Burning Hot Events is a free, independent publication fueled by passion for music and art. We rely on ads to help us bring you great content, so if you enjoy our site, we'd love your support!
Please consider disabling any ad blockers to support us – we don’t force it!Dismiss
GFM (Gold Frankincense & Myrrh), a trio of teenage sisters who have already mastered the art of balancing a Paramore style of melodicism with a Slipknot-like ferocity, have debuted a new video for the single “Taking Over.” “Taking Over” is premiering today, exclusively via Alternative Press.
“’Taking Over’ is a song about standing up for yourself and for others,” says bassist/vocalist Maggie English. “We’re not taking no for an answer and nothing is going to stand in our way. The time to join Team GFM is now before it’s too late.”
Visualizing the young band’s sound, which they have dubbed “beautycore,” director Dale Resteghini juxtaposes images of military tanks emblazoned with GFM’s pink logo with aggressive performance footage of the band in their trademark pink GFM cheerleader uniforms, as the sisters proclaim, “Get up, stand tall If we fall, then we fall together/Take your shot, the best you got/We won’t stop, and we’re taking over.”
“The girls crushed the video,”Resteghini says. “I love helping hot new bands breakthrough the noise. One listen to the single ‘Taking Over,’ I knew I had to do this. These young girls have already shown they can handle the rigors of tour life and are destined for greatness!”
The Joey Sturgis (Of Mice & Men, The Devil Wears Prada, Attack Attack!, Asking Alexandria) produced “Taking Over” is the second single from an upcoming EP.
“Prepare to hear GFM at their heaviest,” says Sturgis. “Working on this song was all about capturing the girls at their heaviest moment, shattering your ears while allowing their melodic ability to continue to shine through the rubble.”
Catch GFM Now on the First Ever Social Media E-Tour
While spending time at home during the quarantine, the trio is finding unique ways to connect with Team GFM. GFM is hosting the first ever “e-tour,” virtually touring a variety of different social media pages and platforms. The first round of tour dates have been announced on GFM’s social media pages, with more dates quickly being added. An entire acoustic performance will be featured along with a Q&A session during each livestream. Additionally, fans with a good eye will notice a phone number within the artwork for “Taking Over.” This Easter egg is an active number that is being used as fun and unique way to interact with fans.
GFM’s first album,Identity Crisis, was released in 2016, followed byOh, The Horror! in April 2019. After touring the US multiple times, the group headed overseas to Germany in 2018, where their energetic performances established GFM as a festival favorite. A new EP is scheduled for release this spring.
(Burning Hot Events earns from qualifying purchases.)
The first single from the EP, “I Don’t Need Your Fantasy” was released earlier this year. Listen to the track here.
Members of GFM are endorsed by PRS Guitars, Sinister Guitar Picks, Schecter Guitars, SJC Drums, Sabian Cymbals, 64 Audio, Orange Amps, Gator Cases, Enki USA, Pig Hog Cables, Coffin Cases, TUK Footwear, Cheerleading Company and Boathouse Sports.
GFM Is:
CJ Sanders English – Guitar, Vocals
Magdalene “Maggie” Rose English – Bass, Vocals
Evie “LuLu” Louise English – Drums, Background Vocals
Baroness share a new video for the song “Tourniquet”. Dubbed “Tourniquet (Socially Distant)” the footage features the four band members playing the six-and-a-half minute song at their respective homes, showcasing the band’s ability to both socially isolate and come together to share the message of unity amidst the COVID-19 crisis. Watch the video here.
The band issued a collective comment:
“Hey everyone! Here’s an as-live-as-possible performance of ‘Tourniquet’ that we made over the course of a couple days during this period of isolation.
We have all maintained a rigid policy of social-distancing since becoming aware of this pandemic; which has unfortunately deprived us of our much preferred means of playing music. Throughout this crisis, the overall safety and responsibility of our global human community far outweighs the individual value of any show, festival or tour. We’re refocusing and redoubling our energy to adapt to this situation as it unfolds.
