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Phoenix Pays Tribute to the Late Stefan Pruett of Peachcake, The Guidance (1-15-22)

PHOENIX — Near the heart of an ever-evolving downtown Phoenix, set back a bit from the intersection of 2nd Ave and Van Buren, sits a music venue named Crescent Ballroom – constructed in 1917 and renovated from The F.L. Hart Garage. Since its 2011 opening, the brick exterior has changed some, with an expansion adding a second level of outdoor seating. It would be here that friends, family, and loyal fans of Stefan Pruett would gather to remember the radiant and deviant man who changed countless lives, leaving everyone whom he met a better version of themselves. (Read our June 2020 memorial article Remembering the Power of Peachcake – In Loving Memory of Stefan Pruett…)

This night’s celebration of a life so rich and well-lived was a fitting way to remember Pruett. For over a decade, he was the charismatic frontman of Peachcake – a band that had started out as an experimental electronic music duo with his childhood friend John O’Keefe, and blossomed into both a nationally and internationally known band. 

Among the many incredible achievements that Peachcake and Pruett attained over the years included being made honorary members of the International Peace Bureau in 2009 for their efforts to promote tolerance, peace and love through music and live performance. The IPB, along with Demilitarize.org, later selected their song “Were We Ever Really Right?” in 2011 as the official song for a worldwide event to support demilitarization worldwide. The band dissolved 6 months after their Unbelievable Souls LP was released, and Pruett went on to continue in music solo, under the stage name The Guidance.

The front room of Crescent Ballroom serves as a lounge and restaurant, as well as an additional place for other acts to perform when a larger concert is going on. Straight back from the entrance to this room is a set of double doors that leads to a large room with a stage and a second bar within. Upon entering this music venue, all guests were handed two items: The first was a brochure / program with a vastly condensed story of Pruett’s incredible life, and the second was a packet with QR codes to stream albums that included unreleased music he had worked on. It also contained a card for a drink – one last round on Stefan, with which we could raise in his memory. There was also a guestbook so that everyone who loved him could stay in touch. 

Merch sales were set up in the back to the left of the stage as usual, however all proceeds from this show would go toward benefitting Rosie’s House – a music academy for children – and HEAL International (Health | Empowerment | Aid | Light).

Nearly 9 years prior, Peachcake had played their final show on this very stage. On the stage sat a lit up cut-out letter sign that simply said “HAPPY” – the same sign featured in a publicity photo by AJ Colores.

Stefan Pruett photo by AJ Colores
Stefan Pruett (Vocalist) – Peachcake, The Guidance | Photography: AJ Colores

To the left of the stage was also a fantastic homage, put together by Pruett’s loved ones, exhibiting items from his life and performances. Two of the outfits he had performed in were displayed on body forms – an impactful sight for those that witnessed those shows at which he donned them. The criminally underrated Unbelievable Souls record was mounted on a plaque, which was given as a gift to everyone who worked on the record as a celebration of its release. A poster for The Guidance’s headline show at the Brooklyn Fire Records showcase, on March 28 of 2019, inconspicuously hung on the wall behind the exhibit, and across the room from this was a commemorative display of prints related to that music project.

Beautiful artwork on the exhibit table paid tribute to the late singer – a painting by Chris Babicke, a large mixed media piece, a poster designed by Quokimbo, and the Peaches comic book by band member / artist Johnny McHone. A photo book titled The Magic Man featured a collection of press and social media sentiments following his passing. An article written by music journalist Ed Masley of the Arizona Republic had been laminated and laid out, along with another article from The Entertainer! Magazine by Christina Fuoco-Karasinki. Some of the photography in the articles and books was contributed by Katherine Amy Vega (Kataklizmic Design), Uriel Padilla, and Jeremiah Gratza (former manager of Peachcake, owner of The Thunderbird Lounge and President Gator Records). Scrapbooks documented Peachcake on tour, and Pruett’s personal life.

Peachcake member Mike McHale – who put enormous amounts of work into planning this beautiful night – started the evening off by thanking everyone for being there, and then introduced Forrest Kline, lead singer of the band hellogoodbye.

The show began with a somber performance that contrasted the normal upbeat and pulsing dance music that Peachcake and The Guidance produced, but it set the tone perfectly. Kline sat on a stool holding an acoustic guitar, and in between songs he talked about his memories of Pruett; one of which was a chance meeting on the streets of LA after Pruett moved there. He spoke of how much of an inspiration Pruett was, about the two of them texting back and forth about making new music, and then – in reference to making music with him – said, “I thought we had plenty of time, you know? You never know how much time you have.

Forrest Kline of Hellogoodbye
Forrest Kline (hellogoodbye)
| Photography:
Katherine Amy Vega © All Rights Reserved

An acoustic cover of Peachcake’s “Stop Acting Like You Know More About The Internet Cafe Than Me” was recently released by Kline’s band.

Producer Jeremy Dawson, one of the founding members and keyboardist of Shiny Toy Guns, took the stage next to DJ the songs from Pruett’s solo career. In the middle of the set, a small crowd took to the floor in front of the stage to dance – the first of many moments that brought the joy back into focus. At long last, this is now, the album Pruett and Dawson completed shortly before his passing, dropped on January 14th – the day before this memorial event. How bittersweet it was to hear the culmination of all of their efforts – never able to tell him how incredible the album is.

Jeremy Dawson (Shiny Toy Guns) DJs just-released music of The Guidance
Photography:
Katherine Amy Vega © All Rights Reserved

“As a means to honor his life and all the work spent on the creation of this stunning album, together Dawson, Pruett’s family and Handwritten Records decided to continue with the release. This Is Now, is the first and last album from The Guidance.” – FindYourSounds

After Dawson wrapped up, and as the stage was being transformed for the final set of the night, a video played of McHale, A Clarie Slattery and others talking about the impact that Pruett and his music had on them. The consensus – both in the video and from everyone who spoke at the show – was that he made life fun. He reached into people and pulled out the person they didn’t realize they were, and he showed them that anything really is possible in life. There was also a short clip of Pruett talking about 4 heart surgeries he had, and his pacemaker, speaking on the congenital heart disease that would eventually claim his life – but he did not let that stop him from living life to the fullest.

