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REVIEW: Ben Folds Creates More Beautiful Moments with Tall Heights for Die-Hard Fans in Mesa (8-15-23)

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Mesa, AZ — In the moments before the start of Ben Folds’ performance at the Mesa Arts Center with support from Tall Heights, the line for the merch table stretched back through Ikeda Theatre’s lobby and out the door. As the audience poured in for the evening’s show, so many eras of Ben Folds’ career was present across t-shirts, some clearly dating back the 28 years of his career (one attendee was sporting an early Ben Folds Five t-shirt that was surely coveted by many of the long-time fans). Special shoutout to the Ben Folds glasses-cleaning set, the most audience-specific piece of merch sold, this side of Taylor Swift friendship bracelets and Cypress Hill rolling papers. Throughout the entryway, die-hard fans shared memories of their favorite Ben Folds show, detailing their favorite moments. 

Tall Heights

Tall Heights
Tall Heights with touring member Paul Dumas (Drummer)
Photography:
Katherine Amy Vega © All Rights Reserved

Boston’s Tall Heights pulled double duty, serving as both the opener for Folds and also as a part of his backing band. The two-piece group, consisting of guitarist Tim Harrington and cellist Paul Wright, has been building a steady following since their 2009 debut album on the strength of their gorgeous melodies and the duo’s lush harmonies. They opened their set with “Back to Autumn” and “Murmuring State” before introducing themselves to the crowd and making note of the delicious empanadas they’d eaten that day – presumably at downtown Mesa’s gem Republica Empanada less than half a mile away from the venue. 

Paul Wright of Tall Heights
Paul Wright (Singer, Cellist), Tall Heights
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Katherine Amy Vega © All Rights Reserved

The duo covered Blink-182’s “Dammit” – a captivatingly ethereal rendition that surprised, amused, and delighted the audience. They released their reimagined version of this song in 2022. After playing “Only,” the duo talked about getting to tour with Folds and how they were recruited by him to play on his latest album, which in turn inspired them to get to work on their own new album.

Tim Harrington of Tall Heights
Tim Harrington (Singer, Guitarist), Tall Heights
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Katherine Amy Vega © All Rights Reserved

They then debuted a brand-new song “Still Feel the Same,” so new in fact that they had the lyrics printed and out on stage with them. When the crowd immediately embraced the song and gave it a long round of applause after, Harrington laughed and said “you are so sweet. I was shitting my pants the whole time, and it was not because of the empanadas!” 

Tall Heights
Tall Heights
| Photography:
Katherine Amy Vega © All Rights Reserved

After a haunting rendition of their “Spirit Cold,” Harrington implored the crowd, since “Still Feel the Same” was so new, “If you took a video of the song, don’t post it on social media, and you already have… you know what? Fuck it. We’re not famous enough for anyone to care if something gets leaked early.” They closed their set with a completely unplugged, standing performance of “To Be Young.” 

Ben Folds

Ben Folds with touring band, including Tall Heights
Photography:
Katherine Amy Vega © All Rights Reserved

For being such an incredibly dynamic performer, Folds is so humble and gracious in between. Even his arrival on stage came with a brief pause at the front of the stage for a quick smile and nod before he went to his piano, and opened his show with “Exhausting Lover,” “Winslow Gardens,” and “Clouds With Ellipses” from his new record What Matters Most (his set would feature eight of the album’s ten songs), all of which sounded great. The new album is a must for those who don’t already have it. 

Ben Folds
Ben Folds
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Katherine Amy Vega © All Rights Reserved

After “Losing Lisa” off of Rockin’ the Suburbs, Folds shared with the crowd that during the pandemic he had an online song-writing course he taught and that one assignment involved students in the class using headlines to inspire songs. He himself got two songs out of it: “Fragile” (inspired by a story of a would-be burglar who was caught by the family, started to cry, and then gave them $200 before quickly leaving their home) and “Kristine from the Seventh Grade” (drawn from an article by a woman explaining why she wouldn’t remove her shoes in homes that ask you to remove shoes). “This is funny,” he added before starting the song, “but I put it in a minor key.” Indeed, it was amusing, eliciting laughter throughout, as it told the tale of a former school friend. She had given herself over to online conspiracy theories and near-constant anger at the world.

