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Maynard James Keenan-fronted Band Releases First New Music since 2015
Jerome, AZ — Puscifer, the Arizona-born, “exceptionally groovy” (Entertainment Weekly) band that Revolver dubbed “Maynard James Keenan’s… indescribable musical/performance-art collective,” release the eerily topical “Apocalyptical” single and video:
A message from Keenan arrives alongside the track: “Manipulated information disseminated by kings, queens, dictators, so called leaders, supposed professionals or outliers and conspiracy theorists living underground, or in basements, is not new or unique to this generation. Misdirection is Power Struggles’ conjoined twin but the speed at which it now travels in this digital age is dangerous and destructive on many levels. This rapid distribution of poison and its immediate impact will be the hallmark of our generation. Even In light of all this, and all the noise the digital landscape generates, all I keep asking myself is ‘what is it with the whole hoarding toilet paper thing?’”
The ”Apocalyptical” release follows social media breadcrumbs hinting at imminent moves amongst the Puscifer camp. As had been speculated, and can now be confirmed, the band’s fourth full-length studio album will arrive this Fall via Alchemy Recordings, a partnership with BMG. Alchemy Recordings is a new record label created in partnership between Dino Paredes, former American Recordings Vice President of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.
Vocalist Carina Round sheds light on the darkly prophetic timing of the song: “’Apocalyptical’ was one of the very first musical ideas for the new record that we put our voices on out in Arizona in late 2019. It was simultaneously very fresh and also felt like we had never been apart.”
“For the initial writing process of ‘Apocalyptical,” we relied heavily on a Fairlight IIx (an early musical computer using 8 bit samples), and a Synclavier II (another early digital workstation that relied on FM synthesis),” explains guitar player and co-producer Mat Mitchell of the behind-the-scenes creation of the song. “These were heavyweights in early digital music productions and defined a generation of music. We decided to set modern computers aside by working within the limitations of these early computer technologies. This created a unique space for us to explore and the results can be heard throughout this track.”
Puscifer has released three full-length studio albums: “V” is for Vagina (2007), Conditions of My Parole (2011) and Money Shot (2015). Maynard James Keenan initially used the moniker in a 1995 episode of “Mr. Show,” bringing the band to life in 2007. Keenan’s companions in the electro-rock outfit have been Mat Mitchell (guitar/production) and Carina Round (vocals/songwriting). The band brings a unique mix of recorded output and on-stage theatrics, pairing each release with a conceptual live show, from a “Hee Haw”-infused performance featuring recurring Puscifer characters Billy Dee and Hildy to 2017’s luchadores-themed outing.
Covid has cancelled all of the tours that our concert photographers were set to shoot. Any support you can offer to help offset our loss of income stream during this unprecedented time is truly appreciated by our talent staff of photographers and journalists. Consider contributing to our Patreon account so that we “Get Back To Where We Once Belonged!”
(Pictured: One of our team photographers- Mark Greenawalt – who has been able to have dreams come true over and over with the opportunity to shoot all of his favorite classic rock artists for Burning Hot Events – including the legendary Sir Paul McCartney!)
About a decade ago, I was first introduced to Georgia Train as part of a two-piece band named Bitter Ruin. From the moment of first hearing the track that introduced me to them on Myspace, “Trust”, their dramatic music had the ability to connect with my mental and emotional state. Released on May 1, her 10-track solo album I do is no exception, as it resonates deeply on personal levels.
I have developed many of my own website projects over the years that never quite took off, and one of them was a alternative/goth fashion and feminist website called Mistress Ravine – which I created in my early 20s. On that site, I had an Advice & Opinion blog that I intended to help educate young women, and put a spotlight on artists that I felt deserved recognition. For that blog, I wrote an album review for Bitter Ruin, and it’s funny to think back and wonder how much of my track-by-track dissection of Hung, Drawn, and Quartered may have possibly missed the mark when it came to interpreting the songs. It is, of course, a given that listeners will always apply their own understanding from their unique realities to tracks, yet I have thought back on it over the years a bit self-critically. Listening to Train’s commentary after having already listened to I do about seven times since its release, it is fascinating to learn the true meaning and the headspace behind the songs — it’s so much more intricate than what I tend to assume… so much more potent.
