Burning Hot Events is a free, independent publication fueled by passion for music and art. We rely on ads to help us bring you great content, so if you enjoy our site, we'd love your support!
Please consider disabling any ad blockers to support us – we don’t force it!Dismiss
Divided Minds is an established Pop Rock band from Phoenix, AZ, who has performed with numerous national acts such as Wage War, The Summer Set, Whitney Peyton, SLAVES, Doll Skin and Best Ex (formerly Candy Hearts). Divided Minds has proven time and time again that their music connects well and their sound continues to be fresh. Their music has often been played on KWSS 93.9 and ALT-AZ 93.3 along with interviews and morning TV guest appearances. Having released in 2016 their debut EP Perception, they toured the regional circuit and found themselves gaining the attention of Ross Robey of Rolling Artists and Greg Long – owner of We Are Triumphant.
Their first 3 new songs, “Don’t Get Too Close“, “Norterra Pkwy“, & “Take My Hand”, off their upcoming release Mood Swings (due out April 6th), are available to stream/purchase on Spotify and iTunes.
Divided Minds premiered their new music video for
“Don’t Get Too Close,” in New Noise Magazine.
Divided Minds has an unwavering commitment to create the best music possible and to bring their live audiences closer to the music experience as a whole. Having opened this past year for BØRNS in front of a crowd of over 1500 enthusiastic fans, it became quite evident that Divided Minds was creating quite the stir as a band to be noticed.
Divided Minds opening for BØRNS at Tempe Marketplace
Since Perception, Divided Minds has continued to grow both in their music and performances. With a recent signing to the We Are Triumphant label and the release of their newest music video “Don’t Get Too Close” from their forthcoming EP Mood Swings to be released April 6th, 2018, Divided Minds’ die-hard fans are poised and ready to once again be apart of this Alternative Rock sound that feels all the emotions as their new EP Mood Swings delivers.
“’Don’t Get Too Close’ is really about the fight between what you are inside and what you choose to show to everyone. It’s a song about the fight with your inner demons. It demonstrates the fear of letting people into your life and the fear of intimacy.” – Sean Collins (Vocalist)
Working with their label, We Are Triumphant, Divided Minds is planning to begin touring regionally in 2018 and work their way across the U.S. this Spring and Summer of 2019. With their stand-out songs and the fun presence they create with their fans at their live shows, there is something sweet and musically rocking Divided Minds brings to the world of music.
The Faim dove right in to the music industry. From working with John Feldmann, Pete Wentz, Mark Hoppus, & Josh Dun, to releasing their debut single “Saints of the Sinners”, the four-piece band are certainly building their repertoire.
The Faim are touring the UK and Australia this year with their first international headline show in Glasgow, Scotland on May 25. The band has plans to tour the U.S., hopefully with a stop in Phoenix! No word yet.
Josh Raven, frontman, tells us more about the band, working with music industry greats, influences, and more in their email interview below:
The Faim (formerly Small Town Heroes) is 4 years old. Where did The Faim’s band members meet each other?
Michael, Stephen, and I all met at high school. We were in the same music class for a few years even though Michael was in the year above. Stephen and I had played various school performances together and Michael had started recording a few ideas with Stephen after school. We got together and decided we wanted to start a band. After about seven months of starting the band we spotted Sean on YouTube and were instantly drawn to his energy and style of playing. We had our first jam a short time later and everything just clicked. We connected more than we ever thought, and we haven’t looked back since.
The Faim – Photography: Max Fairclough
Have you always wanted to be musicians?
Every one of us has been drawn to music. Having bands and artists who inspired us and helped us connect with music so strongly is something we want to share in our own way with others. One thing we’ve always had in common is that music has been always a release for us. Even before we started the band we all had a passion and connection to music. It was just about finding the perfect pieces of the puzzle for our journey that happened to be each of us.
How did musician & producer John Feldmann hear about you?
Our first contact with John came about through Instagram. He posted saying he was offering opportunities to “bands with touring experience” and we knew we had to try. We knew we had no touring experience but we were so determined to learn and give our all to impress him. We sent two of our favourite songs we had written at the time and hoped for the best. A few weeks passed and we’d put it in the back of our mind that we’d sent the email and just kept to our routine, and all of a sudden we got an email from John asking for a FaceTime call and that’s where our relationship started.
Your sound has evolved from the Small Town Heroes Set Free EP. How much had it changed in between then and when you started working with Feldmann and other artists, and what inspired the change?
