Category Archives: Publicists

Tool Claims #1 Spot on Billboard Top 200 as Fear Inoculum Reigns Over Worldwide Charts 

Los Angeles – Tool celebrates their third consecutive #1 debut on Billboard’s Top 200, with Fear Inoculum (RCA Records) reigning over the U.S. sales charts, selling 270,000 units.

The news of Fear Inoculum’s impressive debut comes amidst news stories of the album release being met by lengthy lines at retailers as music lovers clamored to get a copy of the limited edition, physical version of the CD. The spectacular, groundbreaking packaging boasts a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card.

The Coalition of Independent Music Stores (CIMS) released a rare statement, describing the event-like album release: “Several stores had well-attended midnight sales on Thursday (it was my store’s first midnight sale in 10 years). When we returned to work on Friday morning, there were lines at the door… the Tool release was the biggest thing to hit retail in years.”

The success wasn’t isolated to the U.S., with the album debuting at #1 in Australia, Norway, New Zealand, and Belgium, as well as Top 5 debuts in the UK, Germany, The Netherlands, Ireland, Italy and Finland.

Critically, the album was met with equal enthusiasm. NPR proclaimed Fear Inoculum was worth the 13-year wait,” NME awarded the 10-track offering a perfect 5 star score, The Atlantic dubbed it “precise and devastating,” Revolver declared it “a masterpiece that will be dissected for years to come” and Entertainment Weekly said the collection is “deeply satisfying, both as a distinct artistic statement and as accidental fan service to a base that expects nothing less than unflinchingly unique artistic statements.”

News of the Fear Inoculum’s impressive debut follows the announcement of Tool’s first North American tour in support of the album.

Tool North American Tour Dates:

  • October 13 Sacramento, CA Aftershock Festival
  • October 15 Denver, CO Pepsi Center
  • October 16 Denver, CO Pepsi Center
  • October 18 Salt Lake City, UT Vivint Smart Home Arena
  • October 20 Los Angeles, CA Staples Center
  • October 21 Los Angeles, CA Staples Center
  • October 23 Glendale, AZ Gila River Arena
  • October 25 San Antonio, TX AT&T Center
  • October 27 Houston, TX Toyota Center
  • October 29 Tulsa, OK BOK Center
  • October 31 Milwaukee, WI Fiserv Forum
  • November 2 Indianapolis, IN Banker’s Life Fieldhouse
  • November 3 Chicago, IL United Center
  • November 5 Cincinnati, OH US Bank Arena
  • November 6 Cleveland, OH Rocket Mortgage Fieldhouse
  • November 8 Pittsburgh, PA PPG Paints Arena
  • November 9 Detroit, MI Little Caesars Arena
  • November 11 Toronto, ON Scotiabank Arena
  • November 12 Toronto, ON Scotiabank Arena
  • November 14 Boston, MA TD Garden
  • November 16 Newark, NJ Prudential Center
  • November 18 Philadelphia, PA Wells Fargo Center
  • November 19 Brooklyn, NY Barclays Center
  • November 21 Uncasville, CT Mohegan Sun Casino Arena
  • November 22 Atlantic City, NJ Boardwalk Hall
  • November 24 Raleigh, NC PNC Arena
  • November 25 Washington, DC Capitol One Arena
Tool By Travis Shinn
Tool | Photographer: Travis Shinn

Tool formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited-edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days).

Tool Is:

Danny Carey (drums)
Justin Chancellor (bass)
Adam Jones (guitar)
Maynard James Keenan (vocals)

​​​​​​​Tool Online:

Website | Facebook | Twitter | Instagram

REVIEW: Supergroup Angels & Airwaves Plays to a Sold Out Marquee Theatre (9-4-19)

Tempe, AZ — Supergroup Angels & Airwaves headlined an amazing night, supported by The New Regime and Charming Liars, at an absolutely full Marquee Theatre. Angels & Airwaves is led by singer Tom DeLonge (blink-182), who is accompanied by David Kennedy (Box Car Racer) on lead guitar, Matt Rubano (Taking Back Sunday) on bass, and Ilan Rubin (Nine Inch Nails, Paramore, The New Regime, Angels & Airwaves) on drums. 

Charming Liars

This show commenced with Los Angeles rock band Charming Liars, who just released their new EP, Bare Bones on August 2nd.

Kiliyan Maguire (Charming Liars)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Photo Gallery

The audience’s engagement crescendoed, beginning with a feeling of curiosity and enthusiasm and ending with full crowd participation of chanting and clapping. The pumped-up fans were rewarded by a visit in the pit from vocalist Kiliyan Maguire.

Charming Liars Photo Gallery

The New Regime

Next up was The New Regime, led by child prodigy and Guinness World Record holder Ilan Rubin. Rubin brought years of experience and tremendous talent and dedication to the stage. He served double duty as the drummer for Angels & Airwaves, and he was recently called “Nine Inch Nails’ secret weapon” (Metal Injection) and “one of rock’s most in-demand drummers” (Louder).

Ilan Rubin (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

In addition to his world record for being the youngest musician to ever play at Woodstock, Rubin contributed his talents to Beck & Paramore’s Grammy-winning albums, and he closed The Grammy Awards with Nine Inch Nails, Queens of The Stone Age, Dave Grohl, and Lindsey Buckingham. He has toured with Muse, The Killers Nine Inch Nails, Alice In Chains, The Used, and The Joy Formidable.

Ilan Rubin (The New Regime)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Photo Gallery

The New Regime performed tracks off of their forthcoming album Heart Mind Body & Soul, which will be released in four installments between the end of 2019 and the first quarter of 2020; Heart is part 1 of this album.

Despite technical issues during the third song of The New Regime’s set, “Turning A Blind Eye” from Heart, the band gracefully handled the hiccup with a sense of humor. They joked that the song “should sound like this” and the crowd erupted with laughter.

Closing their set, The New Regime led them in a chant of “I want your heart, mind, body, and soul,” which echoed throughout the venue above the throng of happy concertgoers.

The New Regime Photo Gallery

Angels & Airwaves

As the dark theater lit up to welcome Angels & Airwaves to the stage, Tom DeLonge appeared and the sold-out crowd sang along with him to every song.

