Lamb of God Guitarist Mark Morton to Release New Solo EP, “Ether,” in January

Lamb of God guitarist Mark Morton returns in 2020 with his second solo offering, entitled Ether, a primarily acoustic five-song EP scheduled for release in January via Rise Records/BMG.

As with Morton’s solo debut, Anesthetic, released earlier this year, the guitarist enlisted the talents of various musicians and vocalists to bring his songs to life. Ether features appearances by Lzzy Hale (Halestorm), Howard Jones (Killswitch Engage, Light the Torch), John Carbone (Moon Tooth) and Mark Morales (Sons of Texas), who is also a member of Morton’s live band. The EP is made up of three original songs and two covers that once again showcase Morton’s diversity as a musician.

Says Mark Morton, “I’m thrilled to announce the upcoming release of my new, five song EP, ‘Ether,‘ on Rise Records! Once again, I’ve had the great pleasure of working with some amazingly talented artists and friends to assemble this collection of tunes, all of which feature a strong acoustic guitar component. Inspired by the acoustic sets I had the opportunity to perform last spring and summer in support of ‘Anesthetic,‘ I began writing some new songs to reflect that more mellow vibe. I’m stoked with the results and I can’t wait for everyone to hear what we’ve been putting together. I’ll be debuting these tunes on my upcoming U.K. acoustic tour, so you can hear them live before they’re released anywhere else!”

“I continue to be honored to have the chance to work with so many incredibly talented people and I remain beyond grateful to the fans that have come along with me and supported these projects. Thanks so much everyone!”

First single from Ether, “All I Had to Lose” featuring Mark Morales, will be released January 10.

Ether was produced and mixed by Josh Wilbur (Lamb of God, Gojira, Trivium).

Mark Morton Ether EP Cover

Ether Tracklisting:

  1. All I Had To Lose (featuring) Mark Morales
  2. The Fight (featuring John Carbone)
  3. She Talks To Angels (featuring Lzzy Hale)
  4. Love My Enemy (featuring Howard Jones)
  5. Black (featuring Mark Morales)

Tour

Following his first UK acoustic performance at the Download festival earlier this year, Mark Morton will return for a handful of special and intimate acoustic shows in January 2020.

Mark Morton comments, “We had such an amazing time with the acoustic set at Download and I’m really looking forward to expanding on that experience with these upcoming shows. Joining me once again will be Mark Morales on vocals and guitarist extraordinaire, Joe Harvatt. I can’t wait to make each show extra special for you all with an evening of stories, acoustic versions of many of the songs from Anesthetic, and a few covers of some of our favorite tunes. We’ll also be debuting some new original material as well! Look forward to seeing you all!”

Mark Morton UK tour dates:

  • 1/8 – Bristol, UK @ Thekla
  • 1/9 – Manchester, UK @ Academy 3
  • 1/10 – Glasgow, UK @ Cathouse
  • 1/11 – Birmingham, UK @ O2 Academy 2
  • 1/12 – London, UK @ Camden Underworld

About Mark Morton

Anesthetic, Morton’s first 10-track solo album, was made alongside a dream team of highly respected musicians from a multitude of musical worlds. Singers on the album include Chester Bennington, Randy Blythe, Jacoby Shaddix, Myles Kennedy, Alissa White-Gluz, Mark Lanegan, Chuck Billy, Jake Oni, Josh Todd, Mark Morales and Naeemah Maddox. Musically, Morton performs all guitars, with Roy Mayorga, David Ellefson, Ray Luzier, Paolo Gregoletto, Alex Bent,
Mike Inez, Jean-Paul Gaster, Steve Gorman, Marc Ford, Yanni Papadopoulos and Chris Brooks completing the band. The single “Cross Off,” featuring late Linkin Park vocalist Chester Bennington and Trivium‘s rhythm section of Paolo Gregoletto and Alex Bent, spent six weeks in the Top 10 Active Rock US radio chart and has now amassed more than 14 million plays on Spotify and YouTube.

Following the release of Anesthetic, Morton took his live band, consisting of Morales on lead vocals, Doc Coyle (Bad Wolves) on guitar, Nick Villarreal (Sons Of Texas) on bass, Art Cruz (Lamb of God, Prong, Winds of Plague), on a North American co-headline tour with Light the Torch.

Mark Morton Online:

Facebook | Instagram | Twitter | YouTube



REVIEW: Snoop Dogg Makes Show a Personal Block Party at The Van Buren (12-11-19)

PHOENIX — This past August, Snoop Dogg released his 15th studio album: I Wanna Thank Me. In the now 27 years since he first burst onto the scene alongside Dr. Dre, Snoop has never slowed down. He’s never stopped hustling, he’s never stopped releasing bomb-ass albums, and he’s never left the conversation for the greatest rapper alive. Simply put, Snoop is timeless and is a true hip-hop living legend. Now out on the “I Wanna Thank Me” tour with support from Trae Tha Truth, RJMrLA, and Warren G, Snoop brings his own personal party to every city he plays. To see him at The Van Buren, though, offered a rare chance to see him up close and personal: a megastar in a more intimate setting. 

Trae Tha Truth

Trae Tha Truth

Touring in support of his just-released album Exhale, Houston hip-hop veteran Trae Tha Truth opened the show. His rapid-fire chopper-style vocals, which date back in hip-hop to Kool Moe Dee’s days with the Treacherous Three, got the crowd moving. Throughout his 20-minute set, the bass in his tracks was like a hip-hop defibrillator. “Long Live The Pimp,” his 2012 collaboration with Future, was one of the high points in the set. With the rest of the night putting a spotlight on the West Coast, Trae’s Texas flavor was the perfect counterbalance.    

RJMrLA

RJMrLA

Brought out by DJ Goofy, the Los Angeles-born RJ (sometimes RJMrLA) rode the wave of momentum with the crowd, as he put his new spin on West Coast hip-hop. His opening track “On One” from his recently released Oh God, featured the line “I was taught to fear no one,” which feels like it should be RJ’s mantra. If “On One” was the ignition, “Flex” from his 2013 debut O.M.M.I.0 3 was the blast-off. Hip-hop is about the boast, and “Flex” was the ultimate boast in his short but explosive set.   

Warren G

Warren G

It is incredible enough to see one legend in Snoop Dogg live in concert, but to have Warren G as one of the openers is an undeniable bonus and a rap fan’s dream come true. His debut album, 94’s Regulate… G Funk Era was an instant classic of West Coast hip-hop. Even 25 years after its release, Warren G still has the same smooth vocals that made him an immediate star, and they were on display throughout his 30-minute set. Opening with “This D.J.” from his debut, the crowd jumped on the hook, “It’s kind of easy when you’re listening to the G-Dub sound/Pioneer speakers bumpin’ as I smoke on a pound.” 

With the crowd feeling it, he immediately launched into “Do You See,” with the crowd again singing along, as they waved their hands from side to side. Missing from the song was the departed Nate Dogg, Warren G’s long-time collaborator and friend. His presence hung over many of the songs, and he was honored by both Warren G and Snoop Dogg (the three started out together in the hip-hop group 213 in 1990). 

