Southern Florida’s LiveKill recently announced the release of their upcoming EP, entitled Turned to Grey
As a follow up to the release of their first single and title track, “Turned To Grey”, via lyric video (which in under a month has garnered over 120,000 streams/views via Facebook alone),LiveKill is pleased to reveal their second single, “In This Moment”, and its music video, directed by Alex Morgan (Whitechapel, Gojira, Bad Wolves). Check out the music video now via Metal Wani.
Guitarist John Snell says, “I had rented a pretty amazing white wall studio full of everything we needed to make a great video. On the day we were supposed to film the video, the owner of the studio told us that he had rented the studio to someone else that day! So, I made a few phone calls and literally within 30 minutes, I was able to secure a new location. We walked through the space and found a section with metal framing that had not been completed, and right then Carlos our vocalist came to me and said, “you know this is pretty badass because the song is about being trapped in your mind, feeling trapped with nowhere to go”. The framing gave off a feeling of being in a cell, which really brought out the conceptual meaning behind the song.
I reached out to Alex Morgan to do this video because of his great work with Daath, Chimairaand Gojira and his extensive knowledge in the world of metal music. We are looking forward to hopefully working on our next video with him! He really made this fun and brought out a great live performance in us.”
Featuring top-tier production and a world-class pummeling from seasoned drummer Kevin Talley (Daath, Chimaira, Suffocation) on the EP itself, LiveKill also features Carlos Guerreros on vocals, Sean Young on lead guitar, John Snell on rhythm guitar, Anthony Laurella on live drums (and in the “In This Moment” video), and Gil Giberga on bass.
For Turned to Grey,the band brought on Alastair Sims of MOTTO Sound (Rush, Three Days Grace) to mix and master the EP, which took place at Villa Studios in Canada. Further building upon the intensity, passion and professionalism of Turned to Grey, LiveKill sought the creative talents of artist Eliran Kantor, recognized for his work on album covers for Testament, Soulfly, and Sodom. Livekill and Eliran worked over a period of five months to complete the vision of guitarist John Snell to capture the concept of how fleeting life is. The art was inspired by the imagery, stories and grief of people who lost their lives in a flash of light – so quickly that they were “Turned to Grey” while leaving their last moment’s impression.
The main inspiration behind the art and EP concept is the lives lost in Hiroshima and more specifically, the story of Shinichi Tetsutani, a three year old boy who lost his life in the atomic bomb strike there. His father buried Shinichi and his tricycle in the backyard, and 40 years later in 1985, dug up his son along with the tricycle, had him properly buried, and donated the tricycle to the Hiroshima Peace Memorial Museum. Basing some concepts of the EP on this story was not intended to highlight war itself, but rather that any one of us, in a moment so quick, can be nothing more than an imprint left behind.
Intense New EP, Turned to Grey, out September 28, 2018
Track Listing:
1) Turned to Grey
2) In This Moment
3) Demons
4) Shadows
Pre-Order via Amazon, iTunes, and Google Play
LiveKill will perform live on October 19th in West Palm Beach, Florida.
Catch them at the show!
See below for more information:
10/19 – West Palm Beach, FL @ Respectable Street
Show: 7:00 PM
Tickets: $15
w/ Doyle, Natsuki, The Coven
LiveKill Online:
Facebook | Instagram | Twitter | YouTube
Featured photo (top) by Alex Morgan
, set to be unleashed August 24, 2018 via Nuclear Blast. 
, “Hi-Lo” marks the first time front woman Amy Lee and Stirling have collaborated on a track together, and features the full band backed by an orchestra and Lee’s signature powerhouse vocals. Directed by P.R. Brown, the video includes live performance footage from Evanescence’s critically acclaimed Synthesis tour along with orchestra footage. Stirling makes a cameo to deliver her signature blend of dance moves while performing a powerful electronic violin solo. The song was written by Amy Lee and Will Hunt and arranged by David Campbell.