As difficult as it seems to navigate the effects of this virus, the isolation has not stripped us of our passion for Baroness’ music. Playing music so far from our bandmates will never be particularly natural. However, the experience of making this video through emails, texts and phone calls has been a powerful reminder of how inspiring and invigorating music can be in times of stress, struggle and confusion.
We hope you enjoy this performance. It isn’t meant to highlight musical perfection or precision. Personally, it serves as a reminder that, no matter what situation we face, we are still able to enjoy friendship, family and community through something as simple as a song. Isolated but never alone… Baroness.”
The video closes with a message to fans: “Be safe. Be good to each other. Act with personal and civic responsibility. We’ll see you again soon.”
“Tourniquet” is featured on the album Gold & Grey, which arrived in June of 2019 with Stereogum saying the collection “is the best thing Baroness has ever done… a masterpiece,”NME declaring it “a work of art in the truest sense of the word” and NPR, noting the synchronicity between Baroness’ music and imagery, observing that “Gold & Grey feels like a callback to the heyday of the rock album as art object.” The 17-track release debuted atop Billboard’s Hard Rock Albums Sales and Independent Albums’ Charts and found the band gracing the covers of both Revolver and Kerrang! magazines. Baroness has taken fans behind-the-scenes into the making of the Dave Fridmann (The Flaming Lips, At War With The Mystics) produced album, releasing an 11-part web series dubbed “Making Gold & Grey”. Watch here.
The Philadelphia-meets-New York based band have grown to be one of rock music’s most critically-revered as well as one of the most inventive artists of the modern era with each release in their kaleidoscopic canon seeing the band further defining their unique musical vantage point. Baroness’ catalog of studio recordings is: Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record(2009), Red Album (2007), A Grey Sigh in a Flower Husk (Split LP, 2007), Second (EP, 2004) and First (EP, 2004).
(Burning Hot Events earns from qualifying purchases.)
Italian alternative metal band Ravenscry has revealed a video for the first single, “Maybe,” from the upcoming album, 100, set for release on May 15. The “Maybe” video was directed by Salvatore Perrone (Fleshgod Apocalypse, Bring Me the Horizon).
“‘Maybe’ is a sort of manifesto of the human condition,” says vocalist Giulia Stefani. “It talks about resilience, willingness and finding a way to carry on without any doubt. We hope that anyone listening to this song can find the same energy that we feel in it. ‘Maybe’ it will help somebody to find his/her inner strength.”
The female-fronted, melodic metal band is launching back onto the global metal scene with the highly anticipated 100. Featuring dramatically soaring vocals, bone-shaking rhythms and dark songwriting, for nearly a decade this fierce group has been hooking millions of listeners worldwide with their infectious anthems. Their first album in three years, 100 attests to Ravenscry’s bold return. With more energy, more melody and even smarter lyrics, 100 stays true to the core of Ravenscry’s sound while remaining accessible enough to hook even more new listeners. Sincere, intelligent and brutally honest — the album sums up the human experience to a tee, from epic highs to soul-crushing lows.
100 was produced by Ravenscry, mixed by Roberto Laghi (In Flames, Hardcore Superstar) and mastered by Dragan Tanasković (In Flames, Dark Tranquillity). The album features artwork by Spanish artist Mario “Aégis” S. Nevado.
100 Album Artwork
100 Track Listing:
Maybe
Binary
The Gamer
The Door Inside
The Entertainer
Destination: Nowhere
Light You Up
Leader
Paper Boat
All My Faces
The Gatekeeper
Pre-order 100 now via the Ravenscry webstore here.
About Ravenscry
Ravenscry first made a mark on the world in 2011 with their debut album, One Way Out, and began steadily grinding their way up the ranks of the global metal scene. In 2014, the band spearheaded a campaign to raise awareness about violence against women with the release of The Attraction of Opposites and the single “Alive,” released on International Women’s Day. 2017 saw the release of the concept album The Invisible, which told a complex and mystifying coming of age tale, followed by numerous European festival appearances and tours with Angra and Geoff Tate’s Operation: Mindcrime.