While in quarantine, Train produced this album herself, regarding which she comes across as humble and intentional in her commentary. Her solo work differs from Bitter Ruin’s past work in that it is less theatrical, or to use a word from her commentary, flamboyant. To be forthcoming, I wasn’t sure whether I would connect with the album in the same way as their past work when I heard teaser clips. However, the maturity and sophistication of I do do parallel my evolution and speak to me. The album having been recorded at home and serving as an introspection on love and marriage, it is a uniquely authentic, raw listen. However, do not go into this album expecting a series of mere love songs.
I do is, to me, an album of healing and acceptance. When we fight “to the death” to make a relationship work, it’s as if we stick our fingers in our ears, unfold our blinders, and charge forward. We feel righteous, we feel we are doing a good thing, the loving thing, and yet in actuality, we may be more doing harm than good. That is one of the most difficult things we can ever face. Sometimes, music is the key to revealing the truth, to waking us up. Sometimes we need a song to give us a poignant message (or more bluntly, hit us over the head with it) that compels us to simply utter a self-aware “ouch.”
Train, who is known — with no exaggeration — for her vocal acrobatics (a bit trite, but such an apt phrase), also has an impressive vocal range. You will catch her voice flying high, as well as dipping deep, throughout the album. Often, she flutters around in a falsetto, though any old Bitter Ruin fan knows how she can belt that chest voice (a favorite example being “Leather for Hell” — a unique rock song for Bitter Ruin). Her graceful singing on I do is a perfect fit for the very private conversation she is having through her music.
That is not to suggest that the album lacks intensity — to the contrary, my favorite track from the album, titled “Pressure”, crescendos and inspires heartache.
“Did I put too much pressure on you to be the one I can lean on? Maybe I was wrong to”
The following track, “Shatter”, paints a picture of the unintentional self-harm we participate in out of desperation to repair a broken relationship. The song is a twisted knife in the heart of anyone that has been in this situation, yet serves as commiseration.
“On my knees finding pieces of the shatter, these tiny cuts don’t matter Work all night just to put us back together, I swear I’ll make us better”
“Marry This” is a unique, nuanced track that addresses the way people that commit to each other inevitably change — a topic I have yet to see Disney tackle.
“I didn’t marry this (don’t know what it is, don’t know what it is), I need to know what this is.”
The most beautiful song on the album is, in my opinion, “White Snow”. In the commentary, it was very interesting to hear who she states influenced the track. (Speaking of Disney, I can imagine Frozen’s Elsa singing this song. Though, with all due respect, this song is meant for Georgia Train, not Idina Menzel.)
“Unholy”, with a gospel style chord progression, has the perfect sound for the closing track. If you listen to the commentary, it is mind-blowing how quickly it was written and recorded. It is the only track on the album that addresses sexuality, but as an intellectual study of sexuality — something I have never heard in a song before. Within the Gregorian chanting, she sings in a language which I was trying to pinpoint as either Italian or Latin, and it turned out to be neither. Find out what it is in the commentary.
I do is an album for listeners who like music to draw out their emotions. It is for those who like to ruminate on their relationships, or to analyze the psychology of love and behavior. (Ok, so, it’s made for me.) It fluctuates between grief, regret, desperation, ambiguity, fear, and hope. It is unlike any other I have heard, and I am very grateful it is in my life now.
Among many things, the album is about musing on what has transpired in relationships, the uncomfortable truths about relationships we do not often hear in pop culture, struggling to understand, confronting tough realities, and coming to terms. Over the commentary, Train explains how some of her personal experiences inspired certain tracks, how songs evolved, her intentions and stylistic choices, how she reclaimed some of her music, and so much more. The commentary makes the album feel that much more whole, and I think it’s especially significant to include with a quarantine release. I absolutely support the idea of the commentary for future releases.
I highly recommend not only purchasing the version of the album with the commentary on Bandcamp, but for just a bit more, support Georgia Train by purchasing her full digital discography. Either way, you can get it here.
A Message from Georgia Train
A Few Recommendations:
If you can, listen to the album with noise-cancelling headphones over your ears to experience it intimately.
If you are able, please purchase it even if you have access to Spotify.
If you purchase the commentary, you can do what I do and stream the regular version of the album on Spotify as well for a tiny bit of extra support!
Check out my favorite Georgia Train song, “Get Out” — another belter:
CHECK OUT BITTER RUIN!!! They released the track “Caution to the Wind” last year after about 5 years of hiatus, and two more this year! They’re one of my all-time favorites, and I am thrilled to finally have the opportunity to share them on Burning Hot Events.