Before we were writing with John we were struggling to find an organic sound to connect with. We wanted to be authentic, unique and connect with people on a personal level. Those writing trips really opened our perspective on writing music. The pressure was so intense, but we all were so determined to find our identity and explore our writing process. Opening up so personally with each other and just talking about what we wanted out of the core of each song was a huge part of the learning process.
Within the first 10 minutes of meeting John he was already pushing out of our comfort zone. Putting us on the spot to perform songs we’d finished on the plane. The experience, the energy, and our open perspectives on music helped us open the doors to finding our identity of sound amongst all of our passions and influences.
As a young band, how does it feel to already be working with musicians from huge bands such as Goldfinger, Blink-182, Fall Out Boy, and Twenty One Pilots?
We were star-struck at first. We couldn’t believe we were writing with the musicians who not only inspired us in a songwriting perspective but the story and the message behind it resonated with us. Having the opportunity to not only write, but get to learn from and relate to them as people was truly inspiring. Especially because they were all such down-to-earth, talented musicians who really love creating great music.
Was there influence or advice from these artists that was a game changer for you?
A game changer for us was John really influencing us to be more critical on letting ideas flow naturally. If we weren’t liking a melody or lyrics after 10 minutes we’d move on. Being definitive, honest, critical and persistent was a world John really opened us up to.
You can hear co-writer Pete Wentz’s influence in “Saints of the Sinners”. What role did he play in collaboration? Did he write arrangements, lyrics, or something else?
When we wrote with Pete we had a different approach to how we started the song. We simply just started talking about how hard it is for not only musicians but people in general to achieve their greatest goal. We all have that rebellious voice in the back of your mind that says “Take it. Who cares what’s in the way. Just take it.” We wanted to explore our relation to the concept that there’s nothing selfish about thinking “I’m going to get to where I want to be and nothing’s going to stop me.”
Does “Saints of the Sinners” theme of perseverance to have your voice heard come from your personal experience in pursuing your music career?
Definitely. I feel like any creative person feels that burning sense of frustration when plans or songs you create don’t turn out how you expected. This song is a response to any obstacle or environment that holds you and your dreams back. When your dream becomes a need there’s a passion to take control. Coming to terms with the reality that it’s your right to not only work towards but to take what you deserve.
What kind of setbacks helped shape you into the musicians you are today?
There’s been countless amounts of technical difficulties, fights, sleepless weeks, the list is endless. A big hurdle we faced was everyone dropping all their commitments and becoming a living, breathing band 24/7. It was financially crippling, inevitably frustrating and unpredictable but we wanted to develop our establish our identity, our sound and we knew that’s what we had to do. Every single one of these setbacks has had a part in shaping us as musicians. Setbacks were our biggest enemy but also our greatest ally. Being able to learn from these mistakes and push through every obstacle makes you not just stronger in your craft but a stronger person.
Do you have any advice for aspiring artists to keep going?
Create music you enjoy and relate to. Take extra time to get to know the people who listen to your music, and go the extra mile to being a good role model. If you’re authentic to who you are, then it’s never a quick process finding your identity. Stay open to perspective and learn from criticism. Then, you have the first steps to move forward.
If you could play a show anywhere in the world, where would you choose and why?
We all have dreams of playing Madison Square Garden and Wembley Stadium, but the absolute best show would be to play right at home in Perth Arena. We’ve got so many fond memories of seeing some of our favourite bands play and having that experience to share with our hometown would be perfect.
When do you guys plan on touring the U.S.? What do you know about Arizona?
We have plans to come back to the U.S. to perform, but we have a very tight schedule for the upcoming months… but plans are definitely in the works. We’re all pretty new to travelling but I’ve heard beautiful things about the Arizona landscapes. It’s always been a dream of ours to experience different environments, and the waterfalls and culture of Arizona really appeal to us.
If you could tour with one band or musician from any time period, living or dead, who would you choose and why?
Jimi Hendrix, because his music is just undeniably incredible. There’s something so perfect about his relationship with music and how it reflects in his songs. One man with a guitar who captivates thousands in such a different time is something that really resonates. The story of his relationship with music is so inspiring, I can’t imagine how passionate his live performance must be. His connection with music is so raw and intense, and I would love to see a crowd of today connect with it.
PHOENIX — Unity, love, and an all-around good time were the three main focuses of the Lost in Translation Tour’s stop in Phoenix. “Don’t ever forget that each and every one of you here has the power to do anything you set your heart on,” said David Boyd, lead singer of New Politics.