“If you ever think you can’t do something, and I know everyone in this room has their obstacles and stuff they’ve gone through… don’t let that shit hold you back.” – Stefan Pruett

“He was living on borrowed time his entire life. He knew that from the time he was very, very young. He didn’t think he was going to make it out of being a teenager. Every minute of every day was bonus points. He knew it and he lived in such a way that he never made you forget it.” – The Entertainer! Magazine

There was also an anecdote from his brother’s memorial service, which was an experience described as profound. Pruett played the song “Someone Great” by LCD Soundsystem in memory of Alex Pruett, who passed away in 2007. With his “unique ability to bring people together”, he encouraged people of all walks of life to close their eyes and share “in this beautiful musical moment… creative moment with Stefan.”  His aunt beautifully encapsulated who Stefan Pruett was, speaking of him as a honeybee – something his mother called him. He was, as she put it, “a builder of dreams,” in the same way a bee builds a hive.

Steven Pruett, the father of Alex and Stefan, spoke after the video ended; the pride he felt for his son and the pain of losing him evident in his voice. He spoke of the amazement he felt regarding his son becoming a singer, saying that Stefan did not even like singing in church. Calling Peachcake an iconic band, he reflected on the journey his son had taken, from MySpace, to a touring group, to an internationally known band.

It was a reunion of sorts for Peachcake. Guest singers performed in Pruett’s stead, with the first being Jessica Biaett, who was his girlfriend, singing “Hearts Can’t Lie.” Normally a peppy, yet wistful song, she gave it a hauntingly beautiful quality, making an incredible tribute to the man she lost.

Jessica Biaett
| Photography:
Katherine Amy Vega © All Rights Reserved

McHale (vocals, guitar, keys, percussion) became frontman for a few songs, and just as Pruett wore a shirt that said “NOT A DJ” at this venue 9 years prior, he wore one that said “NOT A SINGER”. Other guest vocalists included: Chris Babicke, Damien Salamone, Mickey Pangburn (The Prowling Kind, MRCH), Jake Greider, and Jason Catlin

Mike McHale ( Guitarist) – Peachcake
| Photography:
Katherine Amy Vega © All Rights Reserved

The Omicron variant of COVID-19 had been blazing its way through friends and family prior to the show. As such, a balance had to be struck between the crowded nightclub-like environment of a typical Peachcake show, and social distancing. Throwing back to staples of Peachcake shows, the crowd was encouraged to crouch down and spring up during the climax of “Welcome To The Party To Save The World”, and later formed a circle for mirror dancing during “Souls Have No Drum Machine”.

Crowd anticipates springing up
| Photography:
Katherine Amy Vega © All Rights Reserved
Mike McHale, Peachcake
| Photography:
Katherine Amy Vega © All Rights Reserved

Peachcake closed by accompanying a video of Stefan singing “We Never Pretended To Know Anything, Why Would We Now?” in at Modified Arts (Phoenix) in 2009. It was a moving, perfect way to end the night, allowing a man who touched so many lives to posthumously perform for us one last time. With that, Peachcake ended their set, and Jes Danz took to the stage to DJ some of the songs Pruett loved and was inspired by as the night faded out.

Stefan Pruett’s “final performance”
| Photography:
Katherine Amy Vega © All Rights Reserved

McHale later told Burning Hot Events, “Everything I did with putting together the memorial show for Stefan really helped me get through a lot of emotions that I had with hearing of Stefan‘s passing... Stefan‘s mom, Paula, had mentioned to me how much that show meant a lot to the people that had come to it and how much it helped her and her husband as well. To me, that was the most rewarding thing about doing this show for Stefan. I wanted to give some sense of closure and celebrate him properly when we were able to.

It has been said that Stefan Pruett left this world on June 14th, 2020, but I would argue that Kline was correct when he said that “no one really goes anywhere. We keep them in our memories and in our hearts. He lives on through his art and the connections he made.” Pruett burned brightly and fiercely, a force for good to be reckoned with, in the best way possible. He made the most of every day of his 35 years on this planet, and those he met had their lives changed for the better.

To quote the band Sleeping At Last’s song “Saturn”:
You taught me the courage of stars before you left, how light carries on endlessly, even after death.

Photographer: Katherine Amy Vega

Open Album in a New Window

A Night Celebrating the Life and Music of Stefan Pruett of Peachcake and The Guidance 1-15-22

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

The Guidance Online:

Peachcake Online:

When We Were Young Adds Third Date To Highly Anticipated Festival

PRESALE STARTS MONDAY, JAN. 31 AT 10AM PT FOR FANS WHO SIGN UP FOR EARLY ACCESS TO PASSES ONLINE AT WHENWEWEREYOUNGFESTIVAL.COM

The When We Were Young Festival has announced a third date has been added to the highly anticipated fest, taking place on Saturday, Oct. 29, 2022 at the Las Vegas Festival Grounds.

The festival will feature the same lineup on all three dates, with the exception of Alex G replacing Wolf Alice on Saturday, October 29th and La Dispute will not be performing on the newly added date.

The full lineup for October 29th includes:

My Chemical Romance, Paramore, AFI, The Used, Bring Me The Horizon, Taking Back Sunday, Dashboard Confessional, Alkaline Trio, Manchester Orchestra,  A Day To Remember, Pierce The Veil, I Prevail, The Story So Far, Dance Gavin Dance, The All American Rejects, Boys Like Girls, Car Seat Headrest, Sleeping With Sirens, Knocked Loose, JXDN, Avril Lavigne, Motionless in White, Black Veil Brides, Ice Nine Kills, Senses Fail, Bayside, Mom Jeans, Mayday Parade, The Maine, Neck Deep, Silverstein, Palaye Royale, Bright Eyes, Poppy, Nessa Barrett, Wolf Alice, Acceptance, Story of the Year, Atreyu, PVRIS, Saosin, Glassjaw, Lilhuddy, TV Girl, The Starting Line, Thursday, Anberlin, Jimmy Eat World, 3OH!3, State Champs, Four Year Strong, We The Kings, The Wonder Years, Royal & The Serpent, The Ready Set, Kittie, Hawthorne Heights, The Red Jumpsuit Apparatus, The Garden, Horrorpops, Meet Me At The Altar, The Linda Lindas, Prentiss and Alex G.  

There will be a presale beginning Monday, Jan. 31 at 10am PT for fans who sign up for early access to passes online at WhenWeWereYoungFestival.com. Following the presale, any remaining tickets still available will go on sale to the general public beginning Monday, Jan. 31 at 2 pm PT. 

General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older. 

Follow the When We Were Young Festival:

“When We Were Young” Emo Music Festival Sells Out, Adds Second DatE

Due to overwhelming demand, a second date has been added to the When We Were Young Festival at the Las Vegas Festival Grounds on Sunday, Oct. 23, 2022. Tickets for the new date are on sale now.