Ben Folds
Ben Folds
| Photography:
Katherine Amy Vega © All Rights Reserved

One of the reasons why Ben Folds’ fans are so loyal is in part because of his incredible song writing. While his songs can be many things: funny and sad, uplifting and sorrowful, heartwarming and heartbreaking, they are all deeply rooted in an unmistakable humanity. Though we may at times laugh at his protagonists, be they him, a surrogate, or a character he’s created, it is in response to something we can all connect to and understand.

Ben Folds
Ben Folds
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Katherine Amy Vega © All Rights Reserved

“Still Fighting It,” a song written about his son Louis, has been a live-show staple for years and always a highlight. I mean, who of any age can’t relate to the line: “Everybody knows it sucks to grow up”? “What Matters Most,” the title track from the new album, and “Landed” both deal with missing friends, whether from death or confusing estrangement. These songs were performed back-to-back, making for a poignant one-two punch.

Ben Folds with touring band, including Tall Heights
Photography:
Katherine Amy Vega © All Rights Reserved

“If you know Regina’s parts, go ahead and sing along,” prompted Folds before playing “You Don’t Know Me,” his duet with Regina Spektor from Way To Normal. The audience took Folds’ cue and responded majestically. One of the hallmarks of any Ben Folds show is audience participation. For a time after the release of Rockin’ the Suburbs, his first album away from Ben Folds Five, he embarked on a solo tour that featured only him and a piano each night. He made the audience a part of the show, directing them to add harmonies or, in the case of “Army,” stand in for the trumpet and trombone parts.

Ben Folds
Ben Folds
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Katherine Amy Vega © All Rights Reserved

As Folds and the band arrived at the first instance of Spektor’s vocals, it clearly surprised and delighted Folds to hear her parts sung so loudly and enthusiastically from all corners of the Mesa Arts Center, even briefly stopping the song at one point to express how much it pleased him. “How cool is that?!” he marveled. Following a spirited run through of Way To Normal’s “Effington,” Folds ran the audience through a quick three-part harmony rehearsal to accompany the performance of “Not the Same” — Folds’ ballad of a high school friend who dropped acid at a party and climbed up into a tree where he stayed all night before climbing down the next morning and promptly becoming a born-again Christian. Throughout the song, Folds stood, playing many of the parts one-handed so he could keep his right hand free to direct the audience through the harmonies. For a song that is somewhat somber in tone, it managed to be one of the evening’s highlights, especially as a scan of the audience revealed universal expressions of glee. 

Ben Folds
Ben Folds
| Photography:
Katherine Amy Vega © All Rights Reserved

As Folds began to set up “Moments,” the final track on the new album and what would be the pre-encore closer, an audience member called out “Rock This Bitch,” Folds’ long-running live show staple improvised song. Folds obliged the request, playing an Arizona-specific version of the song and once more assigning the audience vocal parts. Folds came back out and performed “Annie Waits” solo (eventually joined by Tall Heights, who added some of their incredible harmonies at the tailend of the song). They followed with full-band runs through “Still” and “Zak and Sara”. 

Ben Folds
Ben Folds
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Katherine Amy Vega © All Rights Reserved

“Moments” was the evening’s pinnacle. It was, after all, a night about living in the moment, being present for life. As the lyrics go “We try to hold these moments as they glow/We’ll breathe them in and then we’ll let them go.”