Now Streaming and Available as FREE Download on Bandcamp
San Diego’s Hey, Chels have released their debut full-length Everything Goes digitally for FREE on Bandcamp. The LP is also streaming on DSPs and will be released on vinyl later this year via Brainworm Records.
The band says, “Our reasoning is that we don’t feel right asking for money right now with the current state of everything. If you feel like helping the band out, share us with a friend, add us to a playlist, share us on your socials, we would very much appreciate it.”
A music video for the new track “You’ve Got You Now” is streaming here:
The follow up to the band’s well-received 2019 self-titled EP, Everything Goes was recorded by Pat Hills at Earthtone Studios in Sacramento, CA.
Due to the current state of the world Hey, Chels had to cancel all tour plans but will be back out as soon as it’s safe again.
Everything Goes Track Listing:
You’ve Got You Now
Floating Through Days
About Hey, Chels
Hey, Chels is what you get when you spend 10 years of your life working for a degree you’ll never pay off. It’s realizing the whole world is terrible, while also serving as a reassuring pat on the cheek that everything is going to be ok. It’s a warm summer day and a cold winter night. Hey, Chels is a four-piece rock n roll band from San Diego fronted by Jax Mendez (New Way On) and featuring Stephanie Presz (The Newports) on drums, Kevin White (Squarecrow) on guitar, and Ricky Schmidt (Western Settings) on bass.
All-star modern metal band IMONOLITH released their highly anticipated debut album, State of Being, this past March. Like many bands in the music industry, they have been affected by the COVID-19 pandemic and were forced to cancel their European tour dates in March and April.
(Burning Hot Events earns from qualifying purchases.)
While the guys have isolated themselves at home, they’re still in daily contact with each other, keeping their creative juices flowing. Even though they are separated across the globe from each other, the members of IMONOLITH have been able to put together something special for fans entitled “The Quarantine Sessions.”
Drummer Ryan Van Poederooyen explains in further detail: “It’s tough times for everyone world-wide with COVID-19. The music industry and bands world-wide have literally been shut down from touring, from doing press tours and anything to do with public appearances. The one thing COVID-19 has not disrupted is the Internet and Social Media. Many bands are getting creative and doing live stream concerts and more…
IMONOLITH has come up with the ‘Quarantine Sessions’ for our supporters in correlation with our debut album release ‘State of Being,’ which came out on March 27th, 2020. What are the ‘Quarantine Sessions?’ They are videos released on our YouTube page, each Monday at 8 a.m. PST, of the full band playing through a song on our debut album. We will be releasing a new song every Monday until we have finished all 10 songs on our album. Then on every Tuesday, at 9 a.m. PST we will be doing a ‘Quarantine Session Live Feed’ on our Instagram page to talk about the song we released on Monday. We’ll go into many behind-the-scenes specifics about each song we release and do a live Q&A with you all. Let’s hang, have some fun and catch up, while self-isolating at home during these challenging times!
This is our Quarantine offering to our loyal and new supporters to show how we play our material and to be able to chat with you all, albeit in Quarantine from our homes. This is Self Isolation at it’s finest while helping flatten the curve of COVID-19. Finding the positive in the negative 😉
Tune in on Mondays for our new video and see you on Tuesdays for our live feed discussion. Be safe out there!”
Check out the first episode, “Becoming the Enemy,”here or below:
IMONOLITH features drummer Ryan Van Poederooyen (Devin Townsend Project), guitarist Brian ‘Beav’ Wadell (Devin Townsend Project), Jon Howard (Threat Signal), guitarist Kai Huppunen (Methods of Mayhem, Noise Therapy) and Scott Whalen (Econoline Crush). The collective of heavy-hitting players is at the top of their game recently releasing their debut album, State of Being,on March 27. The album features special guest appearances from Jens Kidman (Meshuggah) and famed Swedish vocalist Johannes Eckerström and is made up of 10 hook-laden, riff-heavy tracks that center around the theme of how people deal with various stages of life.
The album has already seen the release of four singles and videos – “Hollow,” the 2019 debut single that made big waves, racking up 216K Spotify streams, “Instinct,” “Dig,” and the most recent single, “Becoming The Enemy.” With the release of these singles, IMONOLITH has already received worldwide praise that has garnered them a massive number of streams and attention from the media and fans alike.