Warren G
| Photographer:
Andrea Stoica © All Rights Reserved

A late-set request from the audience brought one of the night’s more spontaneous highlights. Following “Summertime in the LBC,” he asked the crowd if anyone had a lighter, and as soon as the words left his mouth, the stage was instantly showered with lighters thrown from every spot in the crowd. Jumping out of the way of a seemingly steady stream, he laughed and reminded the crowd he just needed one. He retrieved one of the lighters, and after lighting up, he tossed it back to its owner, a man named Luke. “Luke? Like Luke Skywalker,” he asked the man, before leading the crowd in an impromptu acapella sing-along of 2 Live Crew’s “We Want Some Pussy,” before launching into 213’s “Mary Jane.” 

Following “Nobody Does It Better,” Warren G closed out his set with the timeless “Regulate.” If hip-hop has a list of greatest sing-along songs, “Regulate” would be high on that list. When it came time for Nate Dogg’s vocals, instead of just playing it from the track, the crowd sang his parts, with prompting by Warren G. It may be celebrating its 25th birthday, but the song sounded as good as ever and was the best way he could close out his set. 

Snoop Dogg

View Setlist

Snoop Dogg
| Photographer:
Andrea Stoica
© All Rights Reserved

You may have seen some artists you truly love live in concert and felt that surge of excitement when they walked out to start their set, but Snoop Dogg is a certified living legend. When we talk about a person who is exceptional in any field, oftentimes they are described as a “rock star,” which instantly denotes that they have that certain extra something that defies simple categorization or explanation. Have no doubt about it, Snoop is a rock star, and when he came to the stage at The Van Buren, he did it with a swagger many of us wish we could have in our day-to-day lives. When Snoop came out, with his blinged microphone in hand, the atmosphere in the room instantly changed. While some people can make a party, Snoop is the party. 

Opening with “What U Talkin’ Bout” from his recently released 15th studio album I Wanna Thank Me, from which the tour got its name, the energy in the room instantly changed. The new songs stood proudly alongside the classics from across his career, and what commenced for the remainder of the evening was a party, Snoop style.

Snoop Dogg
| Photographer:
Andrea Stoica © All Rights Reserved

His stage set up, with DJ Premium flanked on both sides by picnic tables and a large fire hydrant in front of his table, was immediately reminiscent of a block party, and that was the vibe Snoop brought upon his entrance. However, this wasn’t just any block party – this was Snoop Doggy Dogg’s block party. So in addition to those picnic tables and fire hydrant were two poles, each positioned at the far edges of the stage, with dancers on them on and off throughout the night. 

In his set, Snoop mixed his own songs with verses from his many guest appearances on other rappers’ tracks. His set was a mix of nearly every hit in his long career. His work with Dre was hit early, with “Next Episode” and  “Nothin’ But A ‘G’ Thang’” played back to back. His groundbreaking debut Doggystyle was best represented with “The Shiznit,” “Ain’t No Fun” (with Warren G coming back out to drop his verse), “Gin and Juice,” and “Who Am I (What’s My Name)?” all making appearances in the set. “Countdown,” “P.I.M.P.” (his 2003 collaboration with 50 Cent), and “Sexual Eruption” were all set highlights. 

As he closed out his main set with “Snoop’s Upside Ya Head,” D.J. Premium told Snoop that since he didn’t have time to cover all of his hits in one night, he would play a mix of them, while Snoop took a break. With Snoop off the stage for a moment, Premium cut a mix of The Doggfather’s hits and guest appearances on other rappers’ tracks, while video snippets played on the screen behind him. 

After ten minutes, Snoop re-emerged and started his encore with “Drop It Like It’s Hot,” his 2004 hit. Following it up with “Snoop Dogg (What’s My Name Part 2)”  and “Take Me Away,” he then blew the roof off with his verse from D.J. Khalid’s “All I Do Is Win,” which for a crowd already hype, it was little an extra shot of adrenaline straight to the heart. 

Snoop Dogg
| Photographer:
Andrea Stoica © All Rights Reserved

While “All I Do Is Win” is the perfect track to summarize Snoop’s career of hit after hit record, he wasn’t there just to remind the crowd of his greatness. On a tour named to celebrate his long career and with a multi-generational; multicultural crowd of fans there to help him do so, Snoop turned the attention away from himself and shined a spotlight on the many friends and contemporaries lost over the years, sharing his love for those lost with the crowd who loved them too. His mini-tribute set, included love for Eazy-E (“Boyz In The Hood”), Notorious B.I.G. (“Hypnotize”), and Tupac (“Gangsta Party”). 

The most poignant moment on a night that took time to honor so many gone-but-not-forgotten hip-hop legends came when Snoop honored his dear friend Nipsey Hussle with a moment of silence, while a video tribute to him played. Following this moment of silence, Snoop hit his verse from K2 Tun’s “One Love” for everyone lost. 

Snoop returned to the party atmosphere of the night, as he moved to close out the show with “Who Am I (What’s My Name)?,” his debut single from Doggystyle. “I love you Phoenix, and Snoop Dogg will keep coming back here any motherfucking time you want me to!” Though he didn’t play “I Wanna Thank Me,” the song is about honoring yourself for the positives and appreciating hard work and accomplishments. Over the 27 years since he first gained national attention with his verse on Dr Dre’s “Deep Cover (187)” in 1992 and across 15 albums, Snoop has earned every accolade and every bit of love the crowd gave to him and that he gave back. 

Snoop Dogg
| Photographer:
Andrea Stoica © All Rights Reserved

Phoenix, we about to get out of here, but before we go, sing along with me,” he implored, as he closed out his set with his 2011 collaboration with Wiz Khalifa and Bruno Mars “Young, Wild, and Free.” If any song should be hip-hop’s answer to any number of show-closing ballads from across the history of pop music, it’s “Young, Wild, and Free.” After 27 years, Snoop Dogg is an institution, still the gold-standard for what it means to be eternally cool, and his music will always serve as a fountain of youth for his audience. To see Snoop live is to be transported to a place where the party never stops and the vibes are always good because Snoop is the party from the moment he steps on stage to when he steps off of it.

