Category Archives: News

Puscifer Returns with Timely “Apocalyptical” Video

Maynard James Keenan-fronted Band Releases First New Music since 2015

Jerome, AZ — Puscifer, the Arizona-born, “exceptionally groovy” (Entertainment Weekly) band that Revolver dubbed “Maynard James Keenan’s… indescribable musical/performance-art collective,” release the eerily topical “Apocalyptical” single and video:

A message from Keenan arrives alongside the track: “Manipulated information disseminated by kings, queens, dictators, so called leaders, supposed professionals or outliers and conspiracy theorists living underground, or in basements, is not new or unique to this generation. Misdirection is Power Struggles’ conjoined twin but the speed at which it now travels in this digital age is dangerous and destructive on many levels. This rapid distribution of poison and its immediate impact will be the hallmark of our generation. Even In light of all this, and all the noise the digital landscape generates, all I keep asking myself is ‘what is it with the whole hoarding toilet paper thing?’”

The ”Apocalyptical” release follows social media breadcrumbs hinting at imminent moves amongst the Puscifer camp. As had been speculated, and can now be confirmed, the band’s fourth full-length studio album will arrive this Fall via Alchemy Recordings, a partnership with BMG. Alchemy Recordings is a new record label created in partnership between Dino Paredes, former American Recordings Vice President of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.

Vocalist Carina Round sheds light on the darkly prophetic timing of the song: “’Apocalyptical’ was one of the very first musical ideas for the new record that we put our voices on out in Arizona in late 2019. It was simultaneously very fresh and also felt like we had never been apart.”

For the initial writing process of ‘Apocalyptical,” we relied heavily on a Fairlight IIx (an early musical computer using 8 bit samples), and a Synclavier II (another early digital workstation that relied on FM synthesis),” explains guitar player and co-producer Mat Mitchell of the behind-the-scenes creation of the song. “These were heavyweights in early digital music productions and defined a generation of music. We decided to set modern computers aside by working within the limitations of these early computer technologies. This created a unique space for us to explore and the results can be heard throughout this track.”

Puscifer has released three full-length studio albums: “V” is for Vagina (2007), Conditions of My Parole (2011) and Money Shot (2015). Maynard James Keenan initially used the moniker in a 1995 episode of “Mr. Show,” bringing the band to life in 2007. Keenan’s companions in the electro-rock outfit have been Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting). The band brings a unique mix of recorded output and on-stage theatrics, pairing each release with a conceptual live show, from a “Hee Haw”-infused performance featuring recurring Puscifer characters Billy Dee and Hildy to 2017’s luchadores-themed outing.

Puscifer Online

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KADIMA Releases Debut Prog Metal Opus, “All Birds Deserve to Fly”

Kadima, the brainchild of Seattle-based guitarist Aidan Israel, has unveiled their debut prog metal opus, All Birds Deserve to Fly. Recorded with a host of accomplished guest musicians, Israel set out to create an amalgam of a Devin Townsend-influenced album with a Coheed and Cambria writing style and The Contortionist’s ambiance while creating a distinctly Kadima sound.

All Birds Deserve to Fly is available via BandcampApple Music and Spotify.

Kadima ABDTF

The seven-track album opens with “Here and Where,” which begins with a soft, spoken word intro before bursting into soaring guitars. From there, All Birds Deserve to Fly continues through peaks and valleys of quiet and ethereal numbers to technical hard rockers where vocalist Kaylee Jorene shines in performances reminiscent of Anneke van Giersbergen. With All Birds Deserve to Fly, Israel aims to tell complex stories through a strong narrative while also connecting with his Jewish roots and Jewish Mysticism.

All Birds Deserve to Fly is a concept album detailing mental health struggles and my spiritual connection to Judaism,” says Israel. When one writes music, they’re meant to rip themselves open and expose themselves to the world. The concept of Kadima is meant to guide our light to a new level of spiritual understanding and wisdom. I am beyond honored to share this with you all as it truly means the world to me.

All Birds Deserve to Fly follows the Jewish concept of Tohu and Tikkun, which is the idea of chaos and rectification. The album is told through the lens of a person with schizophrenia: It centers around the challenge of a myriad of thoughts and ideas racing through their brain while seeking to become whole, rectify problems in their life, and come to a better spiritual understanding.