The festival will run the majority of the day, from 11am to 12am. There will be multiple stages of varying sizes placed around the festival grounds with several bands performing at the same time. The length of set times will vary. Opening acts will have shorter set lengths while headlining performances can range up to an hour or more. 

Full lineup details including set times and performances by stage will be released closer to the festival. 

The festival will feature the same lineup on both dates, which includes:

  • My Chemical Romance
  • Paramore
  • AFI
  • The Used
  • Bring Me The Horizon
  • Taking Back Sunday
  • Dashboard Confessional
  • Alkaline Trio
  • Manchester Orchestra
  • A Day To Remember
  • Pierce The Veil
  • I Prevail
  • The Story So Far
  • Dance Gavin Dance
  • The All-American Rejects
  • Boys Like Girls
  • Car Seat Headrest
  • Sleeping With Sirens
  • Knocked Loose
  • JXDN
  • Avril Lavigne
  • Motionless in White
  • Black Veil Brides
  • Ice Nine Kills
  • Senses Fail
  • Bayside
  • Mom Jeans
  • Mayday Parade
  • The Maine
  • Neck Deep
  • Silverstein
  • Palaye Royale
  • Bright Eyes
  • Poppy
  • Nessa Barrett
  • Wolf Alice
  • Acceptance
  • Story of the Year
  • Atreyu
  • PVRIS
  • Saosin
  • Glassjaw
  • Lilhuddy
  • TV Girl
  • The Starting Line
  • Thursday
  • Anberlin
  • Jimmy Eat World
  • 3OH!3
  • State Champs
  • Four Year Strong
  • We The Kings
  • The Wonder Years
  • Royal & The Serpent
  • The Ready Set
  • Kittie
  • Hawthorne Heights
  • The Red Jumpsuit Apparatus
  • The Garden
  • Horrorpops
  • Meet Me At The Altar
  • The Linda Lindas
  • Prentiss

General Admission tickets start at $224.99, GA+ tickets start at $399.99 and VIP tickets start at $499.99. VIP cabanas will also be available to purchase for guests 21 years of age and older. 

When We Were Young lineup - Sold Out

What health & safety protocols will be implemented for the festival?

The safety of fans, artists and staff is thoroughly planned for among event organizers and in coordination with local authorities.

They will follow all guidelines as set forth by the city of Las Vegas and state of Nevada at the time of the festival. Preventative health measures (e.g. proof of negative COVID-19 test or full COVID-19 vaccination, etc.) may be required for this show. Details of any necessary measures will be communicated as early as possible and will be shared on the event/venue website and social media channels.


Follow the When We Were Young Festival:

“Punk In Drublic Craft Beer & Music Festival” ft. NOFX & Full Lineup Of Punk Rock Icons

This article has been updated with the new venue for the Arizona date: instead of Big Surf Waterpark in Tempe, the festival will now take place at Bell Bank Park in Mesa, AZ.

The spring festival lineups have been announced for Brew Ha Ha Productions Presents : Punk In Drublic Craft Beer & Music Festival, featuring the best in punk rock music and craft beer tasting, with all shows featuring a lineup of punk rock icons, headlined by NOFX.

Lineups vary by city and feature bands including Pennywise, Face To Face, The Bouncing Souls, Me First And The Gimme Gimmes, Lagwagon and more on certain shows.

NOFX group band photo
NOFX | Photographer: Jonathan Weiner

Spring Dates Announced, Summer & Fall Coming Soon

The Spring festival series includes: Saturday, March 19 at Bell Bank Park in Mesa, AZ Big Surf Waterpark in Tempe, AZ (minutes from Phoenix), Saturday, March 26 at Petco Park in San Diego, CA, and Sunday, March 27 at Ventura Fairgrounds in Ventura, CA. Summer and fall Punk In Drublic Craft Beer & Music Festival dates will be announced in the coming weeks.

Tickets for these 21+ events go on sale Wednesday, January 19 at 10:00 AM local time at www.PunkInDrublicFest.com

General Admission tickets start at $45 and VIP tickets start at $99 (both plus fees). Details on VIP tickets below.

The Punk In Drublic Craft Beer & Music Festival was created from the mind and livers of NOFX‘s frontman Fat Mike and craft beer fanatic / festival promoter, Cameron Collins of Brew Ha Ha Productions–and named for NOFX’s classic Punk In Drublic album, which has sold over one million copies.

Music lineups for each festival date are as follows:

Mesa, AZ

Saturday, March 19 –
Bell Bank Park

  • NOFX
  • Me First And The Gimme Gimmes
  • The Bouncing Souls
  • Lagwagon
  • Authority Zero
  • The Last Gang
  • The Venomous Pinks

San Diego, CA

Punk in Drublic admat San Diego, CA

Saturday, March 26 –
Petco Park

  • NOFX
  • Pennywise
  • Face To Face
  • Lagwagon
  • Get Dead
  • The Last Gang
  • Urethane

Ventura, CA

Punk in Drublic admat Ventura, CA

Sunday, March 27 –
Ventura Fairgrounds

  • NOFX
  • Pennywise
  • Face To Face
  • Lagwagon
  • Ill Repute
  • Dr. Know
  • The Last Gang

Fat Mike said, “I’m really looking forward to playing these shows for many reasons…I literally spent minutes calling bands and putting this line up together…So if you’re gonna go to one punk show this year…Go to one of these, they’re outdoors!“

Festival co-producer / co-creator Cameron Collins of Brew Ha Ha Productions said, “Punk In Drublic is one of the best touring festivals on the planet right now in my opinion. It’s pure, it’s organic and it’s everything punk rock should be. We’ve been doing it since 2017 and though we had a crap 2020 like everyone else with the pandemic, PID is back and better than ever. I can’t wait to get back out there with our people!

Craft Beer Tasting

Each Punk In Drublic Craft Beer & Music Festival date will feature up to three hours of craft beer tasting showcasing an impressive selection of craft beers, including some of the region’s best. Participating craft breweries will be announced in the coming weeks. Attendees can also enjoy food for purchase from local food trucks and vendors, with vegan options available.

GA vs. VIP

Both General Admission and VIP tickets provide access to music performances and craft beer tasting from Noon-3:00 PM. VIP tickets also offer access to designated areas with shade, upgraded restrooms and a VIP Bar.


