Tag Archives: New Album

Torche Stream “Admission” Via Billboard; North American Tour Begins July 8

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Miami, FL – Torche reveal a third track “Admission” (July 12, Relapse Records), debuting the album’s title track via Billboard HERE.

“This is a song where the music and the lyrics are a perfect match,” explains guitar player Jon Nunez in the accompanying article. “It’s as if they were meant to go together. What I was going through at the time really came through in the song, and the music I gave Steve definitely brought out some rather painful emotions for him [regarding] losing loved ones and the process you go through after. You could even hear a quiver in Steve’s voice, and it was like, ‘Wow, this is something we haven’t done before.’ Steve tends to be really secretive with his lyrics. He needed a little bit of a push, but I think deep down inside he wanted to get this off his chest.”

The band has given two previous previews of music from the 11-song album with streams of the songs “Slide” and “Times Missing”. The trio of tracks are available as instant downloads with digital pre-orders. Admission is available in various formats (CD/LP/CS/Digital) with several limited edition vinyl versions already sold out. More information can be found via Relapse’s webstore. Admission’s cover art was created by Richard Vergez, a Cuban-American visual artist, whose work has been shown at No Romance Galleries (TriBeCa), Urban Arts Society (Chicago) and Kids of Dada (London).

Torche released their fourth album, and Relapse Records’ debut, Restarter in 2015. The collection found the band on most year-end best of lists with Entertainment Weekly describing the album as “gloriously fuzzy, sludgy, hard-hitting” and calling the band members “four of loud rock’s most adroit genre-benders.” The Washington Post called Restarterotherworldly” and the Chicago Tribune saying “Torche’s music connects muscle, songcraft and drive in a way that few bands of recent vintage can match.

Torche Tour 2019

Touche Tour Dates:

July 8 Tampa, FL Crowbar
July 9 Jacksonville, FL The Justice Pub
July 10 Chapel Hill, NC Local 506
July 11 Lancaster, PA The Chameleon *
July 12 Poughkeepsie, NY The Chance *
July 13 Huntington, NY The Paramount *
July 14 Hartford, CT Webster Theatre *
July 15 Winooski, VT Monkey House *
July 16 Buffalo, NY Town Ballroom *
July 17 Pittsburgh, PA Mr. Smalls *
July 18 Cleveland, OH Now That’s Class
July 19 Columbus, OH Newport Music Hall
July 20 Detroit, MI The Majestic *
July 21 Indianapolis, IN Deluxe *
July 22 Grand Rapids, MI Pyramid Scheme
July 23 Palatine, IL Durty Nellies *
July 24 Des Moines, IA Wooly’s *
July 25 Minneapolis, MN Fine Line
July 26 Omaha, NE The Waiting Room *
July 27 Lawrence, KS Granada Theater *
July 28 St. Louis, MO The Ready Room *
July 31 Washington, DC Black Cat ^
August 1 Philadelphia, PA Underground Arts ^
August 2 Brooklyn, NY Brooklyn Bazaar ^
August 3 Allston, MA Great Scott ^
August 4 Providence, RI The Met ^
August 5 Asbury Park, NJ Asbury Lane ^
August 6 Harrisonburg, VA Golden Pony #
August 7 Wilmington, NC Reggie’s 42nd Street Tavern #
August 8 Atlanta, GA The Masquerade #
August 9 Orlando, FL The Plaza &
August 10 Miami, FL Las Rosa’s (FREE SHOW) #
September 21 Asheville, NC Heavy Mountain
November 1-3 Gainesville, FL The Fest
November 9 Austin, TX Levitation

^ (w/ Wear Your Wounds)
# (w/ Whores.)
* (w/ Baroness)
& (w/ Baroness & War On Women)

Touche Online:

Website | Facebook | Twitter | Instagram


Featured photo (top) by Dan Almasy


Baroness Unveil Gold & Grey Via NPR

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Baroness’ highly-anticipated album, Gold & Grey, is streaming now via NPR HERE.

Baroness Gold & Grey Album Cover
Baroness Gold & Grey Album Cover

The 17-track release which arrives this Friday is described by NPR as “…Baroness has redigested every sound of the band’s career thus far and synthesized it into something greater. Gold & Grey is the sound of a band becoming a universe unto itself.” Mojo dubbed the album “an epic beast,” Stereogum referred to it as “anthemic” and MetalSucks said the collection “perfectly encapsulates how Baroness excel at reaching shining peaks and descending into gloomy valleys.” Baroness have recently been featured on the covers of Decibel Magazine, Kerrang! and Loud!, while Revolver will debut a series of collectible covers later this month.

“This is the most clear representation of the artistic vision I have for the band that we’ve ever done,” explains singer/guitar player John Baizley. “Where Purple was me lyrically trying to work out how to adjust to a new normal, I think Gold & Grey is a more grown-up and more subtle collection of words that reflect how I am trying to deal with the longer term effects of having experienced so many terrible things. I choose to use the band as a place where I can take all of this stress, pain, anxiety, all these realities, and make them something good.”

Baroness is in the midst of a tour of Northeastern U.S. independent record stores, performing acoustically this evening at Philadelphia’s Creep Records, with a full band performance slated for Brooklyn’s Rough Trade on release date. A South American tour is slated for later this month, followed by both North American and European treks.

Baroness Tour Dates:

June 10 Philadelphia, PA Creep Records
June 11 Fords, NJ Vintage Vinyl
June 12 Babylon, NY Looney Tunes
June 14 Brooklyn, NY Rough Trade
June 15 Poughkeepsie, NY Darkside Records
June 16 Boston, MA ONCE/Newbury Comics
June 19 Mexico City, Mexico MX at Lunario
June 21 Santiago, Chile Blondie
June 22 Buenos Aires, Argentina Uniclub
June 23 São Paulo, Brazil Fabrique Club
July 11 Lancaster, PA The Chameleon
July 12 Poughkeepsie, NY The Chance
July 13 Huntington, NY The Paramount
July 14 Hartford, CT Webster Theatre
July 16 Buffalo, NY Town Ballroom
July 17 Pittsburgh, PA Mr. Smalls Theatre
July 19 Columbus, OH Newport Music Hall
July 20 Detroit, MI The Majestic
July 21 Indianapolis, IN Deluxe at Old National Centre
July 23 Palatine, IL Durty Nellie’s
July 24 Des Moines, IA Wooly’s
July 26 Omaha, NE The Waiting Room
July 27 Lawrence, KS The Granada
July 28 St. Louis MO The Ready Room
July 30 Nashville, TN Cannery Ballroom
July 31 Birmingham, AL Saturn
August 4 Baton Rouge, LA The Varsity Theatre
August 5 Atlanta, GA Buckhead Theatre
August 6 Tampa, FL The Orpheum
August 7 Ft. Lauderdale, FL Culture Room
August 9 Orlando, FL Plaza Live
August 10 Jacksonville, FL 1904 Music Hall
August 11 Charleston, SC The Music Farm
August 13 Charlotte, NC The Underground
August 14 Asheville, NC The Orange Peel
August 16 Richmond, VA The National
August 17 Baltimore, MD Baltimore Sound Stage
September 23 Newcastle, UK O2 Academy
September 24 Glasgow, UK O2 Academy
September 26 London, UK O2 Academy Brixton
September 28 Bristol, UK O2 Academy
September 30 Birmingham, UK O2 Academy
October 1 Manchester, UK O2 Apollo
October 3 Belfast, UK Ulster Hall
October 4 Dublin, IE Olympia Theatre
October 6 Paris, FR L’Olympia
October 7 Luxembourg, LU Rockhal
October 9 Madrid, ES La Riviera
October 10 Lisbon, PT Coliseum
October 12 Barcelona, ES Razzmatazz
October 14 Milan, IT Fabrique
October 29 Warsaw, PL Torwar Arena
October 31 Prague, CZ O2 Universum
November 1 Berlin, DE Mercedes-Benz Arena
November 3 Stuttgart, DE Schleyerhalle
November 5 Zurich, CH Hallenstadion
November 7 Frankfurt, DE Festhalle
November 8 Munich, DE Olympiahalle
November 10 Leipzig, DE Arena Leipzig
November 11 Hamburg, DE Barclaycard Arena
November 14 Cologne, DE Lanxess Arena
November 17 Vienna, AT Stadhalle
November 19 Amsterdam, NL Ziggo Dome
November 21 Antwerp, BE Lotto Arena
November 27 Helsinki, FI Hartwall Arena
November 29 Stockholm, SE Tele2 Arena

Baroness received a GRAMMY® Award nomination for the song “Shock Me” (from the 2015 album, Purple) in the “Best Metal Performance” category. Purple saw worldwide praise with Pitchfork saying it features “some of the biggest, strongest songs Baroness has ever written” and Mojo proclaimingBaroness have delivered their masterpiece.” The album received numerous year end accolades including “Shock Me” at #10 on Entertainment Weekly’s Top 40 Songs of 2015, #6 on Pitchfork’s Best Metal Albums of 2015 and #7 on Rolling Stone’s 20 Best Metal Albums of 2015. The band’s catalog of studio recordings is: Gold & Grey (2019), Purple (2015), Yellow & Green (2012), Blue Record (2009), Red Album (2007), A Grey Sigh in a Flower Husk (Split LP, 2007), Second (EP, 2004) and First (EP, 2004).

Baroness Is:

John Baizley (vocals/guitar)
Gina Gleason (guitar)
Nick Jost (bass)
Sebastian Thomson (drums)

Baroness Online:

Website | Facebook | Twitter
YouTube | Instagram



REVIEW: Bradley Palermo’s Debut Album, “Volume 1” Honestly Depicts the Bitter Sweetness of Life

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Bradley Palermo Volume 1 Album Art

Pre-Order

iTunes | Amazon Music

Bradley Palermo, a solo folk/punk artist in Los Angeles, is debuting his first full length album, Volume 1, on Friday, April 19. The record is a result of a successful crowdfunding campaign late last year, followed by a recently completed international tour. Comprised of previously released singles, the songs were reworked and remastered to create the cohesive Volume 1. Being no stranger to life on the road and the various trials of life, Volume 1 captures an autobiographical letter written to anyone who has experienced life, death, love, and loss.

Before setting out on his solo folk career, Palermo spent 15 years fronting the bands The Sudden Passion and Femme Fatality. He grew up in St. Louis, MO playing in local indie bands. All the while he was developing an affinity for the alt-country bands that were emerging from the region at the time. Palermo draws inspiration from Americana acts like Son Volt and The Bottle Rockets, and folk-punk troubadours such as Chuck Ragan and David Dondero (both of whom he’s now shared the stage with). His influences and past come together in the raw and honest Volume 1.

Stream

Tracklist:

Tombstones
I Like things That Kill
All My Friends (Have Died)
2nd Wind
The Long Way
Deep Valley Blues
Lost In August
The High Cost of Free Living
Trouble To Find
Hollywood, Hollywood

Tombstones

As the first track on Volume 1, “Tombstones” starts with a synth riff that would make Femme Fatality fans grin with a sense of familiarity. The track is driven by a powerful, classic acoustic guitar rhythm that instantly tells you that you’re in for a catchy song. Palermo sings of living as an artist on the road, away from the draining and lifeless corporate existence. Palermo sings in the chorus, “I’ve done the 9 to 6, pulling out my hair, carving up my wrist… I think it’s safe to say I’ve done gone and made my escape.” Displaying Americana at it’s finest, Tombstones would make the perfect bonfire summer sing-along about free living.

I Like Things That Kill

Following “Tombstones” is another catchy acoustic rhythm along with a steel guitar carrying the melody. Palermo sings the song title to implant into your head, “I like things that kill”. This song turns out to be a country/folk love song with a hint of a punk chorus. Reminiscing, he starts the first verse and ends the song with the same lines, “All the things I loved are all the things I’ve quit. I miss you like I miss whiskey, cocaine and cigarettes…”, driving the listener into the building chorus with, “I like things that waste me, eradicate me, honey, I like things that kill… I like things that kill”. Building a scene of a love addiction for a lover long gone, the track pings familiar emotions and imagery that nearly any listener can relate and sing to, making it a brilliantly written piece.

All My Friends (Have Died)

As the song title alludes to, this track is a somber reminder of all the people who have left this earth. In this country/Americana track, Palermo describes the things his friends supposedly used to do, along with specific names and situations of unfortunate fates. This track brings the pain and haunting hole that is created when someone you know passes: “My friends don’t pick up the phone or text me back when I say ‘What’s up?’… Even though I’m up here singing, I feel a little dead inside, cause all of my friends have died.” After the second chorus, Palermo wistfully yells, “And I fucking miss ’em, man!”, followed by a perfectly placed electric guitar solo to represent those memories in a celebration of what once was. He finished out the song by repeating the first verse and ending it all with a cymbal tap fading out.

