Tag Archives: Live Performance Review

REVIEW: Purity Ring & yuniVERSE Lead Phoenix Into a Night Suspended Between Worlds (11-10-25)

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PHOENIX — Purity Ring’s fall 2025 “place of my own” tour came to The Van Buren, with yuniVERSE as the sole opener on her first tour. The beautifully historic, repurposed downtown venue set the stage for an evening the band had described in their July Substack tour announcement as “three-dimensional… expansive but intimate,” and the night delivered as promised.

yuniVERSE

The venue’s stage at first was strange to look at, one half covered in human-sized flowers and the other looking like metal stars or fans. I waited in the rapidly filling room with no idea of what to expect. When the lights faded, people abandoned the bars and the winding merch line spilling into the main room as the attention turned to a new performer on her first tour, yuniVERSE.

Singer kneels at the edge of the stage, singing into a microphone in front of towering pink paper flowers during yuniVERSE's set at The Van Buren in Phoenix, Arizona.
yuniVERSE draws closer to the crowd at The Van Buren in Phoenix, kneeling at the edge of the stage as glowing pink blossoms tower behind.
Photography: Katherine Amy Vega © All Rights Reserved

Even though she only used a portion of the stage, she invited us into the jewel-lit garden of her design, where she shared her intimate confessions through emotive electric pop. yuniVERSE weaves through each song like a layer within a dream, her hair gently blowing as she captivates the audience with her presence and movements. Her performance feels like a journey into her private world as she navigates through love and life. She continued to captivate the room completely, her sensual, charismatic movements paired with the softness of her vocals as she sang behind the mask she wore in unity with Purity Ring’s request for community care.

yuniVERSE performs at The Van Buren in Phoenix, stretched out across a stage monitor with her hair flying and giant paper flowers glowing behind her.
yuniVERSE leans into the mic while sprawled across a stage monitor, hair flying as she delivers an intense, theatrical moment in her set.
Photography:Katherine Amy Vega © All Rights Reserved

yuniVERSE said she wished this tour were longer because she wasn’t ready for it to end yet, and I can imagine I’m not the only one who felt the same. She playfully joked, “I know you’re here for Purity Ring, but together, we’ll keep it a secret that you’re actually here for me, okay?” giving a little laugh before closing out her set and leaving the stage for the headliner, Purity Ring.

Purity Ring

The room settled as the stage shifted from yuniVERSE’s dreamlike garden into the darker, more mysterious world crafted by Purity Ring. Corin Roddick stood alone at first, lighting up sections of the stage with his touch while the star-shaped fans began to spin, projecting red light that looked like sparks spraying across the dark.

Corin Roddick of Purity Ring performs in a mask behind an illuminated console as red fan-like visuals surround him on stage in Phoenix.

Purity Ring producer Corin Roddick performs behind an illuminated console amid vivid red stage visuals at The Van Buren in Phoenix. Photography: Katherine Amy Vega © All Rights Reserved

Megan James appeared a moment later, illuminated by a soft golden glow on her face in the sea of black around her.

Megan James of Purity Ring sings into a microphone while wrapped in a voluminous dark coat and white mask, scattered red LED streaks cutting across her in the otherwise dark stage at The Van Buren in Phoenix.
Purity Ring vocalist Megan James performs wrapped in a sculptural dark coat as red light streaks slice through the darkness.
Photography: Katherine Amy Vega © All Rights Reserved

With each song, the room shifted through new worlds and galaxies.

Purity Ring producer Corin Roddick silhouetted at his console as blue galaxy-like visuals and sparkling light particles swirl across the stage.
Purity Ring producer Corin Roddick is silhouetted at his console as swirling blue visuals and scattered points of light turn the stage into its own small galaxy.
Photography: Katherine Amy Vega © All Rights Reserved

During “Many Lives,” the lights flickered and danced like floating embers. “Obedear” pulled us into caverns and stars, with what looked like fireflies curling upward like smoke. “Soshy” arrived with bright, breathy vocals and pounding bass, blue lights sparkling before shifting into sharp red flashes deeper into the song.

Megan James of Purity Ring sits cross-legged onstage, masked and dressed in black, singing into a handheld mic as cool blue and white light streaks fall in the background.
Purity Ring vocalist Megan James performs seated and masked, framed by cascading blue and white light patterns that spill across the backdrop. Photography: Katherine Amy Vega © All Rights Reserved

James took a moment to thank the people in the crowd who wore the masks the band provided for everyone’s health. She appreciated the contribution to community care and valued taking care of each other. As she gushed while thanking yuniVERSE, she admitted she was rambling before continuing the set. It was clear the two acts genuinely appreciated their time together. This became even more apparent after noticing Roddick’s contributions to at least three of yuniVERSE’s tracks (“FALL 4 U,” “18 nite texts,” and “wasted”).

ALT: Megan James of Purity Ring, masked and dressed in black, leans sideways into the mic as vivid red light patterns radiate behind her, with Corin Roddick faintly visible at the console below.
Purity Ring vocalist Megan James leans into the mic in front of spinning fan visuals while Corin Roddick works at the console below, both immersed in neon red light.
Photography: Katherine Amy Vega © All Rights Reserved

Our journey resumed as holographic leaves of blue, green, and red light appeared and danced around the stage, swirling toward the crowd as the room stayed completely locked in the performance.

