Category Archives: Tracks

ABSINTHE GREEN New Single “BITTERSWEET”

Absinthe Green Unleashes New Single “Bittersweet” from Upcoming Debut Album Of Love and Pain

Greek alternative metal powerhouse Absinthe Green returns with a gripping new single, “Bittersweet”, a haunting dive into the seductive chaos of passionate love. Serving as the latest preview from their highly anticipated debut album, Of Love and Pain, the track offers an unapologetic exploration of emotional extremes.

Listen to “Bittersweet” now

“Bittersweet” is a raw portrayal of love’s darker side, where heartbreak and ecstasy coexist in a chaotic, addictive bond. The song dives into the emotional extremes of a relationship built on passion, pain, and power struggles, capturing the thrill of intensity even when it’s destructive. With visceral lyrics and a confessional edge, it reflects the allure of losing yourself in something that both consumes and completes you.

Watch the Official Video

A Nøble Nøir production
Directed by Eirini ‘Absinthe Green’
Filmed and edited by Alikistis Terzi

Lyrics: A Taste of “Bittersweet”

In verses like “You can cover me in bruises as you tear me apart” and the recurring refrain “Cause baby we are bittersweet,” the band captures the duality of affection and torment in raw poetic form. The lyrics are unfiltered, emotionally brutal, and speak to the intoxicating push and pull of volatile love. Read the full lyrics below…

Behind the Music

“Bittersweet” was written and arranged by vocalist and guitarist Eirini ‘Absinthe Green’, produced in collaboration with renowned Finnish producer Hiili Hiilesmaa (HIM, The 69 Eyes). It was recorded by Geegor – Abyssal Productions at Vena Cava Studios in Athens, with drums tracked at Bombtrack Studios. The track was mixed and mastered at Coal House Studios in Hämeenlinna, Finland.

Fall UK and European Tour

To support the new release, Absinthe Green has announced select live dates across the UK and Greece.

  • Islington, UK – September 24 @ Hope & Anchor
  • Preston, UK – September 25 @ The Ferret
  • Stockport, UK – September 26 @ The Spinning Top
  • Brighton, UK – September 27 @ The Pipeline
  • York, UK – September 28 @ The Fulford Arms
  • Thessaloniki, GR – October 18 @ Eightball
  • Athens, GR – December 12 @ Piraeus Academy

Additional show dates to be announced. For updates and tickets, visit absinthegreen.com/#show

Absinthe Green "Of Love and Pain" tour admat
Click to Enlarge

About the Band

Absinthe Green started as the solo project of Eirini ‘Absinthe Green’ in Dortmund, Germany, in 2016. The project evolved into a full band after her return to Greece in 2019, joined by Harry Mason on drums, Villy Pirris on bass, and Panos Economakis on guitar.

Described by critics as “a melodic storm of beauty and heartbreak, both ferocious and tender”, the band delivers a bold fusion of alt-metal, hard rock, aggressive guitars, pop elements, and emotionally vulnerable songwriting.

Their debut album, Of Love and Pain, is expected in 2025. It explores duality in human emotion—where destruction meets beauty, and heartbreak becomes transformative.

Also out now: “Give the Devil His Due” featuring Snowy Shaw

Give The Devil His Due music video still
Click to watch the video on YouTube

Band Members

  • Eirini ‘Absinthe Green’ – Vocals & Rhythm Guitar
  • Villy Pirris – Bass
  • Panos Economakis – Guitar
  • Harry Mason – Drums

Connect with Absinthe Green

Featured photo (top) by George ‘Geegor’ Anagnostopoulos


Full “Bittersweet” Lyrics

Somehow you did it, you just woke up the dead

You make me forget the voices in my head

I’ve locked up my heart, thrown away the keys

but you make me feel alive when you’re on your knees

I won’t settle for the sparks I want the sun

You can cover me in bruises as you tear me apart

Throw me deep in your inferno, I am loving the thrill

The flames are growing higher as you head for the kill

But in the end it all seems fine

‘Cause baby we are bittersweet

I don’t want to know the secrets that you keep

You don’t need to say you’re mine

Just lose yourself, let’s feel this pain divine

PLEASURE IS PAIN IS PLEASURE IS PAIN

My mind is a casket for my withering strength

I could live without you though I’m better off dead

I wonder if it’s just your abuse that I miss

but I only feel alive when you’re on your knees

You can’t really hurt me if I hurt myself first

You tried to work your magic but I’m already cursed

Hey little punk, you’ve got to play nice

Because just like death I don’t happen twice

And in the end you’re going to cry…

‘Cause baby we are bittersweet

I don’t want to know the secrets that you keep

You don’t need to say you’re mine

Just lose yourself, let’s feel this pain divine

I ditched you last night and I felt no remorse

Your absence is hurting but your presence is worse

Sometimes I miss you when you’re not around

I want to touch you and feel you but I can’t dig you out

‘Cause baby we are bittersweet

I don’t want to know the secrets that you keep

You don’t need to say you’re mine

Just lose yourself, let’s feel this pain divine

‘Cause baby we are bittersweet

I read in your eyes the secrets that you keep

I just want to know you’re mine

Just lose yourself, let’s feel this pain divine

WE ARE SCIENTISTS Share “The Big One” Off Upcoming Album

We Are Scientists

Exploring Collapse and Catharsis with Album Focus Track

Qualifying MilesOut This Friday via Grönland Records

New York, NY –

“One problem with constantly mining your own personal life for lyrical inspiration is that you sometimes catch yourself experiencing personal interactions through the lens of your own future lyrical depiction of the moment,” says We Are Scientists vocalist and guitarist Keith Murray about the band’s emotionally raw new single, “The Big One.”

He continues: “There’s a scene in Noah Baumbach’s Kicking and Screaming where a couple, fresh out of undergrad, are fighting over who gets to ‘use this material in a story.’ As a referendum on artistic solipsism, it haunts me to this day. I guess ‘The Big One’ is about those moments when things go so awry that that sort of in-the-moment arm’s-length analysis is no longer a possibility. Now you’re just in it. It also has maybe my favorite guitar solo ever, so, yeah.”