2nd Wind

“2nd Wind” comes in to perk you up from “All My Friends (Have Died)”. The addition of harmonica in the instrument arsenal is introduced in a tale of a refreshing new romance in the time of personal turmoil. Palermo sings, “There ain’t no use in hiding it, I was out running all common sense. No one gets that drunk on accident.” He continues to tell the tale of meeting a woman that saved him: “And in this City of Angels, she was the only one I’ve met. Call me a holy roller cause I am born again.” “2nd Wind” ends leaving the listener ready for a new emotional start, which is exactly what we all need from time to time.

The Long Way

“The Long Way” describes Palermo’s painful first marriage, his move to LA, and other catalyzing events that brought him to where he is now. The track introduces a grittier tone, and has breathy falsetto backing vocals that bring out strong emotional ties to the lyrical content. The bridge absolutely shines, bringing a climax of both emotion and unexpected production value, turning the featured lower frequency instruments that are too often ignored or omitted in the genre into stars. The bass and a low-programmed synth add another depth of seriousness that speaks volumes along Palermo’s raspy cries. “The Long Way” is a unique turn in the album that keeps the listener’s engagement.

Deep Valley Blues

Ever the catchy writer, Palermo’s “Deep Valley Blues” would be a successful radio single. Short and fun, it captures the feeling of old folk/country/blues that is the heart of Volume 1. Touching on the differences between Los Angeles (San Fernando Valley area) and his hometown of St. Louis, Palermo paints a picture of homesickness in the most concise way. “Deep Valley Blues” is destined to be a popular live show sing-along. “I’ve got them… deep valley blues. It’s gonna take me too much time to make my way home you, and you know it ain’t the distance, honey, it’s the altitude… I’ve got them… deep valley blues…

Lost In August

In a track that could easily be sung by Ben Gibbard (Death Cab For Cutie/The Postal Service), the album takes another turn in a light and romantic way. In true indie/folk fashion, “Lost In August” kicks off with a ukulele and accordion-driven rhythm. The composition creates a dreamy and nostalgic backdrop to Palermo’s toned-down vocals. The lyrics and tone show the versatility of Palermo’s songwriting skills, as he lets atmosphere take the place of country-harsh vocals and to-the-point lyrics. A delightful change of pace that’s sure to grasp listeners of overlapping rock/indie/folk genres.

The High Cost of Free Living

The synth makes another appearance in the folk piece, “The High Cost of Free Living”. A straightforward song with a country baseline. Palermo makes use of multiple instruments and harmonies to keep the listener engaged through lyrics of alcoholism and the drawbacks of trying to live as an artist. Although it’s not the strongest song lyrically on the album, it keeps on par with being a catchy sing-along like earlier tracks.

Trouble to Find

“Trouble to Find” starts out with an interesting bass riff seemingly taken from the brainwaves of Brian Ritchie (The Violent Femmes). Palermo brings us through a folk song about dealing with toxic personalities and mental illness. This track circles us back around to the tone of the first half of the album. He paints the imagery of an adversary and tries to rationalize the situation, familiar to what many people might think and say in that kind of situation. However, the song ends right when the listener feels like there might be more waiting to be told. It feels a little incomplete, despite the great storytelling.

Hollywood, Hollywood

The last track on Volume 1, “Hollywood, Hollywood” completes the journey of Palermo’s folk tale, reiterating how Hollywood isn’t all it’s cracked up to be, but you just make the best of it. It gives the feeling that everyone is trying to be someone, trying to act busy, having superficial relationships, etc. Although it is also a short track, it ends the album saying that the journey is over and he is here now, trying to find his way. It’s a perfect ending to his story.

Final Thoughts

Bradley Palermo’s Volume 1 is nearly a perfect folk album. Featuring a variety of influences, emotions, and incredibly candid lyrics, the album is easy to listen to and connect with, especially for artists. None of the tracks are boring, and they display incredibly strong songwriting ability. The album plays like a story Palermo might tell you himself at a bar over some drinks. Engaging, intimate, and memorable, Volume 1 would be a great introductory piece to new listeners of the folk genre.

Bradley Palermo Volume 1 Album Art

Pre-Order

iTunes | Amazon Music

Tour Dates

4/24 Los Angeles, CA @ Satellite (album release show) #
4/30 Victorville, CA @ Kennedy’s Pub *
5/01 Las Vegas, NV @ The Dive Bar *
5/02 Reno, NV @ Pignic Pub *
5/03 Willits, CA @ Shanachie Pub *
5/04 San Francisco, CA @ The Plough & The Stars *
5/05 Bakersfield, CA @ El Conquistador Music Experience  (album release show) *
5/07 Canoga Park, CA @ Scotland Yard Pub * %
5/08 Santa Ana, CA @ Beatnik Bandito Music Emporium (album release show) *
5/09 Lancaster, CA @ The Britisher *
5/10 San Diego, CA @ Rosie O’Grady’s (album release show) *
5/11 Tucson, AZ @ Saint Charles Tavern *
5/12 Tempe, AZ @ Yucca Tap *
5/13 Yuma, AZ @ Littlewood Art Co-Op *
5/14 Flagstaff, AZ @ The Hive *
5/24 Las Vegas, NV @ Citrus ^
7/24 Cottage Grove, OR @ Brewstation %
7/25 Seattle, WA @ Skylark %
7/26 Tacoma, WA @ The Valley %
7/27 Bremerton, WA @ Hi-Fidelity Lounge %
7/28 Portland, OR @ Hawthorne Hideaway %

^= Punk Rock Bowling club show with Amigo The Devil, Bridge City Sinners, and Pinata Protest
#= supporting Typesetter
*= w/ Tim Holehosue
%= w/ Sim Williams

Watch Live Performances:

2nd Wind | Deep Valley Blues
I Like Things That Kill | Tombstones

Bradley Palermo Online:

Website | Facebook | Instagram | Twitter

Featured photo (top) by Marisa Palermo

Chase Atlantic Announce Summer North American Headline Tour

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Los Angeles, CA — Emerging alt-pop trio, Chase Atlantic, have announced a massive headline tour across North America this summer. Presented by Live Nation’s Ones To Watch and The Noise, the 29-date trek launches in Philadelphia on Friday, June 14 and hits major cities including Los Angeles, Chicago, Toronto, and New York before wrapping in Silver Spring, MD on Thursday, July 25. Lauren Sanderson will also provide direct support on all shows. The fan pre-sale commences on Tuesday, April 9 at 10am local time and will conclude on Thursday, April 11 at 10pm local. More information can be found on the band’s website and social media platforms. The general public on-sale begins on Friday, April 12 at 10am local, with tickets available to purchase HERE. The full touring itinerary can be found below as well. 