Brew Ha Ha Productions is the nation’s most successful and respected craft beer and music festival producer, known for their diverse, award-winning beer-centric events and music festivals across the United States, including Punk In Drublic Craft Beer & Music Festival; Silverado Showdown; Summer Roots; Punk In The Park; Sabroso Taco, Craft Beer & Music Festival; Driftwood Country, Craft Beer & BBQ Festival; BHHP’s flagship OC Brew Ha Ha; Brew Hee Haw at the OC Fair; Brew Ho Ho Holiday Ale Festival; OC Boo Ha Ha Haunted Oktoberfest and more.

In February 2021, NOFX released Single Album (Fat Wreck Chords), their 14th full-length studio album. The band is also featured in the recently released Punk In Drublic documentary, which chronicles the first three years of the touring the Punk In Drublic Craft Beer & Music Festival since its 2017 debut. Visit https://punkrocktv.com to see the film.

The Punk In The Park Tempe, AZ show is produced by BHHP in collaboration with Arizona promoter Nancy Stevens.

As always, health and safety of festival patrons is of utmost importance. The festival producers are working with local health authorities to ensure that the event is safe and in compliance with all local regulations.

The festival producers encourage attendees to drink responsibly.

For more information on Punk In Drublic Craft Beer & Music Festival:

www.PunkinDrublicFest.com

@punkindrublicfestival (FB/Insta) | #punkindrublicfestival

NOFX’s Official Website

Once Human to Release “Scar Weaver” on February 11

Formed in 2014, Once Human have steadily established themselves as one of the most distinctive and destructive metal bands of the modern era. Founded by guitarist Logan Mader (ex-Machine Head) and vocalist Lauren Hart, the LA-based quintet have had noses to the grindstone throughout their existence, exhibiting a tireless dedication to live performance and a meticulous approach to capturing their crushing anthems for posterity. 

Over the course of two full-length albums – 2015’s widely hailed debut The Life I Remember, and 2017’s conceptual tour-de-force Evolution – Once Human have pursued a militantly individual path, eschewing contemporary cliché in favour of a versatile and sinewy new strain of brutal but accessible metal, with Lauren’s coruscating vocals providing an endlessly emotive and humane focal point. 

Four years on from their last album, Once Human are primed and ready to launch a fresh assault on hearts and ears. With a line-up completed by long-time bassist Damien Rainaud, drummer Dillon Trollope and second guitarist (and now chief riff-writer) Max Karon, the band have mutated into an even more devastating beast, as demonstrated with face-ripping aplomb on the new album Scar Weaver

Once Human Scar Weaver album artwork

“It was not an easy path to reach this point, I’ll tell you that,” says Logan Mader. “The original masterplan for the band was really passion-project driven. The first two albums, we were still finding our way. Where we’re at now is with a really strong posture and by far the best album we’ve done. Over the years we’ve done a lot of groundwork and some smaller tours, just grinding things out, sometimes even in a DIY fashion. But now we have legit team around us, the band is firing on all cylinders and everything seems to be lining up this time.” 

Once Human

Pieced together over the last two years, Scar Weaver represents a massive step forward for Once Human. Blessed (or perhaps cursed) with plenty of additional time during the last year’s lockdown situation, the band have been able to refine and redefine their sound, inspired by a sudden creative surge from latest recruit, Max Karon. The result is an gloriously idiosyncratic modern metal record, with Lauren Hart’s career-best vocal performance just one of its dazzling revelations. With Once Human’s most intense and explosive music to work with, the singer has pushed herself to new heights, showcasing a vastly expanded vocal range in the process. 

I always had a tremendous amount of belief in Lauren’s ability to be a legit frontwoman, but when this began she was new, and so there was a lot of development to happen over time,” says Logan. “She’s really blossomed. She’s grown a lot as a vocalist, a performer and a lyricist through all of this.” 

Vocally, I’ve changed a lot since the last record,” Lauren notes. “My screams got lower and the cleans became stronger. I’ve become much more comfortable with clean singing through touring with (US power metal legends) Kamelot, because they really pushed me to do that. I’ve learned a lot about my voice since then. But a lot of this starts with Max’s melodies, and sometimes I felt like it would be cheating to just growl over these amazing pieces of music, and it’d be so much better to do something that complements it. So sometimes the growls have melody too!” 

As its title suggests, Scar Weaver is an album that brims and bulges with notions of pain, trauma and darkness. Lauren has once again penned a stunning collection of emotionally raw diatribes, but in contrast to Evolution’s overriding concept, the new record takes a more scattershot approach, reflecting the chaos of the modern world along the way. From visceral opener “Eidolon” to the corrosive claustrophobia of the closing “Only In Death,” all human life is alive and screaming on Scar Weaver.

The songs are all really individual,” Lauren explains. “One of them is about blood diamonds. ‘Deadlock’ is about the politics of everything that’s going on. A lot of them toy with my philosophy of death and all of that. But in comparison to Evolution, because of the energy of the world, these lyrics have a much more dire tone. Evolution was more triumphant, because I wanted people to feel uplifted. I really tried with this album to be positive, but then I’d look at what I’d written and it was a downer! I guess the energy of the world right now helped me to write those lyrics.

One instant highlight of the new Once Human record is preview single “Deadlock,” featuring a typically imperious vocal cameo from Machine Head’s Robb FlynnLogan Mader’s history with Machine Head is well documented, not least in recent times when he toured the globe with Robb for the Bay Area band’s Burn My Eyes 25th Anniversary Tour. As a result, this new collaboration needs no explanation, but Lauren remains thrilled by the whole experience. 

It was absolutely amazing, are you kidding?” she grins. “I didn’t believe it was happening until he sent something back and I heard his voice on our song. I was like, ‘Holy crap! This is real!’ He came back with a new chorus and it was so much better than mine, so my chorus was gone! [Laughs] But then performing with him in the video, that was insane. The energy he brings on stage, he brings in person too. It was a great experience and his energy is so powerful. The video came out amazing!

As the world begins to open back up, Once Human, fresh off Cradle of Filth‘s Lustmord and Tourgasm tour, are in the strongest position of their careers so far. Scar Weaver is a manifestly superior piece of work, with countless unforgettable hooks, riffs and moments of warped savagery (if the riff at the end of “Deserted” doesn’t make you want to run through a brick wall, check your pulse!) colliding to create a record of true originality and rare intensity. 

We’ve gotten through so many things along the way, we’re in a really strong place,” Logan avows. “Nothing can fuck us up now. That’s an important factor in this band – that internal energy.” 

