Tag Archives: New Album

Renowned Guitarist Eric Peterson Reveals New DRAGONLORD Track “Lamia” with Gimme Radio

Renowned Testament guitarist Eric Peterson recently announced the release of his highly-anticipated new Dragonlord album, entitled Dominion, out September 21, 2018 via Spinefarm Records. The symphonic black/death metal album serves as the long-awaited follow-up to 2005’s Black Wings of Destiny, but takes the fantasy and storytelling to a whole new level. Dominion explores themes of darkness owning and influencing these times we now live in, and things that have come to pass. It also delves into other eras, real and otherworldly.

Get another taste of Dominion today via Gimme Radio‘s New Releases Show! Listen in today at 8:00 AM PT/11:00 AM ET to hear the world premiere of “Lamia“, a track about the mythical feminine man-eating creature! Listen by visiting Gimme Radio.

Gimme Radio - Dragonlord World Premiere

You can also tune in to encore airings of the show on:

Sunday, September 9 – 12:00 AM PT / 3:00 AM ET
Monday, September 10 – 8:00 PM PT / 11:00 PM ET
Wednesday, September 12 – 10:00 PM PT / 1:00 AM ET
(Thursday morning)

“Oh Lamia it’s witching hour!”
“Oh Lamia thy sons devoured!”

Eric Peterson says, “Musically, this song just rocks! Starting off with ethereal keys backed by a stronghold of bombarding riffs and drums, Leah‘s siren wails and my melodic screams of Lamia’s constant call for filicide, reaping forth complete despair! Tonight’s the night she’ll tear your soul apart! Through telepathy she knows who’s calling her and she will find you!”

 

Digital and physical pre-orders for Dominion are live here:

Physical + Merch | Digital 

Stream/Download via Additional Retailers Here

Make sure to pick up the newly available Ultimate Dragonlair” merch bundle, which will be available today via Spinefarm Records, featuring:


LP gatefold w/ large size 20 page lyric booklet

DIGI CD Pack

THE BURNER Comic

T-shirt
Dragonlord merchWhile online, make sure to check out the “The Making of Dominion” video series! Unreleased audio clips of the album are also mixed in amid the video content. Watch here:

Part One

Part Two | Part Three

 

Also, watch the lyric video for the album’s first single, “Dominionhere, and the fantasy-driven music video for “Northlandershere.

 

Dominion is a dark fantasy fan’s musical dream – exploring everything from Nordic history to Lord of the Rings! Dominion‘s eight songs create a deep and heady musical journey rife with meaning and menace, from the blackest and loudest recesses of Eric Peterson‘s mind.

Peterson recorded Dominion at Northern California’s Trident Studios and produced it with an assist from engineer/mixer Juan Urteaga (Testament, Machine Head, M.O.D.). Dominion was mastered by famed producer/engineer Jens Bogren of Fascination Street Studios in Sweden. In addition to Eric Peterson, Dominion features the musical talents of Lyle Livingston (Psypheria) on orchestrated keys and pianos, Alex Bent (Trivium) on drums, and notable fantasy metal singer Leah on female vocals and choirs (who has performed/recorded with members of Blind Guardian, Nightwish, Delain, and others).

Peterson formed Dragonlord in 2000 as its singer and guitarist (with keyboardist Lyle Livingston and now-ex-members Steve Di Giorgio of Testament and Jon Allen of Sadus), and notes that the growth from Dragonlord‘s first two records to the cinematic triumph and brutal blast-beats of Dominion has been immense. Dominion‘s stellar, complex, brutally symphonic metal is triumphant in its execution, bringing together layers of meaning and musicality into an unholy whole.

Album artwork painted by artist Eliran Kantor (Testament, Iced Earth, Sodom)
Album artwork painted by artist Eliran Kantor (Testament, Iced Earth, Sodom)

Dominion track listing:

1) Entrance
2) Dominion
3) Ominous Premonition
4) Lamia
5) Love of the Damned
6) Northlanders
7) The Discord of Melkor
8) Serpents of Fire

 

Dragonlord Online:

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LULLWATER Releases Stunning Cover of PEARL JAM’s “Release”

Athens, GA based alternative rock band Lullwater has released the official music video for their cover of Pearl Jam’s “Release,” off of the 1991 hit album TEN. Originally premiered on Loudwire, “Release” features live Footage with Dave Krusen (Pearl JamCandlebox) and Kevin Martin (Candlebox), and was recorded at London Bridge Studios in Seattle, WA, where TEN was originally recorded, with engineering and mixing by Justin Davis.

