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Live Sound Audio Technician in Los Angeles. WordPress Editor for SoundGirls.org. Trained in Music Marketing and Promotions for 14 years. Guitarist, Makeup Artist. Lover of concerts, skateboarding, animals, and the horror genre. Believes in the Oxford comma.
Theatrical metal band Raven Black has revealed a poignant new video for the song “Hear Me Cry,” from their upcoming third album, The Key. “Hear Me Cry” is making its debut today along with a full feature in UK heavy music bible Kerranghere:
“‘Hear Me Cry’ is about the chaotic and deeply disturbing thoughts when I once attempted suicide,” Raven explains. “The inner battle of wanting to give up and yet wanting to fight and change your own life. The personal psychosis and finally calling out for help, which ultimately saved my life. This song hopefully inspires those who struggle with suicidal thoughts to speak up and seek help. Someone is always ready to help. Suicide is not the answer. You can change your life and you can survive.”
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A lyric video for “Darkest Pit,” also from The Key, was recently released. Check it out here:
The Key, produced by Ulrich Wild (Static-X, White Zombie, Deftones), is scheduled for release this year via WurmGroup. Prior to its cancellation due to COVID-19, Raven Black was slated to perform on the nearly two-month-long The In-Between Tour with In This Moment, Black Veil Brides and DED this spring.
Together since 2012, Raven Black has created a soundtrack to their own Dark Metal Carnival, releasing the 2016 EP Seven Sins and the 2018 album 13. The band has toured extensively, perfecting a creepy live show that unifies the visual and aural aspects of Raven Black.
Legendary NYC musician (Birdland, The Rattlers, etc) and acclaimed author (I Slept with Joey Ramone) Mickey Leigh is debuting “Two Kinds of Law” a powerful and timely new single with his band Mutated Music.
The track (inspired by a line in Truman Capote’s In Cold Blood and a quote from a Martin Luther King Jr. speech) and its newly-released music video are now streaming everywhere.
Written & Produced by Mickey Leigh Performed by Mickey Leigh’s Mutated Music: Vox/Guitar – Mickey Leigh • Drums – Pat Carpenter • Bass/Vox – Westley Crawford
Of the new single, Mickey tells Spin, “Music is magical in so many ways. Rock n roll is one form of it that, magically, can be purely fun, but, at the same time can be a way to spread a message. And, aside from having a lot of fun with it, me and my fellow Mutated musicians think both are equally important – as long as it’s an important message.
“The concept that there are “two kinds of law – one for the rich, and one for the poor,” is not exactly one that came about recently. I first heard those words many decades ago, in a book and film called “In Cold Blood”, and, though said in different words, in a speech by Martin Luther King Jr. I just, recently, felt compelled to write a song about it. Very compelled.
“The importance of “equality” and “justice for all” has come to the forefront of our lives like never before. and, it’s a message that needs to be repeated …repeatedly. There aren’t many ways to repeat a message repeatedly without boring people to tears, aside from immersing it in a catchy chorus and irresistible rhythm.”
With the release of a slew of singles with his band Mutated Music, Mickey Leigh is taking steps. A longtime figure in the influential downtown New York City music scene, Mickey is no longer content with being in the shadows. He’s stepping into the spotlight with punk-pop-country-jazz and blues-infused tracks that tell stories of colorful rock and roll lives. “These are ‘The Stories That Never Got Told’, so they never got old,” states one of the key tracks. Of the heroine in “Little Cristine,” Mickey says “No. She ain’t no ten. She’s a number one.” His modernized, “mutated” reworking of the classic civil rights/social-awakening song “If I Had A Hammer” boldly blares the powerful message calling for “justice, freedom and love between our brothers and our sisters” which is perfect for these troubled, frenetic and divisive times.
As he explained in his 2009 autobiographical family memoir I Slept With Joey Ramone, Mickey is inspired by his love of the music of the ’60s. His life-long fever for rock & roll has never dampened, remains pure, and continues to fuel his drive to create great music. Mickey Leigh’s Mutated Music is brimming with tracks that have been called: “…instantly memorable, lyrically compelling, deceptively simple, hard-ass, life-loving songs full of emotional depth that deliver a punch far more intense than anyone could or would have expected…written with passion, played with precision, produced with perfection.” Mickey has been credited with “…the power-pop instincts of a Tom Petty and the street smarts of a Jim Carroll…not to mention a bit of The Who, Dylan, Springsteen and…Elvis.”