Sophomore Album, Phases, out June 28 via BMG/MDDN

Chase Atlantic is also pleased to announce the release of their highly-anticipated sophomore album, Phases, out Friday, June 28 via BMG/MDDN. The record serves as a follow up to their latest EP, DON’T TRY THIS (Jan. 2019), and their self-titled debut effort (2017).

“We made this album because we wanted to drastically pivot the angle in which pop culture is viewed and ultimately digested,” says lead vocalist, Mitchel Cave.“Throughout our career so far, Chase Atlantic has always been represented as a ‘go to’ for unique and complex music with high sonic value. We’ve been able to fuse genres and aesthetic together to create a defined nocturnal bliss of our own, blending dreamy melodies with moody progressions, all the while touching on subjects from drug abuse to romantic pieces.” 

“This album feels as though it is truly a work of astronomical measures,” he adds. “It’s the first time we were able to honestly and openly hone into something so monumentally special and raw without compromising even an inch of our integrity as artists. We’ve developed a completely new sound within a matter of months that has never been tapped into before. Chase Atlantic is now dwelling within a realm of its own; it’s both scarily isolating and blissfully euphoric at the same time. Welcome to a whole new era.” 

The official track listing and more details about Chase Atlantic’s forthcoming album will be revealed soon. Stay tuned for more news to come.    

Chase Atlantic Headline Tour Dates:

6/14 – Philadelphia, PA @ Theatre of Living Arts
6/15 – Pittsburgh, PA @ Rex Theater
6/17 – Cincinnati, OH @ Bogarts
6/18 – Nashville, TN @ Exit / In
6/19 – Charlotte, NC @ The Underground
6/21 – Atlanta, GA @ Buckhead Theatre
6/22 – Ft. Lauderdale, FL @ Culture Room
6/24 – Dallas, TX @ House of Blues
6/25 – Austin, TX @ Scoot Inn
6/27 – Phoenix, AZ @ Crescent Ballroom
6/28 – Los Angeles, CA @ Regent Theater
6/29 – Sacramento, CA @ Ace of Spades 
7/01 – San Francisco, CA @ August Hall
7/02 – Portland, OR @ Crystal Ballroom
7/03 – Seattle, WA @ Neptune Theatre
7/05 – Salt Lake City, UT @ The Depot
7/06 – Denver, CO @ Summit Music Hall
7/08 – Tulsa, OK @ Cain’s Ballroom
7/09 – Lawrence, KS @ The Granada
7/11 – Omaha, NE @ The Waiting Room
7/13 – Minneapolis, MN @ Varsity Theater
7/15 – Chicago, IL @ House of Blues
7/16 – Indianapolis, IN @ Deluxe at Old National Centre
7/18 – Columbus, OH @ Newport Music Hall
7/19 – Detroit, MI @ St. Andrews Hall
7/20 – Toronto, ON @ The Opera House
7/22 – Boston, MA @ Paradise Rock Club
7/23 – New York, NY @ Webster Hall
7/25 – Silver Spring, MD @ The Fillmore

About Chase Atlantic:

Chase Atlantic personally write and produce all of their own music, which helped the three-piece build a strong following in Australia during their teenage years. Their stylish, distinctive sound, along with their viral single, “Friends,” captured the attention of Good Charlotte’s Joel and Benji Madden, who subsequently signed them to their esteemed music company, MDDN, in 2015. Since then, the three-piece has seen rapid success – headlining and selling out shows globally, including tours with Blackbear, Sleeping With Sirens, and Lights. Their explosive live performances have also landed slots at notable festivals including Lollapalooza, Bonnaroo, Firefly, Reading & Leeds, and the final run of Vans Warped Tour. 

Music Videos

Numb To The Feeling | SWIM | Okay | Keep It Up | Why Stop Now | Cassie | Triggered | Into It | Church | Obsessive | Like A Rockstar

DON’T TRY THIS EP – Stream and Download:

Spotify | Apple Music | Google Play | Amazon | Deezer | TIDAL

Chase Atlantic Is:

Mitchel Cave / vocals, bass guitar
Clinton Cave / lead guitar, saxophone, programming
Christian Anthony / rhythm guitar, vocals

Chase Atlantic Online:

Website | Facebook | Twitter 
Instagram | YouTube

Featured photo (top) by Ryan Watanabe

Progressive Metal Quartet Valence Reveals Jam-Influenced, Eclectic New Track, “Walrus”

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New York-based progressive metal fusion quartet Valence recently announced the release of their upcoming album, Cognitive Dissidents, out April 12, 2019. Expertly fusing genres like metal, rock, jam, classical, jazz, and more, Valence‘s varied, yet cohesive, influences offer every listener a passport to a new state of mind that is cerebral and emotive, while not sacrificing accessibility.

Today, Valence have revealed a third new track from Cognitive Dissidents, entitled “Walrus“, which is available to stream via New Noise Magazine HERE.

Guitarist Geoffrey Schaefer says about the track: “‘Walrus‘ is one of the more eclectic songs on Cognitive Dissidents that really highlights the way we incorporate jam band influences in with the progressive metal. You can really hear this about two and a half minutes into the song, as well as with the section that comes about five minutes in. It’s also one of the longer songs on the album, but one that we don’t think feels long.”

Check out other videos featuring tracks from Cognitive Dissidents :

“Damnit, Lana!” Music Video
“Preferred Nomenclature” Full Band Playthrough

Cognitive Dissidents, the ambitious follow up to their Independent Music Award-winning 2014 EP, Laser Baron, was recorded and produced at Westfall Studios in Long Island, NY.