“The entire experience of recording Pearl Jam’s ‘Release’ in London Bridge Studios was so surreal. Pearl Jam is one of my favorite bands and to cover that song in the same room as they did, was very emotional for me. I had no idea that a couple of years later we would be performing it live with Dave Krusen and Kevin Martin on the Candlebox tour; it’s such an odd and incredible feeling of living and experiencing the moments we’ve made because of ‘Release.’ It’s by far the coolest thing that’s ever happened to me as a musician. Thinking back to when I was in my adolescent years playing that song over and over and then one day to be performing it live with the original drummer, is simply crazy for me. ‘Release’ has a special place in my heart and is one of my favorite songs to play live.” – John Strickland (Vocals/Guitar)

Lullwater
Lullwater

For more than a decade, alt rockers Lullwater have been blazing their way to the top of the industry thanks to their gritty, Southern-infused sound and straight-up, raw performances.

Formed in 2007 in Athens, GA, the foursome was born from the indelible mark that the godfathers of grunge left on music. The convergence of this inspiration, mixed with a healthy helping of swagger, defines this critically acclaimed alternative rock band.

Lullwater album cover

The group released its debut, self-titled album in 2012 to solid reviews and were immediately invited to join some of the biggest tours that same year, as well as had the single “Albatross” featured on Sirius XM Octane Radio. Since that time, Lullwater has spent the majority of their career on the road sharing the stage with such A-list acts as CandleboxTheory of a DeadmanFlyleafPassafireAmarantheButcher Babies, and more. The band released their critically acclaimed sophomore album, Revival, in 2015, followed by a live EP, The Seattle Sessions, in 2017.

Voodoo, their latest effort and arguably their best work to date, was recorded at the end of 2017 in New Orleans at Marigny Studios by Swedish producer and engineer Jakob Herrmann, co-produced/engineered by Justin Davis, and mixed by Jakob Herrmann at top floor studios, is scheduled for a Winter 2018 release; this record promises an even bigger, more explosive sound that will shake you to your core.

Lullwater is:

John Strickland – Rhythm Guitar & Lead Vocals
Daniel Binnie – Lead Guitar
Roy ‘Ray’ Beatty – Bass & Vocals
Joseph Wilson – Drums & Vocals

Lullwater Online:

Website |  Facebook | Twitter | Instagram

Stream/Download

YouTubeiTunes  |  Spotify  |  Bandcamp


Featured Photo (top) by Thrasher Photo & Design LLC

 

Multi-platinum Hip-hop Group Cypress Hill Announce New Album, Elephants on Acid – Available for Pre-order Today

Los Angeles, CA – Multi-platinum hip-hop group, Cypress Hill, is pleased to announce the release of their highly-anticipated ninth studio album, Elephants on Acid, on September 28th. Elephants on Acid is the band’s first full-length record in eight years and marks their newly inked partnership with BMG. The album is available for pre-order HERE starting today.

With DJ Muggs at the helm, Elephants on Acid is the first record he produced since 2004’s Til Death Do Us Part. After reuniting with B-Real and Sen Dog in Los Angeles, Muggs traveled across the world to collect the vibe and sounds that make up much of what you’ll hear from start to finish on the 21-track-interlude mix. Cypress Hill takes the listener on a musical journey, starting from the alleyways of Cairo on “Band of Gypsies” – which features live instrumentation from Egyptian street musicians – to the mystical vibes of Joshua Tree where Gonja Sufi lays down some cannabis-infused flow on “Jesus Was a Stoner” and “Blood on my Hands Again.” The band then returns to their native streets of Los Angeles on “Crazy,” a woozy waltz that bubbles underneath rhyme fireworks and an intoxicatingly irresistible hook. The latter is vintage Cypress Hill and also includes the soulful guest vocals of Brevi Wood. Additional standout tracks from B-Real and Sen Dog include “Warlord” and “Put Em In The Ground” – both are sure to bring fans the classic sound they love with a 2018 twist. The accompanying video to “Band of Gypsies” is also out today, which fans can watch HERE.