New Politics, Dreamers, and The Wrecks put on an sensational sold out show at Crescent Ballroom, with each band bringing the energy of a headliner.
The Wrecks were first in the lineup with an electrifying set. Lead singer Nick Anderson’s unique voice took the crowd to a new level. The energy from the five piece band was reminiscent of early 2000’s pop punk. Their new EP Panic Vertigo, just released last month, showcased the growth of the band. The Wrecks played an unreleased song “Live”, and Anderson said the band only plays it when people in the audience have enough energy to give back. They ended with the upbeat angst filled song “Favorite Liar” which has been played frequently on 93.3 Alt AZ. The Wrecks hinted at wanting to do a headline tour with a stop in Phoenix soon.
Their band name describes their set: dreamy. The three-piece band played fan favorites such as “Painkiller” and “Sweet Disaster”, which have been on rotation on 93.3 Alt AZ as well. With catchy guitar riffs from lead singer and guitarist Nick Wold, strong rhythm from bassist and back-up vocalist Marc Nelson, and striking drums from drummer and back-up vocalist Jacob Lee Wick, the band amped up the crowd.The upbeat set proposed the feeling for New Politics’ upcoming performance. Their song “Bleed Through”, Wold explained, is about people who have jumped off the Golden Gate Bridge and coming back from that ledge; also for any who has fallen.
Inspiring the crowd to raise their hands immediately, the energy exuded by the three piece band from Copenhagen, Denmark, was mind-blowing, to say the least. With Boyd sporting pants that could have been inspired by Beetlejuice, and a John Lennon style hat, his charisma got the crowd rocking.
The trio started their set off with “Istanbul” from their latest record Lost in Translation, which was released last year (2017). Their set consisted of a variety of songs that showed how diverse they are.
“Girl Crush”, “Everywhere I Go (Kings and Queens)”, and “Dignity” were noticeably among the crowd-favorites.
“Tonight You’re Perfect”, “One of Us”, and “Harlem” are among the most well-known songs from the trio.
One of the more intimate songs played during the set was “Color Green”, which Boyd dedicated to his newborn daughter.
Guitarist and lead/backup vocalist Søren Hansen and drummer Louis Vecchio, were highly animated throughout the 20 song set. It was impressive to see the same energy that Boyd offers in Hansen and Vecchio.
Boyd knows how to perform. The lead singer engaged the crowd from all angles, and got intimate with the crowd multiple times by resting his leg in fans’ hands as he sang. It also seemed as if he would sing directly into fans’ phones. ULTIMATE FANGIRL DREAM.
By mentioning unity more than once, it was clear that Boyd places importance on giving fans a unifying experience. He showed his gratitude to the fans at the end of “One Of Us” by making bowing gestures toward them, suggesting that this experience is just as meaningful to him.
“I don’t want this to end”, Boyd exclaimed before the final song. “There’s only one thing we’re gonna have to do, is come back soon, right?”, he continued. “So what we’re gonna do right now, ‘cause endings are so sad, we’re gonna do the opposite. We’re gonna take this energy here, and we’re gonna celebrate that we f***ing did it! Alright? And we’re gonna cherish every memory of tonight, and we’re gonna even make it better, and there will be a surprise…”
The band certainly knows how to end a show with a grand finale, by playing the explosive “Yeah Yeah Yeah”, with Dreamers’ Wold singing the first verse, and The Wrecks’ Anderson coming back to rap during the second verse.
How to end a show: with Hansen crowd surfing as he plays his guitar solo. √ CHECK
LOS ANGELES (Mar 6, 2018) – Transcendent, two-time GRAMMY® Award-winning rock band Evanescence and acclaimed Billboard Award-winning electronic violinist Lindsey Stirling today announce their co-headlining 2018 summer amphitheater tour across North America. The tour, produced by Live Nation, will kick off July 6 in Kansas City, MO at the Starlight Theatre and will make stops in 31 North American cities. The trek will wrap September 8 in Ridgefield, WA at the Sunlight Supply Amphitheater.
Tickets On Sale To General Public Starting Friday, March 9 at LiveNation.com
Artists’ pre-sales will begin tomorrow (Wednesday, March 7) at 10am local time. Tickets for the tour will go on sale to the general public beginning Friday, March 9 at 10am local time at LiveNation.com. Evanescence will offer a limited number of VIP packages for purchase that include premium seating, attending sound check and a champagne toast with Evanescence. Visit Evanescence.com for full details.