Starting his first group at age 10 in 1965, hitting the stage of CBGB in 1977 with Birdland, the band he formed with literary legend/music journalist Lester Bangs, Mickey is accustomed to having a front-row seat at musical revolutions. Replacing Lester on vocals, Birdland morphed into the prototype pop/punk band The Rattlers. His next band, STOP, saw 5 songs from their 1996 album ‘Never’ in rotation on BBC Radio. Mickey has continually been the recipient of favorable media coverage, credited with being “…one of those people who influenced successful bands but remained relatively unheralded himself.”
Featuring interviews with Jim Adkins (Jimmy Eat World), Chris Conley (Saves the Day), Bob Nanna (Braid) and many more…
Author, podcaster, and music industry veteran Tom Mullen has announced a September 7, 2020 release date for Anthology of Emo Volume 2, the highly anticipated follow-up to 2017’s acclaimed Anthology of Emo Volume 1, which sold out in less than a year and garnered praise and coverage from the likes of Vice/Noisey, The New York Times, Brooklyn Vegan, Kerrang, UPROXX, Billboard, SiriusXM, Alternative Press and many more.
Volume 1 To Get 2nd Printing after a Sold Out First Run in 2017
Volume 1 will also be re-released in early September, the title’s first reprint in 3 years. The books are now available to pre-order separately or as a specially-priced bundle with a limited poster here.
“If there was a course called Emo 101, this book would be on the required reading list.”-Alternative Press on Anthology of Emo Volume 1.
Anthology of Emo Volume 2 continues what the first volume started, with interviews from heavyweights in the music genre including Jim Adkins (Jimmy Eat World), Chris Conley (Saves the Day), Bob Nanna (Braid), authors and scene veterans Trevor Kelley and Leslie Simon, and the final interview of emo scene legend, Jon Bunch (Sense Field) prior to his untimely death in 2017. The book includes rare photographs and printed ephemera, an introduction by Tom Mullen, and a forward by writer and author Luke O’Neil (Welcome to Hell World). Pre-order here.
Featuring Interviews With:
Interviewees featured in Anthology of Emo Vol. 2 | Click to Enlarge
About Anthology of Emo Volume 2
In 2017, after 100+ interviews with artists and those involved with the emo and hardcore scene for the critically acclaimed Washed Up Emo Podcast, Tom Mullen, on the 10th anniversary of WashedUpEmo.com, introduced Anthology of Emo. The book, selling out in less than a year, compiled the best stories from the podcast and features rare and unseen photos and ephemera. The follow-up, Volume 2, picks up where the previous book left off and features interviews, quotes, and more from key figures and veterans of the scene.
For a word that’s often misunderstood, the Anthology of Emo series is an informative companion and faithful guide to the genre of emo. Tom Mullen is a music industry executive and veteran podcaster. He’s spent time at Atlantic, Equal Vision, Vagrant, TVT, EMI and Sony, where he was a 2016 Clio and Cannes Lions winner for his work with Bob Dylan.
In 2007, he founded WashedUpEmo.com, a destination for the entire history of emo. The site and podcast has been featured in The New Yorker, AV Club, Pitchfork, The New York Times, Paste, Billboard, Spin, Village Voice, Stereogum, Chicago Reader, Noisey, and Brooklyn Vegan. In 2011, it expanded to a podcast and DJ night in NYC. In 2014, he launched IsThisBandEmo.com, a site helping the world understand which bands are emo or not with a smile and a wink.
A proud native of Vermont, he lives in Los Angeles and spends his free time documenting and archiving the emo genre for future generations. A now popular outlet, audio, proved fruitful almost instantly in 2011. The Washed Up Emo Podcast started after Tom realized a noticeable void of podcasts from the genre. Utilizing music industry connections and his background as a college radio DJ, it quickly snowballed with critical acclaim after a few episodes and now has over 1 million plays and continues to be the definitive podcast for the emo genre.
The never-ending mountain of guests over the almost decade of episodes have included Jawbreaker, The Promise Ring, Thursday, Taking Back Sunday, Piebald, The Get Up Kids, Jimmy Eat World, Mineral, and American Football. Now, after 170+ episodes, the Washed Up Emo Podcast still has one goal. To represent and document the entire history of emo for all fans of the genre.