Photo Gallery

Photographer: Andrea Stoica

Setlist

  • “What You Talkin’ ‘Bout?”
  • “Next Episode” (Dr. Dre cover)
  • “Nuthin’ But A ‘G’ Thang” (Dr. Dre cover)
  • “Countdown”
  • “P.I.M.P.” 
  • “The Shiznit”
  • “Wrong Idea” 
  • “Focused” 
  • “Sexual Eruption” 
  • “I Wanna Love You” (AKON cover)
  • “D.O.G.’s Get Lonely 2”
  • “Smile Bitch” (Lil Duval cover)
  • “Ain’t No Fun” (with Warren G)
  • “I’m Fly” (with Warren G)
  • “Snoop’s Upside Ya Head” 

ENCORE

  • “Drop It Like It’s Hot” 
  • “Snoop Dogg (What’s My Name Part 2)” 
  • “Take Me Away” 
  • “All I Do Is Win” (DJ Khalid cover)
  • “Boyz In The Hood” (NWA cover)
  • “Hypnotize” (Notorious BIG cover)
  • “Gangsta Party” (Tupac cover)
  • “Gin and Juice” 
  • Nipsey Hussle Tribute
  • “One Love” (K2 Tun cover)
  • “Who Am I (What’s My Name)?” 
  • “Young, Wild, and Free” (Snoop Dogg and Wiz Khalifa cover)

Photography © Andrea Stoica.
All Rights Reserved.

Caspian Share Live Clip of “Flowers of Light”; North American Tour Expanded

Beverly, MA Caspian, who recently played a pair of sold out shows at the historic Cabot Theatre in the band’s hometown of Beverly, Mass., share a clip of their first live performance of “Flowers of LightHERE.

The footage arrives as the band has added a new leg to their North American tour, with the first of the band’s Summer 2020 plans revealed:

  • 6/1/20 Ferndale, MI The Loving Touch
  • 6/2/20 Grand Rapids, MI The Pyramid Scheme
  • 6/520 Chicago, IL Lincoln Hall
  • 6/6/20 St. Paul, MN Turf Club
  • 6/8/20 Denver, CO Bluebird Theatre

Tickets for the above dates are on-sale this Friday at 10 am local time. A premium package, including a ticket, exclusive patch and signed poster is available Wednesday at 9 am eastern HERE.

Caspian Tour 2020

Caspian’s 2019/2020 Full Tour Dates:

  • 12/12/19 Hangzhou, China Mao Livehouse
  • 12/13/19 Shanghai, China Mao Livehouse
  • 12/14/19 Shenzhen Shi, China B10 Live
  • 12/15/19 Guangzhou, China T:Union
  • 12/17/19 Tokyo, Japan Koenji High
  • 1/30/20 Los Angeles, CA Masonic Lodge at Hollywood Forever
  • 1/31/20 Phoenix, AZ Rebel Lounge
  • 2/1/20 San Diego, CA The Casbah
  • 2/3/20 Fresno, CA Strummer’s
  • 2/4/20 Felton, CA Felton Music Hall
  • 2/5/20 San Francisco, CA Great American Music Hall
  • 2/7/20 Portland, OR Doug Fir Loung
  • 2/8/20 Vancouver, BC Biltmore Cabaret
  • 2/9/20 Seattle, WA Neumos
  • 2/11/20 Sacramento, CA Holy Diver
  • 2/12/20 Long Beach, CA Long Beach Art Theatre
  • 3/31/20 Toronto, ON Lee’s Palace
  • 4/1/20 Buffalo, NY Rec Room
  • 4/3/20 Boston, MA The Sinclair
  • 4/4/20 Boston, MA The Sinclair
  • 4/5/20 Woodstock, NY Colony
  • 4/6/20 Philadelphia, PA Union Transfer
  • 4/8/20 New York, NY Le Poisson Rouge
  • 4/9/20 Washington, DC Black Cat
  • 4/10/20 Richmond, VA Gallery 5
  • 4/11/20 Asheville, NC The Grey Eagle Tavern
  • 4/12/20 Durham, NC Motorco Music Hall
  • 4/14/20 Atlanta, GA Aisle 5
  • 4/15/20 Orlando, FL The Abbey
  • 4/17/20 Nashville, TN Exit In
  • 4/18/20 Louisville, KY Diamond Pub & Billiard Concert Hall
  • 4/19/20 Columbus, OH Ace of Cups
  • 6/1/20 Ferndale, MI The Loving Touch
  • 6/2/20 Grand Rapids, MI The Pyramid Scheme
  • 6/5/20 Chicago, IL Lincoln Hall
  • 6/6/20 St. Paul, MN Turf Club
  • 6/8/20 Denver, CO Bluebird Theatre

On Circles, the band’s fifth album and first release in over four years, arrives on Jan. 24 via Triple Crown Records. Album pre-orders, which include a highly limited 180 gram black vinyl variation as well as a green/blue vinyl offering, are available now via the Triple Crown Records’ webstore HERE.

The eight-song album was recorded at Studio 4 in Conshohocken, Pa. by producer Will Yip (Code Orange, Defeater, Quicksand, Turnstile), On Circles marks the most organic writing and recording sessions in Caspian‘s 15-year history. Together for four week-long songwriting sessions, the band opted for music gleaming with visceral impact instead of over-thought tangles, over-arching concepts and drawn-out crescendos.

Caspian have released four albums: The Four Trees (2007), Tertia (2009), Waking Season (2012) and Dust and Disquiet (2015). Since the Beverly, Mass.-based band’s inception, they’ve earned accolade upon accolade for their sweeping, cinematic music. 2015’s Dust and Disquiet was hailed by Noisey as “the life-affirming soundtrack you need in your life,Brooklyn Vegan exclaimed “eardrums will be blown and jaws will be dropped” upon hearing the 10-song release, while Spin described the sextet’s output as “epic, wordless orchestral swells on the lush, layered, and crushingly pretty.

Caspian Is:

Philip Jamieson (guitar/keyboards)
Erin Burke-Moran (guitar)
Jonny Asburn (guitar)
Jani Zubkovs (bass)
Calvin Joss (guitar)
Justin Forrest (drums)

Caspian Online:

Website | Facebook | Twitter | Instagram



Featured photo (top) by William McLean



The Stadium Tour Summer 2020: Def Leppard, Mötley Crüe, w/ Poison and Joan Jett & The Blackhearts

The world’s most iconic and celebrated rock legends will hit the road together next summer for a coheadlining tour SO MASSIVE that it could only be held in America’s biggest stadiums. The Stadium Tour featuring Def Leppard, Mötley Crüe, with Poison and Joan Jett & The Blackhearts will hit select cities in the U.S. where each band will bring their electrifying stage shows while promising to perform their stadium sized anthems. Produced by Live Nation, the summer tour is set to steamroll through America, visiting the country’s most iconic stadiums, was announced today at SiriusXM’s Hollywood Studios live on the Volume Channel 106.

Tickets will go on-sale to the general public beginning Friday, December 13 at 10am via Live Nation HERE, check local listings for details. Citi is the official presale credit card for the tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, December 10 at 12pm local time until Thursday, December 12 at 10pm local time through Citi EntertainmentSM. For complete presale details visit Citi HERE.

