Tweets

Not only has the internet has made so many songs and music videos easily distributable and accessible, but also an endless supply of relevant music related memes & tweets. Here are some that we gathered:

COVID Apocalypse

A Spotify playlist curated by Katherine Amy Vega
(Owner, Manager, Senior Concert Photographer of Burning Hot Events)
Featuring carefully crafted transitions and juxtapositions between themes and genres, and an eclectic array of artists:

“A journey of navigating the pandemic. Themes of illness, depression, dissociation, death, angst, illness, disgust, rage, ignorance, propaganda, conspiracy, anarchy, war, disaster, revolt, isolation, self-medication (addiction), slavery, incarceration, religion, despair, hope, perseverance, rising up” Open in Spotify


“Now is a crucial time for the arts. I’m watching values shift.”
— Katherine Amy Vega

April STAFF PICK: Manic by Halsey

“GRAMMY Award-nominated, multi-Platinum artist and alternative pop maverick Halsey returns with her third full-length album Manic featuring her 5x Platinum hit “Without Me” and “Graveyard.” The success of “Without Me” has made Halsey the first and only female artist to have at least three songs chart on the Billboard Hot 100. It now ranks as the longest-running Billboard Hot 100 top 10 hit by a female artist of this century.” – Amazon

Artist, Album

Halsey, Manic 

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Chosen by:

Brianne Dunn

Content Editor

Brianne Dunn

During this COVID-19 pandemic, everyone needs the work of artists to cope, and independent artists need your help to survive and keep making art. Please consider donating extra today to our hard work at Burning Hot Events!


News & Reviews from the Fiery Mosh Pits of Arizona