Ska punk luminaries Less Than Jake will be launching their third creative installment ofLost At Home Sessions. Volume Three“The Sit Around” goes on sale today at 12pm EST over at Bandcamp.
“The Sit Around” Cover Art
“I was ‘sitting around’ watching the news one day,” describes saxophonist and vocalist JR Wasilewski. “I thought about how me and my group of friends used to joke when we were kids working summer jobs, how awesome it would be to just be able to sit around all day and do nothing besides play video games and go to the beach without a care in the world. But when presented with that situation, everybody quickly realized how incredibly impossible it seemed to actually just sit around.”
The lyrics for “The Sit Around” were written by Wasilewski and it’s also the very first song that he sings the lead. “We’d been punting around the idea of me singing leads on a song for years,” Wasilewski explains. “To be frank, I always said no thanks. I felt (and still feel) Less Than Jake is most identifiable by those two voices (Chris and Roger). Adding a third voice beyond just a background vocal, to me, seems to mud up the waters. I like to sing, I just never saw myself as a lead vocalist.
“We talked about it for this song and I said I’d entertain the idea of a lead vocal, mostly because this Lost At Home project is allowing us to test the waters creatively. It’s not a proper album, just songs composed during a strange time in history. I figured if there was ever a time for me to sing, why not now?”
Those who purchase the song at the current price will automatically be entered to win a prize pack (pictured above) that includes an old and rare glow-in-the-dark bobblehead and some out of print vinyl. Contest entries close on July 24th.
Proceeds Benefit Bread of the Mighty
A portion of the proceeds will benefit Bread of the Mighty Food Bank, a North Florida-based food bank that has been serving the community for over 32 years. They collect, sort, store and distribute donated food and basic essentials to over 190 non-profit agency partners such as food pantries, churches, homeless shelters and other organizations who then distribute food in their communities to directly feed the hungry. For every dollar donated, they can provide up to ten meals.
Continuing to play over 150 dates a year while also writing and recording new material has kept the band fresh in a time when “ska” has become something of a four letter word. The list of acts they have supported is staggering (Bon Jovi, Linkin Park, Snoop Dogg), while the list of bands that have supported them makes even the most hardened music industry veteran do a double take (Fall Out Boy, Paramore, Yellowcard). All the while the band has held firm to its punk rock roots and have managed to live through many musical trends simply by just being Less Than Jake.
With well over 300 releases on various labels under their belt, most would think their legacy is already in tact, but the status quo has never interested Less Than Jake. They continue to write and perform new material and have no thoughts of letting up. With the energy and exuberance of a band half its age and the determination of savvy veterans, there is seemingly no end point to this enduring and entertaining band.
LOS ANGELES – Failure have released a newly recorded cover of the Depeche Mode classic, “Enjoy The Silence”. Listen here:
“We originally recorded a cover of ‘Enjoy The Silence’ for the 1998 Depeche Mode tribute, For The Masses,” says Ken Andrews. “That album has all but disappeared, no longer in print and not available via streaming platforms but we as a band are proud of our take on that song and had wanted to re-record it for some time. With the blessing of both Martin Gore and Depeche Mode, we re-addressed our version and came up with this new version for 2020.”
The digital single arrives at a time when Failure had been slated to perform a series of live residencies in Chicago, Los Angeles, and New York City. Those dates have since been cancelled due to COVID-19.
FAILURE 1992-1996 Preorder Available
FAILURE 1992–1996 Cover Art
The band is taking pre-orders here for FAILURE 1992-1996, a four-piece vinyl box set featuring the three ‘90s-era albums. With the original masters finally being unearthed, Comfort, Magnified, and Fantastic Planet have been meticulously restored, remixed, and remastered by Ken Andrews to a new level of sonic fidelity that eclipses all previous iterations of the band’s early work.
“Almost everything people have heard from these albums has been sourced from 16bit digital files made in the ‘90s, which was state of the art at the time,” explains Andrews. “But when we found out we were getting our hands on the original analog master tapes, and with all the confusion and lack of quality control on several of the previous iterations, we set out to create the definitive versions of Comfort, Magnified and Fantastic Planet. Everything has been sourced directly from first generation multitrack and stereo master tapes. This is us finally getting to present our early work the way we’ve always wanted to.”