Tom DeLonge (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

After singing their fifth song, “Everything’s Magic” from I-Empire (For Puretracks), DeLonge finally addressed the audience, making fun of himself for not yet giving an introduction. This showed how engaged and dedicated to their music the band was. He then announced the hit song “Paralyzed” and the crowd went crazy.

Matt Rubano (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

He poked fun at the heat in the Valley of the Sun by explaining that his friend visited the Sahara desert and stated that it was almost as hot as Tempe. DeLonge then began to engage the audience much more often, sharing his experiences while growing up in the punk scene and his love of his music and the opportunity to share a positive message with his fans via his lyrics. 

Tom DeLonge (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Phoenix was the first stop on Angel & Airwaves’ comeback tour, their first in seven years. They performed an ambitious setlist of 21 songs with friendly crowd engagement throughout, and a quick encore of the final 2 songs: “Do It for Me Now” and “Heaven.” Angels & Airwaves demonstrated the next-level show that a culmination of great established artists brings, and it was well-worth the wait to watch them grace the stage of Marquee Theatre.

Photo Galleries

Photographer: Rodrigo Izquierdo

Openers: The New Regime | Charming Liars

Note: The article previously had David Kennedy incorrectly labeled as James Kennedy, which has since been corrected.

Photography © Reagle Photography
All Rights Reserved

Tool Releases First Album in 13 Years, Fear Inoculum; Announces North American Tour

Los Angeles – Fear Inoculum, Tool’s fifth studio album, and 2019’s most anticipated release, is available now. Listen HERE.

Tool’s Fear Inoculum is a masterpiece to be dissected for years to come.” – Revolver

The news arrives as the band announces a six-week North American tour, launching the trek on Oct. 13 at the Aftershock Festival. Tickets are on-sale Sept. 6 at 10 am local time, with a limited number of tickets will be available to Tool Army members on Sept. 4. Tool Army information, as well as VIP package details, can be found HERE.

Fear Inoculum is a beast of an album” – Consequence of Sound

Fear Inoculum’s release caps off over a decade of speculation and anticipation, with confirmation of the release arriving in May as the band flashed “August 30” from the stage as they performed two new songs: “Descending” and “Invincible.”

absolutely gobsmacking” – Kerrang!

As August arrived, Tool released their back catalog via digital service providers, seeing Opiate, Undertow, Ænima, Lateralus and 10,000 Days rack up in excess of 20 million streams in the subsequent 48 hours and occupy the top five spots on iTunes’ Top 10 Album Charts. 23 years after its initial release, Ænima re-entered Billboard’s Top 200, arriving at #10, with Lateralus (#16), 10,000 Days (#18) and Undertow (#19) landing in the Top 20. Tool’s debut release, 1992’s Opiate EP, made its Billboard chart premiere, arrived at #59. The band also broke records that week: taking four of the top five spots on Billboard’s Hard Rock Albums chart (the first act to achieve that feat upon digital release) and claiming 15 (of 25) spots on Billboard’s Rock Digital Song Sales chart.

A languid and blissful work.5 Stars NME

The title track arrived as details surrounding the collection surfaced, including a limited-edition CD version of Fear Inoculum. The collectible offering, which was conceived by and directed by Adam Jones, features a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card. A list of retailers who have remaining stock of the groundbreaking package can be found HERE. A vinyl release will be announced soon.

TOOL’s Fear Inoculum is a transcendent return” – SPIN

Tool Fear Inoculum Cover
Fear Inoculum Cover

Tool North American Tour Dates:

October 13 Sacramento, CA Aftershock Festival
October 15 Denver, CO Pepsi Center
October 18 Salt Lake City, UT Vivint Smart Home Arena
October 20 Los Angeles, CA Staples Center
October 21 Los Angeles, CA Staples Center
October 23 Glendale, AZ Gila River Arena
October 25 San Antonio, TX AT&T Center
October 27 Houston, TX Toyota Center
October 29 Tulsa, OK BOK Center
October 31 Milwaukee, WI Fiserv Forum
November 2 Indianapolis, IN Banker’s Life Fieldhouse
November 3 Chicago, IL United Center
November 5 Cincinnati, OH US Bank Arena
November 6 Cleveland, OH Rocket Mortgage Fieldhouse
November 8 Pittsburgh, PA PPG Paints Arena
November 9 Detroit, MI Little Caesars Arena
November 11 Toronto, ON Scotiabank Arena
November 12 Toronto, ON Scotiabank Arena
November 14 Boston, MA TD Garden
November 16 Newark, NJ Prudential Center
November 18 Philadelphia, PA Wells Fargo Center
November 19 Brooklyn, NY Barclay’s Center
November 21 Uncasville, CT Mohegan Sun Casino Arena
November 22 Atlantic City, NJ Boardwalk Hall
November 24 Raleigh, NC PNC Arena
November 25 Washington, DC Capitol One Arena

Tool formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited-edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days).

Tool Is:

Danny Carey (drums)
Justin Chancellor (bass)
Adam Jones (guitar)
Maynard James Keenan (vocals)

Tool Online:

Website | Facebook | Twitter | Instagram


Featured photo (top) by Travis Shinn



The Faim Share “Humans” Music Video

Los Angeles, CA – In anticipation of their long-awaited debut album, State of Mind, The Faim have unveiled the official music video for lead single, “Humans,” today. The cinematic offering dives into the world of science fiction while also highlighting a visually stunning band performance. The video follows the four-piece as they’re taken captive by a government organization and subjected to tests to determine if they are human or android. To escape, they’ll need the help of someone who’s more than human…watch all the action unfold HERE.

“Creating the music video for our latest single, ‘Humans,’ was our favorite shoot to date,” says Stephen Beerkens (bass/keys). “We worked with an amazing team in Los Angeles, who helped capture the entire video in just one day. The concept represents us searching for both our differences and the things we have in common, which also encapsulates the essence of the song: what it means to be human,” he explains.