Tour Itinerary

Tuesday, July 7 MIAMI, FL Hard Rock Stadium
Thursday, July 9 ORLANDO, FL Camping World Stadium
Saturday, July 11 CHARLOTTE, NC Bank of America Stadium
Tuesday, July 14 ARLINGTON, TX Globe Life Field
Wednesday, July 15 HOUSTON, TX Minute Maid Park
Sunday, July 19 SAN FRANCISCO, CA Oracle Park
Thursday, July 23 SAN DIEGO, CA Petco Park
Saturday, July 25 PHOENIX, AZ State Farm Stadium
Sunday, August 9 ATLANTA, GA SunTrust Park
Tuesday, August 11 HERSHEY, PA Hersheypark Stadium
Thursday, August 13 BUFFALO, NY New Era Field
Saturday, August 15 PHILADELPHIA, PA Citizens Bank Park
Sunday, August 16 PITTSBURGH, PA PNC Park
Tuesday, August 18 MILWAUKEE, WI Miller Park
Thursday, August 20 DETROIT, MI Comerica Park
Saturday, August 22 WASHINGTON DC Nationals Park
Sunday, August 23 FLUSHING, NY Citi Field
Tuesday, August 25 BOSTON, MA Fenway Park*
Friday, August 28 CHICAGO, IL Wrigley Field
Sunday, August 30 DENVER, CO Coors Field
Wednesday, September 2 SEATTLE, WA T-Mobile Park
Saturday, September 5 LOS ANGELES, CA SoFi Stadium

Mötley Crüe

Following the huge success of their Netflix biopic The Dirt, Mötley Crüe has seen a massive surge in new audience with fans around the world demanding the band tour again. This lead to the band members reuniting and announcing that “Mötley Crüe is back” just recently. While The Dirt caused a meteoric 350% increase in streams of Mötley Crüe’s music across all platforms and the younger 18-44 demographic now represents 64% of the band’s fanbase most of the new fans have never seen any of the band’s legendary live shows that Crüeheads have relished for close to 4 decades. Mötley Crüe is also celebrating the 30th Anniversary of their #1 charting, 7x Platinum album, Dr. Feelgood this year. The band is ready to deliver an over the top stage show packed full of hit songs.

Mötley Crüe Online:

Facebook | Twitter | Instagram | YouTube | Get The Dirt

Listen to Mötley Crüe:

Spotify | Apple Music | Amazon | Deezer | Pandora

Def Leppard

2019 Rock & Roll Hall of Fame Inductees Def Leppard are one of the most important forces in rock music. Over the past year, the icons closed out a sold-out worldwide tour including a North American stadium run & headlining the UK’s Download Festival to 90k screaming fans. Def Leppard’s star continues to rise and prevail. The band have amassed a staggering 2.5 billion streams since releasing their music digitally last year. Def Leppard’s influential career crosses generations and includes numerous hit singles and ground-breaking multi-platinum albums—including two of the best-selling albums of all time, Pyromania and Hysteria, both of which are certified Diamond (10x platinum).

Def Leppard Online:

Facebook | Twitter | Instagram | YouTube | Website

Listen to Def Leppard:

Spotify | Apple Music | Amazon | Deezer | Pandora

Poison & Brett Michaels

Poison will be bringing a rocking real and relevant no holds barred thunderous live show to the Stadium tour this summer with the all original lineup of Bret Michaels, C.C. DeVille, Bobby Dall and Rikki Rockett. Poison will be unleashing an onslaught of hit after hit songs in its set. Friday the 13th will be an historic date for two reasons, Stadium tour tickets will go on sale as well as Poison front man, Bret Michaels will receive the Humanitarian of the Year award to air on the CW network the same night. Michaels along with Poison is known to bring a unique style of passionate high energy, sincere gratitude and a positive attitude. Michaels engages all the fans and makes it an absolute epic ride of true live music. Together with C.C. Deville on guitar, Bobby Dall on bass, and Rikki Rockett on drums Poison will rock the stadium with a chemistry that will bring a big summer mega party vibe and Michaels promises to give 1000 % on the stage as the hotter it gets the harder Poison promises to rock!!!

Poison Online:

Web | Facebook | Twitter | Instagram | YouTube

Listen to Poison:

Spotify | Apple Music | Amazon | Deezer | Pandora

Bret Michaels Online:

Web | Facebook | Twitter | Instagram | YouTube

Listen to Bret Michaels:

Spotify | Apple Music | Amazon | Deezer | Pandora

Joan Jett & The Blackhearts

Rock & Roll Hall of Fame inductee Joan Jett & The Blackhearts are no strangers to stadium sized shows having toured with The Who, Green Day and the Foo Fighters in recent years on their stadium tours. Jett celebrated the story of her life in a critically acclaimed 2018 documentary Bad Reputation which showcased all the female firepower of her life and musical career.

Joan Jett & The Blackhearts Online:

Web | Facebook | Twitter | Instagram | YouTube




Maroon 5 Announce 2020 North American Tour

U.S. Dates to Kick off on May 30th

Leon Bridges will appear on all stadium dates. 
Meghan Trainor will appear on all show dates.

Three-time GRAMMY® Award winning multiplatinum band Maroon 5 have announced dates for their upcoming 2020 U.S. tour produced by Live Nation. These upcoming tour dates mark the biggest U.S. shows of the band’s career, with the group playing iconic venues such as at Wrigley Field, Fenway Park, Citi Field and Banc of California Stadium. The band’s multi-country tour will kick off on May 30th at North Island Credit Union Amphitheatre in Chula Vista, CA

Most recently Maroon 5 released their latest single “Memories” to critical acclaim. Leon Bridges’ new collaborative EP with Khruangbin, Texas Sun will be released February 7th  and the title track is out now.  Meghan Trainor will release her anticipated third studio album entitled Treat Myself, coming January 31st on Epic Records.

Tickets for the tour are set to go on sale starting on Monday, December 9th and will be available to the public on Friday, December 13th. A limited number of LaneOne Premium Packages will also be available, including amazing seats, transportation, preferred entrance and more.  Click HERE for LaneOne details. For more information, please see tour dates below and click HERE.

American Express® Card Members can purchase tickets in select markets before the general public beginning Monday, December 9th at 12pm local time through Thursday, December 12th at 10pm local time.

Citi cardmembers will have access to purchase U.S. presale tickets in select markets beginning Monday, December 9th at 12pm local time until Thursday, December 12th at 10pm local time through Citi EntertainmentSM. For complete presale details visit www.citientertainment.com.

Maroon 5’s New Hit Single “Memories” Out Now – #1 on Hot AC

The band’s tour announcement follows the debut of their most recent single, “Memories” (222 Records/ Interscope Records).  The release of “Memories”marks the first new music from the Los Angeles band since the release of their global anthem “Girls Like You.” Produced by Adam Levine and The Monsters & Strangerz and Executive Produced by Jacob “J Kash” Hindlin, “Memories” marks a moment of creative and personal progression for the musicians. The minimalist ballad starkly pairs a lilting clean guitar with chantable and evocative lyrics from Levine. In addition to representing another sonic side, it tackles uncharted subject matter for the group— namely loss—but from a different angle. 