Valence wastes no time in launching Cognitive Dissidents intro the stratosphere with lead single “Damnit, Lana!” (linked above), setting the course for what is about to be one hell of a ride. Rock technicality blends into a seductive Latin fusion-inspiredsection driven by multi-talented percussionist Chris Romano, only to finish as an unrelenting metal opus. “II. Calmer Than You Are” shows the softer side of Valence, illustrating a synth-laden soundscape led by bassist Wilhelmus Sapanaro. The band continue to flex their tech-muscles on tracks like “III. Preferred Nomenclature“, in which guitarists Michael Buonanno and Geoffrey Schaefer burn through over five minutes of deft ebb and flow – fluxing between absolute mano-a-mano, battle-like shreddery, deep grooves and classically-influenced passages. “Walrus“, amid its journey, provides an unexpected mid-track jam trip before the album closes with “Red Sky at Morning” – a 14+ minute sonic escapade that can only be described as positively monumental.

Rather than utilizing samples, bassist Wilhelmus Sapanaro performed upright bass and cello and guitarist Michael Buonanno performed violin and viola on Cognitive Dissidents to maintain an organic sound.

Pre order Cognitive Dissidents via Bandcamp, iTunes, and Spotify Pre-Save

Valence Cognitive Dissidents Album Art

Cognitive Dissidents track listing:

1. Damnit, Lana!
2. Prelude: Parlance of Our Time
3. I. If You’re Not into the Whole Brevity Thing
4. II. Calmer Than You Are
5. III. Preferred Nomenclature
6. Walrus
7. Red Sky at Morning

Valence has performed across the eastern United States and Canada with artists like Scale The Summit, Sarah Longfield, Consider The Source, Felix Martin and more, and will soon expand their national footprint later in 2019. In the meantime, Valence has several U.S. performances booked this winter and spring. See below for all confirmed tour dates:

Valence Tour Dates:

4/13 – Poughkeepsie, NY @ Darkside Records – Record Store Day
4/26 – Holbrook, NY @ Rams American Pub
4/28 – Philadelphia, PA @ Milkboy
4/29 – Orange, VA @ 3 B’s Bar & Grille
5/1 – Raleigh, NC @ Slims
5/2 – Atlanta, GA @ Smith’s Olde Bar
5/3 – Asheville, NC @ Odditorium
5/24 – Brooklyn, NY @ Saint Vitus w/ Black Crown Initiate // Album Release Show

Visit this Facebook event for a listing of these shows.

“…Valence is a style unto themselves, and listening to them is more about a direct connection to the moment than a study of any genre.”
William Berger, Author, Wagner Without Fear et al.;
Producer and Commentator, the Metropolitan Opera

“Ever watch a band enjoy themselves so much while playing live, that their mood becomes Infectious? It’s literally impossible not to smile while these dudes are having the best time on stage. It also helps that they can all super shred on their instruments too.”
Metal Injection

“If you love some of the acrobatic, complex, and heavy material of current acts like Scale the Summit, Between the Buried and Me and Animals as Leaders, this is a band you need to check out.”
Sea of Tranquility

“When we hear prog, we actually expect the music to suck hard like a mouthful of coarse-grade sandpaper, because we know it’s a clever ruse. It’s a way for many failed musicians to pretend they have relevance. Valence, however, have given us more to expect out of this “prog” thing…”
Deaf Sparrow

Valence Is:

Michael Buonanno – Guitar, Violin, Viola
Geoffrey Schaefer – Guitar
Wilhelmus Sapanaro – Bass, Upright Bass, Cello
Chris Romano – Drums

Valence Online:

Website | Facebook | Bandcamp | YouTube

Featured photo (top) by Marissa Rodriguez of Scryer Photo


Dark Folk/Post Rock Project SULDUSK Reveals “Lunar Falls” Full Album Stream

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Hailing from Melbourne, Australia, Suldusk – a new project led by other-worldly front woman Emily Highfield – weaves acoustic tones of dark folk with elements of doom, atmospheric black metal and post rock. Suldusk will release their debut full-length album, entitled Lunar Falls, on April 12, 2019. The album is available for pre-order now via Bandcamp.

As an early gift to listeners, Suldusk is streaming their entire new album a full two weeks early! Stream it now via Decibel Magazine HERE.

Emily Highfield says, “It is very exciting to finally release Lunar Falls, the first Suldusk album. It has realized my vision of fusing acoustic elements with post rock and metal influences.”

In addition to the digital version, Lunar Falls will also be released as a Collector’s Edition Digipack-CD (first press, limited to 1000 copies) and LP (limited colored vinyl with poster) via the Northern Silence Productions Webshop or Bandcamp page. The black/white half-and-half edition of the vinyl, which is limited to only 99 copies, is only available via the NSP webshop while stock lasts.

Check out Suldusk‘s latest music video for the track “AphasiaHERE.

Lunar Falls‘ undercurrent theme is about living on the margins, and the intolerable suffering and sacrifice in the quest for identity. Nature provides much of the lyrical inspiration as the source of refuge and guidance throughout this quest. Lunar Falls is dedicated to the memory of late singer-songwriter Aleah Starbridge (Trees of Eternity).

With Lunar Falls, Emily Highfield explains that she wants to convey an escape to a soothing and real place. Her organic, earthly approach to music creates an immersive soundscape – a powerful panorama of shimmering guitars, haunting melodies and atmospheric density.

Highfield says, Lunar Falls is a sonic midnight forest trek – at times beguiling and soothing, and at once harsh and raw. Like nature itself. Bands that inspire me are immersive, honest and risk takers. I’m inspired by and love acoustic-driven and atmospheric/depressive metal – like Agalloch, Opeth, Saor, Unreqvited, Heretoir and Trees of Eternity.”

Suldusk first turned heads a few years ago after front woman and then-solo artist Emily Highfield uploaded some of her compositions to Soundcloud. When the melancholic black metal-infused acoustic track “Drogue” ended up reaching over 10,000 plays in less than a month, Highfield knew she was onto something great. This inspired Highfield to create the live and current incarnation of Suldusk – a chamber metal ensemble which has since been embraced by audiences and underground musicians alike.

Lunar Falls was engineered, mixed and produced by Mark Kelson, with additional engineering by Jesse Oberin. The album was mastered by Joseph Carra at Crystal Mastering.