The perfect, invigorating antidote to the state of stasis that we’ve all endured over the last two years, Scar Weaver is the sound of a great band becoming greater, hitting their stride and discovering new levels of power, passion and punch in the process. As the world begins to open its doors once more, Once Human are fully equipped to launch their biggest and most life-affirming assault on the world’s senses.

We have an amazing record, we’re ready to crush it, we have a really good chemistry between all of us,” says Logan. “We’re really good friends, and that’s really important. I think you can feel that when you see us onstage, like, ‘These guys are actually happy to be here and they like each other!’ That’s a bonus. It doesn’t have to be like that. But luckily we have a really cool, strong bond. It’s so important for us to get out there and connect with people in a real life environment.

Band Members:

  • Logan Mader
  • Lauren Hart
  • Damien Rainaud
  • Dillon Trollope
  • Max Karon

Once Human Online:

Alt-Metal Masters Vajra Release Horror-themed Music Video for Fourth Single “Wavering” Today

Just in time for Halloween, Alt-Metal band Vajra release a disturbing, horror themed music video for “Wavering”, a dark ambient piece from their EP Irkalla.

“Wavering”, for your viewing pleasure here:

Written, produced, shot, and edited by vocalist Annamaria Pinna and bassist David Sussman, “the video for “Wavering” is the third chapter of a larger film inspired by the Sumerian classic hero myth, ‘Descent of Inanna,’” explains Pinna. The pair just received three Official Selection distinctions from the Montreal Independent Film Festival 2021, the 2021 ARFF Paris and the New York Independent Cinema Awards for their video “Maya”, which was released last year.

On the release of “Wavering”, Pinna reveals, “this song is a very different format from the last three singles we’ve released. It’s more of a meditative piece rather than a full-on Alt-Metal song. In ‘Irkalla’, our objective was to weave a tapestry of melodic Alt-Metal with dark ambient experimental pieces that create an esoteric space to explore the dark night of our souls. ‘Irkalla’ is meant to be listened to in its entirety, and ‘Wavering’ is a part of that experience. What is important is that the music may provide a portal to go on a journey. The journey will be different for each individual. My musical heroes have done this for me. ‘Wavering’ may surprise some of our fans and we are excited to introduce this song as a bridge to our dark ambient musical side.”

In connection with the release, Vajra will be holding a contest to give away the handmade coffin featured in the “Wavering” music video to one lucky fan, along with a full Irkalla gift pack including: Irkalla vinyl, CD, T-shirt, ritual pack, mask and stickers. Yes, Vajra is actually giving away a coffin; a hand-constructed pine box made by an Upstate New York casket artisan, and perfectly suitable for burial. For contest rules, check out the band’s website and socials. The winner will be announced at midnight on Devil’s night into Halloween, and will be personally hand-delivered by the band within 99.9 miles of NYC. The contest is free to enter. Contest rules and details are on Vajra’s website and social media pages.

Irkalla is available both digitally and physically on CD/vinyl. Physical copies include an additional dark ambient EP dubbed the “Shadow Queen Ritual Music” which is not available anywhere else.

Today’s announcement follows the band’s previous release this past August for the single “Crown or Crucify” which exclusively premiered with Revolver Magazine. Revolver explains, “Musically, the track oscillates between tender verses that explode outward during the choruses with crunchy guitars and frontwoman Annamaria Pinna’s robust vocal delivery. It’s powerful, catchy and sentimental all at once, and its video captures all of those elements visually.”

Their single for “Sever the Tie ” exclusively premiered on Metal Injection last December. They describe Vajra as “a band that mixes sorta djenty prog with epic melodic rock. They’re sort of like if Jinjer and In this Moment collaborated.”

The band’s single “Maya”, released last year, charted on Billboard at #2 Mainstream Rock Indicator Most Added, and #26 Mainstream Rock Indicator.

About Vajra

Vajra was formed by the esoteric femme fatale Annamaria Pinna during her self-imposed exile in India, where she wrote the band’s cult debut album Pleroma. The band has been championed by Loudwire, with the heavy music outlet featuring Vajra on their Loudwire Music Festival and Rolling Stone proclaiming them a “must see act.” AXS said, “Vajra is really something special and have managed to come up with a completely new sound of metal. They bring mystical, moody and haunting melodies to the stage that are completely entrancing.” Vajra is Annamaria Pinna (vocals), Dave Sussman (bass), Al Javier (guitar) and Jimmy DeMarco (drums/percussion). Blake Fleming (ex-Mars Volta) played drums on both Pleroma and Irkalla.

Named after a ritual weapon symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force), Pinna explains, “I see us as travelers who go outside the bounds of a sense-based perception to catch a musical or lyrical idea and then translate it to the material realm. When we get out of our own ways, we are translators or conduits for energies that move through us. Honoring what comes through is important for us.

Vajar is:

  • Annamaria Pinna – vocals, flute, keys
  • Al Javier – guitars
  • Jimmy DeMarco – drums
  • Dave Sussman – bass

Vajar online:

Jeremiah Moon Debuts “Kinds Of Light” Video from Debut EP

For Fans of Elliott Smith, Father John Misty, Sufjan Stevens

“With his cello playing bringing the required atmosphere, “Kinds Of Light” is the new single from Seattle-based Jeremiah Moon. A stylistic meeting place between Elliott Smith and Sufjan Stevens, there’s both sophistication and songcraft here.”Songwriting Magazine

Seattle-based singer/songwriter/classically-trained cellist and illustrator Jeremiah Moon has released a companion music video for his latest single “Kinds Of Light,” off his forthcoming debut EP ‘Sputnik‘ to be released via Enci Records (The Joy Formidable, Beach Goons, Fences). After making its premiere yesterday on Week In Pop, the gorgeous clip is now streaming here.

“…serene, sacred and solemn.. carefully crafted mix of restrained rhythms and chamber pop string progressions deliver a subtle baroque arrangement that conjures a sense of cabin essence, setting the tone for a reflective work on the meaningfulness of others that reaches outward from the confines of home.”Week In Pop

Stream “Kinds Of Light” here

Jeremiah Moon Kinds of Light


Jeremiah says, “(Kinds of Light) is about opposing selves, the way relationships with other people compel us to reckon with our own identity, the way our stories gradually become histories, and the things we choose – or don’t choose – to carry with us. The underlying thread, like all 5 songs on the EP, is connection between people – the ways that we try to understand each other, and the ways we change each others’ orbits.”