Avant-pop/dark R&B artist BANKS has released an EP entitled Live and Stripped, stating that she is “using music as a tool to bring us together.” BANKS utilizes her music to release her emotions, which is both apparent through her lyrics and the raw vocals heard on this EP.
One of her messages to fans was: “My new Live and Stripped EP is out today! I’m so excited to be able to share these stripped back versions of my songs with you.
Most of my songs are written on the piano before anything else, so it is a gift to be able to share these acoustic versions of songs with my fans during this tough time. We cannot physically be near each other right now, so I am using music as a tool to bring us together.”
During the unprecedented COVID-19 pandemic, some artists have taken advantage of the opportunity help us cope through music featuring grim and ironic humor in this dire situation. We’ve curated a list of music videos, memes, tweets, and a Spotify playlist for your enjoyment while you’re stuck at home. (We appreciate your patience while the page loads – it is full of content to entertain you!)
EXPLICIT LANGUAGE WARNING: Some of this content contains swears.
“One Week of COVID-19”
Beginning on a light note, we are sharing a parody of “One Week” by Barenaked Ladies, performed by Pepper Coyote and titled “One Week of COVID-19”. Originally written by Dana Jay Bein (aka @daniAWESOME), some of you might recognize a reference to a rather unique anime that you explored on Netflix while shut in. #NoSpoilers:
One of the first we saw hit the internet was “Coronavirus Rhapsody”, and while there are multiple coronavirus parodies born from Queen’s “Bohemian Rhapsody”, we chose to share the version performed by Adrian Grimes, with lyrics by Dana Jay Bein:
You can see the same version being performed by the Phoenix Chamber Choir here.
Same have criticized the parody as being insensitive. Grimes addressed those opinions in his video description:
“I’ve had a few comments suggesting that this is ‘insensitive’. I want to emphasize that I know where these people are coming from. My wife works in healthcare and I have two young kids; I know very well how this virus could impact my family. Every day that my wife goes to work, I hope it is another “bonus” day we get together before the wave hits and I don’t have to quarantine her and stop our children from hugging her. However, I hope that even in those circumstances, should they occur, I will still be able to maintain a sense of humor, and a lot of comments from people already affected by coronavirus have told me how much they appreciate this. I thank you for your understanding in these unprecedented times.”
Maestro Ziikos took a bit of a different approach with his own compilation of manipulated clips of President Trump to form the “Coronan Rhampsody”:
This type of political music video is was Ziikos is all about, as evidenced by his YouTube channel and Spotify. He is also responsible for the “Quarantine Song”, a parody of Bruno Mars‘ “The Lazy Song”:
Chris Mann, a second season contestant on NBC’s The Voice has made a bundle of pandemic-themed music videos, and doesn’t seem to plan on stopping. Here are a few of them:
“Stay At Home”
For the third video of his that we are sharing, rather than comedy, Mann opted for an emotional parody of Alanis Morrissette’s “Thank U” to express appreciation for those on the frontline: Doctors, nurses, scientists, pharmacists, the postal service, grocery clerks, and more:
However, if death metal is more of your jam, we have “Coronaviscerated” by Vermicide Violence for you:
Born from a choir rehearsal cancellation, Sam Chaplin offers a more stripped-down parody with simply “COVID 19” performed at his piano. This parody is derived form “Come on Eileen” by Dexys Midnight Runners:
It is truly amazing that musicians and artists can rise up and create this entertainment for us during an otherwise downright scary time with an ambiguous future ahead. Please seek out ways to support these artists while they are supporting us. Many of the videos have song purchasing links in their descriptions! You can support Burning Hot Events’ hard work by pledging to our Patreon.
There are countless more music videos on YouTube about COVID-19, the pandemic, quarantine, the lockdown, and the absurd ways some people have chosen to handle the situation. Unfortunately there are too many to display in one article, but you can go down the rabbit hole to your heart’s content on YouTube. See More Here
Loads of musicians are adapting by doing live streams, and Burning Hot Events frequently shares posts to let you know about them on our Facebook, Twitter, and Instagram accounts!