Following its release, “Memories” quickly claimed Maroon 5’s 22nd appearance on Billboard Hot 100’s Top 40. The track is currently holding at peak position #4 on Billboard Hot 100 chart, their 10th Top 5, and their 12th Top 10 this decade; that includes at least one new song sent into the Top 10 each year since 2011. The track just reached #1 on Billboard Hot AC chart, their 14th #1 which is the most by any act. The David Dobkin directed music video has garnered over 185 million views on Youtube; pushing their video catalog to 12 BILLION views across all official channels on YouTube.

Previously Announced Tour Dates

  • 2/23     Mexico City, MEX – Foro Sol
  • 2/28     Santiago, CHL – Estadio Bicentenario de la Florida
  • 3/1       Sao Paulo, BRA – Allinaz Parque
  • 3/5       Recife, BRA – Classic Hall
  • 3/7       Rio de Janeiro, BRA – Estacionamento da Jeunesse
  • 3/10     Montevideo, URY – Estadio Centenario
  • 3/12     Buenos Aires, ARG – Campo Argentino de Polo
  • 3/14     Bogota, COL – Parque Salitre Magico

Newly Announced 2020 Tour Dates

  • 5/30     Chula Vista, CA – North Island Credit Union Amphitheatre
  • 5/31     Phoenix, AZ – Ak-Chin Pavilion
  • 6/3       Alburquerque, NM – Isleta Amphitheater
  • 6/5       Denver, CO – Pepsi Center
  • 6/7       Austin, TX – Austin360 Amphitheater
  • 6/8       The Woodlands, TX – The Cynthia Woods Mitchell Pavilion
  • 6/10     Dallas, TX – Dos Equis Pavilion
  • 6/13     Chicago, IL – Wrigley Field
  • 6/14     Noblesville, IN – Ruoff Home Mortgage Music Center
  • 6/16     Clarkston, MI – DTE Energy Music Theatre
  • 6/18     Cuyahoga Falls, OH – Blossom Music Center
  • 6/19     Burgettstown, PA – KeyBank Pavilion
  • 6/24     Boston, MA – Fenway Park
  • 6/25     Flushing, NY – Citi Field
  • 6/27     Darien Center, NY – Darien Lake Amphitheater
  • 6/28     Toronto, ON – Budweiser Stage
  • 8/2       North Little Rock, AR – Simmons Bank Arena
  • 8/4       Oklahoma City, OK – Chesapeake Energy Arena
  • 8/6       Lincoln, NE – Pinnacle Bank Arena
  • 8/8       Fargo, ND – Fargodome
  • 8/9       St. Paul, MN – Xcel Energy Center
  • 8/12     Edmonton, AB – Rogers Place
  • 8/14     Vancouver, BC  – Rogers Arena
  • 8/15     Auburn, WA – White River Amphitheatre
  • 8/17     Portland, OR – Moda Center
  • 8/19     Mountain View, CA – Shoreline Amphitheatre
  • 8/21     Los Angeles, CA – Banc of California Stadium
  • 8/24     Salt Lake City, UT – USANA Amphitheatre
  • 8/27     Kansas City, MO – Sprint Center
  • 8/29     Maryland Heights, MO – Hollywood Casino Amphitheatre
  • 8/30     Milwaukee, WI – American Family Insurance Amphitheater
  • 9/1       Cincinnati, OH – Riverbend Music Center
  • 9/3       Camden, NJ – BB&T Pavilion
  • 9/5       Hershey, PA – Hersheypark Stadium
  • 9/6       Saratoga Springs, NY – Saratoga Performing Arts Center
  • 9/9       Hartford, CT – XFINITY Theatre
  • 9/11     Bristow, VA – Jiffy Lube Live
  • 9/12     Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek
  • 9/14     Charlotte, NC – PNC Music Pavilion
  • 9/16     West Palm Beach, FL – Coral Sky Amphitheatre
  • 9/17     Tampa, FL – MIDFLORIDA Credit Union Amphitheatre

Maroon 5 Online:

Website | Facebook | Instagram | Twitter


REVIEW: New Politics, The Mowgli’s, Plain White T’s — 3 Dimensions of Music Come to The Van Buren (12-1-19)

PHOENIX — The weekend after Thanksgiving can be a bit of a challenge when it comes to energy levels. Between possibly overindulging on turkey (or tofurkey) and pie, grinning nervously through family dinners, and running through the aisles of the local electronic store, it is indeed easy to feel completely worn out by the time Sunday night rolls around. However, this year there was a cure for the fatigue: The “3 Dimensional Tour” at The Van Buren. Triple-headlined by the New Politics, The Mowgli’s, and Plain White T’s, it was a night filled with energy and noise, and a perfect antidote to the anecdotes you heard over the helpings of holiday fixings.

Plain White T’s

Plain White T’s started the night, as a backdrop lit up with the cover of their latest album Parallel Universe, before drummer De’mar Hamilton came out and sat down to set the tone for the rest of the night. Hamilton is an exceptional drummer, and it was truly fun to watch as he laid down a solid beat throughout the set. As the first notes of “Light Up The Room” were played, lead singer Tom Higgenson strode to the microphone with a huge smile on his face and said, “What up Phoenix?! Let’s have some fun!” Higgenson and the rest of the band delivered on that promise, with Mike Retondo deadpanning “Thank you for liking my bass,” as Higgenson asked the audience to applaud Retondo after “Rhythm of Love”. Higgenson interacted and joked with the audience extensively throughout the night, taking time to thank everyone for coming out, and taking notice that “It looks like you’re having a good time! Everyone in the front is smiling!

Tim Lopez (Guitarist), Plain White T’s
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Indeed, it is hard not to feel jovial at a Plain White T’s show, as Higgenson keeps smiling throughout the night. As the set started to wind down – entirely too soon, it seemed – Higgenson and the band started to play “Hey There Delilah,” the song they are best known for. The crowd took over singing for him as he backed away from the microphone with a look of joy and gratitude on his face. After “Our Time Now,” he thanked the audience once more and the band left the stage.

The Mowgli’s

After a quick stage change, The Mowgli’s came out while a video played in the background, showing clips from movies meshed with scenes that gave a bit of a psychedelic vibe to the start of the show. In fact, the video continued throughout the set, and at certain points, it displayed the lyrics of the songs. As the first song “Spacin’ Out” started, the shift in energy was very apparent: where the Plain White T’s generate the audience energy through engagement with fans and having fun, while The Mowgli’s generate energy via the audience by turning the stage into a massive dance party. 

Katie Earl (Vocalist, Percussion), The Mowgli’s
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Vocalist Katie Earl never once stopped moving, even imploring the audience multiple times to dance along. It was a challenge to stay still as they played songs like “Real Good Life,” “I’m Good,” and “San Francisco,” and so the crowd gladly obliged her requests. She also talked about the need to talk through the tough conversations to come to an understanding with another person. The Mowgli’s have quite a bit of fun on stage. At one point during “Talk About It,” — off of their latest EP American Feelings — almost the entire band switched positions, with everyone playing a different instrument. As the last notes of “San Francisco” faded, Hogan and Earl jumped off the stage, high-fived some in the crowd, and shook hands with others. There was a great deal of appreciation from the band toward the audience.