All Birds Deserve to Fly Track Listing:

  • Here and Where
  • Bound and Tethered
  • Guiding Paths
  • Lights and Vessels
  • Scratching and Clawing
  • All Bird Deserve to Fly
  • Love and Desolation

About Kadima

Kadima

The roots of Kadima date back to when Israel began playing guitar as a pre-teen, influenced by concept albums such as Rush‘s 2112, Periphery‘s Juggernaut Alpha and Omega, and most importantly, Dream Theater’s Metropolis Pt. 2: Scenes of a Memory. Kadima, which means “forward” in Hebrew, is based on the idea that music seeks to transcend and grow in a progressive fashion.

“What attracted me to the idea of a concept album and progressive metal, in general, was the ability to convey ideas and tell complex narratives through a means that seemed supernatural and super-advanced,” Israel says. “Music was everything to me from the time I picked up the guitar. It was love at first sight. The guitar was a medium for conveying a sense of power and pride.”

As a Music major at the University of Oregon, Israel began pursuing his dream, but the dream was put on hold when he began displaying abnormal behavior. After a psychiatric evaluation, the guitarist was diagnosed with Schizoaffective Disorder and dropped out of the program. But recovery presented an unforeseen hurdle: “I then underwent psychotherapy through outpatient treatment and medication, but the medication was so hard on my body that I entirely forgot how to play guitar due to muscle memory loss,” Israel says.

After a year of treatment, Israel successfully petitioned to rejoin his academic program – and though he struggled with relearning a skill he had already put 10 years into mastering – successfully completed the program. During his time in school, Israel began outlining a concept album based on his mental health experiences, with plans to record it under the name Kadima.

After graduation and the mental health endeavor that Israel deems a “quarter-life crisis,” the gears were finally set in motion to make Kadima’s debut a reality. Along with his college buddy Sam Mendoza, Israel spent the summer of 2019 writing and recording the skeletons of what would become All Birds Deserve to Fly.

Originally planned to be a five-song EP, two of the tracks were split into separate entities, making All Birds Deserve to Fly into a full album. The album is dedicated to the memory of Peyton Arens, a young guitar prodigy who was influential in Israel’s musical pursuits and passed away at the young age of 13 from Rhabdomyosarcoma cancer.

While All Birds Deserve to Fly was recorded with a lineup of studio musicians, Israel plans to assemble a live lineup for future Kadima performances.

All Birds Deserve to Fly Lineup:

  • Composition (music and lyrics): Aidan Israel
  • Guitar: Aidan Israel and Sam Mendoza
  • Vocals: Kaylee Jorene
  • Spoken Word: Aidan Israel
  • Drums: Nick Mea
  • Keyboards: Eric Guenther (The Contortionist)
  • Bass (“Bound and Tethered,” “Lights and Vessels”): Isaac Luger
  • Bass (“Here and Where,” “Scratching and Clawing,” “Love and Desolation”): Nikitus Perez
  • Guest Guitar Solo (“Bound and Tethered”): Chance Fuller
  • Guest Guitar Solo (“Lights and Vessels”): Amit Fortus
  • Acoustic Guitar (“All Birds Deserve to Fly”): Zach Kornhauser

Kadima Online:

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San Diego’s Hey, Chels Release Debut Full-Length, Everything Goes

Now Streaming and Available as FREE Download on Bandcamp

San Diego’s Hey, Chels have released their debut full-length Everything Goes digitally for FREE on Bandcamp. The LP is also streaming on DSPs and will be released on vinyl later this year via Brainworm Records.

The band says, “Our reasoning is that we don’t feel right asking for money right now with the current state of everything. If you feel like helping the band out, share us with a friend, add us to a playlist, share us on your socials, we would very much appreciate it.”

A music video for the new track “You’ve Got You Now” is streaming here:

The follow up to the band’s well-received 2019 self-titled EP, Everything Goes was recorded by Pat Hills at Earthtone Studios in Sacramento, CA.

Due to the current state of the world Hey, Chels had to cancel all tour plans but will be back out as soon as it’s safe again.

Hey, Chels – Everything Goes
|
Cover Art by SICKPLEASURE

Everything Goes Track Listing:

  1. Clear
  2. Crumbling
  3. Masterpiece
  4. Pulse Check
  5. You’ve Got You Now
  6. Okay
  7. Everything Goes
  8. Floating Through Days
  9. Tough
  10. Away

About Hey, Chels

Hey, Chels

Hey, Chels is what you get when you spend 10 years of your life working for a degree you’ll never pay off. It’s realizing the whole world is terrible, while also serving as a reassuring pat on the cheek that everything is going to be ok. It’s a warm summer day and a cold winter night. Hey, Chels is a four-piece rock n roll band from San Diego fronted by Jax Mendez (New Way On) and featuring Stephanie Presz (The Newports) on drums, Kevin White (Squarecrow) on guitar, and Ricky Schmidt (Western Settings) on bass.