Following the release of last year’s debut EP, Summer Is a Curse, The Faim wasted no time creating music for their first full-length effort, State of Mind, due on September 13 via BMG. The album includes eight brand new tracks in addition to previously-released singles, “Summer Is a Curse” and “Amelie.” If you were able to catch The Faim on tour in the U.S. earlier this year, you may have also heard them play “Beautiful Drama” and “Infamous,” two additional fan favorites on the record. The complete track listing can be found below. The Faim will also be unveiling more new music soon in advance of the album release. In the meantime, stream “HumansHERE, and pre-save State of Mind HERE.

The Faim will be returning to the U.S. this fall for a massive co-headline tour with fellow Aussie group, Stand Atlantic. Live Nation’s Ones To Watch and The Noise will present the entire run of dates (25 cities nationwide), which launches on September 17 in Houston, TX. The trek continues to build on the quartet’s global touring momentum, where they’ve sold out their own headline shows, played major European festival staples, and supported the likes of PVRIS, Andy Black, Sleeping With Sirens, and more. Tickets are on-sale now and can be purchased on The Faim’s website HERE. A full list of dates is also included below.

State of Mind Track Listing:

1. Tongue Tied
2. Humans
3. Summer Is a Curse
4. Beautiful Drama
5. Buying Time
6. Infamous
7. Amelie
8. Words Apart
9. Where the River Runs
10. State of Mind

The Faim & Stand Atlantic U.S. Tour Dates:

9/17 – Houston, TX @ HOB Bronze Peacock
9/18 – Dallas, TX @ HOB Cambridge Room
9/20 – Atlanta, GA @ The Loft
9/21 – Tampa, FL @ Crowbar
9/22 – Jacksonville, FL @ 1904
9/24 – New York, NY @ Gramercy Theatre
9/25 – Pittsburgh, PA @ The Rex Theater
9/26 – Baltimore, MD @ Metro Gallery
9/28 – Boston, MA @ Once Ballroom
9/29 – Philadelphia, PA @ Voltage Lounge
10/1 – Detroit, MI @ The Shelter
10/2 – Cleveland, OH @ The Foundry
10/4 – Indianapolis, IN @ Hoosier Dome
10/5 – St. Louis, MO @ Fubar
10/6 – Chicago, IL @ Chop Shop
10/7 – St. Paul, MN @ Amsterdam Bar & Hall
10/9 – Denver, CO @ Marquis
10/10 – Salt Lake City, UT @ Complex
10/12 – Seattle, WA @ The Vera
10/13 – Portland, OR @ Roseland Theater
10/14 – Sacramento, CA @ Holy Diver
10/16 – Phoenix, AZ @ Crescent Ballroom
10/17 – San Diego, CA @ Soma
10/18 – Anaheim, CA @ Chain Reaction
10/19 – Los Angeles, CA @ The Echo

The Faim Is:

Josh Raven / Lead vocals
Sam Tye / Guitar
Stephen Beerkens / Bass, keyboard
Linden Marissen / Drums, percussion

The Faim Online:

Website | Facebook | Twitter
Instagram | YouTube

Summer Is a Curse EP – Stream and Download:

Spotify | Apple Music | Amazon | Pandora
Google Play | Deezer | TIDAL



Featured photo (top) by Michelle Grace Hunder



REVIEW: Ringo — An All Starr Band Lead by a True Starr at Celebrity Theatre (8-26-19)

Phoenix, AZ — On June 26 of this year, Sir Paul McCartney brought an evening of legendary music to Talking Stick Resort Arena. Exactly two months later, Ringo Starr became the second Beatle to grace the stages of Arizona. This is the 30-year anniversary of this touring rock supergroup, Ringo Starr & His All Starr Band, with a shifting lineup that has included legends such as Joe Walsh, Todd Rungren, Clarence Clemons, Peter Frampton, John Entwhistle, and so many more (see list below). Starr is really the only constant member.

This year’s line up is no exception to Starr’s history of building a stellar lineup:

  • The dueling guitarists were the unlikely pairing of Steve Lukather (Toto) and Colin Hay (Men At Work). These two master songwriters brought along their biggest hits to add to the already incredible setlist. Fans were treated to Toto’s “Rosanna”, “Africa”, and “Hold The Line” and Men At Work’s “Down Under”, “Overkill”, and of course “Who Can It Be Now.”
  • On the Hammond organ was none other than Gregg Rolie (Santana, Journey) who chipped in the classic Santana songs “Evil Ways”, “Black Magic Woman / Gypsy Queen”, and “Oye Como Va”, but unfortunately nothing from his days with Journey.
  • Bassist Hamish Stuart (Average White Band) was back after his stint in the lineup from 2006 to 2008. He switched over to guitar when the band dove into the Average White Band standards “Pick Up The Pieces” and “Cut The Cake.”
  • Gregg Bissonette on drums and Warren Ham on… well, everything else (saxophone, flute, keyboards, percussion, etc.) rounded out the lineup. Both have toured extensively with major recording acts, such as Bissonette’s time with “Diamond” David Lee Roth during the “Eat ‘Em And Smile” era, and Ham’s contributions to Kansas and Toto (now that’s an ironic combo of band names).
Ringo Starr and His All Starr Band
| Photographer:
Mark Greenawalt © All Rights Reserved

All that talent on the revolving stage of the Celebrity Theater culminated in the focal point of the evening; a man who’s former band is arguably the most famous band in the history of rock & roll. And yes, Starr brought a few songs to the setlist from his days with the Fab Four, starting with the only song credited to Lennon–McCartney–Starkey, “What Goes On.” Ringo Starr is the stage name of Sir Richard Starkey, knighted by Prince William on March 20, 2018. The two most popular Beatles songs that featured Starr’s voice where the whimsical “Yellow Submarine” and the song he sang in the guise of the one-and-only Billy Shears, “With A Little Help From My Friends.”