Ultimately, it is these moments — shared moments with strangers — that are what matter most (yeah, that’s right, I worked in TWO references to Folds’ stellar new album in one sentence). There is something so real, so uplifting, and ultimately something so life affirming about a Ben Folds concert that it should never be missed. Despite arriving as strangers and departing as strangers, a Ben Folds audience in between is a community drawn into the experience, singing along to every word, providing harmonies, laughing, crying, and being present. We held in the moments like one of life’s most precious breaths before letting it go into the night, a community forever but strangers once more.

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Photographer: Katherine Amy Vega

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Ben Folds & Tall Heights – Mesa Arts Center 8-15-23

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

SPECIAL REVIEW: CAKE and Ben Folds Enliven Marymoor Park (9-6-19)

Redmond, WA — CAKE, Ben Folds, and special guests Tall Heights seemed to be right where they belong as they performed amidst the tranquil atmosphere of Marymoor Park. The Seattle Eastside amphitheatre is surrounded by trees, and the crowd was content to sit and chill on the lawn from the get-go. This is the second time CAKE and Ben Folds have commenced on a summer co-headlining tour accompanied by Tall Heights. Summer of 2018 saw the joint tour spanning the east side of the country, and this year it was along the west coast. This 2019 tour wraps in Grand Prairie, TX, which makes it slightly surprising that they’re not stopping in Phoenix between Los Angeles and Austin. Following the final date, CAKE is headed to France, and Folds to Milwaukee, WI.

Tall Heights

This isn’t the first time electro-folk duo Tall Heights has toured alongside Ben Folds — Burning Hot Events reviewed their concert at Marquee Theatre in September of 2017. “Spirit Cold” is one of their most recognizable songs, and it was that very song that I could hear in the distance as I approached the amphitheatre after getting stuck in the concert traffic, reminding me of CAKE’s “Long Line of Cars.”

Their soothing folk vibe and harmonies could not have been more perfect for an outdoor show closing out the work week. With their discography currently comprised of three albums, their most recent release was Pretty Colors for Your Actions on October 5, 2018. It is moving to know that they have come this far from their beginnings of busking in Boston.

Ben Folds

When Ben Folds hit the stage, Tall Heights continued to perform in his live band alongside him. Folds casually yet energetically strolled onto stage with a demeanor that read like we are all old friends. He began his set with upbeat “Annie Waits” — an uplifting contrast to the gentleness of Tall Heights’ music. Despite this, Tall Heights paired with Folds seamlessly, and it was apparent how much fun they have up there with him. The accompaniment is demonstrative that despite going solo, Folds loves to perform as a group.

Ben Folds, Live Band Incl. Tall Heights
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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It was probably about 7:00pm when Folds started. He told the crowd that he thought he was going on at 8:00pm, so he was performing in the clothes he slept in. He said that he had let himself go, and asked the audience who else had let themselves go. Oddly enough, a majority of the crowd honestly raised their hands and there was laughter all around. He even improvised a “Let Yourself Go” song later on in his set. With the use of his quirky sense of humor, Folds has a gift for generating a feeling of camaraderie at his concerts.

Ben Folds
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Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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During the following song, “You Don’t Know Me,” Folds encouraged the audience to fill in for Regina Spektor. It would have been amazing to hear Spektor singing the parts herself, but it was quite enjoyable to participate in the sing-a-long.

The sun went down as his set progressed, and strings of lights surrounding the stage lit up. It was a beautiful environment. Even this, however, was not without some typical aggro displays amongst the crowd in which some of the concertgoers that obviously don’t attend shows often yelled at others that wanted to stand during the concert because it was preventing from seeing while they sat on the ground. It’s expected to see this type of aggression in the Arizona heat, but less so in the more passive and down-to-earth Seattle area. It just goes to show there’s one in every crowd.

But there were also bemusing moments where some women danced along to Ben Folds in a completely mismatched style — as if they were dancing in a nightclub. It was heartwarming to see a female security guard subtly bobbing along to the music, and a male fan passionately singing along. Folds also made a touching statement about having to pinch himself for being able to tour with CAKE.