Hey, Chels Online

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All-Star Quintet IMONOLITH Announces Weekly Quarantine Sessions with Tracks Off New Album

All-star modern metal band IMONOLITH released their highly anticipated debut album, State of Being, this past March. Like many bands in the music industry, they have been affected by the COVID-19 pandemic and were forced to cancel their European tour dates in March and April. 

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While the guys have isolated themselves at home, they’re still in daily contact with each other, keeping their creative juices flowing. Even though they are separated across the globe from each other, the members of IMONOLITH have been able to put together something special for fans entitled “The Quarantine Sessions.”

Drummer Ryan Van Poederooyen explains in further detail: “It’s tough times for everyone world-wide with COVID-19. The music industry and bands world-wide have literally been shut down from touring, from doing press tours and anything to do with public appearances. The one thing COVID-19 has not disrupted is the Internet and Social Media. Many bands are getting creative and doing live stream concerts and more…

IMONOLITH has come up with the ‘Quarantine Sessions’ for our supporters in correlation with our debut album release ‘State of Being,’ which came out on March 27th, 2020. What are the ‘Quarantine Sessions?’ They are videos released on our YouTube page, each Monday at 8 a.m. PST, of the full band playing through a song on our debut album. We will be releasing a new song every Monday until we have finished all 10 songs on our album. Then on every Tuesday, at 9 a.m. PST we will be doing a ‘Quarantine Session Live Feed’ on our Instagram page to talk about the song we released on Monday. We’ll go into many behind-the-scenes specifics about each song we release and do a live Q&A with you all. Let’s hang, have some fun and catch up, while self-isolating at home during these challenging times! 

This is our Quarantine offering to our loyal and new supporters to show how we play our material and to be able to chat with you all, albeit in Quarantine from our homes. This is Self Isolation at it’s finest while helping flatten the curve of COVID-19. Finding the positive in the negative 😉 

Tune in on Mondays for our new video and see you on Tuesdays for our live feed discussion. Be safe out there!”

Check out the first episode, “Becoming the Enemy,” here or below:

Follow IMONOLITH‘s Videos

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IMONOLITH features drummer Ryan Van Poederooyen (Devin Townsend Project), guitarist Brian ‘Beav’ Wadell (Devin Townsend Project), Jon Howard (Threat Signal), guitarist Kai Huppunen (Methods of MayhemNoise Therapy) and Scott Whalen (Econoline Crush). The collective of heavy-hitting players is at the top of their game recently releasing their debut album, State of Being, on March 27. The album features special guest appearances from Jens Kidman (Meshuggah) and famed Swedish vocalist Johannes Eckerström and is made up of 10 hook-laden, riff-heavy tracks that center around the theme of how people deal with various stages of life.

The album has already seen the release of four singles and videos – “Hollow,” the 2019 debut single that made big waves, racking up 216K Spotify streams, “Instinct,” “Dig,” and the most recent single, “Becoming The Enemy.” With the release of these singles, IMONOLITH has already received worldwide praise that has garnered them a massive number of streams and attention from the media and fans alike. 

Check out the videos here:

Hollow | Instinct | Dig | Becoming the Enemy

State of Being is available in exclusive vinyl and CD formats at www.ImonolithBand.com, or you can stream the album at the service of your choice here: https://lnk.to/stateofbeing.

IMONOLITH Online

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Atmospheric-Prog Rock Act Itayil Reveals Debut Single, “Bloom”

Bloom,” the first single from Itayil, the atmospheric-prog rock solo project of CanaItayil Reveals Debut Single, “Bloom”dian musician David Chunn, is available today. Listen to the song now exclusively via Sea of Tranquility here.

“This song reflects on the finite nature of life, and how nothing is constant,” Chunn says. “Just as quickly as we learn and grow, we forget and the light leaves us, similar to a flower in bloom.”

Translating to “in between,” Itayil is a word that resonates with Chunn on a personal level, both in terms of lifestyle and musical influences. A scientist by day and musician by night, Chunn blends sounds from various genres to create melodies that capture the meaning of Itayil.

In a swirl of ethereal soundscapes, with “Bloom” Chunn creates an immersive experience that ventures beyond sound and into the mind. Trained in piano and guitar, Chunn is a self-taught vocalist who cites Alcest, Tesseract and Tame Impala as influences.