New Politics

The show ended with a loud, chaotic set from the New Politics. David Boyd pranced onto the stage while rapping the opening lyrics to “Unstoppable,” the first song off of the new album An Invitation to an Alternate Reality. Boyd has a stage presence that is unforgettable, as he prowls and dances like an uncontainable bundle of energy around the stage. At one point during “Yeah Yeah Yeah,” Boyd jumped over the barricade and had the audience gather around and jump together with him.  Those in the crowd were visibly exuberant as they interacted with Boyd and circulated energy amongst each other.

David Boyd (Vocalist), New Politics
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

During another song break, he promised everyone that the band would sit in the back after the show and sign everything that was purchased at the merch table. While it became a bit difficult to see the stage at some points due to the amount of smoke, the show was incredibly high energy, even when things didn’t quite go as planned. Guitarist Soren Hansen threw his guitar into the air, and while it didn’t hit the stage, it also apparently didn’t do what he had hoped it would do. He recovered quickly, brushing off the mishap as if nothing had happened. 

David Boyd (Vocalist), New Politics
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Band Photo Gallery

Part of the magic of a New Politics show is the apparently inexhaustible front man: As the show came closer to the end, Boyd seemed to only become more energetic — At one point, right before “Harlem” started, Boyd started breakdancing, ending up on his head in an impressive pose. As the last notes of “Everywhere I Go (Kings and Queens)” faded, Boyd stood on the drum kit — his back to the audience — and did a backflip, sticking the landing and getting a massive cheer from the astonished fans.It was the perfect end to a night of noise and energy, a night that saw three extremely talented bands take the stage and leave the audience energized, with the food coma of the recent holiday in the rearview mirror. The “3 Dimensional Tour” wraps in Sioux City, IA on December 20th, and is a show that should not be missed. (View Tour Dates)

Photo Gallery

Photographer: Rodrigo Izquierdo

View Separately: New Politics | The Mowgli’s | Plain White T’s

Photography © Reagle Photography
All Rights Reserved

REVIEW: ‘Juliana Hatfield Sings The Police’ — A Worthwhile Covers Album

At one point or another, we’ve all lovingly paid tribute to our favorite artists by covering an entire album of their work, but it was usually done alone in the car or at home and far away from a judging audience. Actual cover albums, however, are left up to the audiences and critics, and are weighed against the original. In short, they are a tightrope walk. At its worst, the covers are so faithful to the originals that it leaves the listener wondering, “So what’s the point?” At its best, a covers album sees an artist putting their own fresh spin on the music in a way that honors the source material while also creating something unique. With the recent release of Juliana Hatfield Sings The Police, Hatfield has managed to do just that: taking songs we’ve all heard countless times over the years and melds each with her style to make it much more than just a covers album.

Juliana Hatfield
| Photographer:
David-Doobinin

With a career that dates back more than 30 years, Hatfield has been one of indie-rock’s most prolific singer-songwriters. She debuted with Nicely, Nicely, from her first band, college-rock legends Blake Babies. The band dissolved following four albums, and she has subsequently released sixteen solo albums, two albums with The Juliana Hatfield Three, two albums with Some Girls, and a reunion album with Blake Babies. (View Discography)

Even for someone already as productive as Hatfield, her signing with American Laundromat Records in 2017 marked the beginning of her most prolific period, releasing five albums (four solo and one with a reunited Juliana Hatfield Three) in just two years. While she’d previously released an album of cover songs — 2012’s self-titled Juliana Hatfield (featuring songs by Foo Fighters, Creedence Clearwater Revival, and Led Zeppelin, amongst others) — it was with the 2018 release of Juliana Hatfield Sings Olivia Newton-John that she made one of her most interesting career choices: taking on an entire album of music by another artist, whose selection might have initially surprised even her long-time fans. Last month’s release of Juliana Hatfield Sings The Police marks the second in a hopefully ongoing series of albums honoring her musical influences. 

Just as Hatfield has made a career out of defying expectations with her many side projects and cover albums, she does the same with The Police songs she chose to cover for this album. While many beloved hits are present on the album (“Roxanne,” “Every Breath You Take,” and “De Do Do Do, De Da Da Da”, for example), she pulled the rest from points across the band’s catalog, with tracks from each of their five albums. 

Track List

  1. Can’t Stand Losing You
  2. Canary in a Coalmine
  3. Next To You
  4. Hungry For You (J’aurais Toujours Faim De Toi)
  5. Roxanee
  6. Every Breath You Take
  7. Hole In My Life
  8. De Do Do Do, De Da Da Da
  9. Murder By Numbers
  10. Landlord
  11. Rehumanize Yourself

Most noticeable from the opening track, “Can’t Stand Losing You,” is that Hatfield eschews The Police’s groundbreaking hybrid of new wave and reggae, reimagining each song in her own style. While the original track from The Police’s first album Outlandos D’Amour had a sadness at the heart of it, Hatfield’s vocals seem to recast the narrative as more defiant, with a tone more of “good riddance” than “please don’t go.” 

Throughout the album, Hatfield plays with the tempos of the original tracks, slowing them down where the band hit the accelerator. On the second track, “Canary in a Coalmine,” and the third track, “Next To You,”  she slows down the original tracks’ frantic pace. In doing so, both tracks have a more playful tone to them versus the intensity they possessed before. Juliana Hatfield’s vocals have always had a sweetness to them, even when the lyrics are sorrowful. 

Two of the standout tracks on the album are the one-two punch of two of The Police’s biggest hits: “Roxanne” and “Every Breath You Take,” with each revisited through a different lens. “Roxanne,” Sting’s romantic ode, now feels like a dirge, with its crashing guitar riffs. Hatfield’s almost desperate pleading is balanced by her own harmonized backing vocals, almost angelic in stark contrast. 

On her career-spanning greatest-hits album, Gold Stars 1992-2002: The Juliana Hatfield Collection, Hatfield previously covered “Every Breath You Take,” which had a brokenhearted yearning to it, like the song’s narrator is making a last-ditch effort to will back an ex. While much has been made of the implied meaning of the original song, Hatfield recasts it as a genuinely sweet romantic ode.

For all the beauty she infuses into “Every Breath You Take,” she takes the opposite approach to “Hole in My Life.” Her focus here is squarely on the pain in the lyrics, and she tones down the song’s tempo to match its mournfulness. Where The Police balanced the heartbroken lyrics with an almost bouncy rhythm, Hatfield lets it wallow in its own dejected misery.

In her take of Synchronicity’s “Murder By Numbers,” she does away with the sing-songy rhythm and soulful vocals of the original in favor of a fuzz-guitar sped-up punk. You can feel the Boston punk scene Hatfield grew up around in the 80’s in its style: now a foot-stomping, fist-pumping moshing classic that is one of the album’s standout tracks. Just as she did with her tribute to Olivia Newton-John, she manages to straddle the line of honoring the original material expertly, while also breathing new life into each song by layering herself into them. Though …Sings The Police is the second in her series of cover/tribute albums, it stands on its own as an album uniquely belonging to Juliana Hatfield.