“Lee firmly re-establishes herself as one of rock’s pre-eminent vocalists, exhibiting an impressive range that still packs a wallop…a synthesis of rock, classical and EDM” – Variety
Amy Lee, Evanescence | Photography: Paul Brown
Lindsey Stirling will also offer a limited number of VIP packages for purchase that include premium seating, a pre-show party, and exclusive merchandise. Visit LindseyStirling.com for full details. VIP Packages will go on sale tomorrow (Wednesday, March 7) at 10:00 am local time.
“Live, Stirling’s performance takes on a new level of respect as you see her stiff left arm holding the violin while her body twists, contorts and moves around. She never misses a note or beat as her music carries the listener on a whirlwind of instrumentals.” – Creative Loafing
Lindsey Stirling | Photography: Shervin Lainez
Both artist’s shows will be accompanied by a full orchestra, highlighting both acts musicality and their incredible performance abilities that continue to blow fans away. The orchestrated performances will also perfectly accent the astounding amphitheater venues across the U.S. and Canada that the two will be performing in, making for a magical summer evening.
The two artists recently collaborated on the song, “Hi-Lo” from the latest Evanescence album, Synthesis, which features a virtuosic violin solo by Lindsey Stirling. Listen to the track HERE.
PHOENIX — P!nk kicked off her Beautiful Trauma World Tour in an unreal musical experience that rocked the Valley of the Sun. Following the release of her seventh studio album, aptly named Beautiful Trauma, came the announcement that she would hit the road once again to share her exquisite sound with the world. With anticipation of her first album release in five years, it came as no surprise that the Phoenix show was completely sold out. Fans flooded Talking Stick Arena, sporting the artist’s color in everything from bedazzled wigs to homemade jumpsuits. Inside the arena KidCutUp could be heard spinning his usual mashup of hip hop and party songs in order to rouse the crowd before the main act.
From start to finish, P!nk put on a show that left the crowd wanting more, even after a 21-song setlist. Her energy is tangible as soon as she appears before the crowd, launching into the show with one of her biggest hits of all time “Get the Party Started.” What was seen as the curtain dropped at the start of the song could only be described as unbelievable. Breathtaking acrobatics featuring her in a full body sequined jumpsuit paired with incredible dance numbers involving an array of mobile props on stage and back-up dancers. It made for a mind-blowing start to what would be a truly unforgettable set.
Paying ode to her newest album release, P!nk segued straight into “Beautiful Trauma,” serenading the audience with her haunting lyrics before taking them right back in time with old favorites like “Just Like a Pill” and “Who Knew?”
“Hello!”, she shouted into the mic, taking a moment to address the audience, “I can’t believe tonight’s finally here! Just like you guys, I have no idea what’s going to happen!” Her excitement rang through the arena, the frenzied crowd cheering the whole time. That energy remained, with those on stage and those in the crowd, for the entire performance. She played several more songs off of her new album such as “Revenge”, “Barbies”, and “I Am Here”, while also including additional top hits “Try” and “Just Like Fire.” Whether old fan or new, everyone in the arena was able to sing along.
P!nk collaborated with artists such as Eminem and Phoenix’s own Nate Ruess, who both made appearances in creative ways. A video of Ruess was displayed on a screen, while Eminem was made into an enormous inflatable puppet that was guided across the stage by her dancers as P!nk sang along beside it.
One thing that makes P!nk stand out as a performer amongst others is that each song is, in and of itself, like a unique mini concert. From the band to the dancers and backup vocals, there was a passion that could be felt from all of them. Beautiful costumes were accompanied by expert dance sequences and enormous, detailed props were used on and off the stage to help create a multi-level experience. With each new song came a sense of wonder as to what magic would take over the stage next.
Another thing that makes her stand out as an artist is her fierce dedication to being herself and her love for people. Throughout the show, she takes time to shed light on important messages and reminds everyone about things like love and unity, connecting with her fans on a level unlike many other music artists.
As the show neared its end, she amped the energy up to the maximum level and brought the crowd to its feet once again with her smash hits “Raise Your Glass” “Blow Me (One Last Kiss)” and “So What.” She spent a majority of that time soaring far and wide throughout the arena sporting her same sequined jumpsuit. Lights flashed in every direction as confetti shot from mini cannons on stage. Fans watched in wonder as she flipped through the air past all of the sections. “Thank you all, remember to love one another,” she said as she was lowered to the ground for the final time.