In addition to all the originally released songs from the three albums, the band has discovered several unreleased songs which have also been restored and will be included in the box set.
“These new versions have all the magic from the originals, but now, instead of looking through a hazy pane of glass, the window has been completely opened and you can hear all the elements in their full glory,” explains drummer Kellii Scott.
“Listening to the b-sides and outtakes from that first year of being a band takes me right back to playing the tiny stage at Jabberjaw in Los Angeles,” adds bassist/guitarist Greg Edwards. “It’s always surprising to me how much of the expansiveness and atmosphere of the later records exist in embryonic form on those earliest stripped-down recordings.”
“Stuck On You” was recently remastered both visually and sonically, and can be viewed here:
“Lucky Cat” is the first single from DRMAGDN Cyborg Drummer/DJ’s upcoming debut album, aptly titled Escape From NYC. The song literally came to him complete in a dream three years ago. In the dream, it went massively viral, had its own dance, and came at a time of real human need – which is right now.
DRMAGDN says, “The whole process was surreal. I have never been given an entire song complete in a dream with melody, lyrics and even a dance that went viral around the world before. I met K-pop singer Josephine Cho at another session I was producing. When she started singing, I was shocked cause it was literally the voice from my dream. I had another deja vu flashback to the second half of my dream when the worldwide shutdown happened because the song came at a time of massive human need. So, I bumped my song ‘RIOT!’ to be released on June 5 and fast tracked ‘Lucky Cat’ for a May release. The song is currently almost to the one million total view/play mark across all socials and streaming services since being released a month ago. I am excited to finally drop the fun viral music video.”
Josephine Cho & Charlie Zeleny, DRMAGDN Click to Enlarge
The song is a catchy female K-Pop EDM hit available in five Asian languages and English. It features Korean pop singer Josephine Cho and was mastered by Huntley Miller (Grammy for Zedd’s “Clarity” Record and Lizzo) with mix consulting by Johnny Nice (Rihanna’s “Umbrella” and Evanescence). Additional keyboards by Plastic Cannon/Alan Markley (Maggie Rogers and Ramin Karmiloo) and lead “meow” vocals by Sophia Angelica (singer/songwriter/activist). All other production, songwriting, keys, programming, drums and mixing by DRMAGDN Cyborg Drummer/DJ aka Charlie Zeleny.
“Lucky Cat” has total combined views/plays of 835,000+ in just a month since the release. It is considered a Big Trend on TikTok with 635,000+ views, plus has garnered 55,000+ views on YouTube, 21,000+ Spotify plays, 12,500+ Spotify monthly listeners, 121,000+ SoundCloud plays and 5,000+ “Likes”/shares across Instagram, Facebook and Twitter. The song has been placed on 30+ Spotify playlists and is now on major label Sony Music’s FILTR Emerging Electronic playlist.
DRMAGDN gave $100 to charity on the day of the release to start things off ($50 to Mount Sinai’s Coronavirus Fund and $50 to friend Chris Rybin’s Kidney Transplant Fund). He also donated $3,500+ worth of medical supplies he found in storage to Elmhurst Hospital in Queens, New York. View his Instagram post about it here:
Kadima, the brainchild of Seattle-based guitarist Aidan Israel, has unveiled their debut prog metal opus, All Birds Deserve to Fly. Recorded with a host of accomplished guest musicians, Israel set out to create an amalgam of a Devin Townsend-influenced album with a Coheed and Cambria writing style and The Contortionist’s ambiance while creating a distinctly Kadima sound.
The seven-track album opens with “Here and Where,” which begins with a soft, spoken word intro before bursting into soaring guitars. From there, All Birds Deserve to Fly continues through peaks and valleys of quiet and ethereal numbers to technical hard rockers where vocalist Kaylee Jorene shines in performances reminiscent of Anneke van Giersbergen. With All Birds Deserve to Fly, Israel aims to tell complex stories through a strong narrative while also connecting with his Jewish roots and Jewish Mysticism.