Suldusk Lunar Falls Album Art by Aki Pitkänen, Narikka Photography
Suldusk “Lunar Falls” Album Art by Aki Pitkänen, Narikka Photography

Lunar Falls track listing:

1. Eleos
2. Solus Ipse
3. The Elm
4. Aphasia
5. Three Rivers
6. Autumnal Resolve
7. Catacombs
8. Nazaré
9. Drogue
10. Sovran Shrines

Emily Highfield, the sole creator of Suldusk, has succeeded in creating thoroughly entrancing musical experiences through seamless juxtapositions of contrasting musical styles. Even her vocals are representative of those contrasts – both caustic in their acidity and beautifully ethereal in their clarity.”
No Clean Singing

“Mysterious, hypnotic, compelling songwriting. Haunting and beautiful, very original – gentle, soothing, and then at times unexpectedly powerful when it conjures other-worldly dark screams from the collective sub-conscious – like Mother Nature venting her fury!”
David Hirschfelder, Internationally award-winning soundtrack composer

“Varyingly described as acoustic Black Metal, Blackgaze or Doom Folk, Suldusk have a sound that is entirely their own and utterly captivating… While no comparison can truly capture the magic of Suldusk, fans of Opeth‘s ‘Damnation‘ album are likely to be impressed.”
Overdrive Magazine

Suldusk Is:

Emily Highfield: Vocals, Guitar
Mark Kelson: Guitar, Bass, Keys
Glenn James: Percussion
Marty O’Shea: Drums
Nicky Blackmore and Bryan Murphy: Additional Guitar
Francesca Mountford: Cello

Suldusk Online:

Facebook | Instagram | Bandcamp


Featured photo (top) by Tanya Voltchanskaya


Spotlights Premiere New Song, “The Particle Noise,” via Kerrang! + New Album, Love & Decay, Arrives April 26

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Spotlights premiere new song, “The Particle Noise,” via Kerrang! magazine. The song is from the band’s forthcoming album, Love & Decay (April 26, Ipecac Recordings). Listen via Kerrang! HERE.

Guitar player/singer Mario Quintero talks about the meaning behind the track, “’The Particle Noise’ is a multi-dimensional song. Mainly being a love story about the beginning of the universe. A moment so intense that it encapsulates what it means to exist. This all being a metaphor for this person’s infatuation with another, so strong it tears them to pieces and reforms them over and over.”

About the record, Mario continues “It’s intangible, It’s intense. It’s beautiful. There’s an impending darkness underneath everything and a sense of unease, but it’s also honest and vulnerable. It’s just really important to us. Regardless of why anyone might react, that’s why we do it.

Mario handled the production work on the eight-song album, which was recorded in he and bass player/singer Sarah Quintero’s basement. Love & Decay also finds the band officially grow to a trio, with touring drummer Chris Enriquez becoming a full-time member.

The physical version of Love & Decay features a bonus track: “Sleepwalker.” Album pre-orders including a mauve-colored 2LP set, are available now with digital pre-orders including an instant download of “The Particle Noise” and the previously released song, “The Age of Decay”. Pre-order Love & Decay HERE.

Praise For Seismic:

Seismic is also imbued with an almost celestial warmth. After all, if you’re going to shoegaze, why not do so from way up in the stars.” – RECORD COLLECTOR

Seismic…both sharpens up the guitar and intensifies the somnambulist sheen…they are at their best when strands of guitar and synthesizer tangle and weave, producing something akin to a lullaby, albeit one that’s far from sleep-inducing…it is nimble and concise, thoughtful and focused – a sideways take on the genre and a refreshing change from the downbeat onslaught of their nearest contemporaries.” – THE WIRE

With vast soundscapes under heavy skies and tinged with a noir 80s nuance that elevates Spotlights‘ stylishly forward-thinking atmospheric bludgeon.” – METAL HAMMER

“[Spotlights] balance delicate atmospherics [and] crushing sounds,” – REVOLVER

… the Quinteros make some truly huge-sounding music, much of it crushing. There’s an ethereality and grace about it, however, which makes the ambitious expanse of Seismic consistently interesting throughout its hour-plus runtime.” – TREBLE ZINE

They avoid many of the common pitfalls associated with some shoegaze or sludge artists in that the album never feels like it drags. Sometimes doomy, sometimes romantic, it’s as heavy as it is beautiful.” – GHETTOBLASTER

About Spotlights

Spotlights‘ story happens void of spectacle, show, or tableau. However, in this day and age, that might be why their story feels so serendipitous and strange, if not utterly surprising. This story also instantly appealed to some rather influential peers who lent an early endorsement. Two musicians – a husband-and-wife duo, Mario [guitar, synths, vocals] and Sarah [bass, guitar, vocals] – simply pick up their instruments and mainline dense distortion, spacey soundscapes, and unnervingly serene vocal transmissions directly from the heart. This unpredictable, yet unassuming sound quietly heralded their arrival in 2016 on the DIY debut album, Tidals.

Brooklyn Vegan stumbled upon the project and streamed “Walls.” The song eventually entranced musician and producer Aaron Harris (ISIS/Palms) who shared it with Palms’ singer, and Deftones frontman, Chino Moreno. An invite to open the Deftones summer tour soon followed and kickstarted an envious touring resume, with the band having been picked to open for the Melvins, Quicksand, Hum, Glassjaw, Pelican and Pallbearer. Ipecac Recordings co-founders Mike Patton and Greg Werckman fell under the band’s spell and signed them. SpotlightsIpecac Recordings’ debut, Seismic, arrived in in the Autumn of 2017. During the following months, Spotlights also recorded an Audiotree session and released the Hanging By Faith EP.

Spotlights Is:

Mario Quintero – Guitar/singer
Sarah Quintero – Bass/singer
Chris Enriquez – Drums

Spotlights Online:

Bandcamp | Facebook | Twitter | Instagram


Featured photo (top) by Miser Photo


New York Hardcore Heavyweights BRICK BY BRICK to Release New Album, “Hive Mentality”

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Born out of Troy, NY’s infamous hardcore scene, Brick by Brick – featuring Mike Valente (Guitars), Andy Parsons (Bass), Ray Mazzola (Vocals, ex-Full Blown Chaos), and James Muller (Drums) – have relentlessly cultivated their reputation as a staple force of hybrid hardcore metal. Solidifying and reviving their sound in recent years with the addition of Mazzola on vocals, the band’s perspective is fresh with formidable intent.

Brick by Brick exemplifies a working-class band.” – New Noise Magazine

Hive Mentality out February 22, 2019 

Brick by Brick return in 2019 with their seventh studio album, Hive Mentality – an onslaught of brutal ferociousness. The album is scheduled to be released on February 22, 2019 via Upstate Records, and will be available to pre-order via major digital retailers beginning January 11.