Ben Folds
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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In April 2018, Rolling Stone recorded high praise from each of the co-headliners directed at the other. CAKE’s frontman John McCrea was quoted, including the sentiment, “In a culture often conflicted about its relationship to melody, and songwriting generally, Ben continues unapologetically to provide melodic clarity and musicality.” Folds stated, “Cake – my rough contemporaries, comrades and heroes – to me, they make universal, poetic, identifiable music with a groove.” Both artists were sure to make mention of Tall Heights, and the last sentence in McCrea’s quote summed things up rather well, when he said, “This co-headline line up seems like a good combination of musical styles-disparate but not antithetical to each other-and it should be a solid evening of music.” The fact that they decided to tour together again the next year shows that their feelings remained unchanged after they joined up the first time.

Two songs from Ben Folds Five were included in the setlist: “Battle of Who Could Care Less” and “Do It Anyway,” both of which were everything they should be with the backup vocals lent by Tall Heights. It would have been nice to have a video camera on Folds’ hands when he was playing, with the footage displayed on a screen, especially on a song with the impressively high-speed tempo of “Do It Anyway.” One of the best parts about his stage presence, though, is that his dynamic movements at the piano help compensate for the lack of visibility of his bandaged fingers.

Ben Folds
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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The contribution of the cello and harmonica to the new song “Moscow Mitch,” unambiguously inspired Mitch McConnell’s new nickname, added great layers to an otherwise simple song. 

A personal favorite moment was during “Rockin’ the Suburbs” when Folds emulated the vocals of Zack de la Rocha of Rage Against the Machine, and he did it surprisingly well — even better than on the album. Despite his debut solo album Rockin’ the Suburbs being released in 2001, the song’s topic of “white boy pain” is apropos in current times. There seemed to be a consensus amongst the crowd as they laughed knowingly during his dialogue leading up to the song about unnecessarily angry suburban white guys. Good Charlotte’s “Lifestyles of the Rich & Famous” (released in 2002) has a very similar theme, and even a similar chord progression.

Although he has released multiple LPs, the album the most songs were taken from was Rockin’ the Suburbs. Folds closed out his 15-song set with “Not the Same”. He stood on his piano gesturing grandly toward the crowd like a conductor, bringing his set to an engaging and dramatic finale.

Ben Folds
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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CAKE

CAKE had an epic lead up to their entrance with the entirety of the song “War” by Vince DiCola from the Rocky IV soundtrack. The venue was buzzing with excitement for a one-of-a-kind band that many had been waiting seemingly an eternity to see live. Thankfully they were able to perform, despite the fact that 5 of their instruments were recently stolen by some heartless heathens in Portland.

Originally formed as a somewhat antagonistic answer to grunge, CAKE’s democratic processes, defiant self-reliance, and lucid yet ever-inventive music has made them a nation-state unto themselves, with no obvious peers, belonging to no school.” 

CAKE
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Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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The band opened with “Sheep Go to Heaven” from their third album, Prolonging the Magic. A disco ball added eye candy behind them, on and off throughout the night. The signature sound of the trumpet and the vibraslap bring about a certain sort of familiar comfort that’s rooted in the simpler times of the 90s. 

Vince DiFiore (Trumpet), CAKE
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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CAKE has released 6 studio albums, with the most recent one, Showroom of Compassion, having been released in 2011. The singles “Sinking Ship” and “Age of Aquarius” were released within the past year. While McCrea has discussed an eventual album release, no date or title have been provided as of yet.

John McCrea (Vocalist), CAKE
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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CAKE and their pithy music still remains very much of its time even in 2019. Their politically-charged social media presence has divided fans, driven some away, and drawn others closer. McCrea donned a white t-shirt with the Kool-aid Man busting through a brick wall with barbed wire at the top, and it read, “FUCK YOUR BULLSHIT WALL!” Amusingly, after having the crowd at the concert battle in a loudness war, he made the punchy comment, “There’s good people on both sides,” which was responded to by many with, “BOOOO!” 

