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REVIEW: Sarah Brightman’s ‘A Christmas Symphony’ Enchants Phoenix with Music and Nostalgia (12-09-24)

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PHOENIX — For enthusiasts of musical theatre, the name Sarah Brightman is iconic—and for good reason. A true legend, she began her career as an incredibly influential stage actress before transitioning to a highly successful classical crossover singer—just one of many remarkable stories about her. Brightman was married to composer and impresario Andrew Lloyd Webber, who – when adapting The Phantom of the Opera – wrote the part of Christine specifically for her. She also harbors a deep affection for the Christmas season, thus the “A Christmas Symphony” tour was conceived. And on a slightly chilly evening, this awe-inspiring production was bestowed upon a Phoenix audience at Arizona Financial Theatre.

The stage was bathed in soft blue light as the orchestra settled into their positions, soon joined by a 16-member choir. Just after 7:30 p.m., the concertmaster – also known as the violin first chair – raised his bow, signaling to the conductor that they were ready. The conductor gave a flourish with his baton, and the show commenced. The evening opened with a Nutcracker classic, “Act 2 Divertissement / Trepak / Russian Dance”. As the final notes played, Brightman made her grand entrance.

Sarah Brightman
Photography:
Katherine Amy Vega © All Rights Reserved

Adorned with a crown reminiscent of Lady Liberty and a dazzling silver gown, she commanded the audience’s attention. Her glittering dress caught and refracted the erupting stage lights, casting radiant beams into the audience. Smiling warmly, Brightman began with a breathtaking rendition of “Ave Maria,” setting the tone for the evening. When the song faded and the first of many enthusiastic bursts of applause subsided, she greeted the crowd.

Sarah Brightman
Sarah Brightman
Photography:
Katherine Amy Vega © All Rights Reserved

With an air of utmost elegance and a voice of silky, unwavering propriety, she shared her love for Christmas and revealed that the evening would feature special guests. She then launched into “O Holy Night,” a poignant rendition that showcased her unparalleled vocal ability. Local child prodigy Markus Amdam Bang then joined Brightman for the angelic “Walking in the Air”.

Sarah Brightman and chorister Markus Amdam Bang
Sarah Brightman & local (Phoenix) chorister Markus Amdam Bang
Photography:
Katherine Amy Vega © All Rights Reserved

Brightman’s voice must be experienced to be fully appreciated; as she has the ability to transport the listener to faraway lands and evoke memories of bygone Christmases, warm fires, and cherished stories told by generations now gone. Her voice resonates deeply, moving the most stoic hearts, and bringing childhood back to the old and infirm. Stripped of all artifice, her voice reveals a pure and transcendent beauty.

The concert was expertly curated, weaving traditional Christmas with selections from Brightman’s discography, such as “Follow Me” from her Hymn album, and a luminous cover of ABBA’s “Arrival”. She was also joined by Jay Dref, who performed on several songs, including “Carol of the Bells” and a spectacular version of “The Phantom of the Opera.”

Sarah Brightman singing vibrantly
Sarah Brightman
Photography:
Katherine Amy Vega © All Rights Reserved

The evening also featured covers of additional artists, such as “Colder Than Winter” by the current backing and occasional lead vocalist of the Eagles, Vince Gill, and Linda Ronstadt’s “Winter Light”. As the show neared its inevitable conclusion, Brightman saved the best for last. Following the powerful “Phantom”, she sang her timeless hit “Time to Say Goodbye,” often performed with Andrea Bocelli, earning her a standing ovation. Her incomparable version of “Amazing Grace” enveloped the audience with wonder, sending chills and awakening deep emotion—bringing a tear to the eye of the greatest cynic. 

Sarah Brightman close-up
Sarah Brightman
Photography:
Katherine Amy Vega © All Rights Reserved

For the finale, Brightman chose John Lennon’s “Happy Xmas (War Is Over),” a song of protest – of both the Vietnam War and of the song “White Christmas”. After expressing her heartfelt gratitude, she bid the audience farewell, leaving the stage to yet another standing ovation.

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Photographer: Katherine Amy Vega

Sarah Brightman – Arizona Financial Theatre 12-9-24

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.