Tag Archives: Jimmy Eat World concert

REVIEW: Jimmy Eat World Launches “Surviving” Era with Hometown Show at Crescent Ballroom (10-6-19)

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PHOENIX — Jimmy Eat World announced on Twitter, Facebook and Instagram on October 1, 2019 that they would be playing a hometown show at Crescent Ballroom in support of their 10th and newest studio album “Surviving”, which will be released a couple of weeks later on October 18th. The tickets went on sale at the same time the show was announced, and those lucky enough to be on social media at that time managed to snag a ticket or two to what would turn out to be one of the most incredible shows the valley would see in 2019. The opener was Gabriel Sullivan, a Tucson native who also was playing in support of a new album, his 4th: Black Crow, released on September 27th this year.

Gabriel Sullivan

Crescent Ballroom in Downtown Phoenix was less than half full when Sullivan took the stage, his band playing a nearly ethereal opening few notes with the stage bathed in blue light before he bounded onto the stage. Gabriel has a passing resemblance to a younger Eddie Money, his low, growling voice reminiscent of Nick Cave, with a sound that would be at home in a Quentin Tarantino movie. He is, in short, what one would think of if someone mentioned music that sounded like the desert.

By the time the final note had played, he had the crowd’s rapt attention and had many heads bobbing along to the music. Mid show, he raised a can and talked about how incredible it was to open “for your hometown heroes, Jimmy Eat World!” He also made mention of Casey Golden, who had played in the lounge before the show and told everyone to grab the record of a fellow Tucson native.

Jimmy Eat World

 As the stage was prepared for Jimmy Eat World, the anticipation in the crowd built, with a near electric feeling prevalent in the room. Finally, the time came for the band to take the stage, with frontman Jim Adkins wasting no time in starting the show: “Howdy y’all! We’re Jimmy Eat World from Mesa, and this is Surviving!”. The title track off of the upcoming record had a retro sound and yet was brand new. This was the magic of the evening; 21 songs, some new, some old, all sounding timeless and explosive.

Jimmy Eat World just reached 25 years as a band, a milestone that is no small feat, and in that quarter of a century of existence they have released nine records with Surviving being the tenth. To say that they have released some incredible songs over those years would be an understatement, and many songs have resonated with fans in various stages of life. To that end, as past hits such as “Pain”, “Sweetness” and “The Middle” played, Adkins’ face would light up as the fans sang every single word back to him, matching his passion and his energy. Very little time was spent talking to the audience, but every word he said was full of gratitude. Repeatedly, he would wait until the applause died down and would say, “Thank you so much!” At one point, while wiping sweat off his face, he told the audience, “you guys are fantastic. It’s just better when we have our fans.

Jimmy Eat World
| Photo courtesy of Nate Wert

Seven of the songs on the expansive setlist were from Surviving. “All The Way (Stay)” and “Love Never” were already familiar to much of the audience, as they were singles that were released when the album was announced on September 23rd. Others, like “Surviving”, “Criminal Energy” and “555” were new and well-received, with the latter two being heavy, and yet soaring songs, a sound that has traces of “Integrity Blues” and traces of the time Justin Meldal-Johnsen, who produced the album, spent with Nine Inch Nails.

Jimmy Eat World has played many venues all over the world, from the majestic Red Rocks in Colorado, to the enormous music festivals such as Kaaboo Del Mar in San Diego and the massive Rock am Ring in Germany. They can, and do, sell out massive amphitheaters, and yet they appear to still be in awe when they return to their hometown and play a concert in a cozy venue such as the Crescent Ballroom.

Saw some old friends. Made some new friends. Pretty solid afternoon. 🙏@rockamringofficial #rockamring

Posted by Jimmy Eat World on Friday, June 1, 2018


The respect they have for the fans could be witnessed multiple times throughout the night. After “Bleed American” Jim asked the audience to give themselves a hand because “That was really cool!”. Later on he would thank the Crescent Ballroom for allowing them to play, and announced, “We’ll be on Jimmy Kimmel next Thursday! Is it Thursday? It might be Thursday.” As the last notes of “The Middle” were still fading away, members of the band shook the hands of the fans in the front of the stage, gave some high fives, and thanked everyone for coming out again.