John McCrea (Vocalist), CAKE
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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It was nice to experience something fresh from CAKE as they performed “Sinking Ship,” their first new original song in 7 years, which laments a self-inflicted apocalypse. Interestingly, Showroom of Compassion was recorded in a solar-powered studio. In between songs, their environmental consciousness was displayed after McCrea said he could not concentrate until they gave away the tree sitting next to him onstage. CAKE has a tree map on their website under a “Forest” tab. The website offers no explanation regarding the map, but a great many know what it’s about since they’ve been giving away trees at their concerts for over a decade.

During the tree contest, fans shouted to McCrea, and he responded to one man saying, “That’s not your tree yet. That’s called white male entitlement.” The crowd roared with laughter, and he followed with, “No he’s just having a good time.

It turned out to be a honeycrisp apple tree, which was won by a woman named Josie, who guessed the type of tree correctly. McCrea continued to elicit laughter as he called to her, “Get up here and get your damn tree… Don’t jump up and down and hug your friend. Come and get your tree.

Tree winner Josie w/ John McCrea (Vocalist), CAKE
| Photographer:
Katherine Amy Vega, Kataklizmic Design
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The duality of the monotonous vocals with sarcastic lyrics versus Vince DiFiore’s vibrant trumpet and upbeat music is an interesting experience, and CAKE gives a show that feels enthusiastic overall despite McCrea’s somewhat deadpan nature. He breaks out of that mold as he raises his guitar in the air, gestures and raises his arms toward the crowd, and it seems that he greatly enjoys playing the vibraslap and pointing it at individuals in the crowd.

John McCrea (Vocalist), CAKE
| Photographer:
Katherine Amy Vega, Kataklizmic Design
© All Rights Reserved
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With a somewhat laid-back stage presence, CAKE’s performance seemed effortless during their 12-song set and they sounded perfect. Their last 5 songs were arguably some of their most popular: “Love You Madly,” “Never There,” “I Will Survive,” “Short Skirt/Long Jacket,” and “The Distance.” I would have loved to experience one of my personal favorites: “Rock ‘n’ Roll Lifestyle,” which was actually their very first single, released in 1995. 

At one point, McCrea mentioned that he once spoke with a physicist that said, “hope is something you have to do,” it doesn’t just happen to you. This message resonated strongly as a reminder that we must make cognitive effort and take action if we want to improve our lives. There is always a different kind of impact from a show that is more than only rock ‘n’ roll. This wasn’t a concert for those that are totally intolerant of leftist leanings, and it was otherwise a show that was impressive, communal, light-hearted, nostalgic, and cathartic. CAKE, Ben Folds, and Tall Heights at Marymoor Park was an experience that brought excellent entertainment value and generated lingering positive energy. We’re looking forward to the announcement of CAKE’s album release date, and a first listen to their newest compelling lyrics.

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Photographer: Katherine Amy Vega

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CAKE & Ben Folds ft Tall Heights – Marymoor Park 9-6-19

Photography © Kataklizmic Design
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REVIEW: Soaring to New Heights at the Ben Folds Paper Airplane Tour at Marquee Theatre 9-22-17

Tempe, Ariz. — Even before a band took the stage there was a sense of friendship and camaraderie sweeping the room at the Marquee Theatre that Friday, September 22.  Ben Folds’ Paper Airplane tour had come to town, and the audience smiled and laughed as they waited excitedly for the show to start.

Tall Heights

Tim Harrington and Paul Wright of the duo Tall Heights sauntered on stage, carrying their instruments: a guitar and a cello.  The electrofolk group from Boston serenaded with haunting harmonies that lulled back and forth as an ocean’s tide, pulling the audience in and releasing them once again.  Their emotive lyrics of songs like “Spirit Cold” and “Iron in the Fire” weighed on hearts and the duo used creative sounds like cell phone feedback to accompany the song Cross my Mind. The spell was eventually broken as their set came to an end, signalling to the crowd to usher forward for the main event, Ben Folds.  