“All Birds Deserve to Fly is a concept album detailing mental health struggles and my spiritual connection to Judaism,” says Israel. “When one writes music, they’re meant to rip themselves open and expose themselves to the world. The concept of Kadima is meant to guide our light to a new level of spiritual understanding and wisdom. I am beyond honored to share this with you all as it truly means the world to me.”
All Birds Deserve to Fly follows the Jewish concept of Tohu and Tikkun, which is the idea of chaos and rectification. The album is told through the lens of a person with schizophrenia: It centers around the challenge of a myriad of thoughts and ideas racing through their brain while seeking to become whole, rectify problems in their life, and come to a better spiritual understanding.
All Birds Deserve to Fly Track Listing:
Here and Where
Bound and Tethered
Guiding Paths
Lights and Vessels
Scratching and Clawing
All Bird Deserve to Fly
Love and Desolation
About Kadima
The roots of Kadima date back to when Israel began playing guitar as a pre-teen, influenced by concept albums such as Rush‘s 2112, Periphery‘s Juggernaut Alpha and Omega, and most importantly, Dream Theater’s Metropolis Pt. 2: Scenes of a Memory. Kadima, which means “forward” in Hebrew, is based on the idea that music seeks to transcend and grow in a progressive fashion.
“What attracted me to the idea of a concept album and progressive metal, in general, was the ability to convey ideas and tell complex narratives through a means that seemed supernatural and super-advanced,” Israel says. “Music was everything to me from the time I picked up the guitar. It was love at first sight. The guitar was a medium for conveying a sense of power and pride.”
As a Music major at the University of Oregon,Israelbegan pursuing his dream, but the dream was put on hold when he began displaying abnormal behavior. After a psychiatric evaluation, the guitarist was diagnosed with Schizoaffective Disorder and dropped out of the program. But recovery presented an unforeseen hurdle: “I then underwent psychotherapy through outpatient treatment and medication, but the medication was so hard on my body that I entirely forgot how to play guitar due to muscle memory loss,” Israel says.
After a year of treatment, Israel successfully petitioned to rejoin his academic program – and though he struggled with relearning a skill he had already put 10 years into mastering – successfully completed the program. During his time in school, Israel began outlining a concept album based on his mental health experiences, with plans to record it under the name Kadima.
After graduation and the mental health endeavor that Israel deems a “quarter-life crisis,” the gears were finally set in motion to make Kadima’s debut a reality. Along with his college buddy Sam Mendoza, Israel spent the summer of 2019 writing and recording the skeletons of what would become All Birds Deserve to Fly.
Originally planned to be a five-song EP, two of the tracks were split into separate entities, making All Birds Deserve to Fly into a full album. The album is dedicated to the memory of Peyton Arens, a young guitar prodigy who was influential in Israel’s musical pursuits and passed away at the young age of 13 from Rhabdomyosarcoma cancer.
While All Birds Deserve to Fly was recorded with a lineup of studio musicians, Israel plans to assemble a live lineup for future Kadima performances.
All Birds Deserve to Fly Lineup:
Composition (music and lyrics): Aidan Israel
Guitar: Aidan Israel and Sam Mendoza
Vocals: Kaylee Jorene
Spoken Word: Aidan Israel
Drums: Nick Mea
Keyboards: Eric Guenther (The Contortionist)
Bass (“Bound and Tethered,” “Lights and Vessels”): Isaac Luger
Bass (“Here and Where,” “Scratching and Clawing,” “Love and Desolation”): Nikitus Perez
Guest Guitar Solo (“Bound and Tethered”): Chance Fuller
Guest Guitar Solo (“Lights and Vessels”): Amit Fortus
Acoustic Guitar (“All Birds Deserve to Fly”): Zach Kornhauser
“Bloom,” the first single from Itayil, the atmospheric-prog rock solo project of CanaItayil Reveals Debut Single, “Bloom”dian musician David Chunn, is available today. Listen to the song now exclusively via Sea of Tranquilityhere.
“This song reflects on the finite nature of life, and how nothing is constant,” Chunn says. “Just as quickly as we learn and grow, we forget and the light leaves us, similar to a flower in bloom.”
Translating to “in between,” Itayil is a word that resonates with Chunn on a personal level, both in terms of lifestyle and musical influences. A scientist by day and musician by night, Chunn blends sounds from various genres to create melodies that capture the meaning of Itayil.