Juliana Hatfield Tour Dates:

1/16 Evanston, IL @ S.P.A.C.E.
1/17 Indianapolis, IN @ Hi-Fi
1/18 Nashville, TN @ The Basement East
1/19 Birmingham, AL @ Workplay Theater
1/21 Dallas, TX @ Granada Theatre
1/22 Austin, TX @3Ten at ACL Live
1/24 Phoenix, AZ @ Crescent Ballroom
1/25 Pioneertown, CA @ Pappy + Harriet’s
1/27 Los Angeles, CA @ The Echoplex
1/28 San Francisco, CA @ Slim’s
1/30 Portland, OR @ Doug Fir Lounge
2/01 Seattle, WA @ Tractor Tavern


Connect with Juliana Hatfield

Website | Twitter | Instagram

Ravenword Album Details and First Single Out Now

Italian symphonic power metal band Ravenword has unleashed “No More,” first single from their one-time studio album, Transcendence, out January 31 via Rockshots Records.

Vocalist Chiara Tricarico comments: 
“This song is a classical power metal track with a beautiful piano part and a super-fast solo.” 

The track features Davide Lovecchio as special guest on the lead guitar. 

“No More” is available as digital single at all major online stores, paired with an official audio track on YouTube.

Spotify |  iTunes | YouTube

Transcendence is now available for pre-order at the Rockshots Records’ official store. Inspired by Edgar Allan Poe’s novel The Raven, the Milan, Italy, based band was originally formed in 2007 by keyboardist and composer Davide Scuteri (Choirs Of Veritas). After several years of activity, which included a self-titled demo, the band went on a brief hiatus, re-grouping in 2016 when singer Chiara Tricarico (Sound StormMoonlight Haze), drummer Michele Olmi (ChronosfearSkeleeton) and bass/guitar player Cesare Ferrari (Choirs Of Veritas) joined the band, in order to create a one-time studio album that embodies the whole history of the band.  

With TranscendenceRavenword captures the romantic and decadent poetic themes typical of Edgar Allan Poe’s period, combined with an equally decadent symphonic metal sound. In line with Ravenword’s ode to poetry, the title Transcendence was chosen to symbolize the idea of always going beyond one’s perception of reality and seeking deeper meanings. 

Transcendence Tracklisting:

  1. Blue Roses
  2. Life Is In Your Hands
  3. No More
  4. Lullaby Of The Last Petal
  5. Purity
  6. Rain Of Stars
  7. The Queen Of Darkness
  8. What I Need
  9. The Swansong
  10. Dylan
  11. Crimson Lake
  12. The Distance
  13. Bleeding Moon

Ravenword Online:

Rockshots Records | Facebook


Alanis Morissette Announces 2020 Tour Celebrating 25 Years Of ‘Jagged Little Pill’

Today, seven-time GRAMMY® Award-winning singer/songwriter Alanis Morissette announced that she will be embarking on a 31-date North American tour which kicks off June 2nd, 2020 in Portland, OR. Produced by Live Nation, the tour will celebrate 25 years of Jagged Little Pill. It will hit cities like Los Angeles, New York, Toronto, and Chicago before wrapping in Nashville, TN on July 25th, 2020 and she’ll be playing all her biggest hits along the way. Alanis will be joined by special guest Garbage and also appearing Liz Phair.

New Single “Reasons I Drink” Out Today From Forthcoming Album, 
Such Pretty Forks In The Road, Due Out May 1st, 2020

Alanis also released her new song, “Reasons I Drink” today via Epiphany Music. Get it HERE! “Reasons I Drink” was co-written by Alanis and Michael Farrell (Morrissey, Macy Gray) and produced by Alex Hope (Troye Sivan, Ben Platt, Tove Lo). The track comes off Alanis’ highly anticipated ninth album, Such Pretty Forks In The Road, due out May 1st. This will be Alanis’ first original album since 2012’s Havoc and Bright Lights. On December 4th, catch Alanis’ debut television performance of “Reasons I Drink” on The Tonight Show Starring Jimmy Fallon. Alanis is also being honored with the 2019 Billboard Women In Music Icon Award at their ceremony on December 12th in Los Angeles.

Presales for the tour will begin on December 10 at 11 AM local time and tickets will go on sale to the general public beginning Friday, December 13th at 11 AM local time HERE. VIP packages will be available starting with the presale. With each transaction, fans will receive an instant grat download of “Reasons I Drink” and a digital download of Alanis’ new album Such Pretty Forks In The Road, upon its release on May 1st. For tickets and more information, go HERE. Citi is the official presale credit card for the tour. As such, Citi cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, December 11th at 11 AM local time until Thursday, December 12th at 12 PM local time through Citi’s Entertainment program. For complete presale details visit HERE.

Alanis Morissette 2020 Tour Dates:

June 02, 2020Portland, ORSunlight Supply Amphitheater
June 03, 2020Seattle, WAWhite River Amphitheatre
June 05, 2020Concord, CAConcord Pavilion
June 07, 2020Salt Lake City, UTUSANA Amphitheatre
June 09, 2020Los Angeles, CAHollywood Bowl
June 10, 2020Phoenix, AZAk-Chin Pavilion
June 12, 2020Austin, TXAustin360 Amphitheater
June 13, 2020Rogers, ARWalmart AMP
June 14, 2020Dallas, TXDos Equis Pavilion
June 17, 2020Tampa, FLMIDFLORIDA Credit Union Amphitheatre
June 18, 2020West Palm Beach, FLCoral Sky Amphitheatre
June 20, 2020Alpharetta, GAAmeris Bank Amphitheatre
June 21, 2020Charlotte, NCPNC Music Pavilion
June 23, 2020Raleigh, NCCoastal Credit Union Music Park at Walnut Creek
June 26, 2020Wantagh, NYNorthwell Health at Jones Beach Theater
June 27, 2020Hartford, CTXFINITY Theatre
June 28, 2020Camden, NJBB&T Pavilion
July 01, 2020Holmdel, NJPNC Bank Arts Center
July 02, 2020Columbia, MDMerriweather Post Pavilion
July 03, 2020Virginia Beach, VAVeterans United Home Loans Amphitheater
July 06, 2020Gilford, NHBank of New Hampshire Pavilion
July 08, 2020Saratoga Springs, NYSaratoga Performing Arts Center
July 09, 2020Mansfield, MA XFINITY Center
July 11, 2020Toronto, ONBudweiser Stage
July 16, 2020Noblesville, INRuoff Home Mortgage Music Center
July 17, 2020Tinley Park, ILHollywood Casino Amphitheatre
July 18, 2020Maryland Heights, MOHollywood Casino Amphitheatre
July 21, 2020Clarkston, MIDTE Energy Music Theatre
July 23, 2020Cuyahoga Falls, OHBlossom Music Center
July 24, 2020Cincinnati, OHRiverbend Music Center
July 25, 2020Nashville, TNBridgestone Arena

JAGGED LITTLE PILL OPENING ON BROADWAY DECEMBER 5TH

Alanis M Jagged Little Pill Musical

Jagged Little Pill will be making its debut on Broadway this Thursday, December 5th at the Broadhurst Theatre in New York City. Featuring lyrics by Alanis and music by Alanis and six-time Grammy winner Glen Ballard, Jagged Little Pill is directed by Tony Award winner Diane Paulus (Waitress, Pippin) and features an original story by Academy Award-winning writer Diablo Cody (Juno, Tully). Jagged Little Pill is a breathtaking new musical inspired by the themes and emotions revealed in Alanis Morissette’s album of the same name. Variety notes “[a]lways engaging, often moving and even rousing, the show boasts dramatic interest and integrity on its own theatrical terms.” For tickets, please visit Telecharge.