Not only has the internet has made so many songs and music videos easily distributable and accessible, but also an endless supply of relevant music related memes & tweets. Here are some that we gathered:
A Spotify playlist curated by Katherine Amy Vega (Owner, Manager, Senior Concert Photographer of Burning Hot Events) Featuring carefully crafted transitions and juxtapositions between themes and genres, and an eclectic array of artists:
“A journey of navigating the pandemic. Themes of illness, depression, dissociation, death, angst, illness, disgust, rage, ignorance, propaganda, conspiracy, anarchy, war, disaster, revolt, isolation, self-medication (addiction), slavery, incarceration, religion, despair, hope, perseverance, rising up” Open in Spotify
“Now is a crucial time for the arts. I’m watching values shift.” — Katherine Amy Vega
“When we announced that we were working on Amends our intention was always to honor Chester’s memory and to finish the work he had begun with us. Amends means so much to his family, our families and the millions of fans worldwide who embraced Chester that we feel we owe it to everyone involved to ensure that Amends receives a proper release.” – Sean Dowdell
PHOENIX – Grey Daze, Chester Bennington’s pre-Linkin Park band, in partnership with Loma Vista Recordings, have re-scheduled the release of Amends to June 26.
The 11-song album, which was created to honor both the legacy of Bennington and to see one of his final dreams, the reunion and re-recording of the band’s long out-of-print and largely undiscovered catalog, to completion.
With an abundance of concern for those that need to spend time with their loved ones over the coming weeks due to Covid-19, the band and label came to the difficult decision to postpone the album’s release.
“This album means so much to Chester’s family, and to us and our families, that we didn’t want to release it in the midst of this crisis,” explained Grey Daze co-founder, drummer Sean Dowdell. “Having said that, we know there are a lot of fans who pre-ordered the album, have been watching the various videos and behind-the-scenes footage we’ve been sharing and we didn’t want to let them down either, so we came up with the idea of an April 10 worldwide listening session.”
Amends will be live streamed in its entirety via a series of fan-hosted, worldwide listening parties on April 10, across a variety of online platforms. Tune-in times and additional information for these listening parties will be revealed over the coming weeks via the Grey Daze socials. People who previously pre-ordered the album will receive their order on, or by, June 26.
The Phoenix-based band re-launched their website this morning, offering a unique glimpse into Chester Bennington’s original band and offering fans an opportunity to get early access to downloads by signing up for the band’s newsletter, dive into the deluxe CD, LP and merch offerings and learn more about the story of Chester, Grey Daze and the making of Amends.
Since the band announced the forthcoming album release, they have released a pair of singles: “Sickness” (the accompanying video, which tells a story from Dowdell and Chester Bennington’s long-running friendship can be seen here) and “What’s In The Eye”. “Sickness” is expected to enter the top 10 on the Active Rock radio chart this week.
Amends is the origin story of one of modern rock’s most recognizable voices and also a full circle moment among friends. The album is the fulfillment of a planned Grey Daze reunion that Chester had announced prior to his untimely passing. The remaining band members – Dowdell, Mace Beyers (bass) and Cristin Davis (guitar) – along with Talinda Bennington (Chester’s widow) and his parents, made it their mission to see the project through with assistance from Tom Whalley, the founder of Loma Vista Recordings and former Warner Bros. Records Chairman during Linkin Park’s tenure at the label.
Dowdell, Beyers and Davis selected the tracks from the band’s mid-90s, but largely unknown, catalog and re-recorded the music in 2019 to accompany Chester’s re-mastered vocals. Produced by Jay Baumgardner, several musicians leant their time and talent to the album, including Korn’s Brian “Head” Welch and James “Munky” Shaffer, Page Hamilton (Helmet), Chris Traynor (Bush, Helmet, Orange 9MM), LP (Laura Pergolizzi), Jaime Bennington, Jasen Rauch (Breaking Benjamin), Marcos Curiel (P.O.D.) and Ryan Shuck (Orgy).
Amends is available in a variety of collectible formats with several iterations available exclusively via the band’s website. The CD comes as a 16-page case-bound book; a first pressing, ruby red vinyl variant exclusive to the band’s webstore; and a numbered deluxe edition featuring both a CD and LP, which includes the first ever disc tray designed for vinyl, a 60-page book with never-before-seen photos, 180g red and white splattered vinyl, and a collectible set of band memorabilia dubbed the “Grey Daze Archive.” Digital and other standard versions of the album are available here. Pre-orders include instant downloads of “What’s In The Eye” and “Sickness.”
LOS ANGELES — Toshi Kasai, the producer/engineer who has worked with a number of the era’s most experimental and groundbreaking artists including Tool, Big Business, Foo Fighters and the Melvins has spent the past several years recruiting some of the world’s best drummers to take part in Plan D, an experimental project that sees him “translate” drum beats into a medley of music via the use of triggered analog synths.