“But I’m constantly trying to find new inspiration in any genre,” he adds.

Chunn previously served as vocalist for Calgary-based band Vallite and has appeared as a guest on tracks by Every Hour Kills, Depths of Titan and Gaia.

Itayil Bloom Art

Bloom” is available today via Itayil’s Bandcamp and major digital music providers.

Itayil Online:

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Lucky Boys Confusion Get Nostalgic on New Video “Arizona Stand”; For The First Time, Debut Album on Vinyl

Video Features Archival Footage from the Last 15+ Years

Lucky Boys Confusion and Mutant League Records have dropped an unofficial music video for LBC’s song “Arizona Stand.” The track appears on the limited-edition double vinyl release of the band’s 1998 debut album Growing Out Of It, which is out today. Featuring archival footage of the band from over the last 15+ years, the clip was edited by Alex Zarek.

View “Arizona StandHere:

1998 Debut Album Growing Out of It Out Now on Vinyl for The First Time Ever

Available for the first time ever on vinyl, the collectors edition deluxe double LP is limited to 500 copies and includes other fan favorites such as “Fred Astaire” and more. The record includes a double insert with song-by-song liner notes from the band.

LBC Growing Out of It LP
  • Pressing Info:
  • 200 copies – Solid Orange
  • 300 copies – Blue & yellow starburst

Purchase the Limited Edition Growing Out of It Vinyl here.

Lucky Boys Confusion Online:

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Ferocious “Beauty-Core” Trio GFM (Gold Frankincense & Myrrh) Debut New Video for Joey Sturgis-Produced Single “Taking Over”

GFM (Gold Frankincense & Myrrh), a trio of teenage sisters who have already mastered the art of balancing a Paramore style of melodicism with a Slipknot-like ferocity, have debuted a new video for the single “Taking Over.” “Taking Over” is premiering today, exclusively via Alternative Press.

“’Taking Over’ is a song about standing up for yourself and for others,” says bassist/vocalist Maggie English. “We’re not taking no for an answer and nothing is going to stand in our way. The time to join Team GFM is now before it’s too late.”

Visualizing the young band’s sound, which they have dubbed “beautycore,” director Dale Resteghini juxtaposes images of military tanks emblazoned with GFM’s pink logo with aggressive performance footage of the band in their trademark pink GFM cheerleader uniforms, as the sisters proclaim, “Get up, stand tall If we fall, then we fall together/Take your shot, the best you got/We won’t stop, and we’re taking over.”

“The girls crushed the video,” Resteghini says. “I love helping hot new bands breakthrough the noise. One listen to the single ‘Taking Over,’ I knew I had to do this. These young girls have already shown they can handle the rigors of tour life and are destined for greatness!”

The Joey Sturgis (Of Mice & Men, The Devil Wears Prada, Attack Attack!, Asking Alexandria) produced “Taking Over” is the second single from an upcoming EP.

“Prepare to hear GFM at their heaviest,” says Sturgis. “Working on this song was all about capturing the girls at their heaviest moment, shattering your ears while allowing their melodic ability to continue to shine through the rubble.”

Catch GFM Now on the First Ever Social Media E-Tour

While spending time at home during the quarantine, the trio is finding unique ways to connect with Team GFM. GFM is hosting the first ever “e-tour,” virtually touring a variety of different social media pages and platforms. The first round of tour dates have been announced on GFM’s social media pages, with more dates quickly being added. An entire acoustic performance will be featured along with a Q&A session during each livestream. Additionally, fans with a good eye will notice a phone number within the artwork for “Taking Over.” This Easter egg is an active number that is being used as fun and unique way to interact with fans.

Taking Over” is available via Apple Music

GFM Taking Over Artwork

GFM’s first album, Identity Crisis, was released in 2016, followed by Oh, The Horror! in April 2019. After touring the US multiple times, the group headed overseas to Germany in 2018, where their energetic performances established GFM as a festival favorite. A new EP is scheduled for release this spring.

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The first single from the EP, “I Don’t Need Your Fantasy” was released earlier this year. Listen to the track here.

Members of GFM are endorsed by PRS Guitars, Sinister Guitar Picks, Schecter Guitars, SJC Drums, Sabian Cymbals, 64 Audio, Orange Amps, Gator Cases, Enki USA, Pig Hog Cables, Coffin Cases, TUK Footwear, Cheerleading Company and Boathouse Sports.

GFM Is:

  • CJ Sanders English – Guitar, Vocals
  • Magdalene “Maggie” Rose English – Bass, Vocals
  • Evie “LuLu” Louise English – Drums, Background Vocals

GFM Online:

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Baroness Share “Tourniquet (Socially Distant)” Video

Baroness share a new video for the song “Tourniquet”. Dubbed “Tourniquet (Socially Distant)” the footage features the four band members playing the six-and-a-half minute song at their respective homes, showcasing the band’s ability to both socially isolate and come together to share the message of unity amidst the COVID-19 crisis. Watch the video here.

The band issued a collective comment:

Hey everyone! Here’s an as-live-as-possible performance of ‘Tourniquet’ that we made over the course of a couple days during this period of isolation.

We have all maintained a rigid policy of social-distancing since becoming aware of this pandemic; which has unfortunately deprived us of our much preferred means of playing music. Throughout this crisis, the overall safety and responsibility of our global human community far outweighs the individual value of any show, festival or tour. We’re refocusing and redoubling our energy to adapt to this situation as it unfolds.

As difficult as it seems to navigate the effects of this virus, the isolation has not stripped us of our passion for Baroness’ music. Playing music so far from our bandmates will never be particularly natural. However, the experience of making this video through emails, texts and phone calls has been a powerful reminder of how inspiring and invigorating music can be in times of stress, struggle and confusion.

We hope you enjoy this performance. It isn’t meant to highlight musical perfection or precision. Personally, it serves as a reminder that, no matter what situation we face, we are still able to enjoy friendship, family and community through something as simple as a song. Isolated but never alone… Baroness.

The video closes with a message to fans: “Be safe. Be good to each other. Act with personal and civic responsibility. We’ll see you again soon.”

Tourniquet” is featured on the album Gold & Grey, which arrived in June of 2019 with Stereogum saying the collection “is the best thing Baroness has ever done… a masterpiece,” NME declaring it “a work of art in the truest sense of the word” and NPR, noting the synchronicity between Baroness’ music and imagery, observing that “Gold & Grey feels like a callback to the heyday of the rock album as art object.” The 17-track release debuted atop Billboard’s Hard Rock Albums Sales and Independent Albums’ Charts and found the band gracing the covers of both Revolver and Kerrang! magazines. Baroness has taken fans behind-the-scenes into the making of the Dave Fridmann (The Flaming Lips, At War With The Mystics) produced album, releasing an 11-part web series dubbed “Making Gold & Grey”. Watch here.

The Philadelphia-meets-New York based band have grown to be one of rock music’s most critically-revered as well as one of the most inventive artists of the modern era with each release in their kaleidoscopic canon seeing the band further defining their unique musical vantage point. Baroness’ catalog of studio recordings is: Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), Red Album (2007), A Grey Sigh in a Flower Husk (Split LP, 2007), Second (EP, 2004) and First (EP, 2004).

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Baroness Is:

  • John Baizley (vocals/guitar)
  • Gina Gleason (guitar)
  • Nick Jost (bass)
  • Sebastian Thomson (drums)

Baroness Online:

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Songwriter Mark Greenawalt Self-Makes “Don’t Cry Angel” Video While in Quarantine

PHOENIX — Singer-songwriter Mark Greenwalt took the opportunity to make a music video during the government mandated stay-at-home policy. With a crew of one, he propped his prosumer camera on a tripod to film himself at the piano and behind a guitar playing his original song, “Don’t Cry Angel.” The video was released on his YouTube channel on April 4th, Greenawalt’s 53rd birthday.

The Making of the Video

He co-wrote the song with songwriter Angel Pizzaro in 2011. Pizarro presented the heart-felt lyrics about a personal friend of his who had tragically passed away. The songwriting team crafted the story to discuss the relationship between a new angel and the grieving friends and family they have left behind. “It seemed to have a message,” he said, “for people to relate to who are suffering from losses during our current pandemic.

The chords and melody of the song were developed while Pizarro sat with Greenawalt at his piano nearly ten years ago. The opportunity to record the song came from a mutually beneficial relationship with the Conservatory of Recording Arts and Sciences (CRAS) in Phoenix, who needs bands and musicians to help their students learn the ropes of professional recording techniques. The core players in the session were Pizarro on drums, Webb Pickersgill on bass, and Greenawalt on keyboards, guitars, and vocals. Student engineer, Daniel Armijo, later stated that he ended up getting a grade of 97 on the project and a song was born.