The tracks that make up the ‘Sputnik‘ EP were recorded with friend and producer Adam Black in a remote cabin in Florence, OR. He says, “We laid down the main tracks during this time and pieced together the rest of the EP and arrangements over the next couple of years.”

Moon’s music bears the mark of the musicians that inspired it, channeling the energy of a diverse list of influences that range from Peter Gabriel, Kate Bush, Thom Yorke, Blake Mills, Sufjan Stevens, Claude Debussy, and Nick Cave, to Mahler, Dvorak, Stravinsky, Ravel, and the poetry of Christian Wiman, all while simultaneously carving its own path.

Jeremiah Moon

The son of a classically trained violinist mother, Moon would start taking cello lessons at age 7, playing music (solo, chamber music, and orchestra) all through high school.

After graduating, Moon studied cello performance at Boston University. He recalls, “I started writing my first songs when I was home on summer vacations.”

In 2013, Jeremiah moved to Seattle and started accompanying guitarists for live shows and recording sessions, as well as working on his illustration skills and building a portfolio of his work. He says, “I started seriously working on songwriting in 2018 after being challenged by a friend to take myself more seriously as an artist. The 5 songs on my EP were a direct result of the momentum from this burst of inspiration.”

Jeremiah Moon Online:

Tool Announce Extensive 2022 Tour Dates for U.S. & Europe

LOS ANGELES – TOOL have announced a mammoth 2022 tour, with the Los Angeles-based band spending 3 months traversing the U.S. followed by a month of European dates.

TOOL elected to kick off the highly-anticipated trek in Eugene, Ore. as a nod to the abrupt halt to their 2020 Fear Inoculum tour. Slated to play the Matthew Knight Arena on March 12, 2020, the show, along with the band’s remaining tour dates, was canceled as nationwide lockdowns began to take effect that evening.

“It is with great pleasure I get to announce our return to the road,” said Danny Carey. “These past 18 months have been trying to say the least but from great trials come great lessons and great rewards. We are genuinely looking forward to sharing them with you.”

Tickets for all dates are on-sale this Friday, Oct. 1 at 10 am local time (UK and Irish dates are on-sale at 9 am local time). TOOL Army members can purchase pre-sale tickets for European dates on Sept. 28 at 10 am local time (24 hour pre-sale window), while U.S. pre-sale tickets are available on Sept. 29 at 10 am local time (36 hour pre-sale window). A selection of exclusive packages, which include a pre-sale ticket, will also be made available to TOOL Army members on Sept. 29 at 10 am local time.

TOOL’s 2022 U.S. & European Tour Dates

  • January 10 Eugene, OR Matthew Knight Arena
  • January 11 Tacoma, WA Tacoma Dome
  • January 13 Boise, ID Ford Idaho Center
  • January 15 Sacramento, CA Golden 1 Center
  • January 16 San Francisco, CA Chase Center
  • January 18 Anaheim, CA Honda Center
  • January 19 San Diego, CA Viejas Arena
  • January 21 Phoenix, AZ Footprint Center
  • January 22 Las Vegas, NV T-Mobile Arena
  • January 25 Salt Lake City, UT Maverik Center
  • January 27 Denver, CO Ball Arena
  • January 30 Tulsa, OK BOK Center
  • January 31 Dallas, TX American Airlines Center
  • February 2 San Antonio, TX AT&T Center
  • February 4 Houston, TX Toyota Center
  • February 5 New Orleans, LA Smoothie King Center
  • February 8 Orlando, FL Amway Center
  • February 9 Tampa, FL Amalie Arena
  • February 10 Miami, FL FTX Arena
  • February 19 Boston, MA TD Garden
  • February 20 Philadelphia, PA Wells Fargo Center
  • February 22 Washington, DC Capital One Arena
  • February 23 Belmont Park, NY UBS Arena
  • February 26 Newark, NJ Prudential Center
  • February 27 Buffalo, NY KeyBank Center
  • March 1 Pittsburgh, PA PPG Paints Arena
  • March 3 Detroit, MI Little Caesars Arena
  • March 4 Louisville, KY KFC Yum! Center
  • March 6 Columbus, OH Nationwide Arena
  • March 8 Grand Rapids, MI Van Andel Arena
  • March 10 Chicago, IL United Center
  • March 12 Omaha, NE CHI Health Center Arena
  • March 13 Minneapolis, MN Target Center
  • March 15 Kansas City, MO T-Mobile Center
  • March 17 Moline, IL TaxSlayer Center
  • March 18 St. Louis, MO Enterprise Center
  • March 20 Cleveland, OH Rocket Mortgage FieldHouse
  • April 23 Copenhagen, DK Royal Arena
  • April 25 Oslo, NO Spektrum
  • April 26 Stockholm, SE Avicii Arena
  • April 28 Hamburg, DE Barclaycard Arena
  • April 29 Frankfurt, DE Festhalle
  • May 2 Manchester, UK AO Arena Manchester
  • May 4 Birmingham, UK Resorts World Arena
  • May 6 Dublin, IE 3Arena
  • May 9 London, UK The O2 Arena
  • May 12 Paris, FR AccorHotels Arena
  • May 13 Antwerp, BE Sportpaleis
  • May 15 Berlin, DE Mercedes-Benz Arena
  • May 17 Cologne, DE Lanxess Arena
  • May 19 Amsterdam, NL Ziggo Dome
  • May 21 Krakow, PL Tauron Arena
  • May 23 Prague, CZ O2 Arena
  • May 24 Budapest, HU SportAréna

Blonde Redhead opens on dates from Jan. 10 to Feb. 10.
The Acid Helps opens from Feb. 19 to March 20.

Fear Inoculum arrived in August of 2019, following years of anticipation. The album debuted at #1 on Billboard’s Top 200, shattering sales and radio records while also earning widespread critical praise. NPR said, “Fear Inoculum was worth the 13-year wait,” The Atlantic declared the release “precise and devastating,” Revolver dubbed the 10-track album “a masterpiece that will be dissected for years to come” and Consequence of Sound said Fear Inoculum finds “TOOL in peak performance.”

TOOL formed in 1990, releasing five studio albums: 

Two EPs: 72826 (1991) and Opiate (1992)

and the limited-edition boxset Salival (2000)

The band has won four GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”), Best Recording Package (2007, 10,000 Days) and Best Metal Performance (2020, “7empest”).

TOOL is:

  • Danny Carey (drums)
  • Justin Chancellor (bass)
  • Adam Jones (guitar)
  • Maynard James Keenan (vocals).