Purity Ring perform in silhouette as bright holographic leaf shapes burst from a giant blue seascape screen, drifting toward the crowd in the foreground.
Purity Ring perform in silhouette while shimmering leaf-shaped projections explode from a seascape backdrop and drift toward the crowd. Photography: Katherine Amy Vega © All Rights Reserved

As the surreal landscape of each song immersed everyone further into the themes, the night kept expanding into something otherworldly.

Megan James of Purity Ring sings into the microphone with her arm extended as streaks of golden light spin around her against a vivid orange backdrop.
Purity Ring vocalist Megan James sings with her arm outstretched while spinning bands of golden light radiate behind her. Photography: Katherine Amy Vega © All Rights Reserved

The final song, “Begin Again,” brought everything together. Galaxy patterns pulsed behind the band, and the twinkling vocals reached out with swirls of light bursting like magic. The fans met the band’s energy as they sang along during the quiet pauses. As we traveled back to reality with this song, and as the band thanked Phoenix to end the night, cheers of fanfare erupted and filled the room with adoration as we exited the enchanted world of Purity Ring.

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Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Fitz and The Tantrums Delivers Essential Energy at Arizona Financial Theatre (8-8-24)

PHOENIX — Arizona weather has been chaotic recently. We’ve had our sweltering days, relentless in the waves of heat emanating from every direction, making residents want to stay inside and bask in the glory of central air. Recently, with the monsoons, we’ve even been granted some of that humidity we’ve all heard so much about but rarely experience. We needed a reprieve from this heat and occasionally muggy air. Seeing Fitz and The Tantrums’ recent performance at the Arizona Financial Theatre was a spiritual amnesty — a stay of execution from excessive heat, if you will. 

Fitz and The Tantrums

“We’re Fitz and The Tantrums!
Now, get your hands in the air!” 

Fitz and The Tantrums’ arrival on stage seemed perfectly timed, as the seats had just completely filled, and the general admission around the stage had swelled to occupy every inch of space. The band’s dynamic hybrid of neo-soul and indie pop was the ideal remedy to combat the steamy temps and stifling air, a refreshing breeze that cools the body and revitalizes the soul. 

Michael Fitzpatrick - Fitz and The Tantrums
Michael Fitzpatrick (Vocalist, Guitarist), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

The band opened with “Sway” and “Heaven,” letting the audience fully feel the moment, come alive, and cosmically link with the music. The energy was immediate, like an electric current surging through the crowd, passing from one person to the next. In those two songs, there was a moment of magic as the crowd began to dance. In the pit, they moved in unison, and it continued, like the wave at a sporting event, rising through the crowd and bringing those in the seats to their feet as they began to move. 

Noelle Scaggs - Fitz and The Tantrums
Noelle Scaggs (Vocalist, Percussion), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

What makes Fitz and The Tantrums so appealing and beloved by their audience — which ranged from young children to adults who have followed them for the entirety of their 17 years of existence — is their ability to blend old and new sounds into something wholly unique. For example, I noticed a family in front of me with three kids, approximately five to early teens, all of them overjoyed and grooving to every song, never once sitting down during the set. Each song seamlessly combines elements of classic soul, funk, and jazz, evoking an auditory experience that is both timeless and undeniably fresh. — a perfect cocktail of nostalgia with a modern twist. 

Michael Fitzpatrick - Fitz and The Tantrums
Michael Fitzpatrick (Vocalist, Guitarist), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

As they powered through the next few songs — “OCD,” “Good Intentions,” and the relentless pop of “123456,” accompanied by the most enthusiastic, theatre-wide clap-along anyone has ever witnessed — they built momentum, with the band visibly feeding off of the crowd’s energy. Multi-instrumentalist James King, bassist Joseph Karnes, keyboardist Jeremy Ruzumna, and drummer Blair Sinta kept the heat up so that co-lead vocalists Michael Fitzpatrick and Noelle Scaggs, leading the clapping, could cook. Their cover of The Eurythmics “Sweet Dreams (Are Made of This),” originally released on their Live in Chicago album, was a delightful mid-set surprise. 

Noelle Scaggs - Fitz and The Tantrums
Noelle Scaggs (Vocalist, Percussion), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

With “Out of My League,” the band really hit the gas, urging the crowd to “lift a big heart into the sky.” The audience responded majestically, with both hands flying to the sky to form a field of swaying hearts, moving back and forth as if the music was the winds blowing them to and fro. Just as Fitz and the Tantrums got those symbolic hearts swaying and their literal hearts thumping, they built a giant backing-vocal ensemble from the crowd with “Moneymaker.” 

Michael Fitzpatrick - Fitz and The Tantrums
Michael Fitzpatrick (Vocalist, Guitarist), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

In a personal moment, Fitzpatrick spoke about his wife, a native of Gilbert, and the time they spend in the area, visiting her family during holidays, signifying how much Arizona means to him and is in his heart, like a second home. Phone lights illuminated the theatre for “I Just Wanna Shine,” creating a sea of light. “All the Feels,” “The Walker,” and “Moneygrabber” propelled the show into the home stretch. After a moment when Fitzpatrick and Scaggs reflected on their journey as a band across the past 17 years, they led the show to a triumphant close with “Hand Clap.” 

Noelle Scaggs - Fitz and The Tantrums
Noelle Scaggs (Vocalist, Percussion), Fitz and The Tantrums
Photography:
Katherine Amy Vega © All Rights Reserved

Right now, Arizona may be sultry on its best days and searing (mostly) on its worst, and Fitz and The Tantrums brough love and cool vibes to refresh us all.

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Photographer: Katherine Amy Vega

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.