One of the coolest parts of the night did not happen on stage. Rather, it happened by the merch booth, where Adkins stood and took pictures and talked to fans up until the point Gabriel Sullivan took the stage. Jimmy Eat World came from a Phoenix music scene that was rough in the 90s, and rose to the top of the nationwide charts. However, as this show proved, they have not and will never forget their roots. This show was a love letter of sorts, a thank you to the fans in their hometown.

There will be a Surviving listening event on October 18, with a Zia Records/Jimmy Eat World pop-up shop, while DJ Chelsey Louise (of Fairy Bones) spins emo classics at Arizona Wilderness. Don’t miss it!

It’s finally here. Can’t wait for you guys to give this a spin. #Surviving #vinyl https://smarturl.it/Surviving

Posted by Jimmy Eat World on Wednesday, October 9, 2019

REVIEW: Incubus, Jimmy Eat World, and Judah & The Lion Blow Away Ak-Chin Pavilion 8-12-17

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PHOENIX — It was a hot and humid evening on August 12th as the lines of cars slowly filled the parking lot of Ak-Chin Pavilion in Phoenix. Incubus was headlining the night’s show with special guests Jimmy Eat World.

Opening act Judah & The Lion was on stage first to warm up the crowd and promote their recent Folk Hop ‘N Roll Deluxe LP, released earlier this year on St. Patrick’s day. The Nashville-based band brought their own unique brand of genre-bending grooves to the valley before heading to Los Angeles for a show at the Hollywood Bowl on August 14th. Frontman Judah Akers is high energy, even running through the audience at one point and doling out high fives to the amused delight of concertgoers. This band definitely did their job setting the mood for the rest of the evening.

At approximately 7:42 PM, Jimmy Eat World took the stage to an uproar of applause as the lights lit up a sea of faces throughout the Pavilion with “Sure and Certain” as their opening song, followed by the title track of their 2001 album Bleed American. As the sun disappeared over the horizon, the purple clouds in the distance began to take a darker hue, with quick flashes of lightning bursts illuminating sky. This would foreshadow what would come later in the evening.

For the time being, everyone was worry-free and soaking up the nostalgia of seeing this amazing band again. It was even more special for the folks in attendance because Jimmy Eat World are one of the few mainstream bands from Arizona. Formed in Mesa back in 1993, the band has been a source of inspiration for many Arizona musicians for nearly two and a half decades. There are most likely a lot of people in the audience that saw them live in one of the famed and now closed Arizona music venues from the 90’s heyday before the band made it big. So many couples are singing along and embracing with the lyrics, “Sure and certain, wander ‘til we’re old”.

Lead vocalist and guitarist Jim Adkins eventually addresses the audience admitting “We’ve actually never played here before,” later adding, “It means a lot for us to be here playing music for you tonight”.

This was surprising news to many because the venue has been a staple for live music for the last 27 years. How could they not have played the pavilion before? When it had originally opened to the public in 1990 it was the Desert Sky Pavilion. In 1996 the name was changed to the Blockbuster Desert Sky Pavilion until 2001 when it was renamed the Cricket Pavilion, which it remained… Until it was again rebranded as the Cricket Wireless Pavilion. In 2010 it was renamed yet again as Ashley Furniture HomeStore Pavilion for 3 years until things came full circle and it once again retained the name Desert Sky Pavilion. That was short lived as the Ak-Chin Indian Community purchased the naming rights later that year and it has remained Ak-Chin Pavilion ever since.

There was a chilling performance of “Pass the Baby”, and the people swayed like blades of grass in a summer’s wind, back and forth to the beat. An entire field of people moving their bodies and mouths to the lyrics, reflecting the light off of their faces, brought to mind the sharpness of the lyrics as the wind stirred palms in the distance beneath a tapestry of ever-changing clouds growing more and more menacing. A little later. the mood lightens and the versatility of the evening begins to betray the current mood with an about-face.

I’m gonna need a lot of help with this one. Get those lights out!

As fans activated their cell phone flashlights, the entire of the pavilion transformed into a sea of dotted illumination reminiscent of stars dancing in the night sky. “Hear You Me” trickled out of the sound system for a beautiful performance that many there will not soon forget.