While in the studio, Greenawalt had shot some video of Pizarro playing drums. “It wasn’t the greatest of quality,” he said, “but it seemed to be a good way to get started on the music video.” There wasn’t any usable footage of Greenawalt and Pickersgill from the studio, and at this point Pickersgill had moved to Colorado to be a game director with Deck Nine (Life Is Strange). Pickersgill, however, was very interested when asked if he would be willing to film himself playing the song. “I’ll bring my bass to work”, he said, “and just ‘Milli-Vanilli’ a few takes on video for you.

When it was time for Greenawalt to perform his sequences, he envisioned singing in front of a stained glass window. At a loss for where to find one that he could record in front of, he went to YouTube to find a DIY way to make his own. After a trip to the hobby shop to get glass paint and faux leading, he created a mosaic image of angel wings with sun rays reminiscent of the Arizona state flag.

Watch Mark Greenawalt’s Time-Lapse Video

Another project behind the scenes was getting the overhead shots of the piano. For this, Greenawalt build an iPhone carrier and hung it from fishing string over a raised backdrop stand. The raising and lowering was accomplished by reeling the string around a rotating electric drill bit. “It seemed to be a good idea,” said Greenawalt, “but most of the footage was shaky and unusable. It was worth a try and a few clips actually made it into the video.

Overhead shot of Mark Greenawalt playing the piano

I wanted to include an aerialist in the video who would be spinning up high in hoop,” he said, “And I envisioned filming them over water and wearing angel wings. With the quarantine if full swing, it didn’t seem like I was going to have the opportunity to get that footage.” The eureka moment came when he found a video on a friend’s page on Facebook that was as beautiful as he had envisioned. I wasn’t over water and aerialist Dakoa O’Kane wasn’t wearing angel wings, but the imagery was stunning. He reached out to videographer Glen Goldblatt for permission to use the footage was thrilled when it was granted. This footage ended up being the bookends of the fade in and fade out of the video.

Aerialist Dakoa O’Kane footage by Videographer Glen Goldblatt

Greenawalt had a guest vocalist come to his home studio to record some harmony vocals on the song after the initial recordings at CRAS. She also “sang” some angelic whispers saying, “Goodbye, I’ll be waiting for you.” This was such a feature in the song that it seemed important to have it performed in the video. Keeping social distancing to a minimum, Greenawalt reached out to his daughter-in-law Savannah Greenawalt to play the part of the angel in the video. There were just a few short takes of her behind the stained glass and some extreme closeups of her singing the harmonies and it was a wrap for Savannah on the home “set.”

Savannah Greenawalt behind Mark Greenawalt’s handmade stained glass window

The rest of the shots were self performed and filmed by Greenawalt in his living room including a “martini shot” of him playing a “keytar” in the recently renovated tile bathroom. He culled on his knowledge from his day job as a lighting designer to successfully illuminate the sets and his brief education from film classes at The Film School at Scottsdale Community College for the editing process.

The video was completed in time for a premiere on the evening of his 53rd birthday where friends and family joined in on the chat to speak with songwriters Greenawalt and Pizarro.

“Don’t Cry Angel”

  • Written by Mark Greenawalt and Angel L. Pizarro Jr.
  • Future-Class X Publishing, ASCAP
  • Faded Periwinkle Publishing, ASCAP

Mark Greenawalt is both a Senior Concert Photographer and part-time Music Journalist for Burning Hot Events! See his concert photography here, and writing here.

Mark Greenawalt Online

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BANKS Releases Live and Stripped EP

Avant-pop/dark R&B artist BANKS has released an EP entitled Live and Stripped, stating that she is “using music as a tool to bring us together.” BANKS utilizes her music to release her emotions, which is both apparent through her lyrics and the raw vocals heard on this EP.

One of her messages to fans was: “My new Live and Stripped EP is out today! I’m so excited to be able to share these stripped back versions of my songs with you.

Most of my songs are written on the piano before anything else, so it is a gift to be able to share these acoustic versions of songs with my fans during this tough time. We cannot physically be near each other right now, so I am using music as a tool to bring us together.”

Live and Stripped Track List

  1. Stroke
  2. Contaminated
  3. Drowning
  4. If We Were Made of Water

Listen to the Live and Stripped EP

I think people are most beautiful in their rawest form, and sometimes same goes for music. I am so happy you guys can get to know me a little better by hearing these songs like this.” says BANKS.

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Watch “Drowning” 1 Mic 1 Take Video

BANKS Online

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