Australia’s Victoria K is sharing their new video for “The Haunting” in support of their forthcoming debut album Essentia – due out April 24, 2020 via Rockshots Records. The full length was produced by Lee Bradshaw and features special guest Michalina Malisz (Eluveitie).
The band comments about the song: “‘The Haunting‘ is about a tortured past that relentlessly plays on your thoughts and keeps you captive at that point in time. These memories and thoughts haunt you continuously until you can learn to let go of them, if you ever can. Only when you do let go of these torturing thoughts and feelings can you actually move forward again.”
Although Essentia was originally a solo project, it has now developed into the current band structure with each member bringing their own energy and experience to the collective. The band is looking forward to collaborating on future releases and is now heavily focused on the release of this debut full length in April.
Shroud of Solitude (feat. Michalina Malisz – Eluveitie)
The Haunting
Freaks
Mist Filled Sky
Humanity
Lacuna
About Victoria K
Victoria K’s talented songwriting and compositional influences include” Evanescence, Within Temptation, Nightwish and Kamelot amongst other current bands in the European metal scene, and her music has been likened to a blend of these influences.
Victoria K
Victoria K has racked up hundreds of thousands of views on YouTube with her own original creations and through featured videos alongside a number of talented musicians covering a plethora of songs. Victoria K’s covers include Iron Maiden’s “The Trooper”, Nightwish’s “Last Ride of the Day”, Metallica’s “Nothing Else Matters” and Kamelot’s “Insomnia”, the latter of which received attention from the band themselves on Twitter and led to a meeting of talents when the American power metal band found themselves in Melbourne during their 2018 ‘The Shadow Theory’ Australian tour.
Victoria K Is:
Victoria K – Vocals
Sheri Vengeance – Extreme Vocals (Black Like Vengeance, ex. Ne Obliviscaris)
Julia Mammone – Guitar (Enlight)
Martin Kawaler – Bass (Black Like Vengeance, ex Ten Thousand)
For fans of Tristania, Draconian, Dimmu Borgir, Insomnium, Wolfheart
Rockshots Records announce their latest signing of Kiev, Ukraine’s Thy Despair for the release of their forthcoming album The Song Of Desolationdue out on May 8, 2020. The dark metal band blends black, gothic, doom, symphonic and melodic death elements into their sound along with vocals being sung in both English and Ukrainian.
Today they are sharing with fans the first single off the full length, “The Free One“, Spotify or YouTube
Thy Despair’s new album The Song of Desolation follows the band’s 2018 debut EP The Free One. Some of the album’s lyrics are influenced by the war in eastern Ukraine.
“It is a great tragedy for the nation and the main idea of these songs is that you should always fight back and keep freedom in your heart and mind. Lyrics of other songs are inspired by local legends or life experience.” says band founder Nephilim.
Nephilim adds: “Even when everything goes extremely bad, you should still stay strong, struggle and hope for the best, otherwise you won’t survive or will turn into a backboneless slave.”
The album as whole features 10 tracks each with its own tale to tell and a statement that unites all of them together.
Up and coming singer-songwriter Clio Cadence has revealed an empowering new video for the track “Drive.” A song about building the courage to leave a toxic relationship, “Drive” embodies the teenager’s wise-beyond-her-years lyrics and musical maturity.
Watch “Drive” today via Outburn and get the single here.
“‘Drive’ is a song about the struggle to stand up for yourself and leave a relationship that has become toxic,” Cadence says. “Sometimes we get trapped by possessions, people, and worry about what others will think. Sometimes you have to leave everything behind to save yourself. The video shows the struggle of staying with someone with a drinking problem. The happy times vs. the bad.”
About Clio Cadence
Clio Cadence
The 18-year-old multi-instrumentalist began playing in bands since the tender age of 12 and has developed a style and stage presence that far exceeds her years. Her musical background includes playing fiddle, guitar, bass and drums, as well as the study of music theory. Drawing influences from a wide range of artists, from No Doubt to We Came as Romans, Cadence‘s sound can be described as hip-hop-infused metal with an authentic rock ‘n’ roll vibe. Cadence not only transcends genre stereotypes, but also sees the future of the music industry as boundlessly fluid and unsegmented.
For her debut album, Cadence has enlisted a multifaceted array of production talent, including Michael Orlando (Dead Girls Academy) Alex Asche (Dangerkids) and Kris Crummett (Sleeping with Sirens, Dance Gavin Dance, Issues).
Cadence has played in many cities across the United States, and several dates in Canada and Ireland.
Atlantic recording artist Melanie Martinez has announced today’s release of a new song and an extensive leg of her world tour. “Copy Cat (Feat. Tierra Whack)” is available now at all DSPs and streaming services here. “Copy Cat” will be featured on her first project since 2019 album K-12, an EP entitled After School which is due for release this Spring. Tierra Whack is the first artist to be included as a feature on a Melanie Martinez track.
“I’m so thrilled to be releasing this song with the most magical artist and insanely gifted lyricist, Tierra Whack,” says Martinez. “This song was written years ago and from an empathetic perspective, even while in a very hurt place. We’re all told that imitation is flattery to ease the pain that the ego feels when other people get credited for our ideas and our work. But being human includes feeling a multitude of feelings, and naturally this song came about when expressing those very raw emotions. I hope this song can not only bring comfort to anyone experiencing that feeling but also remind them to empathize with people who are just doing what society has conditioned them to believe will make them successful.”
Martinez is “the sweetest, realest, most genuine person I’ve ever met,” says Tierra Whack. “After dropping ‘WHACK WORLD,’ she was one of the first people to reach out and immediately show love. So excited to share our new song together!”
Melanie Martinez
Photography: Brian Zuniga
Martinez has further announced plans for a major North American headline tour, produced by Live Nation – her biggest and most adventurous stage production thus far. (Tour dates below.)
Dates begin June 3rd at The Armory in Minneapolis, MN and then continue through late July. Highlights include Martinez’s appearance at Bunbury festival, and her eagerly anticipated debut performances at New York City’s legendary Radio City Music Hall (June 24th) and Los Angeles, CA’s historic Greek Theatre (July 17th). Martinez has partnered with PLUS1 for the “K-12 Tour” to support crisis intervention and suicide prevention services for LGBTQ youth through the Trevor Project for her US dates, and local organizations working to support and empower the health and wellbeing of LGBTQ communities for her Canadian dates. For more information about PLUS1, click here.
Fan presales begin today at 2PM (local) and tickets go on sale to the general public starting Thursday, February 13th at 10 am (local). To get tickets and see the full list of tour dates, click here. Citi is the official presale credit card of the K-12 Tour. Citi cardmembers will have access to purchase presale tickets for select shows beginning Tuesday, Feb 11 @ 10am local time until Wednesday, Feb 12 @ 10pm local time through Citi Entertainment®. For complete presale details visit Citi Entertainment.
Both “Copy Cat (Feat. Tierra Whack)” and the upcoming tour follow the phenomenal success of Martinez’s internationally acclaimed album and accompanying full-length film, K-12, available now at all music retailers and streaming services. Hailed by Forbes as “a perfect conceptual album in the streaming age,”K-12 entered the SoundScan/Billboard 200 at #3 upon its September 2019 release – the multi-talented pop phenomenon’s highest chart placement thus far. In addition, K-12 debuted at #1 on the “Alternative Albums,” “Soundtracks,” and “Vinyl Albums” charts, as well as #2 on “Pop Albums” and #3 on “Top Albums.” Internationally, K-12 made top 10 debuts in Canada, Australia, Ireland, Netherlands, UK, New Zealand, and Spain.
Produced by Michael Keenan with the exception of one song produced by Kinetics & One Love, K-12 marks Martinez’s long anticipated follow-up to her RIAA platinum certified, 2015 debut album, Cry Baby. The new album further serves as a soundtrack companion to an eerily enchanting musical film, written, directed, and starring Martinez. K-12 is streaming now at DSPs and Martinez’s official YouTube channel, where it has earned close to 43 million views to date. Praised by Billboard as “a visual dream world of the 24-year-old’s own making… a whimsical, highly dramatized version of school life, filled with pastels, magic, oversized hair bows and babydoll dresses,” the film is also available on iTunes, Amazon, Amazon Prime, Google Play, Fandango Now, Vudu US, Comcast Cable, Cox Cable, Microsoft Store US, and Stingray/Qello.
In addition to today’s premiere of “Copy Cat (Feat. Tierra Whack),” last week saw Martinez unfurl a series of compelling new videos for songs featured on K-12, including “Orange Juice,” “Detention,” “Teacher’s Pet,” “High School Sweethearts,” and “Recess,” all of which are written and directed by Martinez and streaming now via YouTube. K-12 also includes the previously released “Lunchbox Friends” and “Show & Tell” videos, which have contributed to driving Melanie’s YouTube channel to the precipice of 10 million followers.
Widely applauded for her remarkably creative live performances, Martinez further introduced K-12 to the world with a visually stunning presentation of the album’s “Strawberry Shortcake“ on ABC’s Jimmy Kimmel Live!, streaming here.
Meanwhile, Martinez is currently traveling Europe on her epic “K-12 Tour,” with remaining dates set for Germany, France, the Netherlands, and the United Kingdom. From there, Martinez returns to the US for a series of already sold out “K-12 Tour” dates beginning March 17th at Anaheim, CA’s House of Blues and continuing through the month. Naaz will support on all European dates, and Sub Urban will open the March US dates. For complete details and additional information, visit here.
<div id=”dates”></div>
Melanie Martinez World Tour 2020
FEBRUARY
10 Frankfurt, DE Jahrhunderthalle
12 Cologne, DE Palladium
13 Paris, FR Olympia Theatre
15 Tilburg, NL 013 Poppodium
17 London, UK O2 Academy Brixton
MARCH
17 Anaheim, CA House of Blues – Anaheim
19 Oakland, CA Fox Theatre
20 Las Vegas, NV Pearl Concert Theater
22 Denver, CO Paramount Theatre
23 Salt Lake City, UT The Union
25 Seattle, WA Paramount Ballroom
26 Garden City, ID The Revolution Center
NEW K-12 Tour Dates
JUNE
3 Minneapolis, MN The Armory
5-7 Cincinnati, OH Bunbury Music Festival *
6 Sterling Heights, MI Michigan Lottery Amphitheater at Freedom
Hill
7 Columbus, OH Express Live! **
9 Chicago, IL Huntington Bank Pavilion
10 St. Louis, MO Saint Louis Music Park
12 Cleveland, OH Jacobs Pavilion at Nautica
13 Toronto, ON RBC Echo Beach
14 Montreal, QC M. TELUS
16 Washington, DC The Anthem
17 Moon Twp, PA UPMC Events Center
19 Boston, MA Rockland Trust Bank Pavilion
20 Philadelphia, PA The Met
21 Asbury Park, NJ Stone Pony Summerstage
23 Wallingford, CT Oakdale Theater
24 New York, NY Radio City Music Hall
26 Raleigh, NC Red Hat Amphitheater
27 Charlotte, NC Charlotte Metro Credit Union Amphitheatre
28 Nashville, TN Nashville Municipal Auditorium
30 Jacksonville, FL Daily’s Place
JULY
1 Miami, FL Bayfront Park Amphitheater
2 Tampa, FL Yuengling Center
7 Independence, MO Silverstein Eye Centers Arena
8 Rogers, AR Walmart AMP
9 Irving, TX The Pavilion at Toyota Music Factory
11 Sugar Land, TX Smart Financial Centre
12 Austin, TX ACL Live at The Moody Theater
14 Phoenix, AZ Arizona Federal Theatre
15 Fresno, CA Saroyan Theater
17 Los Angeles, CA Greek Theatre
18 San Diego, CA Cal Coast Credit Union Open Air Theatre
21 Portland, OR Theater of the Clouds
22 Vancouver, BC Orpheum
23 Redmond, WA Marymoor Amphitheater **
25 Salt Lake City, UT Sandy City Amphitheater **
26 Denver, CO The Fillmore
* FESTIVAL APPEARANCE ** NOT PRODUCED BY LIVE NATION
LOS ANGELES — Building off the success of her self-titled debut album, LÉON delivers a gorgeous new ballad in the way that only LÉON could. “In a Stranger’s Arms” is a soft pop, forlorn lullaby about the metamorphosis that happens after moving on from heartbreak and the willingness to take a risk and start over ‘in a stranger’s arms.’ The warm track is oddly comforting and glimmering with both melancholia yet hopefulness. Listen here.
New Album Expected Later This Year via Léon Recordings / BMG
The critically acclaimed Swedish artist also plans to release her sophomore full-length studio album later this year through LÉON Recordings, her imprint partnership with BMG.
“LÉON’s smoky vocals and soaring compositions cut right to the emotional core.” – TIME
“Instantly catchy” – Billboard
Since releasing her career debut single in 2015, LÉON has consistently delivered with every release, demonstrates her knack for crafting emotive, tender, and unforgettable pop songs. The songstress has amassed over 400 million total global streams and is a regular critic’s favorite in the press, racking up praise from the likes of Vogue, Glamour, In-Style, The Fader, and more. In addition to making her late-night television debut on The Late Late Show with James Corden, she has sold out many headline shows worldwide and performed at U.S. festival staples including Coachella, Bonnaroo, and Lollapalooza.
“LÉON is unstoppable” – Clash
According to LÉON, “Over the past few years, I’ve learned how to go with my gut and steer the wheel myself. If it doesn’t feel right to me, I don’t pursue it. In the end, I stand behind the music I make, and I’m in control.”
“An essential listen.” – W Magazine
In 2020, LÉON shows no signs of slowing down. Stay tuned as she continues to evolve and embarks on the next chapter in her career, with more surprises for her fans along the way.
“Like the other mononymous Swedish pop icon [Robyn], LÉON couples danceable beats and thoughtful lyrics.” – UPROXX
MARCH 24, 2020 UPDATE: With an abundance of concern for those that need to spend time with their loved ones over the coming weeks due to Covid-19, the band and label came to the difficult decision to postpone the album’s release. More Info Here
PHOENIX — Grey Daze, Chester Bennington’s pre-Linkin Park band, release Amends, the Phoenix-born band’s eagerly-awaited album featuring newly recorded music with re-mastered vocals from the group’s long out-of-print, and largely undiscovered, catalog, on April 10 via Loma Vista Recordings.
New Single & Music Video for “Sickness” Released
Accompanying the album announcement, Grey Daze have simultaneously released a second single from the 11-song collection, premiering “Sickness” today via Annie Mac’s BBC Radio 1 show (“Hottest Record”). A video for the track has also been released, with band founder and drummer, Sean Dowdell, explaining: “This is loosely based on a true story from when Chester was 15-years-old. He was being bullied at school and one day suffered a real beating. That was the day I assumed a role as protector and almost older brother figure to Chester that has lasted since, even after his passing.”
Amends is the origin story of one of modern rock’s most recognizable voices and also a full circle moment among friends. The album is the fulfillment of a planned Grey Daze reunion that Chester had announced prior to his untimely passing. The remaining band members – Dowdell (drums), Mace Beyers (bass) and Cristin Davis (guitar) – along with Talinda Bennington (Chester’s widow) and his parents, made it their mission to see the project through with assistance from Tom Whalley, the founder of Loma Vista Recordings and former Warner Bros. Records Chairman during Linkin Park’s tenure at the label.
Dowdell, Beyers and Davis selected the tracks from the band’s mid-90s, but largely unknown, catalog and re-recorded the music in 2019 to accompany Chester’s re-mastered vocals. Produced by Jay Baumgardner, several musicians leant their time and talent to the album, including Korn’s Brian “Head” Welch and James “Munky” Shaffer, Paige Hamilton (Helmet), Chris Traynor (Bush, Helmet, Orange 9MM), LP, Jasen Rauch (Breaking Benjamin) and Ryan Shuck (Orgy).
Earlier this week, Dowdell and Talinda Bennington spoke with Rolling Stone about the project, discussing how it came to fruition and the emotions of sharing this album with the world.
“He wanted to do Grey Daze again because the music was awesome, he loved it back then, and he was excited to be able to create,” Talinda shared in theRolling Stonepiece. “Doing it now that he had all this experience under his belt – he had accomplished so much and come so far since then – he was excited about it. I can hear him now. He’s like, ‘F**k yeah!’”
Dowdell appears on both KROQ (Los Angeles) and KUPD (Phoenix) this afternoon to discuss Amends and how meaningful this release is to both the circle of people who were intimately involved but also to the millions of fans who have been waiting to hear Chester’s voice once again.
“We started Grey Daze in 1993, the band ended up breaking up in 1998,” explains Dowdell in a recently released documentary. “Fast forward to 2015, Chester’s on the road and says, ‘I think we should put Grey Daze back together.’ Obviously, what happened, happened and Chester was tragically taken from us. Of course, as soon as he passed, it was like ‘oh my God, I lost my friend, my friend’s wife is now a widow and my friend’s kids are now fatherless.’ There were all of these emotions. About six or seven months later, I started some conversations and said I really want to finish this album. We’re not going to accept mediocrity, we’re going to do our friend proud, we’re going to make sure Chester is proud and we’re going to make sure this is something he would have been elated to put out.“
Amends is available in a variety of collectible formats with several iterations available exclusively via the band’s website. The CD comes as a 16-page case-bound book; a first pressing, ruby red vinyl variant exclusive to the band’s webstore; and a numbered deluxe edition featuring both a CD and LP, which includes the first ever disc tray designed for vinyl, as well as a 60-page book with never-before-seen photos and 180g red and white splattered vinyl. Digital and other standard versions of the album are available here.
Pre-orders include instant downloads of “What’s In The Eye” and “Sickness.” A CD single is also available today at independent record stores nationwide, featuring both new singles “What’s In The Eye” and “Sickness,” as well as a $3 off coupon for the full album.
Amends Track Listing
Sickness
Sometimes
What’s In The Eye
The Syndrome
In Time
Just Like Heroine
B12
Soul Song
Morei Sky
She Shines
Shouting Out
About Grey Daze
Grey Daze formed in 1992. The Phoenix-based band went on to independently release two albums: Wake Me (1994) and no sun today (1996). Grey Daze parted ways in 1998, with Chester serendipitously auditioning for the Los Angeles band Xero, who later became Linkin Park.
In 2017, Chester announced Grey Daze’s reunion, which would see the band re-working and re-recording a collection of songs they had started two decades earlier. The project was shelved in July 2017 but with the blessing of Chester’s widow, Talinda, and his family, Grey Daze regrouped and finished the album.
Amends represents an important yet unheard chapter – the origin story of one of modern rock’s most recognizable voices – and also a full circle moment along friends.
Lamb of God has revealed a brand new single and video, “Checkmate,” from the band’s first release in five years, and the first to feature new drummer Art Cruz. The self-titled Lamb Of God is due out May 8 via Epic Records.
“‘Checkmate’ brings together all the components of the Lamb of God sound that we’ve been developing over the last two decades, but with the ambition and ferocity that comes with the start of a new chapter for our band,” says guitarist Mark Morton. “Re-energized and reignited, this is Lamb of God 2020. We’ve never been more excited.”
The fact that the band’s eighth studio effort would warrant ‘self-titled’ status is a testament to the band’s pride and satisfaction with these songs and this period in their creativity.
“Putting only our name on it is a statement,” Vocalist D. Randall Blythe says. “This is Lamb Of God. Here and now.”
A true collaboration between all members of the band, Lamb of God’s eighth studio album is an amalgam of each individual’s contributions, blended to create a singular style. Guitarists Mark Morton and Willie Adler fuel the album with a mountain of riffs, taking what Lamb of God are known for, and unbelievably, upping the ante to new levels. The rhythm section of John Campbell, looming large as a rhythmic shadow, and drummer Art Cruz, who makes his studio debut with Lamb of God here on this record, underpin the proceedings with passion, sweat and expansive dynamics. Vocalist D. Randall Blythe is as angry, insightful, and informed as ever. Never one to shrink from facing the darker aspects of our nature head-on, Blythe delivers with no punches pulled, and as only he and Lamb of God can in 2020.
In celebration of the release of “Checkmate” and the announce of the new album, Lamb of God will appear at a special show at the House of Vans in Chicago on February 14. The event is free and fans can RSVP beginning at 12 noon CST today at the House of Vans website here. The event will include a photography exhibit featuring photos from D. Randall Blythe that will be included in the new Lamb of God album artwork. Harm’s Way will open the show.
In the midst of writing the ten songs that appear on Lamb Of God, the group hit pause on the works-in-progress to man the stage as main support Slayer’s “The Final Campaign.” After months of playing their best-known songs nightly, Lamb of God returned to the new tracks and began to work with longtime producer Josh Wilbur (Korn, Megadeth, Gojira, Trivium). Special guests Jamey Jasta (Hatebreed) and Chuck Billy (Testament) also make appearances on Lamb Of God.
The Richmond, Virginia, quintet propelled heavy metal into the new millennium two decades ago with the prophetically titled New American Gospel. They followed with 2003’s As the Palaces Burn, which made the Rolling Stone list of the Top 100 Greatest Metal Albums of All Time. Ashes of the Wake, released in 2004, was the first Lamb of God album to be certified gold by the RIAA, as was 2006’s Sacrament, which also made a Top 10 Billboard 200 chart debut. In 2009, Lamb of God released Wrath, their first with Wilbur at producer, and earned the number one album spot on Billboard’s Hard Rock, Rock, and Tastemaker charts, with a number two position on the Billboard 200.
Those number one positions were repeated with 2012’s Resolution, which swung effortlessly between thrash, traditional metal, sludgy doom, with flashes of crust punk swagger and bravado. Lamb of God’s last album, VII: Sturm und Drang (2015) made its debut on the Billboard 200 at number three and finished number 2 in the world charts, reaching Top 5 in five countries and six addition Top 15 positions.
In 2020, Lamb of God is re-energized and unrelenting, ready to lay claim to the metal throne.
Lamb of God Tour Dates
2/14- Chicago, IL @ House of Vans *Headline show
European Tour with Kreator and Power Trip
3/27 – Stockholm, SE @ Fryshuset Arenan
3/28 – Copenhagen, DK @ Forum Black Box
3/30 – Oulu, FI @ Club Teatria
3/31 – Helsinki, FI @ Ice Hall Black Box
4/2 – Kraków, PO @ Tauron Arena
4/3 – Berlin, DE @ Columbiahalle
4/4 – Oberhausen, DE @ Turbinenhalle
4/5 – Wiesbaden, DE @ Kulturzentrum Schlachthof
4/7 – Zurich, CH @ Samsung Hall
4/8 – Munich, DE @ Zenith
4/9 – Ludwigsburg, DE @ MHP Arena
4/11 – Hamburg, DE @ Sporthalle
4/14 – Barcelona, ES @ Razzmatazz
4/15 – Madrid, ES @ Sala Riviera
4/17 – Paris, FR @ L’Olympia Bruno Coquatrix
4/18 – Saarbrücken, DE @ Saarlandhalle
4/19 – Brussels, BE @ Ancienne Belgique
4/21 – Bristol, UK @ O2 Academy Bristol
4/22 – Manchester, UK @ Manchester Academy
4/23 – Glasgow, UK @ O2 Academy Glasgow
4/24 – Birmingham, UK @ O2 Academy Birmingham
4/25 – London, UK @ O2 Academy Brixton
5/9 – Daytona Beach, FL @ Welcome to Rockville *US Festival