Ringo Starr
| Photographer:
Mark Greenawalt © All Rights Reserved

Starr’s credentials make him a legendary musician, but he seemed very unassuming. There was no fabricated swagger or false bravado in his delivery. He was reverent of the talent of his bandmates while clearly letting loose to have fun on stage.  Even his attire hinted at high fashion with a jacket and black leather pants, but they were offset by a pair of comfortable sneakers and a rhinestone shirt that said “Peace Rocks”. The peace sign proved to be a prevalent theme throughout the show, from holding up the hand sign for peace to wearing peace necklaces. Starr looked spry and healthy wearing his signature sunglasses and sporting the kempt beard and mustache.  Though he is 79 years old, there was nothing lethargic or geriatric about this performance. It was quite the opposite: an energetic and youthful performance from start to finish.

Ringo Starr (Vocalist), Hamish Stuart (Bassist), Steve Lukather (Guitarist) –
Ringo Starr and His All-Starr Band
Photographer:
Mark Greenawalt © All Rights Reserved

Although there are some Ringo Starr hits embroidered in the fabric of our collective memory, it takes a show like this to remind us of just how many there have been. Eight songs from his solo career broke the top 10 in the US charts and two hit number one (“You’re Sixteen” and “Photograph”). Between 1970 and 2017, Ringo has released 19 solo studio records. The second song of the set started the audience down memory lane with “It Don’t Come Easy” from the 1975 album Blast From Your Past.

Gregg Rolie (Keyboardist, Vocalist), Steve Lukather (Guitarist, Vocalist), Ringo Starr (Vocalist, Drummer) –
Ringo Starr and His All-Star Band
Photographer:
Mark Greenawalt © All Rights Reserved

Starr shared the spotlight and lead vocal duties with the singers that made their respective songs famous. It was like a karaoke dream where everyone sounded exactly like the record. One highlight was hearing Rolie breathing life into “Black Magic Woman,” and then hearing Lukather shredding on the soulful solos of Carlos Santana, was magical. As the song transitioned to “Gypsy Queen”, it was Gregg Bissonette’s turn to shine as he vamped on the drumset.

A majority of the crowd were old enough to remember the quirky videos of Men At Work on MTV’s heavy rotation in the early 80’s. There were possibly a handful of people that didn’t recognize Colin Hay playing guitar on stage, but everyone recognized that distinctive voice singing “I come from the land down under,” Ham obviously broke out the flute to play the infectious solo on “Down Under” and then later in the show played the famous sax line on “Who Can It Be Now.”

Steve Lukather (Guitarist), Warren Ham (Saxophone), Ringo Starr (Vocalist) –
Ringo Starr and His All-Star Band
Photographer:
Mark Greenawalt © All Rights Reserved

While out of the spotlight, Starr was still an archetypal presence as he rose to his drum throne and commandeered the instrument that he is best known for. The bass drum of his Ludwig drum kit that once sported The Beatles logo, now has a symbolic star and lotus flower logo, presumably in support of the Ringo Starr Art Lotus Foundation.

Ringo Starr’s Ludwig drumkit
| Photographer:
Mark Greenawalt © All Rights Reserved

Being the drummer in the back typically garners less notoriety, especially when you’re standing on the shoulders of giants like Lennon, McCartney, and Harrison. But throughout his career, he has received 9 Grammys, and has twice been inducted into the Rock and Roll Hall of Fame, first as a Beatle and then as a solo artist. Starr played in perfect synchronicity with Bissonette and reminded all of the musicians in the room why he is considered by many to be included in the category of best rock drummer of all time.

Ringo Starr
| Photographer:
Mark Greenawalt © All Rights Reserved

The wonderful evening of hit music was capped off with a resounding message of peace when Ringo and the boys joined in on the anthem “Give Peace A Chance,” the anti-war chant that John Lennon and Yoko Ono voiced 50 years ago from room 1742 that still needs to be heard today.

Photo Gallery

Photographer: Mark Greenawalt

Setlist for the Evening

  • Matchbox (Carl Perkins)
  • It Don’t Come Easy (Ringo Starr)
  • What Goes On (The Beatles)
  • Evil Ways (Willie Bobo with Gregg Rolie)
  • Rosanna (Toto with Steve Lukather)
  • Pick Up the Pieces (Average White Band with Hamish Stuart)
  • Down Under (Men at Work with Colin Hay)
  • Boys (The Shirelles)
  • Don’t Pass Me By (The Beatles)
  • Yellow Submarine (The Beatles with ‘Day Tripper’ tease intro by Steve Lukather)
  • Cut the Cake (Average White Band with Hamish Stuart)
  • Black Magic Woman / Gypsy Queen (with Gregg Rolie)
  • You’re Sixteen (Johnny Burnette)
  • Anthem (Ringo Starr)
  • Overkill (Men at Work with Colin Hay)
  • Africa (Toto with Steve Lukather)
  • Work to Do (The Isley Brothers with Hamish Stuart)
  • Oye como va (Tito Puente with Gregg Rolie)
  • I Wanna Be Your Man (The Beatles)
  • Who Can It Be Now? (Men at Work with Colin Hay)
  • Hold the Line (Toto with Steve Lukather)
  • Photograph (Ringo Starr)
  • Act Naturally (Buck Owens)
  • With a Little Help From My Friends (The Beatles with ‘Give Peace a Chance’ by Plastic Ono Band chorus at the end)