See the process used to bring Plan D to life:
“Toshi Kasai understands us drummers. This amazing collection of drum vignettes is a perfect example of how Toshi hears the music in our rhythmic patterns. I am not sure how he did it, something including MIDI I presume, but none of that matters, Plan D stands on its own as a completely new musical entity and I’m super proud to be a part of it.” – Matt Cameron (Pearl Jam, Soundgarden)
The result of those sessions come via four 12” releases arriving throughout 2020. The first is SW, which is available now, or you can pre-order the full collection (SW, NE, SE, NW) as a discounted bundle via Joyful Noise Recordings’ website. Each 12″ is limited to just 300 hand-numbered copies. Featuring artwork by Mackie Osborne, with all four parts forming one complete “treasure map.”
“Plan D is a musical demonstration built for Dimension, Duration, and Dynamics,” explains Toshi. “My long time desire became real and it’s even better than I planned because of the support from talented, experienced drummers. The unique and individual styles of drumming each tell a different story. It became an experimental, conceptual project. I directed their stories by writing notes on the synthesizer and triggering them by drum hits.”
Distance and Duration
Landing, The Search Begins
Stumbling Through The Jungle
The Mystery of The Limestone Cave
“Plan D is what happens when one of the best recording engineers/producers goes crazy with a bunch of world class drummers.” – Dale Crover (Melvins, Redd Kross, Nirvana)
Jimmy Eat World announce their Criminal Energy Tour today. The 20 date summer run will start in Atlanta, GA on August 6th and culminate in a hometown gig in Phoenix, AZ, Labor Day Weekend, on September 5th. New Jersey based The Front Bottoms will join the tour as direct support with Turnover and Joyce Manor splitting the duties of opening the festivities on select dates (noted below). Tickets for the tour will be available to the general public starting on Friday, March 13th at 10AM local time with various presales beginning as early as Tuesday, March 10th at 12pm local time. The tour is produced by Live Nation, For more information and tickets please visit www.JimmyEatWorld.com.
Jimmy Eat World continue the 2020 roadshow in support of their “bold, brave and ultimately defiant” (NME)10th studio album, Surviving (listen here). With 10 records to pull from, the sets will prove to satisfy all fans new and old… As the band proclaims:
“Whether we’ve slept on your floor after the ‘97 basement show or you’ve just only recently heard about us, we will have something you’d be into catching live!”
Not to be missed, The Front Bottoms recently returned with “Camouflage,” a standalone single teasing a larger body of work on the horizon in 2020. The FADER declared the song, “…a celebration of sorts for a band perennially on the fringes of a major breakthrough.”
Criminal Energy Tour Dates 2020
August 6thAtlanta, GA – Coca Cola Roxy*
August 7thCharlotte, NC – Charlotte Metro Credit Union Amphitheatre^
August 8thRaleigh, NC – Red Hat Amphitheatre^
August 9thBaltimore, MD – MECU Pavilion^
August 11thNew York, NY – The Rooftop at Pier 17 (co-headline The Front Bottoms)*
August 14thAsbury Park, NJ – Stone Pony Summer Stage (co-headline The Front Bottoms)*
August 15thPhiladelphia, PA – The Met Philadelphia (co-headline The Front Bottoms)*
August 16thBoston, MA – Rockland Trust Bank Pavilion (co-headline The Front Bottoms)*
August 18thToronto, ON – Rebel^
August 20thIndianapolis, IN – Amphitheater at White River State Park^
August 21stDetroit, MI – The Fillmore Detroit^
August 22ndCincinnati, OH – PNC Pavilion^
August 26thMinneapolis, MN – The Armory#
August 27thMilwaukee, WI – The Rave (non-Live Nation produced show)#
August 28thChicago, IL – Byline Bank Aragon Ballroom#
August 29thKansas City, MO – Arvest Bank Theatre at The Midland#
August 31stDenver, CO – Fillmore Auditorium#
September 1stSalt Lake City, UT – The Complex#
September 4thSan Diego, CA – Cal Coast Credit Union Open Air Theatre at SDSU#
September 5thPhoenix, AZ – Arizona Federal Theatre#
*with Turnover ^with The Front Bottoms & Turnover #with The Front Bottoms & Joyce Manor