Watch New “Band of Gypsies” Video Here

“Psychedelic rock and stuff has been a big influence on me,” Muggs tells Rolling Stone. “I’ve been listening to it since it was in my mother’s and my uncle’s collection. … I had the idea what the name of this record was going to be and then I just started building the whole sound around [it]. Just a whole sound like feeling like you’re high on hallucinogenic drugs – but you’re not on no drugs.”

In celebration of Elephants on Acid, Cypress Hill will embark on an extensive global headline tour throughout the fall and winter. After performances at Riot Fest (Chicago, IL) and The Great American Smokeout (Ontario, Canada), the group will head out on a massive run of dates across South America, Mexico, and Europe, hitting notable cities including Rio De Janeiro, London, Paris, Berlin, and Amsterdam.

Tickets for Annual Haunted Hill Shows on Sale Now

Cypress Hill is also excited to play their annual Haunted Hill shows this fall. The band will first hit Los Angeles with a performance at the El Rey on October 25th, followed by a slot at The Roxy the following night. They’ll then return to New York to headline the Gramercy Theatre on October 31st and Warsaw on November 2nd. A full list of tour dates can be found below, with tickets available to purchase HERE.

Cypress Hill Tour Dates:

9/14/18 – Chicago, IL @ Riot Fest

9/15/18 – Ontario, Canada @ The Great American Smokeout

10/6/18 – Córdoba, Argentina @ Plaza De La Musica

10/7/18 – Santiago, Chile @ Cosquin Rock Chile

10/9/18 – Porto Alegre, Brazil @ Pepsi On Stage

10/10/18 – São Paulo, Brazil @ Espaco Das Americas

10/11/18 – Rio De Janeiro, Brazil @ HUB RJ

10/13/18 – Buenos Aires, Argentina @ Estadio Malvina

10/20/18 – Guadalajara, Mexico @ Coordenada Festival

10/25/18 – Los Angeles, CA @ El Rey (Haunted Hill)

10/26/18 – Los Angeles, CA @ The Roxy (Haunted Hill)

10/27/18 – Tijuana, Mexico @ Tecate Peninsula

10/31/18 – New York, NY @ Gramercy Theatre (Haunted Hill)

11/2/18 – Brooklyn, NY @ Warsaw (Haunted Hill)

11/30/18 – Manchester, UK @ Academy 2

12/1/18 – Leeds, UK @ O2 Academy

12/3/18 – Glasgow, UK @ Barrowland

12/4/18 – Birmingham, UK @ O2 Academy3

12/5/18 – London, UK @ O2 Academy

12/7/18 – Paris, France @ Zenith

12/8/18 – Stuttgart, Germany @ Porsche Arena

12/10/18 – Munich, Germany @ Zenith

12/11/18 – Leipzig, Germany @ Arena Leipzig

12/12/18 – Cologne, Germany @ Palladium

12/14/18 – Dortmund, Germany @ Warsteiner Hall

12/15/18 – Berlin, Germany @ Verti Hall

12/16/18 – Hamburg, Germany @ Sporthalle

12/18/18 – Vienna, Austria @ Planet. TT Bank Austria Halle Gasometer

12/19/18 – Zurich, Switzerland @ X-Tra

12/21/18 – Amsterdam, The Netherlands @ AFAS Live

2/16/19 – Bogota, Colombia @ Jamming Festival

 

Elephants on Acid Tracklisting:

1. Tusko (Intro)
2. Band of Gypsies
3. Put Em in the Ground
4. Satao (Interval)
5. Jesus Was a Stoner
6. Pass the Knife
7. LSD (Interval)
8. Oh Na Na
9. Holy Mountain (Interval)
10. Locos
11. Falling Down
12. Elephant Acid (Interlude)
13. Insane OG
14. The 5th Angel (Instrumental)
15. Warlord
16. Reefer Man
17. Thru the Rabbit Hole (Interlude)
18. Crazy
19. Muggs is Dead
20. Blood on my Hands Again
21. Stairway to Heaven