In a swirl of ethereal soundscapes, with “Bloom” Chunn creates an immersive experience that ventures beyond sound and into the mind. Trained in piano and guitar, Chunn is a self-taught vocalist who cites Alcest, Tesseract and Tame Impala as influences.
“But I’m constantly trying to find new inspiration in any genre,” he adds.
Chunn previously served as vocalist for Calgary-based band Vallite and has appeared as a guest on tracks by Every Hour Kills, Depths of Titan and Gaia.
“Bloom” is available today via Itayil’s Bandcamp and major digital music providers.
Video Features Archival Footage from the Last 15+ Years
Lucky Boys Confusion and Mutant League Records have dropped an unofficial music video for LBC’s song “Arizona Stand.” The track appears on the limited-edition double vinyl release of the band’s 1998 debut album Growing Out Of It, which is out today. Featuring archival footage of the band from over the last 15+ years, the clip was edited by Alex Zarek.
1998 Debut Album Growing Out of It Out Now on Vinyl for The First Time Ever
Available for the first time ever on vinyl, the collectors edition deluxe double LP is limited to 500 copies and includes other fan favorites such as “Fred Astaire” and more. The record includes a double insert with song-by-song liner notes from the band.
Pressing Info:
200 copies – Solid Orange
300 copies – Blue & yellow starburst
Purchase the Limited Edition Growing Out of It Vinyl here.
GFM (Gold Frankincense & Myrrh), a trio of teenage sisters who have already mastered the art of balancing a Paramore style of melodicism with a Slipknot-like ferocity, have debuted a new video for the single “Taking Over.” “Taking Over” is premiering today, exclusively via Alternative Press.
“’Taking Over’ is a song about standing up for yourself and for others,” says bassist/vocalist Maggie English. “We’re not taking no for an answer and nothing is going to stand in our way. The time to join Team GFM is now before it’s too late.”
Visualizing the young band’s sound, which they have dubbed “beautycore,” director Dale Resteghini juxtaposes images of military tanks emblazoned with GFM’s pink logo with aggressive performance footage of the band in their trademark pink GFM cheerleader uniforms, as the sisters proclaim, “Get up, stand tall If we fall, then we fall together/Take your shot, the best you got/We won’t stop, and we’re taking over.”
“The girls crushed the video,”Resteghini says. “I love helping hot new bands breakthrough the noise. One listen to the single ‘Taking Over,’ I knew I had to do this. These young girls have already shown they can handle the rigors of tour life and are destined for greatness!”
The Joey Sturgis (Of Mice & Men, The Devil Wears Prada, Attack Attack!, Asking Alexandria) produced “Taking Over” is the second single from an upcoming EP.
“Prepare to hear GFM at their heaviest,” says Sturgis. “Working on this song was all about capturing the girls at their heaviest moment, shattering your ears while allowing their melodic ability to continue to shine through the rubble.”
Catch GFM Now on the First Ever Social Media E-Tour
While spending time at home during the quarantine, the trio is finding unique ways to connect with Team GFM. GFM is hosting the first ever “e-tour,” virtually touring a variety of different social media pages and platforms. The first round of tour dates have been announced on GFM’s social media pages, with more dates quickly being added. An entire acoustic performance will be featured along with a Q&A session during each livestream. Additionally, fans with a good eye will notice a phone number within the artwork for “Taking Over.” This Easter egg is an active number that is being used as fun and unique way to interact with fans.
GFM’s first album,Identity Crisis, was released in 2016, followed byOh, The Horror! in April 2019. After touring the US multiple times, the group headed overseas to Germany in 2018, where their energetic performances established GFM as a festival favorite. A new EP is scheduled for release this spring.
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The first single from the EP, “I Don’t Need Your Fantasy” was released earlier this year. Listen to the track here.
Members of GFM are endorsed by PRS Guitars, Sinister Guitar Picks, Schecter Guitars, SJC Drums, Sabian Cymbals, 64 Audio, Orange Amps, Gator Cases, Enki USA, Pig Hog Cables, Coffin Cases, TUK Footwear, Cheerleading Company and Boathouse Sports.
GFM Is:
CJ Sanders English – Guitar, Vocals
Magdalene “Maggie” Rose English – Bass, Vocals
Evie “LuLu” Louise English – Drums, Background Vocals