Alanis Morissette Online:

Website | Facebook | Twitter | YouTube



Five Finger Death Punch Announce Massive Spring 2020 U.S. Arena Tour

Special Guests Papa Roach, I Prevail,
& Support from Ice Nine Kills

4x Platinum, 6x Gold record selling rock juggernaut Five Finger Death Punch have announced that they will kick off the 2nd leg of their current U.S. arena headline tour in April, featuring special guests Papa Roach, I Prevail, as well as highly acclaimed newcomer Ice Nine Kills. The tour is co-produced by Frank Productions and Live Nation. See all dates below.

VIP presale, artist fanclub presale, and cyber monday presale begins today at 10:00 AM (local time). Citi is the official presale credit card of the tour. As such, Citi cardmembers will have access to purchase U.S. presale tickets beginning Tuesday, December 3rd at 10:00 AM (local time) until Thursday, December 5th at 10:00 PM through Citi’s Entertainment program. Local promoter venue and radio presales will kick off on Thursday, December 5th at 10:00 AM (local time). Tickets will go on-sale to the general public beginning Friday, December 6th at 10:00 AM (local time).

Five Finger Death Punch are currently touring US arenas before heading to Europe right after the holidays for their nearly sold out European arena run with very special guests Megadeth and global breakout rock sensation Bad Wolves. Information on all tour dates including links to tickets and VIP packages can be found HERE.

FFDPTour

Five Finger Death Punch Spring 2020 Tour Dates:

  • 4/8 – Sunrise, FL // BB&T Center
  • 4/10 – Duluth, GA // Infinite Energy Center
  • 4/11 – Pelham, AL // Oak Mountain Amphitheater
  • 4/13 – San Antonio, TX // AT&T Center
  • 4/14 – Ft. Worth, TX // Dickies Arena
  • 4/16 – Houston, TX // Toyota Center
  • 4/18 – Phoenix, AZ // Talking Stick Resort Arena
  • 4/19 – San Diego, CA // Viejas Arena
  • 4/21 – Los Angeles, CA // The Forum
  • 4/23 – Tacoma, WA // Tacoma Dome
  • 4/25 – Portland, OR // Veteran Memorial Coliseum
  • 4/27 – Morrison, CO // Red Rocks Amphitheatre
  • 4/29 – Kansas City, MO //Sprint Center
  • 5/3 – Baltimore, MD // Royal Farms Arena
  • 5/5 – Worcester, MA // DCU Center
  • 5/6 – Newark, NJ // Prudential Center
  • 5/8 – Cincinnati, OH // Heritage Bank Center
  • 5/12 – Detroit, MI // Little Caesars Arena
  • 5/14 – Pittsburgh, PA // PPG Paints Center
  • 5/15 – Camden, NJ // BB&T Pavilion
  • 5/17 – Nashville, TN // Bridgestone Arena
  • 5/19 – Rosemont, IL // Allstate Arena
  • 5/20 – St. Paul, MN // Xcel Energy Center

Coinciding with the unveiling of their next massive tour, Five Finger Death Punch have announced their long awaited eighth studio album, titled F8. The album will be released globally on February 28th, 2020 and is available for pre-order now.

Five Finger Death Punch have amassed over 3 billion streams to date, over 2 billion video views and are the 3rd biggest artist in the hard rock space measured by total consumption (sales and streams) – surpassed only by Metallica and AC/DC. Newly signed to Better Noise Music, they’ve garnered 22 top 10, hit singles over the last few years.

Today, Five Finger Death Punch also premiered the debut single from F8, “Inside Out” one of the most personal songs that the band has released to date. Watch the official lyric video HERE.

Fans who pre-order the album digitally will receive an instant download of “Inside Out” along with two other new tracks before the release on February 28th. The album will be available in the following formats: CD, digital download, mastered for iTunes download, double gatefold vinyl and picture disc vinyl. The band also curated special F8 merchandise bundles of albums with exclusive t-shirts, hoodies and more, available for pre-order HERE.

Says Five Finger Death Punch guitarist Zoltan Bathory, “We had an extremely successful, yet tumultuous couple of years as a band. We didn’t just weather the storm but came out on the other side better than ever. It was a focused sober group recording, our most important album to date and without a question it shows.”

“This album represents rebirth, progression, transcendence both personally and musically.” Vocalist Ivan Moody adds, “This record to me is ‘absolution’ – everything I’ve done in my life has led up to this moment.”

F8 was produced by Five Finger Death Punch with long time producer Kevin Churko (Ozzy Osbourne, Disturbed, Slash, etc). See the full tracklisting for F8 below.

FFDP F8

TRACKLISTING FOR F8:

  1. F8
  2. Inside Out
  3. Full Circle
  4. Living The Dream
  5. A Little Bit Off
  6. Bottom Of The Top
  7. To Be Alone
  8. Mother May I (Tic Toc)
  9. Darkness Settles In
  10. This Is War
  11. Leave It All Behind
  12. Scar Tissue
  13. Brighter Side Of Grey
  14. Making Monsters (BONUS)
  15. Death Punch Therapy (BONUS)
  16. Inside Out (Radio Edit) (BONUS)

The new album F8 follows Five Finger Death Punch’s hugely successful 2018 release, And Justice For None, which debuted in the Top 5 around the world and became the #1 streaming Hard Rock/Heavy Metal album of that year. They’ve built a rabid, global fan base by creating a unique sound that blurs the line between rock and metal, which has never been more apparent than on their upcoming eighth studio album F8 and their upward trajectory doesn’t seem to waver.

Five Finger Death Punch Is:

Zoltan Bathory
Ivan Moody
Jason Hook
Charlie Engen
Chris Kael

Download/Stream Five Finger Death Punch:

Spotify | Apple Music

Five Finger Death Punch Online:

Website | Twitter | Instagram  
Facebook | YouTube



Featured photo (top) by Stephen Jensen


News & Reviews from the Fiery Mosh Pits of Arizona