 

About Cypress Hill:

Three decades ago, B-Real, Sen Dog, and DJ Muggs sparked a trip that left popular culture stoned, stunned, and staggering in anticipation for more. Naming themselves after a local street in Los Angeles, Cypress Hill burst on the scene in 1991 with the release of their self-titled debut album. The singles “How I Could Just Kill a Man” and “The Phuncky Feel One” became underground hits, and the group’s public pro-marijuana stance earned them many fans among the alternative rock community. Cypress Hill followed their debut with Black Sunday in the summer of 1993, which debuted at #1 on Billboard’s Top 200 and went triple platinum in the U.S. As a result, Cypress Hill became the first rap group to have two albums in the top 10 of the Billboard 200 charts at the same time. Cypress Hill went on to release six more records and have sold over 18 million copies worldwide, becoming the first Latino-American hip-hop group to achieve platinum and multi-platinum success. The band has also been immortalized by a star on the Hollywood Walk of Fame (coming in 2019), getting animated for an episode of The Simpsons, and earning a spot on VH1’s “100 Greatest Songs of Hip Hop” with smash single “Insane in the Brain.” Additionally, Cypress Hill has been sampled by everyone from JAY-Z and The Black Eyed Peas, to A$AP Rocky and Vic Mensa with Chance the Rapper.

Follow Cypress Hill:

Website | Facebook | Twitter | Instagram
YouTube | Spotify | Apple Music

 

REVIEW: Say Anything’s New Album “I Don’t Think It Is”

Artist: Say Anything
Album: I Don’t Think It Is
Release Date: February 5, 2016

Like every Say Anything album, “I Don’t Think It Is” lays it’s cards on the table from the first note of the raucous intro “Give A Damn”, and sets the tone for a strong outing that is at once a return to form and a massive leap in sheer willingness to push their songs beyond any easily categorizable structure. Lyrically, the song showcases Max Bemis’ traditional vitriol toward both himself and his critics. However, the song structurally revolves around a much more lo-fi garage rock vibe than has ben shown in any previous Say Anything album. This burst of high energy post-punk stems directly from the influence of members from bands such as The Blood Brothers, At The Drive-In, and Mutemath; as they each provide their own unique take on the tried and true Say Anything formula. Since the release of “In Defense Of The Genre”, Say Anything as a band has evolved into a collective of sorts with Max Bemis at the helm. Whether through a slew of special guest features (“In Defense Of The Genre”) or a bold decision to release an album without any guitarist (“Hebrews”), Bemis’ creativity and unhinged passion always shine brightest when he surrounds himself with his peers and idols.

Perhaps the most impressive feat this album manages to pull off is a return to the bold sassiness, hilarity, and angst that characterized the early albums without coming across as an awkward old man trying to rekindle the sound of his youth. Above all, there is a refreshing burst of anger on this release that could only be created by an artist who simply does not give a damn what critics, fans, or anyone other than himself thinks about the songs he has crafted. Perhaps this mindset is what allowed for the much talked about collaboration with Kanye West wherein Bemis and West sat down and listened to one another’s at-the-time unreleased albums together and each other.

As with all things Say Anything, there really is no way to truly ever separate truth from facetiousness unless you were actually present for any of the events, but it is very difficult not to notice parallels between the two artists. “Goshua” in particular sounds like an indie B-Side of the “Yeezus” album, and is the moment the album became a masterpiece. “We’re divided by a wavering expression. And I drink too much to cut the tension. You think I live for attention? Man, look what I do for a pension.” is a verse that could have just as easily shown up during “Black Skinhead”, and shows a bravado noticeably missing from the previous two albums. Max Bemis is confronting his own creativity with every line and through doing so manages to save Say Anything by simply returning to what he does best, brutally and comedically self-deprecating his own shortcomings and successes. In short, Say Anything managed to succeed where “Life Of Pablo” fell short.

A surprise release full of bravado and grandeur that actually delivered on the self-congratulatory hype of it it’s creator.

Check out our review and photos of Say Anything’s concert!
REVIEW: Say Anything Brings It to Tempe 4-22-16

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