Pre-Order Beginning January 11 Here

Produced by Jason Bourdeau, the album was recorded at Overit Media in Albany, NY, with mastering by legendary Alan Douches of West West Side Music.

Check out a brand new Hive Mentality album teaser now via YouTube 

Raising a massive middle finger to the establishment, Hive Mentality is a battle cry to all that is wrong with the world, yet signifying that all is right with heavy music convergence. Epitomizing the tone of the title track “Hive Mentality“, track guest Jessica Pimentel (Alekhine’s Gun vocalist, Orange is the New Black actress) seethes “Get the fuck out of the way or get trampled,” with a ranting rage. Based upon true events, track five, entitled “Bar Is Open“, sums up Brick by Brick flawlessly in their declaration of, “We live to drink/We love to fight/We bring the party/Rage through the night.” That statement is further emphasized by none other than guest vocalist Tony Foresta (Municipal Waste, Iron Reagan). The Acacia Strain‘s Vincent Bennett further exudes the savagery of Hive Mentality with his vocal spot on “In The Ruins“, before the album reaches its apex with a blistering rendition of Motörhead‘s “Iron Fist“, a sonically-heated kick like a belt of Jack that Lemmy himself would have savored and tipped his hat to.

Vocalist Ray Mazzola says, “It was an honor to have our guest vocalists join us for this album. We wrote it knowing all along that Tony from Municipal Waste/Iron Reagan was going to sing on ‘Bar Is Open‘, and it turned out that a few of the more thrash-edged songs were inspired by him. Vincent of The Acacia Strain agreed to redo an old tune of ours, ‘In The Ruins‘, that was featured as a limited edition run that he collaborated with us on. It needed to be heard internationally. Last but not least, Jessica Pimentel from Orange Is The New Black/Alekhine’s Gun was a perfect choice for the middle rant on ‘Hive Mentality‘, portraying anger from a woman’s perspective.”

Brick by Brick brings one metal riff after another, interwoven with slamming breakdowns and a relentlessly rhythmic battering. Hive Mentality transcends beyond genres – it embraces the angst within each soul from any heavy music scene and brings solace to every metalhead, muscle head, hardcore kid, and old school punk who’s been internally bleeding and eternally screaming in defiance.

 

Brick by Brick Hive Mentality Album Art

Hive Mentality track list:

“Hive Mentality” featuring Jessica Pimentel
“Bad Sign”
“Toe to Toe”
“Battleground”
“Bar Is Open” featuring Tony Foresta
“Never to Wake”
“In The Ruins” featuring Vincent Bennett
“Slave to the Grind” (Skid Row cover)
“Iron Fist” (Motörhead cover)

 

Brick by Brick has a long and storied career which reads like a documentary on all that’s upstate and heavy as fuck.” – RadioRadioX

Brick by Brick has shared the stage and/or toured with many notable artists such as Anthrax, Hatebreed, Shadows Fall, Biohazard, Agnostic Front, Madball, The Acacia Strain, Sick Of It All, and many more. The band has also appeared on many festivals, including New England Metal and Hardcore Festival, Black n’ Blue Bowl, Tsunami Fest, Breast Fest, Motorcity Fest, Toughlove Fest, Florida Rules fest, and more. Building upon their performance resume, Brick by Brick will perform at select shows this winter – see below for all current dates.

Brick by Brick upcoming shows:

12/21 – Poughkeepsie, NY @ The Chance Theater (w/ Cro-Mags, Murphy’s Law + more)
Facebook Event Link

12/22 – Waterford, NY @ Chrome (w/ The Acacia Strain, Recon + more)
Facebook Event Link

2/22 – Clifton Park, NY @ Upstate Concert Hall (w/ Dying Fetus) Hive Mentality Album Release Show
Facebook Event Link | VIP Purchase Link

 

“When it comes to by the number, blue-collar heavy hardcore there isn’t a need for a whole lot of innovation and Brick by Brick understands this. And that’s not a thinly veiled shot at the band. If you want to hear aggressive music firmly anchored in tradition, you will find it…” – PunkNews

Brick by Brick online:

Facebook | ReverbNation | Spotify | YouTube

 

Featured photo (top) by Jim Wertman

 

Tech-Death Icons GOROD Reveal Epic, Cinematic Music Video for “Bekhten’s Curse”

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Technical metal icons Gorod have released their brand new 10-track album, Aethra, today via Overpowered Records! The album can be ordered digitally via Amazon, iTunes and Google Play, and in several physical formats via Overpowered Records‘ merchandise site HERE.

In celebration of today’s release, Gorod have revealed an epic, cinematic music video for the track “Bekhten’s Curse”, produced by Disclosure Productions and available to view now via Revolver HERE.

 

Vocalist Julien Deyres tells Revolver: “Out of all of the songs on the album, these lyrics required the most research. I am not at all a specialist in Egyptian antiquity, but in doing my research on lunar deities I discovered this extraordinary story about a so-called miraculous healing of Ramesses II‘s sister-in-law. This legend is engraved on a stela that is currently in the Louvre Museum and is a proven historical fake. In this song, I am playing the role of a Bekhten’s city survivor, which was completely destroyed to restore a form of eventual reality… because way too often, popular legends such as this one were created to hide misdeeds by those who have the power and wish to be considered as heroes…”

Behind-the-scenes videos from Gorod:

Behind-the-scenes Aethra guitar + bass tracking 
Behind-the-scenes Aethra drum tracking

Aethra

Produced and recorded by Gorod guitarist/mastermind Mathieu Pascal in his own Bud Studio, mixed at Dugout Studio by the outstanding Daniel Bergstrand (Meshuggah, Behemoth, Decapitated, In Flames) and mastered by Lawrence Mackrory at Obey Mastering (Decapitated, Nightrage), Aethra is a profound progression in terms of production, songwriting and arrangements.

With Aethra, Gorod transports the listener to a tragic and melancholic universe – a completely new level of darkness – while preserving what Gorod considers their tried and true core sound: incomparable groove, remarkable dexterity, and relentless technicality. But all the while, the band never sacrifices earworm hooks and unforgettable riffage.