Concertgoers left amazed with the show they had just witnessed, although it was clear that they would have stayed all night if they could. P!nk puts on a performance unlike any other artist in today’s music scene, and that is partially due to the immense love she has for her fans and a driving desire to make a difference in the world. She truly is the beauty and strength that resonates in her music, and she uses that as a driving force to give her beloved fans an unforgettable experience.
Los Angeles, CA – Today, JUNO-nominated rock band, The Glorious Sons, are pleased to share their cover of Kanye West’s hit single, “Runaway.” Their version of the song was recorded at Fiction Studios in London, U.K. and showcases frontmanBrett Emmons’ raw and earnest vocals. This is the first of a series of stripped down videos to be released over the upcoming weeks. The track is available to stream and purchase at digital retailers.
“Chris Koster [guitar, vocals] is a gigantic Kanye fan and he’s been covering the song for years. We played it in a church once together, and my voice just kind of worked with the song,” says Brett. “I can remember listening to My Beautiful Dark Twisted Fantasy and watching the short film all the time in university. It is by far my favorite Kanye album. I had never heard rap sound like that before. In my opinion, this album is one of the most important of the 21st century, and “Runaway” is one of the most perfect pop songs ever written.”
After extensive touring across the U.S., Canada, and the U.K. last year in support of their sophomore album, Young Beauties and Fools (Oct. 2017 via BMG US), The Glorious Sons will kick off their new North American headline dates on March 13th in Minneapolis MN. On May 8th, the band will meet up with The Struts for a run of support shows that launch in Bloomington, IL and wrap in Portland, OR on May 23rd. The Glorious Sons will also hit the festival circuit this summer, performing at Hang Out Music Festival (Gulf Shores, AL),Firefly Music Festival (Dover, DE), and the esteemed Reading & Leeds Festivals (U.K.).
“You don’t know what you’re going to get night to night from us,” says Jay Emmons [guitar, vocals]. “It’s something you have to see – we try to keep it interesting and powerful,” adds Brett. A full list of shows is included below, and all tickets can be purchased HERE.
Young Beauties and Fools scored a nomination at the JUNO Awards for Rock Album of the Year. This is the second JUNO nod for the band, whose debut album, The Union, earned a nomination in the same category in 2015. YBAF’s lead single, “Everything Is Alright,” was named Apple Music’s “Best of the Week,” hit over 2.6 million streams in Canada, and was the guys’ first #1 at the Alternative format. The track is also currently streaming on Spotify’s“Rock This” playlist. Watch the “Everything Is Alright” video HERE.
The Glorious Sons have garnered over 26 million streams in North America, sold nearly 150k singles, produced nine consecutive top 10 radio singles including “Everything Is Alright” and “Josie,” and earned the title of Most Played Artist on Canadian Rock Radio. Daniel P Carter of BBC Radio 1 called the album one of his favorites of the year, and the band recently completed a Maida Vale live session on the Radio 1 Rock Show as well.
The Glorious Sons Tour Dates:
3/13/18 – Minneapolis, MN @ 7th St Entry *
3/14/18 – Chicago, IL @ Schubas Tavern *
3/17/18 – Atlanta, GA @ Atlantic Station (ALT 105.7’s Shamrock the Station)
3/18/18 – New Orleans, LA @ Gasa Gasa *
3/19/18 – Houston, TX @ House Of Blues *
3/21/18 – Kansas City, MO @ recordBar *
3/22/18 – Denver, CO @ Globe Hall *
3/23/18 – Colorado Springs, CO @ The Black Sheep *
Tempe, AZ — February 24th, 2018, shortly a month after Zakk Wylde’s 50th birthday, he put on a great show at the Marquee Theatre with Black Label Society, showing that he’s definitely at a different level musically and also in showmanship. Opener EyeHateGod, a band that has been playing since 1988 showed great energy, starting what was about to be a great night of rock. Corrosion of Conformity, who I remember watching their music video “Dance of the Dead” when I lived in Chile, only raised the bar and rocked the house, closing with their most popular song, “Clean My Wounds”.
Then the show became the kind of show you’d expect to see at a full stadium, opening with pyrotechnics and a classic curtain drop, to the excitement of the fans that had filled up the venue to what seemed to be absolutely max capacity. This was my first time seeing Black Label Society live, and I could not have been more pleased, as their sound and showmanship was definitely beyond what you normally see at small venues like the Marquee Theatre.
Photo Album
Photographer: Rodrigo Izquierdo
Black Label Society, Corrosion Of Conformity, & EyeHateGod – Marquee Theatre 2-24-18