TOOL Online:

Feature photo (top) by Travis Shinn

GEMINI SYNDDROME Announce Fall 2021 ‘Initiation’ Headline Tour Dates

LA alternative metal band Gemini Syndrome have just announced dates for their first headline tour in support of their long-awaited new studio album 3RD Degree – The Raising. The band will be joined on the first leg of the tour by Ovtlier, and on the second leg by Oh! The Horror. Also joining the tour are Pushing Veronica and Them Damn Kings. All tour dates are listed below.

Gemini Syndrome are offering special VIP packages for the tour. These packages include a special private acoustic performance, a VIP ‘Synner’ laminate, autographed poster, and meet & greet session with the band. (*VIP Packages must be purchased in addition to a regular concert ticket.) 

Tickets, and VIP Packages for all shows are available at: GeminiSyndrome.com

The band’s new studio album 3rd Degree – The Raising will be released worldwide on October 15, 2021 via Century Media. Special pre-order album configurations (limited edition vinyl, deluxe CD sets, etc) along with special merchandise are available now via the band’s official website: www.GeminiSyndrome.com Save, or pre-order the album digitally HERE.Save or pre-order the album digitally HERE.

We’re very excited to be back out in the road again this fall. It’s a time of transformation on our planet and our lives in preparation for the rebirth of the approaching solstice. We’re grateful to share this INITIATION with all you Spiritual Soldiers on the frontline helping to bring music back to this fucked up world,” says Gemini Syndrome  vocalist Aaron Nordstrom.

Drummer Brian Steele Medina continues, “We love nothing more than performing and creating a sacred space for transmutation with our brothers and sisters. Now more than ever, it feels like everything is trying to pull us apart and perpetuate the illusion that we are separate. That we are not ONE. It’s all bullshit. Give us your pandemics, your Pentagon UFO videos, and your barriers… It’s all fucking noise, but we’re louder and we will rise above it all.”

Direct support on the tour will be split between Rochester, New York’s Ovtlier, who will be on the first half of the tour (Oct. 28 – Nov. 13), and Sacramento, California’s Oh! The Horror, who will join the run for the second half of the dates (Nov. 14 – 27). Additional support comes from pop-punk rock powerhouse Pushing Veronica, and New Jersey hard rock wrecking machine Them Damn Kings.

Gemini Syndrome ‘Initiation’ USA Fall 2021 tour dates:

  • 10/28 – Chippewa Falls, WI – Joel’s 4Corners *
  • 10/29 – Green Bay, WI – EPIC Event Center *
  • 10/30 – Racine, WI – Rt 20 (WIIL Rock Halloween Bash) *
  • 10/31 – Battle Creek, MI – The Music Factory *
  • 11/02 – Lakewood, OH – The Winchester Music Tavern *
  • 11/04 – Flint, MI – The Machine Shop *
  • 11/05 – Buffalo, NY – Buffalo Iron Works *
  • 11/06 – Liverpool, NY – Sharkey’s *
  • 11/07 – Poughkeepsie, NY – The Chance *
  • 11/08 – New York City, NY – Mercury Lounge ****
  • 11/09 – Albany, NY – Empire Underground *
  • 11/10 – Reading, PA – Reverb *
  • 11/12 – Johnson City, TN – Capones *
  • 11/13 – Greensboro, NC – The Blind Tiger *
  • 11/14 – Huntsville, AL – Sidetracks ***
  • 11/16 – San Antonio, TX – The Rock Box **
  • 11/17 – Dallas, TX – Gas Monkey **
  • 11/20 – Houston, TX – Scout Bar
  • 11/22 – El Paso, TX – Rockhouse **
  • 11/23 – Scottsdale, AZ – Pub Rock **
  • 11/24 – West Hollywood, CA – Whiskey a Go Go **
  • 11/26 – Las Vegas, NV – Backstage Bar **
  • 11/27 – Reno, NV – Reno Brewhouse ** 

* Direct support is Ovtlier
** Direct support is Oh! The Horror
*** Show with Smile Empty Soul, Ovtlier, Sunflower Dead, Pushing V, Tommy Gibbons
**** Gemini Syndrome and Ovtlier only

3rd Degree – The Raising is the long awaited, mind bending final chapter of  Gemini Syndrome ’s debut trilogy of albums; the first being 2013’s Lux, and the second being 2016’s Memento Mori (which hit #1 on Billboard Heatseakers Album Chart and spawned five singles). But whereas those first two albums dealt with the painful struggles of life and death, 3rd Degree – The Raising celebrates the extreme rituals of rebirth. Produced by Matt Good (Asking AlexandriaMemphis May FireHollywood Undead) this is undeniably the heaviest, and darkest album of the band’s career; featuring the singles “Die With Me,” “IDK,” “Abandoned,” “Broken Reflection” and “Reintegration.”

“The album is about death and rebirth. Finding your true self and fostering its growth so as to help build the world better than we inherited it,” says Nordstrom. “In the process of this record I made some major life choices. Mainly to stop killing myself slowly with alcohol. Two years without a drink, and a couple near death experiences later, I think I have ample experience to talk about a subject as elusive as death.” 

Drummer Brian Steele Medina adds, “The twist to the 3rd and ‘final’ degree, is that it’s not the end at all. Rather, it’s a rebirth contingent upon our growth and lessons learned from the suffering of our past mistakes. A spiritual growth that can only be attained through baptism by fire. A metaphorical, yet very real resurrection — THE RAISING.”

Nordstrom continues, “Our hope is that through sharing our experiences, lessons learned, and battles overcome, that we can help others to examine their own consciousness. Their role in the world in its almost infinite capacity, and to help remind each other that we are ALL in this together. We are a family, and when we are United in our commonality, we can achieve things worthy of the attention of the GODS. If you want to change the world, quietly go to work on yourself.”

Gemini Syndrome spent the better part of 2018-2019 writing 3rd Degree – The Raising, the final installment of their long planned three album trilogy. They retreated to Brian Steele Medina’s Las Vegas home studio, where they meticulously crafted song after song, r Gemini Syndrome relocated to Good Sounds Studio in Tempe, AZ, where producer Matt Good would help realize the collection of songs.

Medina recalls, “We absolutely loved working with Matt and he completely understood where we wanted to take this album creatively and what it was going to take to bring the third chapter of this trilogy to light. Our actual collective blood, sweat and tears went into its creation.”

“It was a long, treacherous road to get here,” continues Nordstrom. “First working out an insane amount of songs before arriving in Arizona to record with Matt Good, and then writing a slew more while in the actual recording process, we approached this album with high intentions to evolve musically and internally as people. But then, once we had finally finished everything, and were ready to start releasing new music… everything was put on hold due to the global pandemic.”