Gorod - Aethra Album Art
Aethra Album Art by Jeff Grimal

Aethra track listing:

1) Wolfsmond
2) Bekhten’s Curse
3) Aethra
4) The Sentry
5) Hina
6) And the Moon Turned Black
7) Chandra and the Maiden
8) Goddess of Dirt
9) Inexorable
10) A Light Unseen

New Tour

As a live band through and through, Gorod plan to bring their trademark power and precision to North America on a full tour in support of Aethra. Before coming to the states, Gorod will tour in Europe and the UK with headliners Beyond Creation, as well as fellow support artists Entheos and Brought By Pain.

EU/UK Tour Dates:

02.11 Hamburg (D) Headcrash
03.11 Hannover (D) Faust
04.11 Berlin (D) Musik & Frieden
05.11 Prague (CZ) Nova Chmelnice
06.11 Vienna (A) Viper Room
07.11 München (D) Feirwerk
08.11 Ljubljana (SLO) Orto Bar
09.11 Retorbido (I) Dagda Club
10.11 Venice (I) Revolver
11.11 Aarau (CH) Kiff
12.11 Grenoble (F) L’Amperage
13.11 Barcelona (E) Upload Club
14.11 Madrid (E) Caracol
15.11 Porto (PO) Hard Club
16.11 Donosti (E) C.C. Larratxo
17.11 Angoulême (F) La Nef
18.11 Paris (F) Petit Bain
19.11 Manchester (UK) Satan’s Hollow
20.11 Glasgow (UK) Audio
21.11 Dublin (IRE) Voodoo Lounge
22.11 London (UK) Underworld
23.11 Birmingham (UK) Asylum2
24.11 Netherlands Oss Groene Engel
25.11 Oberhausen (D) Kulttempel

Gorod Online:

Facebook | Twitter | Instagram

Gorod is:

Julien “Nutz” Deyres: Vocals
Mathieu Pascal: Guitars
Ben “Barby” Claus: Bass
Nicolas Alberny: Guitars
Karol Diers: Drums

 

Incite to Release New Album “Built To Destroy” on January 25, 2018 + New Tour Dates with Soulfly, Kataklysm, and More

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Last month, heavy metal frontrunners Incite – lead by frontman Richie Cavalera – announced select details about their upcoming fifth full-length album, Built To Destroy. Produced by Steve Evetts (The Dillinger Escape Plan, Suicide Silence) and mastered by Zeuss (Rob Zombie, Hatebreed), Built to Destroy is a visceral, urgent, voracious distillation of modern metal with reverence for the past, and boasts a progressed, matured sound for InciteIncite can now announce that Built To Destroy will hit the metal masses with full force on January 25, 2018 via MinusHead Records.

Last month, Incite dropped a new single, “Ruthless Ways”, originally revealed last month via SiriusXM Liquid Metal. Listen HERE.

Download/Stream “Ruthless Ways”:

iTunes | Spotify | Amazon | Bandcamp

New Tour Dates

In celebration of the album’s release, Incite will kick off a massive North American tour with headliners Soulfly and direct support artist Kataklysm beginning on the same day! The tour will visit several cities across North America, coming to an end on February 26 in Los Angeles, CA. The tour will feature additional support from Chaoseum, Alukah and Skinflint on select dates.

Tickets go on sale this Friday, October 19 at 10:00 AM local time. Tickets are available via each venue. See below for all confirmed tour dates!

Incite vocalist Richie Cavalera says, “Metalheads! We’re fired up to hit the road with Soulfly and Kataklysm and all the other killer bands on this bill. This will be the first tour in support of our new album, so expect to hear some new Incite tracks at these raging shows!”

Incite Tour Flyer

Incite with Soulfly & Kataklysm
(Chaoseum, Alukah and Skinflint) on select dates:

1/25/19: Albuquerque, NM @ Sunshine Theater*
1/26/19: Dallas, TX @ Gas Monkey*
1/27/19: Austin, TX @ Come & Take It Live*
1/28/19: New Orleans, LA @ Santos*
2/5/19: Orlando, FL @ Soundbar #
2/6/19: Atlanta, GA @ Masquerade #
2/7/19: Frederick, MD @ Cafe 611 #
2/8/19: Clifton, NJ @ Dingbatz #
2/9/19: Reading, PA @ Reverb #
2/10/19: Boston, MA @ Brighton Music Hall #
2/11/19: New York, NY @ Gramercy Theatre #
2/12/19: Toronto, ON @ Mod Club &
2/13/19: Flint, MI @ Buick City Events Center &
2/14/19: Joliet, IL @ The Forge &
2/15/19: Ft Wayne, IN @ Piere’s &
2/16/19: Dayton, OH @ Oddbodys &
2/17/19: Lexington, KY @ Manchester Music Hall &
2/18/19: Kansas City, MO @ Riot Room &
2/19/19: Colorado Springs, CO @ Sunshine Studios Live ^
2/20/19: Grand Junction, CO @ Mesa Theater ^
2/22/19: Spokane, WA @ The Pin ^
2/23/19: Seattle, WA @ Club Sur Rocks ^
2/24/19: Portland, OR @ BossaNova ^
2/25/19: Petaluma, CA @ Phoenix Theatre ^
2/26/19: Los Angeles, CA @ 1720 Club ^

Support Lineup Key:

* w/ Incite supporting Soulfly
# w/ Kataklysm, Incite, Chaoseum supporting Soulfly
& w/ Kataklysm, Incite, Alukah supporting Soulfly
^ w/ Kataklysm, Incite, Skinflint supporting Soulfly

 

Nearly 15 years into a career in which everything they’ve accomplished was earned and nothing was taken for granted, Incite bridges the gap between various metal sub-genres, but one thing is for certain – you will be banging your head in no time. This is a band who will open for Gorgoroth one night and Cancer Bats the next, converting true-believers out of everyone who crosses their path.

As renegade disciples of trailblazing metal architects like Pantera, Slayer, Sepultura, and Machine Head, Incite raises the torch for trend-killing and hipster-smashing metal. Incite is as much a part of the fabric of the style championed by Lamb of God as the surge of newer bands like Power Trip. Incite perfected their signature brand of extreme sounds by playing shows with DevilDriver, Crowbar, Brujeria, Soulfly, Cavalera Conspiracy, and Six Feet Under.

Incite Online:

Website | Facebook |Twitter | Instagram

Incite Is:

Richie Cavalera – Vocals
Lennon Lopez – Drums
Christopher “EL” – Bass
“Dru Tang” Rome – Lead Guitar

Featured photo (top) by Jeremy Saffer