Shortly afterward, Jim sang, “If you’re listening…

His Fender Telecaster began to sing the beginning riff of “Sweetness”, and it was evident how many people were immediately transported to another place in time. They’re bobbing their heads stuffing laundry into dryclean safe bags at Delia’s cleaners. They’re skating to station 13 at Sonic Drive-Thru. A girl is scanning Eddie Bauer jackets at Target overnight for inventory while mouthing the words. The guy at the front counter is stocking parts at Autozone. The aforementioned couple is at prom again. A few of them are crying. This was a time when they were happiest. Back when mom and dad were still alive and all they had to worry about was homework. They’re all conscious that the year is 2017… But they’re all in another time. Some are in 2001. Some 2003. Some in 2005.

What’s refreshing is that there were also teenagers in the audience, all that same age as the older crowd when these beloved songs were released. This music has somehow transcended time as these few but long years have passed.

“The Middle” ended Jimmy’s set. Once again, the mood was notched up to a positive crescendo.

Incubus hit the stage after a lengthy intermission and wasted no time getting started. Amongst rolling thunder, Brandon Boyd asked, “So how you guys doin’?!

The audience is echoing a cacophony of applause as Incubus opens with “Quicksand”, executing masterful precision. That would end up being a theme for the evening between the three bands. With the exception of Judah And The Lion, Jimmy Eat World and Incubus are veterans in their own right. This is one of thousands of shows these bands have played and their abilities haven’t diminished in the slightest after twenty plus years of touring year in and year out. Each and every song sounds studio- quality, with the perfect charm of the inequitous distribution of sound in a live setting. Everything sounds fresh, which is a true indication of each band’s maturity, and an excellent high water mark to distinguish their respective careers.

When the beginning of “I Wish You Were Here” began, people got quiet. It seemed like everyone within a mile radius is singing along loudly to the lyrics. Once again, the phones were out and that same illusion of stars dancing across the seats was visible, to the delight of observers. As they wrapped this song up, they closed it out with the intro Pink Floyd’s “Wish You Were Here”, to the same lyrical zealousness of the few who knew the lyrics.

The clouds got closer and were nearly directly overhead when Incubus began “Stellar”, which elicited audible reactions of delight. Brandon Boyd is flawless in his recitation. At 41 years of age, he’s still very much an attractive man as well as a fantastic vocalist, but now with the age and wisdom of a distinguished older gentleman. Co-founder Mike Einzeiger is still ever the lead guitar slinger, hitting every melodic scale and harmonic with deft accuracy. The original drummer Jose Pasillas nailed the beats with the impeccable timing of a metronome. It would be criminal to discount the beautiful bounce of Ben Kenney’s bass, and the power of DJ Kilmore’s scratch. On this night they were in rare form as a unit and in tight unison. By the time they played “Drive”, there was a definite shift in the atmosphere.

The wind was now slightly oppressive and cups are blowing across the isles. The good vibes were still there but the weather really began to become more pronounced. The sprinkling began with “Pantomime”, to the dismay of the audience, and just as the band was finishing up “Sick Sad Little World” it began to pour significantly. It actually came in sideways toward the stage. As the song concluded, Boyd remarked nervously “We’ll be right back guys, I promise… We’ll be back”, as they exited view. Moments later a promoter or employee with the pavilion appears and explains that they’ll do everything they can while staff cover the electrical equipment from the elements. “We’re here for your safety.

Giant thunderbolt and lightning (very very frightening). The crowd went wild and cheered with the revelry of a rebel yell. Masses poured out of the grass and into the stands for cover. Many beneath the ramada begin sprinting for the gates. By all appearances it looked as though this show was over. The parking lot was in shambles. Cars were scrambling toward the exit. The stack turning left at 83rd ave and Monte Vista began to congest as the downpour continued onto the policemen stopping traffic in opposite ways to assist those fleeing the venue.

…But Boyd kept good on his promise.

When the rainfall began to calm, Incubus DID come back with “Nice To Know You” and finished the show with “Warning” to close out the evening for good. Any other band could have ended the concert right then and there when conditions became dangerous and half the audience left. They must have done it just for those few fans that stayed. It was truly a rare sign of integrity to match the humbleness of Jimmy Eat World; both bands being the measure of ethics and class to the very fullest. It was a remarkable show; one that can be easily recounted for years to come for anyone who was fortunate enough to be there. Like a Strawberry Cheesecake Shake from Sonic.

Thank you #Phoenix that felt amazing ⚡️

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