Tall Heights - Photo Credit: Katherine Amy Vega
Tall Heights
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Ben Folds

Ben Folds - Photo Credit: Katherine Amy Vega
Ben Folds
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

After holding the audience in eager anticipation Ben Folds entered the stage and seated himself at the piano, gave a short wave and sheepish grin to the crowd, then immediately slammed fingers to keys, playing “Annie Waits.  Arms slipped over shoulders and the audience sang along.  It was as though everyone was invited to an intimate house party, every song a precious memory as it poured over the audience, friendly reminders of days now past.  

Ben Folds warmly shared stories, talking about his father as a construction worker and being cornered by his Uncle Walter who talked about what he would do if he were president.  Occasionally Ben Folds would stop singing and just listen to the audience sing instead.  He stood and happily conducted the crowd in a five part harmony singing “Not the Same”.  Tall Heights came back to the stage joining Ben Folds to sing “Still Fighting It.

Ben Folds & Tall Heights - Photo Credit: Katherine Amy Vega
Ben Folds featuring Tall Heights
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

 For the grand finale of the first half of his set he started playing a drum while walking across the stage and continued playing an amazing drum solo as they set up the remaining set around him. The stunned audience continued to watch intently, impressed into silence broken intermittently by hoots and screams.  When it was over, a brief intermission began, but there was a catch.  

Ben Folds - Photo Credit: Katherine Amy Vega
Ben Folds
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The audience was instructed to go into the lobby and get a piece of paper.  Write a request on it and fold it into a paper airplane to be sailed across the Marquee landing gently on the stage, where Ben Folds would take it and play what was written on it.   People rushed to get their paper and pushed their way close to the stage, hoping that their paper would make it, and more importantly, that their paper would be chosen.  It was none other than Arizona’s own Alice Cooper who came on to the stage, swinging red lights and wearing his signature black hat, who initiated the count down. The crowd chanted “10, 9, 8…” and at 0 the entire audience sailed airplanes towards the stage.  The planes that didn’t make it were picked up by strangers and thrown again, everyone helping to get all the paper planes to the stage.

Alice Cooper with Paper Airplanes in the air - Photo Credit: Katherine Amy Vega
Alice Cooper at Ben Folds Concert
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Ben Folds did explain he might not be able to sing every song, or occasionally a song wasn’t even written on the paper, making it impossible to play.  However, the highlight of the second half of the set was when just that happened.  He started to play a song that no one recognized, and went on to completely ad-lib a song based off what was written on the airplane, which was “Rock this B***h, Omaha Symphony 2017.”  In the song Ben Folds told a story about how he acquired his favorite piano, his Frank LLoyd Wright piano for only $8000, singing that the guy who sold it “thought that was a lot.”  The audience laughed over and over at the witty story set to music, all in the guise of a request written on an airplane.  

Ben Folds - Photo Credit: Katherine Amy Vega
Ben Folds
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Songs kept coming and wrists flung in the air to the beat of “Kate” while bodies moved back and forth to the sweet piano chords.  Abruptly, Ben stood and bowed the audience, thanking them for coming out and left the stage.  The audience continued to cheer and scream, knowing an encore had to be in store. In a few minutes he returned and played “Zak and Sarafor a rejoicing audience.

Then it really was over, the house lights came on and the crowd started to head to the doors.  Their faces full of smiles, holding the hands of loved ones and already reminiscing about their favorite part of the concert. It was as though they were leaving a friend’s party who had come to town unexpectedly, hyped up and already awaiting the next chance they get to see each other.  The next time Ben Folds comes to town, they’ll be ready.

 

PHOTO ALBUM

Photographer: Katherine Amy Vega

Ben Folds & Tall Heights – Marquee Theatre 9-22-17

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.