Back to Top

All Starr Band Alumni

  • Joe Walsh (1989-1992, various guest appearances from 1992 onwards)
  • Nils Lofgren (1989-1992, opening act for various 1995 shows and made a guest appearance in 2013)
  • Dr. John (1989, guest appearance in 2008)
  • Billy Preston (1989, 1995)
  • Rick Danko (1989)
  • Levon Helm (1989, guest appearance in 2008)
  • Clarence Clemons (1989)
  • Jim Keltner (1989, guest appearance in 2010)
  • Todd Rundgren (1992, 1999, 2012-2016)
  • Dave Edmunds (1992, 2000)
  • Burton Cummings (1992)
  • Timothy B. Schmit (1992, guest appearance in 1997)
  • Zak Starkey (1992-1995, guest appearance in 1989 and 2010)
  • Timmy Cappello (1992, 1999)
  • Randy Bachman (1995)
  • Mark Farner (1995, guest appearance in 1997)
  • Felix Cavaliere (1995)
  • John Entwistle (1995)
  • Mark Rivera (1995-2003, 2012-2013, guest appearance in 2011)
  • Peter Frampton (1997-1998)
  • Gary Brooker (1997-1999)
  • Jack Bruce (1997-2000)
  • Simon Kirke (1997-2000, guest appearance in 2003)
  • Scott Gordon (1998)
  • Eric Carmen (2000)
  • Roger Hodgson (2001)
  • Ian Hunter (2001)
  • Howard Jones (2001)
  • Greg Lake (2001)
  • Sheila Escovedo (2001-2006)
  • Colin Hay (2003, 2008)
  • Paul Carrack (2003)
  • John Waite (2003)
  • Billy Squier (2006-2008, guest appearance in 2014)
  • Richard Marx (2006)
  • Edgar Winter (2006-2011)
  • Rod Argent (2006)
  • Hamish Stuart (2006-2008)
  • Gary Wright (2008-2011)
  • Gregg Bissonette (2008-present)
  • Wally Palmar (2010)
  • Rick Derringer (2010)
  • Richard Page (2010-present)
  • Steve Lukather (2012-present)
  • Gregg Rolie (2012-present)
  • Warren Ham (2012-present)

Photography © Mark Greenawalt. All Rights Reserved

REVIEW: CMA Songwriters Series — An Intimate Evening of Songs & Stories From Top Songwriters at Mesa Arts Center (8-21-19)

Mesa, AZ — Songwriters doing “rounds” is a staple in the Nashville music scene, but it is a rare treat to the Metro Phoenix area. The CMA Songwriters Series launched in 2005 and has brought a little of that Music City culture to cities all over the world. The CMA website claims that the series has featured nearly 200 gifted storytellers who collectively have 100 CMA Song of the Year nominations. The 2019 season show that graced the intimate Piper Theater stage at the Mesa Arts Center was a stellar all-female cast.

Leading off the rounds was Liz Rose, who also acted as the MC for the evening. She has one of those 100 CMA Song of the Year nominations mentioned above for co-writing Little Big Town’s “Girl Crush” (which just so happened to also win the category). 

Liz Rose
| Photographer:
Mark Greenawalt © All Rights Reserved

Rose introduced the other songwriters; Mickey Guyton, Ingrid Andress, Jillian Jacqueline, and Marti Lynn Dodson, and then kicked off the music with a song that she wrote with “a little girl named Taylor”. The song was the Grammy Award winning “White Horse”, and of course the little girl was Taylor Swift.

Mickey Guyton | Photographer: Mark Greenawalt
© All Rights Reserved

Batting second, Texas native Mickey Guyton launched into her latest release, “Sister” (Capitol Records Nashville). Guyton has a powerful and alluring voice and an incredible knack for writing relatable songs. Her energy and emotions were on full display as her face lit up hearing great hooks, and as her tears fell after hearing Rose singing the emotional “When You’re My Age”.

An audience favorite was her new song, “Rosé” that was a fun drinking song for a more sophisticated palate. The ladies shared the fact that their drinks on stage were not exactly just water, which added to the vivacious atmosphere.

Ingrid Andress | Photographer: Mark Greenawalt
© All Rights Reserved

Rose and Guyton were accompanied by a guest acoustic guitarist, the sole male sitting upstage of the main line up. Ingrid Andress, however, was playing her Nord Stage 3 keyboard for her own piano accompaniment. Andress has writing credits with Sam Hunt and Alicia Keys, but it was obvious that she has that special style and presence to be a star in her own right. Her lyrics are fresh and honest and cater to her generation more than most modern country songs. Andress shared the stories behind “We’re Not Friends” and “Both”, each song being unique and candidates for crossover audiences. On the other hand, she proved that she has a firm foundation in country songwriting too as she played “More Hearts Than Mine”, her first single released after being signed to Atlantic Records / Warner Music Nashville.

Next up was Jillian Jacqueline who poured her heart and her angelic voice into each of her songs. It is so interesting to hear the stories behind the songs. Jacqueline shared the entertaining story of sitting on the floor at Keith Urban’s house working on “If I Were You”, a song on which he sang harmonies and played guitar.

Jillian Jacqueline
| Photographer:
Mark Greenawalt © All Rights Reserved

Her well crafted lyrics on songs like “Sad Girls” and “Hate Me” brought the “feels” to room.  Jacqueline commanded everyone’s undivided attention with the stripped down sound of her voice and her Gibson acoustic guitar, the ideal definition of a singer/songwriter.

Marti Lynn Dodson | Photographer: Mark Greenawalt
© All Rights Reserved

Rounding out the lineup, wearing a beautiful flowing dress and stunning red shoes, was Marti Lynn Dodson who founded and fronted the band Saving Jane. Among her song selections was the Saving Jane hit “Girl Next Door” which had fans of the song tapping their feet and singing along. Dodson played an Epiphone acoustic guitar that sounded amazing.

Tucson Musicians Hall of Fame inductee, LeeAnne Savage was in the audience and is a long-time fan of Dodson. Savage noted, “The song “Cheerleader” was one of my favorite bops of 2000, however her song “Quarterback” takes the listener on a journey involving date rape, social media bullying, and the imbalance of power between victim and perpetrator. Great songwriters hold up a mirror to society in an effort to create dialogue around difficult topics. This song does just that.

There were plenty of songwriters in the audience that were basking in the glow of this group of women who have honed their craft and found success in a very tough field. Songwriter Angel Pizarro said, “I loved the experience of being so close to songwriting greatness along with the feel of being at a friend’s living room; and as a songwriter I appreciated the value of being there, learning while being entertained.  I’ll never forget this evening!

Setlist for the Evening

  • Liz Rose – “White Horse” (recorded by Taylor Swift)
  • Mickey Guyton – “Sister”
  • Ingrid Andress – “We’re Not Friends”
  • Jillian Jacqueline – “Hate Me”
  • Marti Lynn Dodson – “Breakers” (recorded by Thompson Square)
  • Liz Rose – “When You’re My Age”
  • Mickey Guyton – “Brand New”
  • Ingrid Andress – “Both”
  • Jillian Jacqueline – “If I Were You” (recorded by Jillian Jacqueline feat. Keith Urban)
  • Marti Lynn Dodson – “Quarterback” (recorded by Kira Isabella)
  • Bailey Claywell (student songwriter) – “I Will Rise”
  • Liz Rose – “You Belong With Me” (recorded by Taylor Swift)
  • Lourde Childs (student songwriter) – “Faithful”
  • Mickey Guyton – “Rosé”
  • Ingrid Andress – “Lady Like”
  • Jillian Jacqueline – “Sad Girls”
  • Marti Lynn Dodson – “Girl Next Door” (recorded by Saving Jane)
  • Liz Rose – “Girl Crush” (recorded by Little Big Town)
  • Mickey Guyton – “Better Than You Left Me”
  • Ingrid Andress – “More Hearts Than Mine”
  • Jillian Jacqueline – “God Bless This Mess”
  • Marti Lynn Dodson – “Things I’ll Miss”

The touring group of ladies and the sponsor US Bank made a stop earlier in the day to visit with the teachers and students at The Phoenix Conservatory of Music (PCM) and give a master class in songwriting. The visit was part of U.S. Bank’s Community Possible giving and engagement platform and its Places to Play partnership with the CMA Foundation. Many of the students and teachers came out to attend the show and two exceptional students were even granted the opportunity to share the stage and play their original songs. Bailey Claywell was accompanied by keyboard player Michael Rodriguez as she sang their original song, and later Lourde Childs brought the house down, singing and playing guitar on his original.  The students received a well-earned standing ovation.

Bailey Claywell (right), Michael Rodriguez (left)
Photographer:
Mark Greenawalt
© All Rights Reserved

Each of the featured writers were able to play four of their songs as they took turns showcasing their personal favorites. The highest energy and audience engagement occurred as Liz Rose sang her second Taylor Swift song of the evening, “You Belong To Me”. Everyone in the room, on-stage and off-stage, was singing along to the infectious chorus.  One especially enthusiastic fan of the song was even pulled out of the audience to come up and sing on stage with the group.

It was a great evening with a diverse array of songs from some truly gifted songwriters. As the end of the evening approached each writer saved their best song for their last round as they each said their good-byes. 

Jon Iger, the President of the Arizona Songwriters Association, was in attendance and had this message for CMA Songwriting Series participants:

“Thank you ladies of CMA for a very inspiring day! A day of amazing writing and performing talent! The same goes for the PCM students!  We (Arizona Songwriters Association) have worked on several events with PCM, and they are doing outstanding work with their students and the music community!  And being a long time member of CMA, I know the great work they continue to do with schools! Hope to see you again real soon!”

Dan & Glenda Paradee, Thanks for the Music News;
Rhonda Hitchcock-Mast, Chicks with Picks;
Jon Iger, Arizona Songwriters Assn.

Photo Gallery

Photographer: Mark Greenawalt

Setlist for the Evening

  • Liz Rose – “White Horse” (recorded by Taylor Swift)
  • Mickey Guyton – “Sister”
  • Ingrid Andress – “We’re Not Friends”
  • Jillian Jacqueline – “Hate Me”
  • Marti Lynn Dodson – “Breakers” (recorded by Thompson Square)
  • Liz Rose – “When You’re My Age”
  • Mickey Guyton – “Brand New”
  • Ingrid Andress – “Both”
  • Jillian Jacqueline – “If I Were You” (recorded by Jillian Jacqueline feat. Keith Urban)
  • Marti Lynn Dodson – “Quarterback” (recorded by Kira Isabella)
  • Bailey Claywell (student songwriter) – “I Will Rise”
  • Liz Rose – “You Belong With Me” (recorded by Taylor Swift)
  • Lourde Childs (student songwriter) – “Faithful”
  • Mickey Guyton – “Rosé”
  • Ingrid Andress – “Lady Like”
  • Jillian Jacqueline – “Sad Girls”
  • Marti Lynn Dodson – “Girl Next Door” (recorded by Saving Jane)
  • Liz Rose – “Girl Crush” (recorded by Little Big Town)
  • Mickey Guyton – “Better Than You Left Me”
  • Ingrid Andress – “More Hearts Than Mine”
  • Jillian Jacqueline – “God Bless This Mess”
  • Marti Lynn Dodson – “Things I’ll Miss”

Photography © Mark Greenawalt. All Rights Reserved

Tool Stream Fear Inoculum Title Track; Pre-orders Available

Los Angeles — Fear Inoculum, the fifth studio album from Tool, arrives on Aug. 30 via RCA Records. Stream the album’s title track HERE.

Continuing their affinity for pushing the boundaries of physical packaging, the GRAMMY Award® winning outfit has created a deluxe, limited-edition CD version of Fear Inoculum. The collectible offering, which was conceived by and directed by Adam Jones, features a 4” HD rechargeable screen with exclusive video footage, charging cable, 2 watt speaker, a 36-page booklet and a digital download card. Pre-orders for both the special package and digital downloads are available HERE. A vinyl release will be announced soon.

Tool Fear Inoculum Cover

The 85-minute collection was produced by Tool, with Joe Barresi engineering and mixing the release. Barresi also worked with the band on 10,000 Days.

The song stream and pre-order news arrives as the Los Angeles band recently made several of their previous releases, Opiate, Undertow, Ænima, Lateralus and 10,000 Days, available for the first time on digital service providers. The releases racked up over 20 million streams in the first 48 hours of release, as well as quickly claiming five spots on iTunesTop 10 Albums chart.

Tool formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited-edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days).

Tool Is:

Danny Carey (drums)
Justin Chancellor (bass)
Adam Jones (guitar)
Maynard James Keenan (vocals)

Tool Online:

Website | Facebook | Twitter | Instagram


Featured photo (top) by Travis Shinn



The Faim And Stand Atlantic Announce U.S. Co-headline Tour

Los Angeles, CA – The Faim is excited to announce their fall U.S. co-headline tour with fellow Aussie band, Stand Atlantic. The entire batch of dates will be presented by Live Nation’s Ones To Watch and The Noise, kicking off in Houston on Tuesday, September 17 and wrapping in Los Angeles on Saturday, October 19. The 25-city run also hits major stops including Atlanta, New York, Boston, Philadelphia, and Chicago and follows the band’s previous North American tours supporting Andy Black and Hands Like Houses, where their fiery, explosive live performances and eclectic catalog of songs received widespread acclaim in the press. This new co-headliner continues to build on The Faim’s global touring momentum, where they’ve sold out their own headline shows, played major festivals including Reading & Leeds, Download, and Slam Dunk, and opened for PVRIS, Sleeping With Sirens, Against The Current, The Dangerous Summer, and more.

Tour Admat
Click to Enlarge

Tickets go on sale this Friday, August 9 at 10am local time and can be purchased on the band’s website HERE. A complete list of dates can also be found below.

The Faim will be touring in support of their long-awaited upcoming debut album, State of Mind, out on September 13 via BMG. The first-released single, “Humans,” made a strong debut with New Music Friday playlisting on Spotify in eleven countries, and additions on The New Alt, New Noise, All New Rock, Pop Rock Shot, and more. The band also garnered widespread support from Apple Music worldwide, landing on The New Rock playlist in 36 countries. The Faim will be releasing more music soon in anticipation of their full-length effort.

The Faim & Stand Atlantic Tour Dates:

9/17 – Houston, TX @ HOB Bronze Peacock
9/18 – Dallas, TX @ HOB Cambridge Room
9/20 – Atlanta, GA @ The Loft
9/21 – Tampa, FL @ Crowbar
9/22 – Jacksonville, FL @ 1904
9/24 – New York, NY @ Gramercy Theatre
9/25 – Pittsburgh, PA @ The Rex Theater
9/26 – Baltimore, MD @ Metro Gallery
9/28 – Boston, MA @ Once Ballroom
9/29 – Philadelphia, PA @ Voltage Lounge
10/1 – Detroit, MI @ The Shelter
10/2 – Cleveland, OH @ The Foundry
10/4 – Indianapolis, IN @ Hoosier Dome
10/5 – St. Louis, MO @ Fubar
10/6 – Chicago, IL @ Chop Shop
10/7 – St. Paul, MN @ Amsterdam Bar & Hall
10/9 – Denver, CO @ Marquis
10/10 – Salt Lake City, UT @ Complex
10/12 – Seattle, WA @ The Vera
10/13 – Portland, OR @ Roseland Theater
10/14 – Sacramento, CA @ Holy Diver
10/16 – Phoenix, AZ @ Crescent Ballroom
10/17 – San Diego, CA @ Soma
10/18 – Anaheim, CA @ Chain Reaction
10/19 – Los Angeles, CA @ The Echo

Summer Is a Curse EP – Stream and Download:

Spotify | Apple Music | Amazon
Pandora | Google Play | Deezer | TIDAL

The Faim Online:

Website | Facebook | Twitter
Instagram | YouTube


REVIEW: Third Eye Blind, Jimmy Eat World Deliver Nostalgia With A Modern Spin (7-31-19)

PHOENIX — What comes to mind when you think of the 2000’s? Motorola RAZRs? MTV’s Pimp My Ride? Undoubtedly, your mind also went to the music that defined the decade: bands like Jimmy Eat World and Third Eye Blind. It might surprise you to learn that both of these groups are still going strong and loving every minute of it, as evidenced by their incredible performances at the Ak Chin Pavilion in Phoenix this past Wednesday evening.

Both bands are refreshing examples of groups that have not only outlasted their respective peaks of fame, but have continued going strong in spite of it. Jimmy Eat World playing timeless classics like “Sweetness”, “The Middle”, and “Hear You Me” to ear-piercing cheers and thundering applause is all the proof you need. Obvious musical and songwriting talents aside, a big reason for the longevity in Jimmy Eat World’s career is the sheer gratitude they express to their fans at nearly every show.

Jim Adkins (Vocalist), Jimmy Eat World
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

There are countless examples throughout musical history of artists who gain big heads from their fame but this band, and especially Jim Adkins, could not have been more humble, crediting their fans for helping them get to where they are now. About halfway through the set, Jim strapped on a beautifully shining acoustic guitar and as he was tuning for “Hear You Me” he warmly addressed the crowd: “I remember when we were sitting out on the lawn watching shows and dreaming about being on this stage. Now, here we are and it’s all thanks to you guys and your support.” This would become a common theme throughout the night as he so graciously engaged the audience and made them feel as welcome as they so clearly made him and the rest of the band feel in return. 

Ra Ra Riot began the show with an uncharacteristically energetic set for an opening band; the crowd couldn’t get enough and the band definitely got the job done getting people out of their seats.

Wes Miles (Vocalist), Ra Ra Riot
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

The stage chemistry and musicianship of each member shined through during key moments, like the crisp backing vocals of bassist, Mathieu Santos blending seamlessly with lead vocalist, Wes Miles. Guitarist, Milo Bonacci and his versatility with guitar FX pedals created mind-bending soundscapes of delayed and chorused chords, and even allowed him to smoothly recover from a brief tussle with some nasty feedback. Ra Ra Riot are entertainers in the truest sense of the word and are definitely one to watch out for.

Mathieu Santos (Bassist, Vocalist), Ra Ra Riot
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Jimmy Eat World continued to amaze the audience by mixing in a pleasant blend of old and new songs, with the old songs sounding just as fresh as the new. It’s difficult to make a song like “The Middle”, released in 2001, not sound slightly dated when it appears in movies or TV shows for example, but live, this song takes on entirely new life, as those same familiar four power chords envelop you in pure nostalgic delight. It’s honestly incredible – a true testament to their abilities as a band to stand the test of time by continuously putting out timeless song after song.

Jim Adkins (Vocalist), Jimmy Eat World
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Third Eye Blind closed out the night with a highly engaging set that the vast majority of fans never wanted to end. Lead singer/guitarist, Stephan Jenkins, displayed a level of energy and charisma not often seen in a 54-year-old man. The music keeps him young at heart, and the same can be said of his fans as they screamed every single word along with him.

Stephan Jenkins (Vocalist, Guitarist), Third Eye Blind
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Third Eye Blind effortlessly charged through songs like the latest collaborative effort with Alexis Krauss of Sleigh Bells, “Screamer”. This track has a harder modern rock vibe that they transition into deftly from their classic sound. Hearing a band continue to reinvent themselves is a sign that they don’t intend to give up on music anytime soon; which is good news for many.

Kryz Reid (Guitarist, Vocalist), Third Eye Blind
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Third Eye Blind also treated the crowd’s ears to a clever medley of songs “Back To Zero”, “Can You Take Me”, and “London”, strung together so well you’d think they were back to back on the same album. The band was obviously well-rehearsed, and executed each song down to the last screaming note. Playing songs from the first album like “Motorcycle Drive-by” and “Graduate” served as an endearing homage to their past, which acknowledges that they haven’t forgotten where they came from and how they arrived where they are today. This was a more understated approach to showing the fans gratitude: by treating them with more hidden gems on the early albums, which went over very well overall.  

Stephan Jenkins (Vocalist, Guitarist), Third Eye Blind
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

A more cynical observer might write off a joint tour between Jimmy Eat World and Third Eye Blind as an attempt to revive a dying genre; however this could not be further from the truth. Both bands are timeless examples of pop-rock bands of the early 2000’s that bring unique qualities to their music that only serves to guarantee their respective longevity. The “Summer Gods” tour is an aptly named one because these bands have successfully become immortalized through their music. And honestly, isn’t that what any band ultimately strives for?

Photo Gallery

Photographer: Rodrigo Izquierdo

Photography © Reagle Photography
All Rights Reserved

INTERVIEW: Through Fire — Coming to Tempe August 2

Tempe, AZ — Through Fire will be bringing their tour to the Marquee Theatre on Friday, August 2nd. They’re on the road with co-headliners Like a Storm, and special guests Wilson, and Stitched Up Heart on the “Firestorm Tour”. They will be joined by opener Hazen, an alternative metal band from Gilbert, AZ. 

If you haven’t heard of Through Fire, they are a hard rock quartet created in 2015 from Omaha, Nebraska. Justin McCain is lead guitarist and songwriter, Grant Kendrick is lead vocalist, Kyle LeBlanc is bassist, and Grant Brooks is on the drums. 

In under two years, Through Fire has over 20 million Spotify streams, chart-topping radio hits,  and 48 million YouTube views thanks to their debut album Breathe released by Sumerian Records. Their first single “Stronger” reached #1 on iTunes and spent an impressive 26 weeks on the charts. It was also #1 on Sirius XM Octane for 5 consecutive weeks. This placed them at #3 for the overall year following Metallica and Highly Suspect, not to mention won the band “Breakout Artist of the Year”. Their third single, “Where You Lie” soared to new heights and became #1 most added song in the country on rock radio within its first week.

Now Through Fire is ready to take their music on the road and rock out in front of their phenomenal fans!

Through Fire’s Lead Vocalist Grant Kendrick Interviews with Burning Hot Events

Q & A with music journalist Brittney Coon

Please tell us about your most recent release.

Kendrick: All Animal!!! It’s a beast and we are excited to unleash it!!! 

Album Released July 19, 2019

What is your favorite part about being in a band? Your least favorite? Why?

Kendrick: My Favorite part of being in a band is making music! I love the feeling of completing songs that you can’t wait to share! 

Discuss your relationship with your fans — how do you interact with and respond to them?

Kendrick: We love em! They bring their passion for music to the show and we enjoy hanging out with them and hearing their stories about how our songs have touched their lives! 

What does it mean to you to be in your band?

Kendrick: It means you are committed, a dreamer, believer, and a fighter! We dream big and fight to make it happen! We don’t settle, we push ourselves to be better! We are blessed and grateful for all the opportunities we have and want to make the most of them! 

What do you think is the glue that holds your group together?

Kendrick: Probably the music! Justin [McCain] is our leader. He is the engine, but it’s the music we all love and despite any other differences, we believe in what we are doing! 

If you weren’t a musician, what do you think you’d be doing?

Kendrick: Well, I’d probably still be trying to make it to the NBA, lol 

Have you ever had to deal with performance anxiety? If so, how did/do you handle it?

Kendrick: Yes, basically just pray, and suck it up till the intro music starts then it all goes away! Turns into crazy energy that you use to light up the stage! I don’t get it as much anymore, pretty much chill and just excited to get out there! 

How do you maintain the same level of energy and take care of your well-being throughout the entirety of a tour?

Kendrick: I’m sober now, 18 months, so not drinking really helps! I try to drink lots of water and eat decent, but most importantly rest and warm ups! Also, coffee! 

What advice do you have for artists just starting out?

Kendrick: Be patient, keep working, networking, and developing your talent. Keep working at it, neglecting your gifts are as good as destroying them. If you know you have it in you, then go out and prove it every chance you get! 

Mixi of Stitched Up Heart once mentioned to me years ago that the band played more gigs in Arizona than their home state of California. What makes Arizona and appealing location for shows?

Kendrick: Well, the awesome weather, cool people!!! What more do you need! It’s always exciting to play in AZ! We have friends there we like to stop and see too when we get a chance! Shout out to the Doll Skin family! Thanks so much for the support and we look forward to seeing you soon!!! 

Remaining Tour Dates:

7/27 – Jacksonville, NC @ The Tarheel Concert Lounge
7/28 – Charlotte, NC @ Amos Southend
7/30 – Dallas, TX @ Gas Monkey Bar N’ Grill
7/31 – Austin, TX @ Empire Control Room & Garage
8/02 – Tempe, AZ @ The Marquee
8/03 – Las Vegas, NV @ Count’s Vamp’d
8/04 – Salt Lake City, UT @ The Complex
8/06 – Colorado Springs, CO @ The Black Sheep
8/07 – Denver, CO @ The Oriental Theater
8/09 – Sioux City, IA @ Anthem at Hard Rock Hotel & Casino
8/10 – Lincoln, NE @ The Royal Grove

Through Fire Online:

Website | Facebook | Twitter
Instagram | YouTube | Spotify