“The Big One” is the final preview of Qualifying Miles, the band’s highly anticipated ninth studio album, out this Friday, July 18 via Grönland Records. It follows a trio of emotionally rich singles that capture the band’s sharpened, guitar-forward direction and trademark lyrical wit: the aching, effervescent “Please Don’t Say It,” the shimmering, self-lacerating ballad “I Could Do Much Worse,” and “What You Want Is Gone,” a melancholic mid-tempo stunner paired with a fan-shot tour video that leans into memory, longing, and letting go.

Together, the four singles serve as a proper reintroduction to We Are Scientists: a band reflecting on their past without being trapped by it, chasing an immediacy that feels both familiar and revitalized. The album’s title, Qualifying Miles, plays like a wry nod to the band’s decades-long journey, but there’s no nostalgia for nostalgia’s sake here, this is a collection of songs that crackle with life and gut-punch emotional resonance.

Qualifying Miles is a stripped-down, emotionally expansive record that sees We Are Scientists embracing the ‘90s guitar rock influences that first lit the fuse back in their early Brooklyn days. Tracks like “Dead Letters,” “At The Mall In My Dreams” and “What You Want Is Gone” lean into themes of memory, impermanence, and the haunting weight of lost connections. But there’s levity, too — the band’s self-effacing humor and melodic swagger remain front and center.

Recorded with a “band in a room” ethos and a let-it-rip energy, Qualifying Miles finds longtime duo Keith Murray and Chris Cain pushing themselves toward something looser, louder, and more instinctive than anything they’ve done in years. For a band celebrating 20 years since their breakthrough debut With Love and Squalor, Qualifying Miles doesn’t feel like a victory lap — it feels like the start of something urgent and new.

We Are Scientists' Qualifying Miles album art
“Qualifying Miles” album artwork

QUALIFYING MILES – Tracklisting

  1. A Prelude to What
  2. Starry-Eyed
  3. Dead Letters
  4. The Big One
  5. Please Don’t Say It
  6. The Same Mistake
  7. What You Want Is Gone
  8. A Lesson I Never Learned
  9. I Could Do Much Worse
  10. I Already Hate This
  11. The Mall in My Dreams
  12. Promise Me

East Coast North American Tour Dates

We Are Scientists will support the release with an East Coast North American tour this fall, kicking off September 4th in Philadelphia and wrapping September 13th in Toronto.

  • July 30Brooklyn, NYC – Union Pool SOLD OUT
  • September 4Philadelphia, PA – Johnny Brenda’s
  • September 5Amherst, PA – The Drake
  • September 6Baltimore, MD – Ottobar
  • September 9Columbus, OH – Rumba Café
  • September 10Ferndale, MI – The Magic Bag
  • September 11Chicago, IL – Empty Bottle
  • September 13Toronto, ON – Horseshoe Tavern

Listen to “The Big One” now and get ready for Qualifying Miles, out Friday, July 18 via Grönland Records.

We Are Scientists Online

Featured photo (top) by Sari Murray

Lacuna Coil drops new single “I Wish You Were Dead” ahead of ‘Sleepless Empire’ album release

Lacuna Coil drops new single “I Wish You Were Dead” ahead of ‘Sleepless Empire’ album release this Friday; announces album signing events in UK & Italy, plus EU/UK 2025 fall tour

Just 3 days ahead of the release of their new studio album Sleepless Empire, Italian metal titans Lacuna Coil gives fans the ultimate single – “I Wish You Were Dead” – to sweeten the time.

Listen to “I Wish You Were Dead” here

“I Wish You Were Dead” is about the emotional turmoil and struggle that accompanies toxic relationships. The song’s video, which will premiere on Thursday at 12PM PT // 3PM ET // 9PM CET, takes the track’s heavy theme and spins it into a romantic Goth tale just in time for Valentine’s Day. Filmed by Martina L Mclean in a church in Capranica, a small town north of Rome, it marks a first in the history of Lacuna Coil: the band performing a choreography!

Save the date: “I Wish You Were Dead” will premiere here

The band shares about the new single and the album release: “We all have this person we wish never existed, right? We all felt the need to erase the same person from our thoughts, someone who hurt us that it’s still in our mind. We wanted to write heavier lyrics on a happier musical canvas. Also we are a little tired of being politically correct at all costs…

‘Sleepless Empire’ captures, through our eyes, the chaos of a generation trapped in a digital world that never stops, where social media consumes identity and every day pushes us one step closer to becoming soulless zombies. We find ourselves in between, having witnessed a full analogic world and the modern one, confronting the evolution and searching for a true meaning of it all. Throughout every song, the journey is an undercurrent of rebellion, a desperate cry to reclaim oneself in an era that seems to have lost its sense of time and reality.”

Sleepless Empire marks the 10th studio album of Lacuna Coil and is set to be released this Friday, February 14th, via Century Media Records. It is the first full-length release after their remake album Comalies XX, which came out in 2022. The new album is comprised of 11 tracks, and each one is a richly textured soundtrack to a specific time and place. With Sleepless Empire, that place is dark, cinematic, and unmistakably true to the unique characteristics that have given Lacuna Coil such a celebrated entry in the annals of heavy music.

Pre-order Sleepless Empire here

Sleepless Empire blood red vinyl
180g deep blood red vinyl + 4-page booklet (limited to 300 copies worldwide)

Album artwork: Roberto Toderico

Sleepless Empire track-listing:

  1. The Siege
  2. Oxygen
  3. Scarecrow
  4. Gravity
  5. I Wish You Were Dead
  6. Hosting The Shadow (feat. Randy Blythe)
  7. In Nomine Patris
  8. Sleepless Empire
  9. Sleep Paralysis
  10. In The Mean Time (feat. Ash Costello)
  11. Never Dawn

To celebrate the album release and give fans the chance to be a part of the Sleepless Empire, several in-store events on release day across Europe have been announced, find your nearest shop here.

  • Oct. 10, 2025 – Milan (IT) @ Alcatraz
  • Oct. 11, 2025 – Meisenthal (FR) @ La Boite Noire
  • Oct. 12, 2025 – Paris (FR) @ L’Élysée Montmartre
  • Oct. 14, 2025 – Toulouse (FR) @ Le Bikini
  • Oct. 16, 2025 – Madrid (ES) @ La Riviera
  • Oct. 17, 2025 – Lisbon (PT) @ L.A.V.

Lacuna Coil recently announced the massive European & UK leg of their Sleepless Empire tour in October, November & December of this year. The tour kicks off in the band’s hometown of Milan on October 10th.

Get your tickets and VIP upgrades here

Lacuna Coil
Lacuna Coil | Photo credit: CUNENE

Lacuna Coil Tour Dates:

European Tour Dates
  • Oct. 10, 2025 – Milan (IT) @ Alcatraz
  • Oct. 11, 2025 – Meisenthal (FR) @ La Boite Noire
  • Oct. 12, 2025 – Paris (FR) @ L’Élysée Montmartre
  • Oct. 14, 2025 – Toulouse (FR) @ Le Bikini
  • Oct. 16, 2025 – Madrid (ES) @ La Riviera
  • Oct. 17, 2025 – Lisbon (PT) @ L.A.V.
  • Oct. 18, 2025 – Seville (ES) @ Custom
  • Oct. 20, 2025 – Barcelona (ES) @ Apolo
  • Oct. 21, 2025 – Grenoble (FR) @ La Belle Électrique
  • Oct. 22, 2025 – Stuttgart (DE) @ Lka Longhorn
  • Oct. 24, 2025 – Lausanne (CH) @ Docks
  • Oct. 25, 2025 – Zurich (CH) @ Dynamo
  • Oct. 26, 2025 – Munich (DE) @ Backstage Werk
  • Oct. 28, 2025 – Budapest (HU) @ Barba Negra
  • Oct. 29, 2025 – Vienna (AT) @ Szene
  • Oct. 31, 2025 – Wroclaw (PL) @ A2
  • Nov. 2, 2025 – Hamburg (DE) @ Markthalle
  • Nov. 3, 2025 – Berlin (DE) @ Huxley’s
  • Nov. 4, 2025 – Copenhagen (DK) @ Pumpehuset
  • Nov. 5, 2025 – Oslo (NO) @ Vulkan
  • Nov. 7, 2025 – Jyvaskyla (FI) @ Lutakko
  • Nov. 8, 2025 – Tampere (FI) @ Tavara-Asema
  • Nov. 11, 2025 – Stockholm (SE) @ Debaser
  • Nov. 12, 2025 – Gothenburg (SE) @ Pustervik
  • Nov. 14, 2025 – Nijmegen (NL) @ Doornroosje
  • Nov. 15, 2025 – Cologne (DE) @ LMH
  • Nov. 16, 2025 – Esch-Sur-Alzette (LU) @ Rockhal
  • Nov. 18, 2025 – Brussels (BE) @ A.B.
  • Nov. 19, 2025 – Frankfurt (DE) @ Batschkapp
  • Nov. 20, 2025 – Eindhoven (NL) @ Effenaar
  • Nov. 22, 2025 – Southampton (UK) @ 1865
  • Nov. 23, 2025 – Norwich (UK) @ Epic Studios
  • Nov. 25, 2025 – Leeds (UK) @ Stylus
  • Nov. 26, 2025 – Newcastle (UK) @ Northumbria Uni
  • Nov. 28, 2025 – Cardiff (UK) @ Tramshed
  • Nov. 29, 2025 – Brighton (UK) @ Chalk
  • Dec. 1, 2025 – Lille (FR) @ Le Splendid
  • June 6, 2025 – Metal Fest OpenAir (CZ) @ Czech Republic
  • June 15, 2025 – Lignano Sabbiadoro (IT) @ Arena Alpe Adria
  • June 28, 2025 – Tallinn (EE) @ Tallinn Rock Festival
  • July 6, 2025 – Lucca (IT) @ Lucca Summer Festival
  • Aug. 8, 2025 – Bloodstock Festival (UK) @ England
  • Aug. 10, 2025 – M’era Luna Festival (DE) @ Germany
  • Aug. 15, 2025 – Carhaix (FR) @ Motocultor
Machine Head Tour Dates with In Fames, Lacuna Coil, Unearth
  • Apr. 5, 2025 – Oakland, CA @ Fox Theater
  • Apr. 7, 2025 – Phoenix, AZ @ The Van Buren
  • Apr. 9, 2025 – San Diego, CA @ Observatory North Park
  • Apr. 10, 2025 – Los Angeles, CA @ The Wiltern
  • Apr. 12, 2025 – Las Vegas, NV @ House of Blues
  • Apr. 13, 2025 – Salt Lake City, UT @ Union
  • Apr. 15, 2025 – Denver, CO @ The Fillmore Auditorium
  • Apr. 17, 2025 – San Antonio, TX @ The Aztec
  • Apr. 18, 2025 – Houston, TX @ House Of Blues
  • Apr. 19, 2025 – Dallas, TX @ House Of Blues
  • Apr. 21, 2025 – Raleigh, NC @ The Ritz
  • Apr. 22, 2025 – Silver Spring, MD @ The Fillmore
  • Apr. 23, 2025 – Brooklyn, NY @ Brooklyn Paramount
  • Apr. 25, 2025 – Reading, PA @ Santander Arena
  • Apr. 26, 2025 – Boston, MA @ House Of Blues
  • Apr. 27, 2025 – Montreal, QC @ M’Telus
  • Apr. 28, 2025 – Toronto, ON @ History
  • Apr. 30, 2025 – Cincinnati, OH @ Andrew J. Brady Music Center
  • May 2, 2025 – Detroit, MI @ The Fillmore
  • May 3, 2025 – Chicago, IL @ Radius
  • May 4, 2025 – Minneapolis, MN @ The Fillmore
  • May 5, 2025 – Winnipeg, MB @ Burton Cummings
  • May 7, 2025 – Calgary, AB @ Grey Eagle Event Center
  • May 8, 2025 – Edmonton, AB @ Midway Music Hall
  • May 10, 2025 – Kelowna, BC @ Prospera Place

For full tour details and VIP packages, visit: https://lacunacoil.com/#tours

Lacuna Coil online:

Featured photo (top) by Marta Petrucci

Coheed and Cambria Announces North American Co-Headline Tour With Taking Back Sunday

Coheed and Cambria have announced a North American co-headline summer tour with Taking Back Sunday, supported by Foxing. The tour kicks off on August 16th in St. Louis and wraps up on September 21st in Seattle. Tickets are on sale this Friday, January 17th, at 10 AM local time here.

Upcoming Coheed and Cambria Tour Dates

*= co-headline with Mastodon
**= co-headline with Taking Back Sunday

  • 3/07 – 3/09 – Tool in the Sand @ Punta Cana, Dominican Republic
  • 5/10 – Salem, VA @ Salem Civic Center*
  • 5/11 – Knoxville, TN @ Knoxville Civic Coliseum*
  • 5/13 – Raleigh, NC @ Red Hat Amphitheater*
  • 5/15 – Wilmington, NC @ Live Oak Bank Pavilion at Riverfront Park*
  • 5/16 – Charleston, SC @ Firefly Distillery*
  • 5/17 – Augusta, GA @ William B Bell Auditorium [no Mastodon]
  • 5/19 – Estero, FL @ Hertz Arena*
  • 5/21 – Huntsville, AL @ Orion Amphitheater*
  • 5/22 – Lexington, KY @ Rupp Arena*
  • 5/24 – Virginia Beach, VA @ The Dome*
  • 5/25 – Bridgeport, CT @ Hartford Healthcare Amphitheater*
  • 5/26 – Saratoga Springs, NY @ Broadview Stage at SPAC*
  • 5/28 – Portland, ME @ Cross Insurance Arena*
  • 5/30 – Syracuse, NY @ Empower Federal Credit Union Amphitheater at Lakeview*
  • 5/31 – Scranton, PA @ The Pavilion at Montage Mountain*
  • 6/01 – Youngstown, OH @ Youngstown Foundation Amphitheatre*
  • 6/03 – Fort Wayne, IN @ Allen County War Memorial Coliseum*
  • 6/04 – Peoria, IL @ Peoria Civic Center Arena*
  • 6/06 – Grand Rapids, MI @ Van Andel Arena*
  • 6/07 – Green Bay, WI @ Resch Center*
  • 6/08 – Waukee, IA @ Vibrant Music Hall*
  • 7/11 – 2000 Trees Festival @ Cheltenham, UK
  • 8/16 – St. Louis, MO @ Saint Louis Music Park**
  • 8/17 – Indianapolis, IN @ Everwise Amphitheater at White River State Park**
  • 8/19 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island**
  • 8/20 – Minneapolis, MN @ Armory**
  • 8/22 – Detroit, MI @ Michigan Lottery Amphitheatre at Freedom Hill**
  • 8/23 – Columbus, OH @ KEMBA Live! Outdoors**
  • 8/24 – Toronto, ON @ Budweiser Stage**
  • 8/26 – Baltimore, MD @ Pier Six Pavilion**
  • 8/27 – Philadelphia, PA @ Highmark Skyline Stage at the Mann**
  • 8/29 – Holmdel, NJ @ PNC Bank Arts Center**
  • 8/30 – Boston, MA @ MGM Music Hall at Fenway**
  • 9/2 – Charlotte, NC @ PNC Music Pavilion**
  • 9/3 – Nashville, TN @ Ascend Amphitheater**
  • 9/5 – Atlanta, GA @ Coca-Cola Roxy**
  • 9/6 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre**
  • 9/8 – Houston, TX @ 713 Music Hall**
  • 9/9 – Austin, TX @ Moody Amphitheater**
  • 9/10 – Dallas, TX @ The Pavilion at Toyota Music Factory**
  • 9/12 – Denver, CO @ Red Rocks Amphitheatre**
  • 9/14 – Phoenix, AZ @ Arizona Financial Theatre**
  • 9/15 – San Diego, CA @ Gallagher Square at Petco Park**
  • 9/17 – Los Angeles, CA @ Greek Theatre**
  • 9/18 – Berkeley, CA @ Greek Theatre**
  • 9/20 – Portland, OR @ McMenamins Edgefield Concerts on the Lawn**
  • 9/21 – Seattle, WA @ Chateau Ste. Michelle Winery**
  • 11/08 – 11/13 – SS Neverender – Coheed Cruise – from Miami to Cozumel

The Father of Make Believe due March 14th

VIA VIRGIN MUSIC GROUP

Coheed and Cambria also have shared the new single “Someone Who Can” from their forthcoming album The Father of Make Believe, set for release on March 14th via Virgin Music Group.

  1. Yesterday Lost
  2. Goodbye, Sunshine
  3. Searching For Tomorrow
  4. The Father of Make Believe
  5. Meri of Mercy
  6. Blind Side Sonny
  7. Play The Poet
  8. One Last Miracle
  9. Corner My Confidence
  10. Someone Who Can
  11. The Continuum I: Welcome to Forever, Mr. Nobody
  12. The Continuum II: The Flood
  13. The Continuum III: Tethered Together
  14. The Continuum IV: So It Goes

“Someone Who Can” is arguably the band’s most accessible song in their 24-year career. Frontman Claudio Sanchez remarked, “When you’re growing up, you’re perpetually trying to understand the world that’s changing around you. Over time, it’s comforting to reach the conclusion that you’ll never truly have things figured out.”

Along with the track’s release, the band shared its heartwarming video (directed by Mason Mercer) where we glimpse the early days of Coheed and Cambria in and around Nyack, New York. “Someone Who Can” follows the previously shared singles Blind Side Sonny and Searching For Tomorrow along with Claudio Covers, which arrived at the end of last year.

Connect with Coheed and Cambria:

BRIDGET BARKAN Emerges From Grief With “GOOD THINGS” NEW SINGLE & MUSIC VIDEO

NEW YORK — 

“My intention writing this song was to get myself out of deep, heavy, painful feelings and move towards the light,” NYC-based art pop singer/songwriter BRIDGET BARKAN says, sprinkling positivity and support on our breakfasts this morning with her new single and music video “GOOD THINGS,” released May 21, 2024.

Sonically glam/pop meets Grizzly Bear meets Pat Benatar, this “actress of music” and former Scissor Sisters backup singer says, “theatrical performance is always there for music videos, and my dance background always finds its way back in, as well.”

Bridget Barkan “Good Things” Music Video

Emotionally weighted by personal tragedies, loss, and challenges exacerbated by the events of October 7, 2023 and the ongoing war in Gaza, Bridget was mired deep in a dark place. “I was going through a lot emotionally and personally that October, as were a lot of people in the world with the attack on October 7th and the impending war,” she explains. “All that I was going through personally exploded out of me, and I found connections between a lot of the experiences: the duality of sorrow and relief, as well as the heart’s true compassion… No matter the perspective, you can see that many truths exist at the same time.” 

Losing her father (the celebrated songwriter/producer Marcus Barkan who wrote for Nat King Cole, Lesley Gore and even wrote the Banana Splits theme song “Tra La La”, among many others) during the pandemic meant she had to struggle with the loss in isolation due to the quarantine. Bridget also suffered a great deal of personal trauma in the last year from a miscarriage and a difficult breakup. “Good Things” finds her emerging from the grief to celebrate life and overcome all this hardship. The accompanying video is an incredibly beautifully shot and dramatized expression of the song, really showcasing her artistry and vision, capturing the beauty and wonder in life while also grappling with the inevitable pain– reminding everyone they are not alone.

Bridget Barkan "Good Things" artwork
Bridget Barkan
Photo credit: Will Polanco

Written from a 5-step songwriting process Bridget invented as a songwriting workshop instructor at Carnegie Hall where, for the last seven plus years, she has taught incarcerated youth and NYC teachers, “Good Things” holds onto the glimmer of light in a dark and hardened world. 

Bridget explains about a line from the song: “I used to love October changing leaves on Halloween, but this is the month I was almost a mother, now little pumpkins mean something different to me“:

“This lyric is probably the hardest to sing, but it came without effort and it rhymed without thinking. It’s such an honest feeling, and describes all of the fun things you imagine doing with your children on Halloween (putting your baby in a pumpkin costume, taking them trick-or-treating)… a deep sense of longing through a very simplistic description.” While expressing a very poignant take, the song remains upbeat and encouraging.

A regular in the NYC artsy pop underground that includes Bright Light Bright Light, Xavier Smith, and John Cameron Mitchell among many others, Bridget is a “Jill of All Trades” on a one woman journey through love and loss. She also formerly toured the world with Scissor Sisters and can be seen in their earth-shattering “Let’s Have A Kiki” video as one of Ana Matronic’s crew. Having inherited her father’s knack for songwriting, Bridget’s intrinsic artistry and talent is a legacy she proudly carries.

More About “Good Things”:

The video, directed and edited by Bridget, herself, and co-edited by Isabel Del Rosal and co-starring “twin-dancer” Casey Urban, shows Bridget using “dance to move energy and emotion through me. I feel it’s healing, so I consider this video a ritual to release the sadness,” she expresses. “The Boom Box Room was a perfect location. It has so many different light options, so I just went with it. There were some unplanned, organic things that happened with one rainbow light set up, which showed a more expressive and fun side of the song…”

Still image from Bridget Barkan's "Good Things" music video
Still image from Bridget Barkan’s “Good Things” music video

“…My co-director Isabel said she could see me outdoors in part of the video, and I realized,Of course! Rain makes things grow, and sadness can make things grow!So, we went to the botanical gardens and stole some shots of the blooming flowers before we got kicked out.”

Still image from Bridget Barkan's "Good Things" music video
Still image from Bridget Barkan’s “Good Things” music video

More About Bridget: 

Bridget Barkan is a chameleon artist who shape-shifts through genre and style with a thread of raw truth and soul, woven into every melody and lyric. A native New Yorker, she has toured the world with pop/glam band Scissor Sisters, opened for Lady Gaga with them, and has performed with Bright Light Bright Light and Slow Knights. Starring in LGBTQ romantic classic “Walk with Me,” as a singer/songwriter, Bridget was featured on the original album, as well.

As a singer, she has shared the stage with Drag legends Joey Arias, Murray Hill and more and has released singles with the House DJ/producer legend Todd Terry, as well as numerous of her own singles. She worked closely with Baz Luhrmann as the voice of Misty Holloway on the Netflix show “The Get Down.” As a child actress, she has appeared in countless commercials and Sesame Street. She has starred in HBO’s Everyday People, Sherrybaby, Redacted, God’s Pocket, Steven Soderbergh’s The Knick and had a recurring role as a one-legged “hooker” on Law & Order: SVU.

On stage, Barkan has appeared in numerous productions including Dog Sees God and alongside Lea Michelle in a workshop of Spring Awakening.

Follow Bridget Barkan Online

Featured photo (top) by Will Polanco

Italian Symphonic Metallers ETERNAL SILENCE Release ‘3’ EP with New Single called “Antithesys”

Building on the positive reception garnered by their full-length album “Timegate Anathema,” released through Rockshots Records in 2020, ETERNAL SILENCE has now unveiled their latest digital EP titled “3.”

About The ‘3’ EP

The EP serves as a conceptual exploration, drawing inspiration from the Norse legend of the Norns, divine beings entrusted with shaping the trajectories of human destinies. These eternal and formidable entities, wielding the power to script the fate of the universe, take center stage in a narrative uniquely crafted by Marika Vanni and the band. This tale unfolds across three distinct parts, each offering independent stories that seamlessly converge into a unified and compelling narrative.

"3" EP artwork by Jessica Campo
“3” EP artwork by Jessica Campo

The album is complemented by artwork created by Jessica Campo, where each piece visually represents a distinct chapter of the narrative conveyed in this EP. The recording sessions transpired at 2Play Studio in Induno Olona (VA), with the meticulous mixing and mastering skillfully handled by Maria Grazia Zancopè.

Tracklist:​

  1. Thread Of Life  
  2. Prayer Of The Resilient
  3. Antithesys
  4. Death And The Maiden
  5. How Soon Is Now

The number 3 holds infinite significance, particularly within this EP, where profound connections to Norse mythology are interwoven. Much like the Norns, pivotal female figures transcending human existence, three is symbolic. These entities intricately weave, braid, and ultimately sever the threads of both mortals and gods, concurrently nurturing Yggdrasil, the Tree of Life. Their care facilitates the perpetual flourishing of this ancient tree within its eternal life cycle.

Antithesys

WATCH VIDEO ON YOUTUBE | STREAM THE TRACK

Thus, the band reveals its most recent sonic opus, marking the third chapter in their conceptual series. The track offers a distinctive viewpoint from the final Norn, a Valkyrie grappling with the duality of strength and maidenhood, determining the fate of humanity by severing the thread of life. Infused with a captivating fusion of power, folk, doom, and gothic metal, the band delves into darker themes, narrating the internal conflict of a young woman navigating her various roles. This release, featuring the accomplished violinist Katija Di Giulio, further cements Eternal Silence’s stature as a dynamic force in the metal scene.

Alberto Cassina, singer, guitarist, and founder of the band, states: “This is a project that I had in mind for some time. I have always been fascinated by Norse mythology and its evocative atmospheres, which have accompanied me for several years and have become a part of me. In the pre-production phase, we worked closely with the Rockshots Records team and our management, who had the opportunity to listen to and appreciate the timeless atmospheres of the legends, showing curiosity about the development of the story. Hence the decision to present our effort divided into a few releases so that the listener can also be captivated by this magical and intense aura”.

ETERNAL SILENCE Line-up:

  • Marika Vanni – Vocals 
  • Alberto Cassina – Guitar / Vocals 
  • Martino Boneschi – Solo Guitar 
  • Katija Di Giulio – Violin 
  • Alessio Sessa – Bass 
  • Lorenzo Aimo – Drums

For more information on ETERNAL SILENCE, visit the band’s official channels:

DRMAGDN Cyborg Drummer/DJ releases captivating The Beatles remix “Something” ft. The Voice singer Michelle Ray

New York, NY — Today, DRMAGDN announces the release of his official remix track “Something” – out now on YouTubeSpotifyApple Music, Amazon Music and all streaming services.

The DRMAGDN “Something” Beatles Remix (on BMG) is a heartfelt re-imagination of The Beatles classic #1 hit song from their iconic Abbey Road record. DRMAGDN takes the original track and adds lush orchestration along with intense & breathtaking drums while updating the underlying production to a modern EDM pop style similar to DJs like KygoAlan Walker or Marshmello.

DRMAGDN says, ‘Something’ by The Beatles is my favorite Beatles tune of all time. So I jumped at the chance to do a modern remix of the song when BMG acquired George Harrison’s catalog. These musical shoes are the literally biggest in the world to fill, so I had to completely pull out all the stops on this Beatles tribute including nods to the artwork and a truly epic music video.” 

DRMAGDN not only recreated the legendary Abbey Road album cover in NYC for the artwork for his remix, but he also traveled to all the New York spots The Beatles visited on their first trip to the US launching Beatlemania (JFK Airport, Carnegie Hall & The Ed Sullivan Theater) for his music video.

DRMAGDN’s eighth single “Something” Remix is a deeply layered arrangement and cinematic take on the classic hit. The single features Michelle Ray from Team Blake on Season 4 of The Voice on vocals, Dave Eggar on strings (Grammy Award winning track “Viva La Vida” by Coldplay, The Who, Bon Jovi, Fall Out Boy), Daniel Flam on horns (Grammy Award winning work with Kanye West & Rihanna’s “All Of The Lights,” Jay-Z, Lil Nas X, John Legend), Oscar Albis-Rodriguez on guitar/bass (A Great Big World, Sarah McLachlan, YouTube Audio Library) and vinyl mastering by Andy Vandette (David Bowie, U2, The Prodigy, Cirque Du Soleil, Aerosmith, Rush).

DRMAGDN drops his new “Something” Remix track following up his massive sports anthem “Get Tough” that landed him on a live radio interview on The NFL Channel on Sirius/XM Radio. Previous DRMAGDN tracks include Folkronica EDM single “Not Alone” with Jeremy O’Shea from Velvet Revolver along with members of American Authors, Rob Thomas & Capital Cities (featured in American Songwriter Magazine) and his big festival Big Room EDM track called “Say Less Be More” featuring Allé Guercio from American Idol & The Voice (as both seen together in The New York Times).

As with all of DRMAGDN’s track launches, he made a $250 philanthropic contribution to charities that speak to the heart of the song. For “Something” he donated to The Carnegie Hall Foundation for consideration for the educational clips in his music video plus George Harrison’s own charity The Material World Foundation that supports social, artistic and cultural change worldwide.

About DRMAGDN

DRMAGDN is a persona of Charlie Zeleny, who lives in the West Village in New York City and is a Drummer / DJ, Live Electronic Music Performer, Producer & Music Director. He has played The Winter Olympics, Lollapalooza, Warped Tour, Lincoln Center, Carnegie Hall, Metlife Stadium, Bamboozle Fest, MTV’s TRL, AOL Sessions, The View, The Today Show & Royal Albert Hall. He has toured 31 Countries, 43 US States and can be heard on 250+ records. DRMAGDN has been seen on Times Square Billboards and on the side of NYC Buildings and his tracks have hit #1 on the SubmitHub charts. He is in the Sick Drummer Hall of Fame, on Blender Magazine’s “Best Drummers of All Time List” and AllMusic says that “Drummer Charlie Z / DRMAGDN must be heard to even be believed.”

DRMAGDN writes, records and produces all his own tracks & remixes. DRMAGDN currently 3M+ total views on his YouTube channels, 1M+ total plays on Spotify with 25k+ monthly listeners, 3M+ views and 350k+ followers on Instagram, 2M+ plays on SoundCloud & 12M+ total views on his own & all influencer’s profiles on TikTok (200k+ followers) where his livestreams hit 100k+ viewers per stream.

DRMAGDN’s grand total is now over 21M+ total plays/views and 700K+ verified followers across all social media platforms.

DRMAGN Tour Dates 2023
DRMAGN Tour Dates 2023

Nemophila Release “Night Flight” Digital Single & Video

TOKYO – Nemophila, the all-female Japanese band who recently wrapped up a U.S. tour, which was preceded by a performance at Aftershock 2022, have released the new song “Night Flight,” and its accompanying video.

“This is a song we’ve been playing live for some time, but have not recorded or released it until now,” explains singer/Nemophila founder mayu of the new track. “Please take a look at the video as well, as it does a great job capturing the spirit of the song.”

In March, preceding the band’s SXSW show, Nemophila released the single, “Rise”.

Today’s arrival of “Night Flight” coincides with the release of “Seize The Fate,” a concert film featuring Nemophila’s February performance from Tokyo’s Zepp DiverCity.

Guitar Girl Magazine described the quintet as “one of the most thrilling metal bands in Japan,” Distorted Sound said their music is “a reminder of just how fun heavy metal can be,” and Glasse Factory, commenting on their riveting Aftershock performance, noted “they nodded to metal legends with their styling and offered a refreshing take on their own unique blend… the excitement was tangible and radiated through the crows ad they all leaned in to watch the rising rock stars.”

Nemophila formed in 2019, playing their first live show in August of the same year, supporting Loudness and Hammerfall at Tokyo’s Metal Weekend 2019. The band have released two albums: Seize The Fate (2022) and Revive (2021). Nemophila is mayu (vocals), Saki (guitar), Hazuki (guitar), Haraguchi-san (bass) and Tamu Murata (drums).

Joy Kills Sorrow‘s Bluegrass Cover of “Such Great Heights” Deserves Your Attention

If you’re a fan of The Postal Service’s iconic hit “Such Great Heights,” you’ve probably heard countless covers of the song over the years. But have you ever heard a cover of a song that completely transforms it into something new and exciting? That’s exactly the case with Joy Kills Sorrow’s bluegrass version of this hit. This rendition, which was released on their EP Wide Awake in 2013, deserves your attention if you haven’t heard it yet. 

What is particularly impressive about this cover is how effortlessly the band took an electronic indie-pop hit and made it their own, infusing it with their signature Americana sound that is a refreshing departure from the original. Fueled by Jacob Jolliff’s intricate mandolin playing and lead singer Emma Beaton’s soaring vocals, the song was transformed into a foot-stomping bluegrass number that’s impossible not to dance along to.

Right from the beginning, the mandolin and banjo (played by Wes Corbett) take over, providing a lively and instantly engaging introduction. While staying true to the melody and lyrics, the band injects their signature style, adding instrumental breakdowns and harmonies that showcase their musical prowess. Beaton’s vocals add a touch of sweetness and vulnerability to the already poignant lyrics. As the song progresses, each instrument takes its turn to shine, from the rhythm of Matthew Arcara flatpicking the guitar, to the harmonies of Zoe Guigueno and her upright bass. You can feel the energy building up, culminating in a triumphant ending that will leave you with chills. The result is a cover that’s just as catchy and memorable as the original, but with a new energy and vibrancy that’s impossible to resist. 

What makes this cover so successful is that it doesn’t try to imitate the original, but rather reinvents it completely. It manages to capture the essence and emotion of the song while putting a new spin on it. Overall, Joy Kills Sorrow’s bluegrass cover of “Such Great Heights” is a testament to the power of musical creativity and innovation. It proves that good music can transcend genres and styles, and that sometimes the most unexpected artist can surprise you. So, if you haven’t given it a listen yet, it’s high time that changes. 

Even die-hard The Postal Service fans will find themselves tapping their feet along to this bluegrass rendition. If you haven’t heard Joy Kills Sorrow’s cover of “Such Great Heights” yet, do yourself a favor and give it a listen. Although Joy Kills Sorrow disbanded after performing their last show in 2014, their legacy includes a stunning example of how a great cover can take a beloved song and elevate it to new heights.

Ben Gibbard Returns with a “Double Feature” Performance 

Speaking of The Postal Service… lead vocalist Ben Gibbard is making a comeback to Arizona and other cities (listed below) with a “double feature” show that is sure to delight. As part of the “Give Up & Transatlanticism 20th Anniversary Tour,” The Postal Service and Death Cab for Cutie will be co-headlining, and Gibbard will be at the forefront of it all.

The tour runs in September and October of this year. Arizona Financial Theatre, one of the iconic spots to host this show, is set to witness an unforgettable night of music that showcases the evolution of the creative genius of Gibbard and his bandmates. (Fun fact: Jenny Lewis of The Postal Service is also a solo artist, actress, and was the lead singer, rhythm guitarist, and keyboardist for the indie rock band Rilo Kiley.) It goes without saying that Death Cab for Cutie and The Postal Service carry energies that leave fans yearning for more. But, to have both bands share the stage on a joint tour is something else entirely. 

Back in 2003, The Postal Service and Death Cab for Cutie became musical sensations that rocked the world with Gibbard at the helm. The Postal Service’s debut album, Give Up, and Death Cab for Cutie’s fourth studio album, Transatlanticism, showcased the range of Gibbard’s vocal and songwriting abilities. It’s been twenty years since those albums’ releases, and that is all the more reason to celebrate. The “Give Up & Transatlanticism 20th Anniversary Tour” is, therefore, more than just a tour. As each band performs their respective albums in their entirety, it’s a trip down memory lane accompanied by heart-thumping instrumentals and performances that leave concertgoers reveling in nostalgia. 

With Gibbard headlining, The Postal Service & Death Cab For Cutie: Give Up & Transatlanticism promises to be a night to remember.
Get your tickets now!

The Postal Service & Death Cab for Cutie 2023 Tour Dates

      
  • September 8 – Portland, ME – Cross Insurance Arena
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  • September 9 – Kingston, RI – The Ryan Center
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  • September 10 – New Haven, CT – Westville Music Bowl
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  • September 12 – Boston, MA – MGM Music Hall
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  • September 13 – Boston, MA – MGM Music Hall
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  • September 14 – Washington, DC – Merriweather Post Pavilion
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  • September 17 – Detroit, MI – Meadow Brook Amphitheater
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  • September 20 – New York, NY – Madison Square Garden
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  • September 21 – Philadelphia, PA – The Mann Center
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  • September 24 – Minneapolis, MN – Armory
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  • September 26 – Denver, CO – Mission Ballroom
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  • September 27 – Denver, CO – Mission Ballroom
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  • October 3 – Phoenix, AZ – Arizona Financial Theatre
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  • October 4 – Las Vegas, NV – The Chelsea Ballroom at The Cosmopolitan of Las Vegas
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  • October 7 – Seattle, WA – Climate Pledge Arena
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  • October 10 – Berkeley, CA – Greek Theatre – UC Berkeley
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  • October 13 – Los Angeles, CA – Hollywood Bowl

Featured photo (top) courtesy of Mongrel Music

Covet Release “lovespell” Single & Video

SAN FRANCISCO – Covet, the Bay area trio who recently announced the impending arrival of their third album, catharsis (April 7, Triple Crown Records) have released “lovespell” a second track, and accompanying video, from the eagerly-awaited album.

Yvette Young says of the song: “This one is the album closer. The closest feeling I get to falling in love is when I write and play music, and this song is a tribute to that feeling of being totally smitten by the joy of creating and feeling things deeply. It was important to me to leave everyone on a high note (in this case, a saxophone solo provided by the amazing Alex Rose from Minus the Bear).”

The “lovespell” video was also directed by Tom Flynn, who also partnered with the band for the recently released, free-spirited “firebird” clip. Kerrang! described the track “dazzling,” LouderSound called it “fret-bendingly good,” and Guitar World, in a nod to Yvette’s playing style, dubbed it “tap-happy.”

“We did a lot of risk-taking on this album,” Yvette explains of the 8-song, Scott Evans (Thrice, Samiam)-produced album. “I try to follow what excites me without heeding anybody’s expectations. I’m leaning into melodies, tones, and textures and trying to use them to transport listeners. The whole concept is escaping into a fantasy realm where the songs depict different characters and their own worlds. Each song is like their theme song. It’s mostly instrumental, but when you close your eyes, I hope people will be transported into the character’s story. 

“Music has always been escapism for me and a great source of therapy. My hope for this music is that it will take people somewhere and stir their imaginations, or at the very least, make them feel something. I named this record ‘catharsis’ because the word to me feels like a triumphant exodus. No matter the dire circumstances, music is one of those things that I’ve always needed to create to survive (in all senses of the word), and time and time again, I turn to guitar and songwriting as my outlet to uplift and feel like I have control over something in this chaotic universe.”

catharsis album cover, painting by Yvette Young
catharsis album cover, painting by Yvette Young

catharsis tracklist:

  1. coronal
  2. firebird
  3. bronco
  4. vanquish
  5. interlude
  6. smolder
  7. merlin
  8. lovespell

Album pre-orders, which include several limited-edition vinyl variants, CD, and digital pre-saves are available here.


Covet catharsis tour dates:

Scarypoolparty and altopalo open on all dates.

  • April 7 – Portland, OR – Wonder Ballroom
  • April 8 – Vancouver, BC – Biltmore Cabaret
  • April 9 – Seattle, WA – Neumos
  • April 11 – Salt Lake City, UT – Soundwell
  • April 13 – Denver, CO – Meow Wolf
  • April 14 – Lawrence, KS – The Bottleneck
  • April 15 – St. Louis, MO – Delmar Hall
  • April 17 – St. Paul, MN – Amsterdam Music Hall
  • April 18 – Madison, WI – High Noon Saloon
  • April 20 – Chicago, IL – Bottom Lounge
  • April 21 – Ann Arbor, MI – Blind Pig
  • April 22 – Toronto, ON – Lee’s Palace
  • April 23 – Montreal, QC – Café Campus
  • April 25 – Pittsburgh, PA – Thunderbird Music Hall
  • April 26 – Brooklyn, NY – Brooklyn Bowl
  • April 27 – Boston, MA – Royale
  • April 28 – Philadelphia, PA – Brooklyn Bowl
  • April 29 – Vienna, VA – Jammin’ Java
  • May 1 – Asheville, NC – The Grey Eagle
  • May 2 – Nashville, TN – Brooklyn Bowl
  • May 3 – Atlanta, GA – The Masquerade (Hell)
  • May 5 – Dallas, TX – Studio at The Factory
  • May 6 – Austin, TX – Scoot Inn
  • May 8 – Albuquerque, NM – Launchpad
  • May 10 – Phoenix, AZ – Crescent Ballroom
  • May 11 – Solana Beach, CA – Belly Up
  • May 12 – Los Angeles, CA – The Roxy
  • May 13 – Santa Cruz, CA – The Catalyst

Tickets for all shows are on-sale now.


About Covet

Covet is Yvette Young (guitar/vocals), Brandon Dove (bass) and Jessica Burdeaux (drums). The Bay Area-born band released their debut album, effloresce in 2018, followed by technicolor in 2020. Exclaim said technicolor “sparkles with the wonder of creativity,” Treble Zine described the 10-song collection as “engaging” and “dynamic,” while Brooklyn Vegan said the band thrives on “sugar-sweet melodies.”


Featured photo (top) by Sara Phung