Medina adds, “These past few years have definitely been an exercise in patience and acceptance. We had everything mixed and mastered and ready to go in early 2020 before everything shut down. We’re just stoked to FINALLY put this album out and get this post plague show on the road.” 

3rd Degree – The Raising is the first album to feature guitarist “Meegs” Rascón (formerly of Coal Chamber).

To date, five singles have been released from 3rd Degree – The Raising: “Abandoned,” “Reintegration,” “IDK,” “Broken Reflection” and the currently Top 30 Active Rock Radio hit “Die With Me.” Currently four of the five singles feature visually stunning videos created by director Brian Cox (Bring Me The HorizonThe StrutsStarset). 

3rd Degree – The Raising will be available in CD, Limited Edition vinyl, and digital download formats.

3rd Degree – The Raising album art

3rd Degree – The Raising Tracklist:

  • Reintegration
  • IDK
  • Die With Me
  • Baptized In Fire
  • Children of the Sun
  • Abandoned
  • Broken Reflection
  • Sum Quod Eris
  • Best of Me
  • Absolution
  • Hold the Line
  • Where We Started From
  • Fiat Lux

Gemini Syndrome is: Aaron Nordstrom (vocals, keyboards), Brian Steele Medina (drums, programming), Alessandro “AP” Paveri (bass), Meegs Rascón (guitar) and Nicholas Paul Arnold (touring guitar).

Follow Gemini Syndrome:

Mr. Bungle Debut “Loss of Control” Video (Van Halen Cover)  

Murder Mountain, CA – Mr. Bungle have released “Loss of Control”, a Van Halen cover that the band debuted during their Halloween 2020 streaming special, “The Night They Came Home” (June 11, Ipecac Recordings). The single is available now, while a live performance video of the song was unveiled earlier today via Guitar World.

Mr. Bungle tried to play this song in the ’90s and we scrapped it because we sucked at it,” explains Trey Spruance. “I think it worked this time for a lot of reasons. My own is that, thanks to the new Raging Wrath era, I’ve had to re-approach the guitar like I did when I was 13 and 14. It was all about Eddie Van Halen for me back then, so circling back at this moment felt really natural. Those riffs and lead parts at least are super fun! I’m just glad Scott took the palm-mute breaks. Jesus!

Scott Ian adds, “I generally don’t get nervous about learning someone else’s riffs. When it’s an EVH riff it’s a whole different story! I was terrified! With ‘Loss of Control’ I did my best to just hold on and go for the ride. What a riff!!! As a fan I’d have to say it’s a PERFECT SONG for Mr. Bungle to cover. I hope you enjoy listening as much as I did getting to play it.

“The Night They Came Home” Concert Experience Arrives Physically & Digitally on June 11 via Ipecac Recordings

“The Night They Came Home,” which was directed by Jack Bennett, finds the Northern California-born band performing songs from their recently released album, The Raging Wrath of the Easter Bunny Demo.

The two-hour film is available on CD + Blu-Ray, CD + DVD, VHS, and digitally. The film portion features Bungle’s performance, Neil Hamburger’s opening set, three official music videos (“Raping Your Mind,” “Eracist,” and “Sudden Death”), as well as extended behind-the-scenes footage including several surprise cameos. The VHS release, limited to 1000 collectible copies, is an edited, performance-only portion of the film.

“The Night They Came Home” cover

The Night They Came Home Track List:

  1. Won’t You Be My Neighbor (Mr. Rogers cover)
  2. Anarchy Up Your Anus
  3. Raping Your Mind
  4. Bungle Grind
  5. Methematics
  6. Hell Awaits/Summer Breeze (Slayer/Seals & Croft medley/cover)
  7. Eracist
  8. World Up My Ass (Circle Jerks cover)
  9. Glutton For Punishment
  10. Hypocrites/Habla Español O Muere (S.O.D. cover)
  11. Spreading The Thighs of Death
  12. Loss for Words (Corrosion of Conformity cover)
  13. Sudden Death
  14. Loss of Control (Van Halen cover)

News of The Raging Wrath of the Easter Bunny Demo arrival, the band’s first new music in over 20 years, was met with great fanfare. The album news followed a spate of sold out 2020 live performances, which saw Mr. Bungle playing to some of its biggest audiences ever.

The album, which is a proper recording of Mr. Bungle’s much traded, yet unreleased, 1986 demo cassette of the same name, was declared “one of the best thrash albums of the year” by Decibel, Rolling Stone said “their reboot is a feast of ingenious riffs, unexpected tempo shifts, and pure manic energy…,” and Stereogum offered “…Mr. Bungle are reliving their very earliest days and kicking a whole lot of ass in the process.

Revolver featured Mike Patton on their Fall cover, saying “After 15 years of inactivity and 21 since their last album, avant-metal weirdos Mr. Bungle reappeared from the mists of time to re-record their 1986 demo. Not content to merely rehash their high school days, core trio Mike Patton, Trey Spruance and Trevor Dunn enlisted help from Anthrax guitarist Scott Ian and former Slayer drummer Dave Lombardo. The result is — in the words of super fan Eric Andre — pure, awesome ‘carve 666 into your desk and get in detention’ metal.

Mr. Bungle Confirmed for Riot Fest

Mr. Bungle have also confirmed their first live outing of 2021, performing at Riot Fest (Chicago) in September. The festival marks the first time Mike Patton has performed on the same bill with both Mr. Bungle and Faith No More, and marks the band’s first tour date since the Fall album release.

Mr Bungle
| Photo Credit:
Buzz Osborne

About Mr. Bungle

Mr. Bungle was formed in an impoverished lumber and fishing town by a trio of curious, volatile teenagers. Trey Spruance, Mike Patton and Trevor Dunn beget the amorphous “band” in 1985 up in Humboldt County, Calif., sifting through a variety of members until around 1989 when they settled on a lineup that managed to get signed to Warner Bros. Records. No one really knows how this happened and it remains a complete mystery that even the algorithms of the internet can’t decode. Up until 2000 they released three albums (Mr. Bungle in 1991, Disco Volante in 1995 and California in 1999), toured a good portion of the Western hemisphere and avoided any sort of critical acclaim. Some argue that the band subsequently broke up but there is also no proof of this. What is true is that they took 20 years off from performing under said moniker while they pursued various other music that, in contrast, paid the rent.

Mr. Bungle Online: