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This summer, heavy revolutionaries OTEP unleashed their most uncompromising, candid, all-inclusive and controversial assessment of the current residing political regime that they have ever released – the new album Kult 45. In support of the album, OTEP recently announced her upcoming “The Art of Dissent” U.S. headline tour, kicking off in Bakersfield, CA on Friday, November 23. Tickets are available now via all venues – see below for a full listing of tour dates.
Otep Shamaya says, “In a time when apathy has been weaponized to suffocate the voice of the people, in a time when Americans are told not to believe what we see with our own eyes but to believe what one bloviating sack of sewage and a gutless Republican Party who care only about preying on the working class and the working poor just to feed his KULT from the same gruesome trough of racist, homophobic and sexist slop. We are proud to bring THE ART OF DISSENT tour to the people to hopefully remind them just how powerful we are and how important we are, as a nation, as a democracy, and that it’s damn well worth fighting for.”
OTEP “The Art of Dissent” U.S. Headline Tour:
11/23 – Bakersfield, CA @ Club 1933
11/24 – Tucson, AZ @ House of Bards
11/27 – Milwaukee, WI @ Shank Hall
11/28 – Columbus, OH @ Newport Music Hall
11/29 – Arlington Heights, IL @ HOME Bar
11/30 – Geneva on the Lake, OH @ The Cove
12/1 – Chesterfield, MI @ Diesel
12/2 – Dayton, OH @ Oddbody’s
12/4 – Clifton, NJ @ Dingbatz
12/5 – Richmond, VA @ Canal Club
12/6 – Philadelphia, PA @ Underground Arts
12/7 – Auburn, ME @ Sapphire Club
12/8 – Easton, PA @ One Centre Square
12/9 – Amityville, NY @ Revolution
12/12 – Atlanta, GA @ Masquerade (Hell)
12/13 – Spartanburg, SC @ Ground Zeroo
12/14 – Huntsville, AL @ Sidetracks
12/15 – Clarksville, TN @ Warehouse
12/16 – Memphis, TN @ Rockhouse Live
12/18 – Waterloo, IA @ Spicoli’s
12/19 – Lincoln, NE @ Royal Grove
12/20 – Greeley, CO @ Moxie
12/21 – Denver, CO @ Herman’s Hideaway
12/22 – Colorado Springs, CO @ Sunshine Studios
12/23 – Salt Lake City, UT @ Liquid Joe’s
You can also stream Kult 45in full via Spotifyhere. While online, watch a new 20+ minute documentary about the making of Kult 45, performing together as a band, and more, here.
“OTEP speaks out, savages President Trump and stands tall on Kult 45.“ – Salt Lake City Weekly
Today, multi-platinum, acclaimed alternative rock band Chevelle have announced a new album, 12 Bloody Spies: B-Sides and Rarities, compiling sought-after B-Sides and rarities from 2002-2016, now remastered on one brand new collection for the very first time. Set for release on October 26, 2018, the album is now available for pre-order via Epic Records. Get it HERE!
The album pre-order unlocks the single “Sleep Walking Elite.” Originally recorded during the sessions for 2007’s Vena Sera, thick riffing drives the track, providing the perfect counterpoint to a hauntingly hypnotic hook. With its delicate push-and-pull between robust distortion and dynamic melody, it stands out as classic Chevelle.
The project’s full collection spans everything from an acoustic version of “Sleep Apnea” off 2009’s Sci-Fi Crimes to an unearthed bonus track off the now-classicWonder What’s Next entitled “Until You’re Reformed” and “A Miracle” recorded as a bonus track for The North Corridor in 2016. It’s essential listening for fans to say the least.
Check out the full tracklisting for 12 Bloody Spies: B-Sides and Rarities below.
Since the release of their full-length debut Point #1 in 1999, Chevelle have stood at the forefront of hard rock, consistently evolving and progressing while delivering a series of ubiquitous and inescapable anthems. 2002’s breakout Wonder What’s Next would go platinum, yielding smashes such as “The Red” and “Send the Pain Below,” while its follow-up This Type of Thinking Could Do Us Inreached gold status. In 2011, Hats Off to the Bull landed at #9 on the Billboard Top 200 and delivered “Face to the Floor.” La Gárgola crashed into the Top 5 at #3 and boasted “Take Out the Gunman.” 2016’s The North Corridor represented new heights for the group, marking its fourth Top 10 bow on the Billboard Top 200.
TRACKLISTING:
1. A Miracle
2. Sleep Walking Elite
3. In Debt To The Earth
4. Sleep Apnea (Acoustic Version)
5. The Clincher (Version 103)
6. Fizgig
7. Glimpse of the Con
8. Indifference
9. Until You’re Reformed
10. The Gist
11. Delivery
12. Leto’s Headache
Symphonic/Celtic vocalist LEAH – described affectionately by her fans as “the metal Enya” – recently announced the release of her upcoming full-length album, The Quest, out Friday, October 5. The album features a stronger Celtic and Fantasy connection in comparison to her previous release, Kings & Queens, as well as prog rock elements and ethereal ambiance, combined with traditional symphonic metal elements. The album is available for pre-order HERE
Today, LEAH is pleased to reveal a new track from The Quest, entitled “Edge of Your Sword“.
LEAH says about the track: “This track was interesting to write… it was inspired by a mood, more than anything else – medieval rock vibes with a bit of spice. I hope those vibes get passed onto the listener! Some of that spice is attributed to Chen Balbus (Orphaned Land) who added the middle eastern saz on the track, which gave it a really cool and unexpected flavour! Also on the track is Barend Courbois (Blind Guardian) playing bass, Timo Somers (Delain) playing rhythm guitars (with an epic solo!), and Sander Zoer (ex-Delain) on Drums and percussion. Oliver Philipps (Everon, Phantasma) added a ton of orchestration which really beefed the whole sound up.
My part in it was composing the song, playing a lot of the keys, harps, synths, arrangements, lyrics, and of course vocals. I was actually scared out of my mind about that high note in the last chorus! I knew I could technically execute it, but was mentally blocked for some time about it. I had to do weird things in the vocal booth to overcome my vocal mental block, such as drawing an arrow pointing down on a piece of paper that I could look at, also using physical gestures when I went to sing it, such as pointing to the ground with my hands. The reason is because when you go to sing a high note, most singers tend to tense up and squeeze their vocal chords up, which make a horrible tone and tense up the voice. So, to overcome that default tendency, I had to convince my brain that I was actually singing lower and it would get easier, not harder. And when that note came out, it actually was a piece of cake! Amazing how the mind works!”
Hear a sample of more new music from The QuestHERE
LEAH is recognized in the music world for her work with established heavy metal musicians such as Eric Peterson of Testament and Dragonlord, Timo Somers of Delain, Troy Donockly of Nightwish and many others. To date, LEAH has released three albums, Of Earth & Angels[2012], Otherworld [2013], and Kings & Queens [2015], as well as several viral videos. Her latest video features an ethereal cover of “The Dragonborn Comes“, the main theme from the massive video game Skyrim. The video has racked up 5.3 million views on Facebook and nearly 600,000 views on YouTube to date.
As mentioned in her comment above, in addition to LEAH‘s own vocals, keys, and orchestrations on The Quest, the album features an impressive international cast of guest musicians – including Troy Donockley of Nightwish on pipes and flutes, Barend Courbois of Blind Guardian on bass guitar, Timo Somers of Delain on rhythm and lead guitars, Sander Zoer formerly of Delain on drums and percussion and Chen Balbus of Orphaned Land on Middle Eastern Saz and Oud. The album features mixing and mastering from Jacob Hansen (Volbeat, Epica, Amaranthe), as well as orchestration, arrangement and production from Oliver Philipps (Everon, Phantasma, Delain).
“I am totally delighted to work with the guest musicians on this album. Each and every individual is an expert at what they do, and I only wanted the best for these songs, as we were developing toward a very specific sound, which was a rock/metal album with a Celtic and fantasy twist,” says LEAH. “This album was truly an international effort!“
The Quest art by Jan Yrlund (Tina Guo, Apocalyptica, Manowar)
The Quest track listing:
1. The Quest
2. Edge of Your Sword
3. Lion Arises
4. Heir
5. Ruins of Illusion
6. Labyrinth
7. Abyss
8. Oblivion (Between Two Worlds)
9. Ghost Upon a Throne
10. The Water Is Wide
About LEAH:
LEAH is a fan-described “Celtic vocal goddess” hailing from the coast of British Columbia, Canada, and is inspired by Celtic and world music influences such as Clannad and Enya to European symphonic and progressive metal influences. Her debut self-released album Of Earth & Angels received international critical acclaim, including landing the “The Best Symphonic Metal Album” Metalstorm Award for 2012. Her 2013 release, Otherworld, is a five-song Celtic-metal masterpiece, mixed by Christian “Moschus” Moos at SPACELAB in Germany (Delain, Everon, Imperia) and features the vocals of guitar legend Eric Peterson (Testament/Dragonlord) on the ethereal metal track “Dreamland“. 2014 was very successful year for LEAH as she raised over $27,000 through Indiegogo via her fans to record and produce her heaviest album, Kings & Queens, which was eventually released in early 2015 through Inner Wound Recordings. The album received dozens of four and five-star reviews, and helped her gain thousands of new fans around the world.
Most recently, LEAH raised over $87,000 in 30 days via Indiegogo and her shop to launch The Quest, again released via her own independent record label, Ex Cathedra Records, along with Inner Wound Recordings. Already, The Quest is receiving 5-star reviews and critical acclaim. Her fans have never been more loyal and excited for fantasy-inspired symphonic metal!
“I have dealt with depression and bipolar for a good part of my life,” says Mark Hunter, vocalist for iconic Cleveland, Ohio-based heavy metal band Chimaira. “It’s probably safe to say that most Chimaira fans understand that the band’s music, lyrics, and live performances were my cathartic outlet.”
On October 10, 2018 – World Mental Health Day – Mark Hunter will share his personal story about utilizing his art to battle personal struggles and bipolar disorder in a heartfelt upcoming documentary, Down Again. The film is directed by Nick Cavalier – also recognized for directing Derek Hess‘ award-winning Forced Perspectivedocumentary – and will be free and available to stream on October 10 at Down Again Film
Read an in-depth interview about Down Again and view clips of the film via Loudwire
Mark Hunter and director Nick Cavalier met on a panel speaking about Mental Health and Creativity monitored by Dr. Patrick Runnels (featured in the documentary) during the Acting Out! festival in Cleveland – a festival put on in 2017 to raise mental health awareness. After hearing his story at the panel, Nick approached Mark to create a short film around his ability to cope with mental illness in the public spotlight through the art. Down Again juxtaposes Chimaira‘s history with Mark‘s life events and lyrics, presenting an intimate timeline through the rise and fall of the band and Mark‘s ability to channel it into art. The film also explores the catharsis created by the act of making music and art and how the end result affects the fans.
“I was a bit apprehensive [to do this documentary] at first,” continues Mark Hunter. “Not because I am unwilling to share my story, but more so because there are thousands of people infinitely more interesting than me. And worse off than me. But in the end, I am thankful to have been a part of this short documentary. It captured an extremely critical moment in time. The rekindling of friendships with my former bandmates was one of the most significant healing moments of my entire life.”
Mark adds, “It’s unfortunate to note the past couple of years have been tough on the music community. We lost a lot of talented people to their struggles with depression. I hope the viewers of our film will take away a story of healing and feel the impact of dealing with mental health issues head-on.”
In addition to interviews with Mark Hunter and those in his life about his mental health, upbringing, and the formation/rise of Chimaira, the documentary also includes high-quality video footage of the band’s 15th Christmas show at the Agora in Cleveland (2017), featuring the band’s original line-up – marking their first performance together after nearly seven years of separation.
Mark Hunter explains, “This is not a story about Chimaira, although fans of the band will be excited to see familiar faces and hear some of their favorite songs. The audience will get a glimpse into my personality and how I use art to better deal with the harder moments of life.”
In addition to direction of photography by Tyler Clark, the film also features a devastating live audio mix by Chimaira guitarist Rob Arnold.
Not only does Down Again explore Mark‘s art via Chimaira, but also his photography – visiting Mark‘s world not only through his figurative lens, but his literal one. He adds, “Since the band ended in 2014, photography has been my passion and a great way to fill my time with positivity.”
Down Again was made possible by a generous donation from The Centers for Family and Children, and marketing support via Hope For The Day.
Nick Cavalier is a director of films, commercials, branded content and music videos. A visual and character-focused storyteller, Nick is known for his high production value docu-driven films with poetic hero-centered themes. Nick has been honored with awards and selections at festivals such as SXSW, Palm Springs, and Cleveland International. His work is featured in multiple national publications including New York Times, VICE, Shorts TV, Devour, HYPEBEAST, Alternative Press, Funny Or Die, G4, MTV, Fast Company, Juxtapoz Magazine and many more. In addition to the praise received for Forced Perspective, Nick is lauded for his short film about vinyl record resurgence, Gotta Groove Records.
Tempe, Ariz. — Social Distortion are no strangers to touring, and after a one and a half months long summer tour and 8 weeks of recuperation, they were back at it again and kicking off their Fall 2018 tour to a sold out Monday at the Marquee Theatre in Tempe. Known for bringing along with them some promising new talent to get the crowd revved up before they make their grand entrance, this tour is no different. Accompanying the band for their September shows is Justin Townes Earle, as well as Valley Queen,to be followed by Will Hoge and Pony Bradshaw for the month of October.
Half an hour before the theater doors were set to open, and the parking lot was nearly full. With hopes of snagging a great vantage point, several generations of Social D fans braved the 100 degree heat while standing in line, donning their page boy caps, Black Kat Kustoms shirts, tattoos, and multi-colored hair.
The Los Angeles-based group Valley Queen were the first to take the stage, giving fans a sampling of songs from their recently released debut album, Supergiant.
The four-piece group, with an excellent energy and apparent cohesiveness, seemed to truly enjoy what they do. With a voice reminiscent of Sinead O’Connor and a carefree flit about the stage, front-woman Natalie Carol lit up the room with an unparalleled vibrance. Not long into their second song, amidst the sound of Shawn Morones’ slide guitar and Neil Wogensen’s energetic bass licks in alignment with Mike DeLuccia’s drumbeats, Natalie broke a string for the very first time on a guitar she stated she’d had for over 6 years and chalked it up as an omen of great things to come.
Next up was singer/songwriter Justin Townes Earle, who connected with the audience on a level that few musicians are known to do. With a smirk and eye contact with the folks up front, he touched on the motivation behind each song he’d written before he performed it.
Accompanying him were bassist Mike Luzecky from Denton, TX, and drummer Bill Campbell from Brooklyn, NY, who had only met that day and had one rehearsal prior to playing together — not that anyone would be able to tell, however, which is a true testament to their talents. It is apparent that this second generation music star is definitely forging his own successful path in the industry; from the fun, upbeat “Champagne Corolla” and “Short Hair Woman”, off of his most recent album Kids in the Street, to the deeply genuine “White Gardenias”, from his album titled Single Mothers. “White Gardenias” was preceded by a shout out to Billie Holiday and all others affected by the opioid epidemic.
The roadies took to the stage to ensure everything was perfectly set as the crowd inched closer to the front in anticipation of Social Distortion’s arrival. Impatient fans gained some visual stimulation from strategically placed items around the stage, like signs that said “funeral, no parking” and “inmates stand here,” as well as boxing gloves, a RCA dog statue, and mannequin parts with lingerie.
Without a warning, the band swiftly took to the stage and went right into their opening song, “Reach For The Sky”, followed by “Highway 101” and “Don’t Take Me For Granted”, all from the 2004 album Sex, Love, and Rock ‘n’ Roll. The seemingly endless sea of rowdy fans swayed as Mike Ness, Jonny Wickersham, Brent Harding, and David Hidalgo, Jr. entertained with seamless precision, as Social D is known to do.
Preceding the 12th and final song of the set, frontman Ness opened up in a heartfelt monologue about having written the next song in 1994 about racism and dedicated “Don’t Drag Me Down” to the Chicanos in the audience.
No show is complete without an encore performance, and Social Distortion did not disappoint. After their flawless performance of “Angel’s Wings”, Ness explained his friends’ unfavorable reactions years ago when he told them he was going to record a Johnny Cash song. He said they all asked, “Why?” to which he quipped, “because it’s cool and I want to,” and asserted that Johnny Cash deserves to be back on the top where he belongs. The crowd roared as the band finished up with a double dose of Cash with “Folsom Prison Blues” and “Ring of Fire”.
Though Ness did mention that he doesn’t know a whole lot of places that Social Distortion could sell out on a Monday night, it seems evident that with the fervor of the fans filing in to see them perform live, it’s bound to happen more often than he may think.
PHOENIX — While Journey and Def Leppard were “on fire” at Talking Stick Resort Arena, Butch Walker and opener Greg Holden ignited their own explosive show at Crescent Ballroom just a little more than a mile away. As is often the case, Phoenix was the tour kickoff location of Walker and Holden’s tour, and they would thereafter embark on the 17-date “The Last Days of Summer Tour” (2018). While some dedicated fans had even flown in from out of state to see the show, no one was prepared for just how hype this show would get; apparently not even Walker himself, who likened coming out to perform again like getting back into your old prom clothes.
Greg Holden, who recently interviewed with us prior to the concert date, performed at acoustic set, which as you would expect, was chill and low-key. But while Holden generally presents a fairly serious demeanor overall, he cracked a number of smiles while engaging with the vocal crowd, and joking during stage banter.
Of course, many fans recognized his “claim to fame”; the infectious hit song “Home”, written by Holden and chosen by American Idol finalist Phillip Phillips. Solidarity and warmth were felt with a strong cheer from the audience as he reached the end of the heart-wrenching song “Boys in the Street”, about the strained relationship between a father and his gay son, and finally growing to acceptance.
Holden’s “On the Run” was actually produced by headliner Butch Walker, who has an impressive list of work as a producer; including the likes of Katy Perry, Panic! At The Disco, Weezer, Pink, Fall Out Boy, The Maine, and many more.
Butch Walker
Anyone unfamiliar with Butch Walker was in for quite a surprise when he and his live band took the stage, as the shift in energy was immediate and palpable. Walker is not a country artist. Despite a name that might suggest as much, and Butch Walker’s charming southern roots poking through his stage presence, the more dominant and effortless image and energy he exhibited conveyed his background of a music career in glam metal (SouthGang) and pop punk/post-grunge (Marvelous 3). Walker has 8 studio albums under his belt — the most recent being Stay Gold, which was released in August of 2016.
The 48-year-old, who shared his age with the crowd himself, seemed almost surprised, and definitely pumped, that as the night went on, his solid and seasoned musical prowess had no problem kicking into high gear. Not to be taken for granted or uncredited, Walker’s live band matched his enthusiasm and skill perfectly as they danced and jammed with a fury.
As his set was coming to a close, his performance climaxed after a medley of magnificent covers of David Bowie that couldn’t have felt like more of a worthy tribute, which segued into Walker’s “Hot Girls in Good Moods”. With his shining sense of humor, he began a drawn-out activity amidst the crowd that built anticipation and inspired nearly all, save for the wallflowers on the bleachers in the back of the venue, to participate and, “GO CRAZY!” Confetti and streamers popped out over the thrilled concertgoers.
The duality between Walker and Holden’s performances indeed complemented each other perfectly, and the show was unforgettably dynamic and downright mind-blowing. We highly recommend picking yourself up and heading out to this show in a city near you, because it is so worth it.
PHOENIX — Historic classic rock duo Journey and Def Leppard put on a massively vivacious performance Friday night at their sold-out stop at Talking Stick Resort Arena on the North American tour (2018). It’s been twelve long years since Def Leppard and Journey co-headlined a tour, with rumored signs of an aging sound. On the contrary though, this arena setting was more than fitting, as the show proved to be impressively larger than life.
Def Leppard
The crowd continued to pour in by the thousands even as Def Leppard took the stage, erupting in a phantasmal melting-pot of emotions from fans of all ages when their vocalist, Joe Elliott approached the crowd.
With his hands held high, Elliott teased the rippling stadium, loosely conducting the opening instrumentals to “Rocket” with closeups of the band members flashing in-and-out of 2-D televisions seemingly stacked above and behind the stage. Def Leppard’s energy was as contagious as ever, coaxing fans along to hit after hit beneath blaring blankets of velvety light that morphed into everything from hypnotizing geometric patterns to a striking laser show.
Each song seemed to ignite even more elation than the last. Fans sang along to every word of “Animal”, “Foolin’”, “When Love and Hate Collide”, and “Let’s Get Rocked” as the stage transformed again, almost magically, from a wall of vintage neon signs into thick rotating rays of foggy light before turning to a dim, red glow that illuminated the buzzing audience. Elliott could be seen thrusting the mic stand back and forth across the stage as the first few notes of “Armageddon It” rumbled out from beneath the speakers.
Def Leppard’s current and longest-lasting lineup to date also includes Rick Savage (bassist), Rick Allen (drummer), Phil Collen (guitarist), and Vivian Campbell (guitarist); and like Elliott, none of them showed any signs of slowing down. Their British heavy metal style is as alive and well as ever, complete with leather and tight pants, sweat-glistening, guitar shreddin’, and an incredible one-armed drum solo.
Between nostalgic performances of the David Essex cover “Rock On”, “Two Steps Behind”, and “Man Enough”, Elliott introduced each member of the band while offering a small bit of history on each iconic track to follow. “We’ve been touring for 38 years,” he announced, speaking briefly on the group’s English background and how they got their start. “All we ever wanted was to make music.”
Without all the fancy high-tech showmanship, it would have been easy to forget that we were seeing Def Leppard 20 years post multi-platinum success of Hysteria and Pyromania – which ranked at #384 on Rolling Stone’s 500 Greatest Albums of All Time in 2003. “Love Bites”, “Bringin’ On The Heartbreak”, and “Switch 625” were up next, each accompanied by its own light display and related imagery glowing boldly in the background.
Speaking of multi-platinum, Def Leppard definitely knew what they were doing when they saved “Hysteria” and “Pour Some Sugar On Me” for last, but not of course without the explosive encore we’d been dying for – “Rock of Ages” and “Photograph”. What more could a Def Leppard fan ask for, right?
Journey
After a refreshingly brief set change, it was time for Rock n’ Roll Hall-of-Famer, Journey, to steal the show with their own non-stop marathon of legendary greatest hits. Despite having been noted as “one of the world’s best-selling bands of all time” – No. 96 on VH1’s 100 Greatest Artists of All Time to be exact, Journey’s continued evolution has left some critics wondering how things could ever sound the same.
Current vocalist Arnel Pineda put those rumors to rest with a heart-wrenching opening performance of “Separate Ways (Worlds Apart)” from chart-topping album Frontiers(1983). Despite not being a man of many words, Pineda undeniably uplifted the crowd with his infectious, positive energy as he jumped, kicked, and bounced across the stage. The entire arena followed in suit, immediately pointing their phone flashlights and lighters to the sky and singing along to every word.
Pineda was overflowing with a spectacularly excitable stage presence, making sure to run the full perimeter of the platform while high-fiving everyone within reach during emotional renditions of “Only The Young”, “Escape” and “Stone In Love”. Meanwhile, psychedelic album art filled the towering screens surrounding the stage while flashes of bright white light spliced across the arena. Closeups of Neal Schon (lead guitarist), Ross Valory (bassist), Steve Smith (drummer) and Jonathan Cain (keyboardist) could also be seen rotating in and out, with big smiles on their faces.
Each member boasted their own bit of personal wardrobe style as well. Cain could be seen with an old school Suns jersey peeking out from behind his jacket. Fans belted out the lyrics to the ever-popular tracks “Chain Reaction” and “Be Good To Yourself” before Pineda finally addressed the crowd. “How are you doing Phoenix?!”, he echoed. “Thanks for coming out and seeing us tonight!
Schon stepped into the spotlight to set the mood with a smooth-and-sultry, otherworldly guitar solo before launching into “Lights” with Pineda once again. Time seemed to slip away as listeners lost themselves in the music, rocking out to “Lovin’, Touchin’, Squeezin’”, “Who’s Crying Now”, “Open Arms”, and “Ask The Lonely”, followed by “La Do Da”, and “Any Way You Want It”. From lovestruck couples to lonesome onlookers, it was clear why Journey’s music has achieved such timeless success.
Schon stepped forward once again to introduce “Wheel In The Sky”, a song he composed along with Robert Fleischman and Diane Valory – wife of bassist Ross Valory. He went on to say, “That’s when I realized we were family. We all love the same way. I’d like to dedicate this song to a man that just had a birthday recently, our vocalist, Mr. Arnel Pineda. And to the fans who stayed over the years.”
As one might have guessed, Journey concluded the night with that one track that hits us all right in the feels – “Don’t Stop Believin’”, which crescendoed to a climax of strobing light, squealing guitar, and eruption of glittering white confetti that combusted into a weightless cloud drifting out over the audience. It was a feeling of total bliss and slight overstimulation, of not wanting the night to end, while also being so incredibly satisfied, overjoyed, impressed, and amazed. That’s the thing about bands like Def Leppard and Journey; they’ve not only carved out a place in our memories, but in the depths of our hearts as well.
Renowned Testament guitarist Eric Peterson recently announced the release of his highly-anticipated new Dragonlord album, entitled Dominion, out September 21, 2018 via Spinefarm Records. The symphonic black/death metal album serves as the long-awaited follow-up to 2005’s Black Wings of Destiny, but takes the fantasy and storytelling to a whole new level. Dominion explores themes of darkness owning and influencing these times we now live in, and things that have come to pass. It also delves into other eras, real and otherworldly.
Get another taste of Dominion today via Gimme Radio‘s New Releases Show! Listen in today at 8:00 AM PT/11:00 AM ET to hear the world premiere of “Lamia“, a track about the mythical feminine man-eating creature! Listen by visiting Gimme Radio.
You can also tune in to encore airings of the show on:
Sunday, September 9 – 12:00 AM PT / 3:00 AM ET
Monday, September 10 – 8:00 PM PT / 11:00 PM ET
Wednesday, September 12 – 10:00 PM PT / 1:00 AM ET
(Thursday morning)
“Oh Lamia it’s witching hour!” “Oh Lamia thy sons devoured!”
Eric Peterson says, “Musically, this song just rocks! Starting off with ethereal keys backed by a stronghold of bombarding riffs and drums, Leah‘s siren wails and my melodic screams of Lamia’s constant call for filicide, reaping forth complete despair! Tonight’s the night she’ll tear your soul apart! Through telepathy she knows who’s calling her and she will find you!”
Digital and physical pre-orders for Dominion are live here:
Make sure to pick up the newly available“Ultimate Dragonlair” merch bundle, which will be available today via Spinefarm Records, featuring:
LP gatefold w/ large size 20 page lyric booklet
DIGI CD Pack
THE BURNER Comic
T-shirt While online, make sure to check out the “The Making of Dominion” video series! Unreleased audio clips of the album are also mixed in amid the video content. Watch here:
Also, watch the lyric video for the album’s first single, “Dominion” here, and the fantasy-driven music video for “Northlanders” here.
Dominion is a dark fantasy fan’s musical dream – exploring everything from Nordic history to Lord of the Rings! Dominion‘s eight songs create a deep and heady musical journey rife with meaning and menace, from the blackest and loudest recesses of Eric Peterson‘s mind.
Peterson recorded Dominionat Northern California’s Trident Studios and produced it with an assist from engineer/mixer Juan Urteaga (Testament, Machine Head, M.O.D.). Dominion was mastered by famed producer/engineer Jens Bogren of Fascination Street Studios in Sweden. In addition to Eric Peterson, Dominion features the musical talents of Lyle Livingston (Psypheria) on orchestrated keys and pianos, Alex Bent (Trivium) on drums, and notable fantasy metal singer Leah on female vocals and choirs (who has performed/recorded with members of Blind Guardian, Nightwish, Delain, and others).
Peterson formed Dragonlord in 2000 as its singer and guitarist (with keyboardist Lyle Livingston and now-ex-members Steve DiGiorgio of Testament and Jon Allen of Sadus), and notes that the growth from Dragonlord‘s first two records to the cinematic triumph and brutal blast-beats of Dominion has been immense. Dominion‘s stellar, complex, brutally symphonic metal is triumphant in its execution, bringing together layers of meaning and musicality into an unholy whole.
Album artwork painted by artist Eliran Kantor (Testament, Iced Earth, Sodom)
Dominion track listing:
1) Entrance
2) Dominion
3) Ominous Premonition
4) Lamia
5) Love of the Damned
6) Northlanders
7) The Discord of Melkor
8) Serpents of Fire
Los Angeles, CA – The Faim’s debut EP, Summer Is A Curse, is out today! The six-track effort was recorded with the iconic John Feldmann(blink-182, Good Charlotte, All Time Low) and features four brand new songs in addition to smash single, “Summer Is A Curse,” and the band’s latest release, “A Million Stars.” The EP also serves as a prelude to the group’s highly-anticipated first full-length album, slated for 2019. During the recording process, the Perth natives teamed up with industry staples including Pete Wentz of Fall Out Boy (on “Saints Of The Sinners”), Josh Dun of Twenty One Pilots, Mark Hoppus of blink-182, and Ashton Irwin of 5 Seconds of Summer (on “Summer Is A Curse”).
Summer Is A Curse showcases the pop-rock/punk outfit’s stadium-ready anthems, infectious hooks, impressive songwriting chops, and frontman Josh Raven’s striking, powerhouse vocals. The record includes a solid blend of pop-punk and indie-pop tunes, and the final product is both explosive and fiery, while being authentic, raw, and emotive at the same time. Listen to the EP on Spotify, Apple Music, Amazon, and other digital retailers.
The Faim have this message to share with their fans:
“To say we’re excited about releasing this EP is an understatement. More than just songs, to us these six tracks are a window into our world. We’ve been overwhelmed by the support of the community around us and welcome you all on this beautiful journey. We’re proud to be able to share our music with you and hope you enjoy listening as much as we’ve enjoyed writing it.”
Summer Is A Curse EP Track Listing:
1. Summer Is A Curse
2. A Million Stars
3. Make Believe
4. I Can Feel You
5. My Heart Needs To Breathe
6. When It Comes
The Faim | Photography: Max Fairclough
The Faim will head out on tour this month, supporting Against The Current for a run of dates across Europe. The stint launches on Saturday, September 15th in Dublin and hits major cities including London, Amsterdam, and Berlin, before ending in Paris on Thursday, October 11th. Tickets are on sale now and can be purchased HERE, with a full list of dates included below.
It has also just been announced that The Faim will soundtrack the brand new Coca-Cola television advertising campaign in the U.K. with their cover of Blondie’s classic hit, “One Way or Another.” Check it out HERE, and the song is also up on Apple Music and Spotify.
PHOENIX – Scorpions brought the third stop of the North American leg of their “Crazy World Tour” to sizzling Phoenix, with special guests Queensrÿche opening the night. Last year, Scorpions were supposed to “sting” (or delight) fans, but their lead singer Klaus Meine had a laryngitis diagnosis, and was advised by doctors not to sing, resulting in a cancellation of the rest of their tour. The band apologized for missing Arizona last year, and made up for it with their amazing sixteen-song set list.
Queensrÿche did a phenomenal job of starting the show and warming up the audience. For those unfamiliar with Queensrÿche, they are an American heavy metal band from Bellevue, Washington. The band was formed in 1980, and originated as Cross+Fire, which was renamed to The Mob, and finally to Queensrÿche. The band has sold over six million albums in the United States and over twenty million albums around the world. They kicked off the show with the song “Best I Can” from their 1990 album, Empire.
The lead singer Todd La Torre banged his head to the beat, greeted the crowd, and invited all to sing along to “Empire.” Many people stood up and sang along with the band, throwing their fists up into the air. La Torre expressed his appreciation, saying, “We are happy and honored to play for you. Thanks to Scorpions for having us. This song has been on our set for a while. Sing along if you know it. This is ‘Guardian’.” Later, La Torre referenced the band’s history, saying, “Who is an old school Queensrÿche fan? You know how we got our name. Here’s ‘Queen of the Reich’.” They wrapped up their nine-song set list with the song, “Eyes of a Stranger” from their 1988 album, Operation: Mindcrime.
As the roadies prepared the stage for Scorpions, a giant black banner went up with the logo of the “Crazy World Tour”. It proudly overlooked a nearly sold out show. When the banner dropped, a video of a helicopter going over a bright city at night began to play. The helicopter clipped the arm off of the statue of Scorpions’ “Crazy World Tour” logo, a spaceman.
As the video played, fans whistled and cheered. The video segued into the performance, with visuals that gave appearance of the band’s black silhouettes jumping out of the helicopter. The lights over the crowd were blinding as Scorpions took the stage, immediately going into the song, “Going Out with a Bang,” from their 2015 album, Return to Forever. The backing screen proudly displayed “Scorpions” in Titanic-sized letters behind the legendary band. Nearly everyone in the audience stood up and rocked out. Lead singer Meine addressed the crowd before the third song, “Come on, Phoenix. I want to hear you!”
As the song “Make It Real” played, the entire screen behind the band displayed an American flag waving, with the silhouettes of the band jamming out. After five songs in, Scorpions did a 70s throwback with a mashup of songs, “Top of the Bill”, “Steamrock Fever”, “Speedy’s Coming”, and “Catch Your Train”. During the entire throwback, the screen was tie-dyed, and the name “Scorpions” flashed on and off the screen in multiple colors. It was almost dizzying to see the graphics move. The side screens were also incorporated, making it appear there were three of Meine in different colors as he sang, while the crowd indulged in a drug-like music high.
As “Send Me an Angel” from their 1990 album, Crazy World, began to sway the audience, Meine said, “I know you know the words. You can sing by heart. ‘Send Me an Angel’. Come on Phoenix. I want to see your hands in the air.” All over the venue, arms went up into the air, and some people held up drinks, their phones, and more sparsely, lighters in the air. Couples grew closer, even attempting to slow dance while standing in their row.
Scorpions played Motörhead’s title-track “Overkill” from the 1979 album, to honor the late English musician and singer-songwriter Ian “Lemmy” Kilmister who passed away in December of 2015. In honor of the singer, fans rose up their metal horns, and the primary LED screen flashed with a compilation of images of Lemmy throughout the song. After the touching tribute song, the drum stage began to rise as drummer Mikkey Dee, former member of Motörhead, rocked out on a drum solo.
As he murdered the drums and sent a shockwave of sound around the venue, cover art from all of the albums Scorpions have released in their music career fifty-three years slowly appeared on screen, one-by-one. A total of eighteen studio albums are currently under their belts.
In typical concert fashion, the best known songs were saved for last. “Big City Nights”, from their 1984 album Love at First Sting, got everyone up and jamming. Cities were displayed, as if the audience was taking a cruise through the heart of each big city. One city was Tokyo, which is actually the city that inspired the song. Scorpions stepped off the stage for a brief minute before coming back for the encore. The last two songs were “No One Like You” from their 1982 album, Blackout, and “Rock You Like a Hurricane” from the album, Love at First Sting. Before going into “No One Like You,” Meine teased fans by singing the first line of the song “Arizona” from their album, Blackout, and then praised the fans, “Phoenix, there is no one like you!”
The drums were amazing, the lights were blinding, the colors on the screen were hypnotizing, and the 70s mashup was a trip. — One might wonder what the show would have been like on an acid trip, while it’s no doubt that some long-time fans know exactly what that would be like. Scorpions, with special guests Queensrÿche, performed with great ferocity that resonated throughout the crowd and Comerica Theatre. This tour is a unique experience that’s worth every penny, and a must-see for every diehard classic rock fan.
Scorpions did not disappoint in Phoenix. They brought the house down and left fans of all ages happy to see this classic rock band. After the final song, the band waved to fans and gave out drumsticks and guitar picks. One lucky fan got a piece of autographed merch. Scorpions gathered in the middle of the stage, standing side-by-side, to wave at fans, and Meine closed out the night saying, “Goodnight Arizona. We love you!”
, compiling sought-after B-Sides and rarities from 2002-2016, now remastered on one brand new collection for the very first time. Set for release on October 26, 2018, the album is now available for pre-order via Epic Records. Get it 
, thick riffing drives the track, providing the perfect counterpoint to a hauntingly hypnotic hook. With its delicate push-and-pull between robust distortion and dynamic melody, it stands out as classic Chevelle.
to an unearthed bonus track off the now-classic 
entitled “Until You’re Reformed” and “A Miracle” recorded as a bonus track for 
in 2016. It’s essential listening for fans to say the least.
, which was released in August of 2016.
While online, make sure to check out the “The Making of Dominion” video series! Unreleased audio clips of the album are also mixed in amid the video content. Watch here:
