Arch Enemy Launches ‘Sunset Over The Empire’ 7″ Pre-order; Kicks Off Tours

On July 29th, extreme metal masters Arch Enemy will unleash their 11th studio album, Deceivers, via Century Media Records. For fans that can’t wait for the record’s release, the band is now offering a new 7″, Sunset Over The Empire (due out May 20th) – with the title track also appearing on Deceivers.

Arch Enemy SOTE Album Art by CVSPE
Single cover artwork by: CVSPE

Arch Enemy’s founder and chief songwriter Michael Amott comments: “I am thrilled that we are releasing our next single ‘Sunset over the Empire’ not only digitally everywhere as usual, but also as a physical 7″ vinyl record. I’m a big fan of the vinyl format myself and I think this killer looking 7″ will be a nice collector’s item as it’s a limited run. The B-side is an instrumental we’ve never released before on a record, and the A-side is one of my fave tracks off our new upcoming album ‘Deceivers’!”

Sunset Over The Empire Tracklist:

  1. Sunset Over The Empire
  2. The Judging Eyes

Sunset Over The Empire will be released as a digital single, with video, in the coming weeks. Stay tuned!

Pre-order Sunset Over The Empire  here, where the 7″ is available in the following versions:

Arch Enemy SOTE White LP
White Vinyl
(limited to 1000 copies; available via CM Distro Europe)
Arch Enemy SOTE Orange LP
Transparent Orange Vinyl
(limited to 500 copies; band exclusive)

Deceivers

Arch Enemy Deceivers Artwork by Alex Reisfar
Album artwork by Alex Reisfar

Tracklist

  1. Handshake With Hell
  2. Deceiver, Deceiver
  3. In The Eye Of The Storm
  4. The Watcher
  5. Poisoned Arrow
  6. Sunset Over The Empire
  7. House Of Mirrors
  8. Spreading Black Wings
  9. Mourning Star
  10. One Last Time
  11. Exiled From Earth

About

A collection of 11 tracks that are ruthlessly catchy and mercilessly violent, Deceivers stands toe-to-toe with the highlights of the band’s storied catalogue. Roaring to life with “Handshake With Hell”, Arch Enemy make it clear they are out for blood, and every track is a hit, from the moody “Poisoned Arrow” to the titanically anthemic “One Last Time“. Sounding more energized than ever, the quintet is operating at the highest level, delivering a maelstrom of diamond-hard riffing wrapped around cinematic melodies, thunderous drumming and towering vocals. Arch Enemy has proved, yet again, that they are unstoppable.

To hear more from Deceivers, the latest single, “Handshake With Hell“, can be streamed here – where the album is also available for pre-order in many limited edition formats, such as:

  • Digital album
  • Ltd. Deluxe 2LP+CD Artbook
  • Ltd. Deluxe CD Box Set
  • Ltd. Black & colored 180g LP
  • Special Edition CD

    and more
Arch Enemy 2 LP box set for Deceivers
Ltd. Deluxe 2LP+CD Artbook
Arch Enemy Deceivers STORM bundle contents
Deceivers STORM Bundle

Touring

Last week, Arch Enemy and Behemoth returned to the states to co-headline “The North American Siege 2022” tour with Napalm Death and Unto Others as special guests, before Arch Enemy appears at select summer festivals; the rescheduled “European Siege 2022” tour (with Arch Enemy, Behemoth, Carcass, Unto Others) will kick off in the fall.

See below for all dates; tickets can be purchased here.

“The North American Siege 2022” tour dates:

w/ Arch Enemy & Behemoth
+ special guests Napalm Death, Unto Others

  • Apr. 22, 2022 – Atlanta, GA @ The Eastern
  • Apr. 23, 2022 – Charlotte. NC @ The Fillmore Charlotte
  • Apr. 25, 2022 – Toronto, ON @ Rebel
  • Apr. 26, 2022 – Montreal, QC @ Mtelus
  • Apr. 28, 2022 – New York, NY @ Terminal 5
  • Apr. 29, 2022 – Philadelphia, PA @ The Fillmore Philadelphia
  • Apr. 30, 2022 – Worcester, MA @ Palladium
  • May 2, 2022 – Chicago, IL @ The Riviera Theatre
  • May 4, 2022 – Denver, CO @ Ogden Theatre
  • May 7, 2022 – Salt Lake City, UT @ The Depot
  • May 9, 2022 – Seattle, WA @ Showbox SoDo
  • May 10, 2022 – Vancouver, BC @ Vogue Theatre
  • May 11, 2022 – Portland, OR @ Roseland Theater
  • May 13, 2022 – Berkeley, CA @ The UC Theatre
  • May 15, 2022 – Los Angeles, CA @ The Hollywood Palladium

Arch Enemy 2022 festival dates:

  • Aug. 6, 2022 – Wacken, DE @ Wacken Open Air
  • Aug. 17-20, 2022 – Dinkelsbuehl, DE @ Summer Breeze Festival
  • Aug. 18-20, 2022 – Sulingen, DE @ Reload Festival

“The European Siege 2022” tour dates:

w/ Arch Enemy & Behemoth
+ special guests Carcass, Unto Others

  • Sept. 27, 2022 – Dublin, IE @ Olympia Theatre
  • Sept. 29, 2022 – Glasgow, UK @ O2 Academy Glasgow
  • Sept. 30, 2022 – Manchester, UK @ O2 Apollo
  • Oct. 1, 2022 – Birmingham, UK @ O2 Academy Birmingham
  • Oct. 2, 2022 – London, UK @ O2 Academy Brixton
  • Oct. 4, 2022 – Paris, FR @ Le Zénith
  • Oct. 5, 2022 – Toulouse, FR @ Le Bikini
  • Oct. 7, 2022 – Lisbon, PT @ Coliseu de Lisboa
  • Oct. 8, 2022 – Madrid, ES @ Palacio Vistalegre
  • Oct. 9, 2022 – Barcelona, ES @ Palau Sant Jordi
  • Oct. 11, 2022 – Lyon, FR @ Le Radiant
  • Oct. 12, 2022 – Milano, IT @ Alcatraz
  • Oct. 14, 2022 – Berlin, DE @ Columbiahalle
  • Oct. 15, 2022 – Prague, CZ @ Tipsport Arena
  • Oct. 16, 2022 – Budapest, HU @ Barba Negra
  • Oct. 18, 2022 – Vienna, AT @ Gasometer
  • Oct. 19, 2022 – Katowice, PL @ Spodek
  • Oct. 21, 2022 – Ludwigsburg, DE @ MHP Arena
  • Oct. 22, 2022 – Den Bosch, NL @ Mainstage Brabanthallen
  • Oct. 23, 2022 – Brussels, BE @ Forest National
  • Oct. 25, 2022 – Zurich, CH @ Samsung Hall
  • Oct. 26, 2022 – Frankfurt, DE @ Jahrhunderthalle
  • Oct. 28, 2022 – Munich, DE @ Zenith
  • Oct. 29, 2022 – Düsseldorf, DE @ Mitsubishi Electric Halle
  • Oct. 30, 2022 – Hamburg, DE @ edel-optics.de Arena
  • Oct. 31, 2022 – Gothenburg, SE @ Partille Arena
  • Nov. 2, 2022 – Helsinki, FI @ Ice Hall
  • Nov. 4, 2022 – Stockholm, SE @ Annexet
  • Nov. 5, 2022 – Copenhagen, DK @ Forum
  • Nov. 6, 2022 – Oslo, NO @ Sentrum Scene

Arch Enemy is:

  • Alissa White-Gluz – Vocals
  • Michael Amott – Guitars
  • Jeff Loomis – Guitars
  • Sharlee D’Angelo – Bass
  • Daniel Erlandsson – Drums

Arch Enemy online:


Featured image (top) by Katja Kuhl

REVIEW: Apocalyptica & Lacuna Coil Make Phoenix Rise at The Van Buren (4-15-22)

Jump to Photo Galleries

PHOENIX — Apocalyptica finally brought their Cell-0 Tour to The Van Buren after being postponed for almost two years. Originally, they were scheduled, with the support from Lacuna Coil, for May 10th, 2020, but due to the pandemic it was pushed to April 2022. Having been released in 2020, this is the first time songs from the Cell-0 album were performed by them live in Phoenix. Most know The Van Buren as a standing-room only venue, but this show was seated to allow guests to close their eyes and lose themselves in the music.

Lacuna Coil

Cristina Scabbia of Lacuna Coil performing
Cristina Scabbia (Vocalist), Lacuna Coil
Photography:
Katherine Amy Vega © All Rights Reserved

Lacuna Coil kicked off their set with the song “Blood, Tears, Dust” from their 2016 album Delirium. Vocalist Cristina Scabbia addressed the crowd before the following song, saying, “Phoenix, are you out there?” and the crowd roared back.

They did not disappoint fans, playing a song from nearly every album, and five from their newest one released in 2019: Black Anima. Known as a gothic metal band, it’s clear they lean into that image with bassist Marco Coti Zelati, guitarist Diego “Didi” Cavalotti, and drummer Richard Meiz all wearing black and white face paint. Meanwhile, vocalists Scabbia and Andrea Ferro were dressed in all black with the band’s logo on top of their sleeves and fake blood painted on their hands.

Andrea Ferro of Lacuna Coil performing
Andrea Ferro (Vocalist), Lacuna Coil
Photography:
Katherine Amy Vega © All Rights Reserved

“Phoenix, Arizona, how are you guys doing tonight? It’s been forever and it feels great to be back in this beautiful place with you guys celebrating this comeback after twenty-six fucking months. I’m telling you; it still feels very surreal to be back, but we have all the energy of the world to share with you guys tonight. Are you ready to party with us? I think it’s time to be reckless!” Scabbia shouted before they played “Reckless” from Black Anima.

Richard Meiz (Drummer), Lacuna Coil
Photography:
Katherine Amy Vega © All Rights Reserved

“Are you having a good time so far?” Scabbia asked, pausing as the crowd cheers. “Good, because this is exactly what we’re here for. Well, I don’t know if each one of you is familiar with Lacuna Coil, but you might remember this next song, it’s called ‘Heaven’s A Lie’.” Many in the crowd stood to film and sing along with “Heaven’s A Lie”, a throwback from their 2002 album, Comalies.

Diego Cavalotti of Lacuna Coil performing live
Diego Cavalotti (Guitarist), Lacuna Coil
Photography:
Katherine Amy Vega © All Rights Reserved

“This goes out to all of us for surviving this damn pandemic! Just wanna save me!” Scabbia screamed as the intro to “Save Me” began. Later on, she said, “We came all the way from Italy to raise our truth!” as the band started the song, “Our Truth.”

Marco Coti Zelati of Lacuna Coil performing
Marco Coti Zelati (Bassist), Lacuna Coil
Photography:
Katherine Amy Vega © All Rights Reserved

Lacuna Coil concluded their ten-song set with “Nothing Stands in Our Way”. Most of the crowd stood for their entire set, singing and raising their horns in the air.

Lacuna Coil performing at The Van Buren
Lacuna Coil performing at The Van Buren
Photography:
Katherine Amy Vega © All Rights Reserved

Apocalyptica

Apocalyptica performing at The Van Buren
Apocalyptica performing at The Van Buren
Photography:
Katherine Amy Vega © All Rights Reserved

Over black, nature music swelled in the background before the sounds of strings drifted over the audience. Then, drums shook each person to their core as the lights went up, highlighting that Apocalyptica had now joined the stage. After opening with “Ashes of the Modern World”, cellist Eicca Toppinen paused to address the excited crowd, “Good evening, Phoenix. How are you guys doing tonight? It sounds like you’re already having a good time. Are you ready?” He paused to hear the audience’s fervent response, and with enthusiasm, he added, “Come on! Are you ready?” The crowd screamed back, ready for more.

Eicca Toppinen of Apocalyptica performing
Eicca Toppinen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

Their first three songs were all instrumental as Toppinen, Paavo Lötjönen, and Perttu Kivilaakso shredded their cellos and Mikko Sirén rocked on the drums. “Thank you!” Toppinen replied to the roaring audience. He continued, “Do you guys happen to know any of our vocal tracks? Are you ready to sing with us? Let’s welcome to the stage, Franky Perez!” Perez ran on stage, mic in hand, and sang, “I’m Not Jesus” from their 2007 album, Worlds Collide.

Paavo Lötjönen of Apocalyptica performing live
Paavo Lötjönen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

Toppinen leaned on his cello as he addressed the audience again: “Hello, Arizona. Actually, just before this tour, January 2020, we released a new album called Cell-0. Anyone here heard of it?” He shielded his eyes, looking over the cheering hands in the air. “Good for you,” he jokes. “Just makes me wonder what the fuck is wrong with the others. But don’t worry, we will give you a dose now because we’re going to play a few of those instrumentals. Let’s start with the ballad, it’s a song about hope: ‘Rise’.”

Eicca Toppinen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

“I actually have to say at this point, that how incredibly amazing it is to be here tonight. After waiting over two years and all you people coming still to have fun with us. It’s beautiful.” Toppinen then motioned to the side of the stage and said, “Let’s get the maestro himself back on stage, Franky Perez!” Toppinen and Perez then side hugged.

Franky Perez performing with Apocalyptica
Franky Perez (Vocalist), touring with Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

“As many of you might know we made a full album with Franky in 2015, the Shadowmaker, and toured for two to three years but after that, we went into this 20th anniversary Metallica thing so it’s really cool that Franky reached out to us. I thought this would be perfect for us to be together,” Toppinen concluded as their newest single “I’ll Get Through It” (released March 17, 2022) began.

The song whisked people away. Couples cuddled closer in their seats. In the front row, a man drummed the beat onto his wife’s back as her gaze was glued to the stage, and she mouthed along with the words. People all around were caught in the moment, truly feeling the music in their hearts, in their bones. Being in the middle of the audience you can understand why this Finnish symphonic metal band from Helsinki has been killing it since 1993.

Eicca Toppinen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

Franky smiled, saying, “You guys are going to do this a bunch of times tonight but I want to join you, please join me in giving this amazing band a round of applause tonight.” A sea of clapping hands and cheers filled the venue. “So, my name is Franky Perez and I’m from Las Vegas, Nevada. When you think about people from Vegas and people from Arizona, we understand each other. We see each other on the street and we just know… it’s the dry heat.” It’s funny ‘cause it’s true. “This song is called ‘Shadowmaker’,” Franky finished, as the cellos and drums shifted into the song’s intro.

Mikko Sirén of Apocalyptica performing
Mikko Sirén (Drummer), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

The crowd banged their heads along with Toppinen and Kivilaakso as their bows cut into their strings and their long hair flew. At times, they raise their cellos in the air. The energy was alive, the music was alive. Toppinen grabbed the mic, shouting, “Come on Arizona. Sing if you know it!” as they played a cover of Metallica’s “Seek & Destroy.”

Paavo Lötjönen of Apocalyptica performing live
Paavo Lötjönen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved
Perttu Kivilaakso of Apocalyptica performing live
Perttu Kivilaakso (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

After playing fifteen amazing songs, Toppinen asked, “What do you think, should we play one more song? Do you want to hear one more? Good. That’s very nice because I really think we should play you one more song. As you know from our background, we are classical bastards so I think it’s fair to play one classical for you tonight. During all the times Apocalyptica actually only recorded one so far but it makes sense to stay on our socials because you never know what’s going to happen next. But now, a classic from black metal.” They concluded the show by playing the Edvard Grieg song, “In the Hall of the Mountain King”. 

Cellists Eicca Toppinen & Paavo Lötjönen, Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

As the music faded out, Apocalyptica was given a standing ovation. A cheerful Lötjönen handed two eager fans their paper setlists, and Toppinen addressed the audience one final time: “Thank you, Phoenix. Thank you so much. Thank you everybody for coming and taking your time to come tonight. I also want to thank our Italian friends, the great first band tonight. Let’s give a big hand for Lacuna Coil. Have a good evening. On your way out, pick up a new t-shirt because you smell like shit. I don’t know, maybe it’s us.” The crowd laughed, and Toppinen chuckled before getting serious, “Honestly, take care of yourselves, take care of each other. Love each other and love yourselves. See you guys all soon. Because Apocalyptica will be back and that’s for fucking sure!” 

And with that promise, Apocalyptica exited stage right as their fans screamed. What an epic concert for metal fans! It was definitely an unforgettable show for everyone who was lucky enough to bear witness.

Eicca Toppinen of Apocalyptica performing
Eicca Toppinen (Cellist), Apocalyptica
Photography:
Katherine Amy Vega © All Rights Reserved

Photo Galleries

Photographer: Katherine Amy Vega

View Separately (with more pics!):

Apocalyptica | Lacuna Coil

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Robert Mason Hits All The Notes at Intimate Cactus Jack’s Show with Drop D (4-15-22)

PHOENIX— Valley local and current lead singer for Warrant, Robert Mason, performed at Cactus Jack’s Bar and Grill Friday night in Ahwatukee. What is special about this show is the intimate setting and interaction with the artist that is so rare and delightful, you never forget it. Mason recruited metal cover band Drop D from Tucson, Arizona to share the stage both April 15th at Cactus Jack’s, and again April 16th at Encore in Tucson for a show benefiting Women Warriors, a non-profit group supporting female veterans. 

Robert Mason singing and playing the keyboard
Robert Mason (Vocalist, Keyboardist)
| Photography:
Mark Greenawalt © All Rights Reserved

Mason on keyboards and lead guitarist for Drop D, Thomas Bach, kicked off a brief set with an incredible duet of Bob Seger’s song “Turn the Page”. Mason proved quickly why he has no problem heading such bands as Warrant, Lynch Mob, Big Cock Band, and even vocal support for Ozzy Osbourne. His incredible vocal range with a touch of grit would be a great fit for any band. Next up was Lynyrd Skynyrd’s “Simple Man”. Mason wasn’t shy about using his phone as a teleprompter for the lyrics, saying, “Skynyrd used one at bike week too,” with a grin.

Robert Mason (Vocalist)
| Photography:
Mark Greenawalt © All Rights Reserved

Mason played a solo guitar and vocal version of Ozzy Osbourne’s “Mama I’m Coming Home” after sharing a story about the call from Sharon Osbourne that led to him touring on Ozzy’s 1995-96 Ozmosis Tour. This led into Mötley Crüe’s “Home Sweet Home”, and ended the first set.

Guitarist Thomas Bach of Drop D performing
Thomas Bach (Guitarist), Drop D
| Photography:
Mark Greenawalt © All Rights Reserved

Drop D’s Facebook page cites the band as “Tucson’s hard and heavy cover band”. There is not much information online about the band, but they are a fun foursome with lots of energy and a nice variety of songs in their set. They are definitely worth a watch when they come back to the valley. Members include previously mentioned Thomas Bach on lead guitar, KJ Padilla on vocals and rhythm guitar, and Corey Candray on bass. Drummer Bob Allen could not make it, but in his stead Ando Miller literally “lit up” the stage with his color-change drum kit.

Drummer Ando Miller performing with Drop D
Ando Miller (Drummer – filling in for Bob Allen), Drop D
| Photography:
Mark Greenawalt © All Rights Reserved

An audio clip of “We Are the Champions” by Queen was the intro for the band  whose set began with The Outfield’s “Your Love”. Padilla quipped they would play some more “songs older than I am” before covering Cinderella’s “Somebody Save Me” and Queensryche’s “Empire”. The “sound man Tommy” for Cactus Jack’s was invited up on stage and given a set of drumsticks to help play cymbals on Candlebox’s “You”. Van Halen’s “Unchained”,  Skid Row’s “Youth Gone Wild” and Poison’s “Talk Dirty to Me” set the tone for the next set.

KJ Padilla of Drop D
KJ Padilla (Vocalist, Guitarist), Drop D
| Photography:
Mark Greenawalt © All Rights Reserved

The final ten songs included both Drop D’s full band and Mason himself on vocals. A great set it was, considering the band claims to have had “no practice” prior to the pairing. Bach jokes that Mason was “just tolerating us”, but Mason chose this band to play these two shows with for a reason: talent, and lots of it. From Deep Purple’s “Highway Star” to Mötley Crüe’s “Kickstart My Heart”, Mason impressed again with his incredible talent behind the microphone. He then covered Dokken’s “It’s Not Love”, then stopped the show. His request? That the audience “engage in this moment” and put away cell phones, get out on the floor and dance.

Robert Mason performing with Drop D
Robert Mason (Vocalist) performing with Drop D
| Photography:
Mark Greenawalt © All Rights Reserved

Mason gave a toast to the audience in their honor, and thanked everyone for their support throughout his extensive career, then encouraged the crowd to sing along with Warrant’s beautiful ballad “Heaven”. He said he was grateful to be able to perform such amazing songs written by such amazing writers over the years. Wrapping up the set were the highly anticipated “Uncle Tom’s Cabin” and “Cherry Pie”, both big hits for his current band Warrant. Mason joined the crowd at the end of the show for photos and autographs, which thrilled the fans and Mason alike. 

Robert Mason performing with Drop D
Robert Mason (Vocalist) performing with Drop D
| Photography:
Mark Greenawalt © All Rights Reserved

Robert Mason, 57, has had an extensive career as a vocalist. He joined glam-metal band Warrant in 2008 and remains their lead singer present day. George Lynch’s Lynch Mob Wikipedia page shows his years active as 1991-1994, 2003-2006, and 2018. Robert says he moved to Arizona at the behest of George Lynch back when Chandler and Gilbert were “pig farms” that were turned into housing developments. His local “sleaze” band, Big Cock, wasn’t mentioned out loud by name because the band name “upsets my mom”. He appeared on 3 of their albums as lead vocalist: 2005’s Year of the Cock, 2006’s Big Cock and 2008’s Motherload albums, according to Heavy Metal Wiki’s page on Mason. 

Robert Mason smiling behind a microphone
Robert Mason (Vocalist)
| Photography:
Mark Greenawalt © All Rights Reserved

With endless stories about rock-and-roll life, Mason’s show was full of witticisms and talent, mixing music and tales of the road and his extensive career. He even encouraged a heckler who shouted out “Uncle Tom’s Cabin” after every song, assuring him he would get to that in the last set. We learned about tour life, Budokan, his friends and not-so-friendly acquaintances in the music business. We learned what it was like being a “hired gun” in the industry too. It was like visiting an incredibly talented old friend to share stories and a night of timeless music. 

Photo Gallery

Photographer: Mark Greenawalt

Photography © Mark Greenawalt.
All Rights Reserved

REVIEW: Ministry Brings an Intense, Primal Experience to The Van Buren (4-12-22)

PHOENIX — Ministry’s concert at The Van Buren, with support from Corrosion of Conformity and Melvins, has been a long time coming. Originally scheduled for July 29th, 2020 and featuring a completely different lineup (Ministry, KMFDM, and Front Line Assembly), the show was of course forestalled by the pandemic. Various attempts were made to reschedule with varying lineups, including a pre-Halloween show with Helmet and Frontline Assembly last October. Through these fits and starts, the show finally happened this past Tuesday, and it was worth the wait. 

Corrosion of Conformity

“How many of you fuckers here in Phoenix like heavy shit?” was how Corrosion of Conformity lead singer Pepper Keenan greeted the crowd, as the band launched into “Bottom Feeder (El Que Come Abajo)” from their 1995 album Wiseblood. Heavy was what was promised, and heavy was what was delivered. Pulling from nearly every album since 1991’s Blind, when the North Carolina band moved away from its earlier thrash/hardcore days with the addition of Louisiana native Keenan, their set covered everything from hits from their biggest selling album, 1994’s Deliverance, to the criminally underrated America’s Volume Dealer (2000). 

Pepper Keenan (Vocalist, Guitarist) & John Green (Drummer), Corrosion of Conformity
Photography:
Rodrigo Izquierdo © All Rights Reserved

“Nice pipes, y’all”, Keenan said mid-set in response to the crowd’s fierce sing-along to “Shake Like You”, adding, “Thanks for getting here early. We appreciate that shit. I’ve been home sitting in my garage for two years, and that fucking  sucked.” In fact, the band was stepping in to replace the previously scheduled Helmet on the tour. CoC’s blend of hardcore and southern rock had the crowd in a frenzy, with the mosh pit never slowing down. 

Mosh pit for Corrosion of Conformity
Photography:
Rodrigo Izquierdo © All Rights Reserved

Closing out their set with the 1-2-3 punch of “Albatross,” “Who’s Got the Fire,” and an extended jam on their biggest hit “Clean My Wounds,” it was an instance where you wish every band on the bill could get a full set of time, as their set didn’t even get a chance to touch on recent albums IX or No Cross No Crown nor dip back into the early thrash records like Eye for an Eye or Animosity. Still though, as the crowd would obviously agree, 45 minutes of Corrosion of Conformity blows away 90 minutes of most bands. 

Crowd raising hands up at Corrosion of Conformity concert
The crowd is hyped for Corrosion of Conformity
Photography:
Rodrigo Izquierdo © All Rights Reserved

Melvins

“The Melvins are coming up next to bulldoze you,” Keenan had promised at the end of their set, and bulldoze they did. Opening their set with “The Kicking Machine” from 2008’s Nude with Boots, Buzz Osborne’s guitar stands out in the band’s sound. Osborne himself, whose large shock of white hair and stage outfits that have him resembling the leader of an alien race from a long-lost 1950’s sci-fi cult film, is the perfect visual representation of the band’s sound, as it manages to be at times trippy and psychedelic and then shift into something more heavy and dark.

Buzz Orborne of Melvins performing live
Buzz Orborne (Vocalist, Guitarist), Melvins
| Photography:
Rodrigo Izquierdo © All Rights Reserved

The rhythm section of drummer Dale Crover, whose drumming is so heavy you half-expect to see him using cinder blocks and not drum sticks, and bass player Steven Shane McDonald, whose own all-white outfit, long hair, and goatee made him look like a 1970’s transcendental meditation guru, fill out the band’s legendary sound. 

 Steven Shane McDonald of Melvins performing live
Steven Shane McDonald (Bassist), Melvins
| Photography:
Rodrigo Izquierdo © All Rights Reserved

For those not familiar with the Washington natives, Melvins’ experimental style has led people to compare them to bands as far-ranging as Black Sabbath to Black Flag (frontman Osborne, for the record, cites Black Flag guitarist Greg Ginn as his biggest influence), and the band inspired so many other legendary bands from the Pacific Northwest, which is evident from their entire Tuesday-night set, as you can hear what elements of their sound other bands spent their whole careers trying to emulate.

Their set covered all eras of the band, with some nice surprises pulled from their mid-nineties classic albums: 91’s Bullhead (“It’s Shoved” and “Anaconda”), 93’s Houdini (“Hooch” and “Honey Bucket”), 94’s Stoner Witch (“Queen”), and 96’s Stag (“The Bit”). The band was joined by Ministry drummer Roy Mayorga for the two Houdini tracks, playing in perfect tandem with Crover. 

This summer, Melvins will be hitting the road again in June and July on their Electric Roach Tour, supported by Helms Alee and Harsh Mellow, stopping in Tucson on June 18th for their only Arizona date.

Ministry

With a chain-link fence set up across the front of the stage before their set began, Ministry had already set a specific atmosphere for their performance. Just moments before they came out, a visual was cast with the familiar blue and yellow Ukrainian flag and a message reading Ministry Stands With Ukraine across it. While other bands choose songs specific to their sound to walk out to, they elected to further drive home their message of solidarity by entering to the Ukrainian National Anthem.

Ministry - The Van Buren
Ministry
| Photography:
Rodrigo Izquierdo © All Rights Reserved

Each member filed out one by one, with lead Al Jourgensen out last. As the band stood ready to perform, he stalked the stage, moving in front of the fencing like an animal who smelled fresh blood. He clawed at, banged on, and swayed the fence back and forth, all the while the audience in turn lurched forward in response, like an aggressive lion tamer goading the beast into action. With the band’s two-drum assault, this dance moved with the rhythm of each song, like watching a violent wash crash into a rocky promenade and then just as quickly recede back.

Al Jourgensen (Vocalist), Ministry
| Photography:
Rodrigo Izquierdo © All Rights Reserved

It’s hard to fathom that Ministry is approaching the 40th anniversary of their first release (1983’s With Sympathy), as their sound still feels eons ahead of its time. Having recently passed anniversaries for two of their greatest albums, they opened their set with “Breathe” from 1989’s The Mind is a Terrible Thing to Taste and “The Missing” from The Land of Rape and Honey. Their entire performance was a multimedia experience, as their backdrop featured images and video that thematically connected to each song, like witnessing a live music video. Mid-set, they broke out a trio of songs from Jourgensen’s many side projects, including 1,000 Homo DJ’s cover of  Black Sabbath’s “Supernaut” from Sabbath tribute album Nativity in Black and two songs from Pailhead, Jourgensen’s band with Fugazi’s Ian MacKaye. 

Ministry - The Van Buren
Ministry
| Photography:
Rodrigo Izquierdo © All Rights Reserved

The band has never shied away from its politics (their 2018 album AmeriKKKant features the track “Antifa,” for instance), and despite being now almost a 30-year-old song, their performance of “NWO” from Ministry’s landmark album ΚΕΦΑΛΗΞΘ (also known as Psalm 69: The Way to Succeed & The Way to Suck Eggs) seems more appropriate for the times than it did upon its initial release, in this era of increasing social and political upheaval and seems to speak even more so to the political tensions in the country in the five years, especially in light of their opening tribute and show of support for the people of Ukraine. They ended the night with an encore of “Alert Level”, “Good Trouble” (both from 2001’s Moral Hygiene), and a blistering cover of Iggy and The Stooges’ “Search and Destroy”.

Al Jourgensen of Ministry at The Van Buren
Al Jourgensen (Vocalist), Ministry
| Photography:
Rodrigo Izquierdo © All Rights Reserved

Ministry alone is an intense, primal, and heavy concert experience, but when you add to it the Melvins and Corrosion of Conformity it enters an entire new realm. Yes, this concert has been two years in the making, but it was two years worth it. After all, after such a wait, we were all ready for some heavy shit.

Click thumbnail for setlist
Ministry Setlist - The Van Buren, Phoenix 4-12-22

Photo Galleries

Photographer: Rodrigo Izquierdo

View Separately:

Corrosion of Conformity
 | Melvins
 |  Ministry

Ministry Setlist – Phoenix, AZ 4-12-22

  • Breathe
  • The Missing
  • Deity
  • Stigmata
  • Supernaut (Black Sabbath cover)
  • Don’t Stand in Line (Pailhead cover)
  • Man Should Surrender (Pailhead cover)
  • Burning Inside
  • N.W.O.
  • Just One Fix
  • Thieves
  • So What

Encore:


  • Alert Level
  • Good Trouble
  • Search and Destroy (Iggy and The Stooges cover)

Photography © Reagle Photography
All Rights Reserved