PHOENIX — It was a hot and humid evening on August 12th as the lines of cars slowly filled the parking lot of Ak-Chin Pavilion in Phoenix. Incubus was headlining the night’s show with special guests Jimmy Eat World.
Opening act Judah & The Lion was on stage first to warm up the crowd and promote their recent Folk Hop ‘N Roll Deluxe
At approximately 7:42 PM, Jimmy Eat World took the stage to an uproar of applause as the lights lit up a sea of faces throughout the Pavilion with “Sure and Certain” as their opening song, followed by the title track of their 2001 album Bleed American
For the time being, everyone was worry-free and soaking up the nostalgia of seeing this amazing band again. It was even more special for the folks in attendance because Jimmy Eat World are one of the few mainstream bands from Arizona. Formed in Mesa back in 1993, the band has been a source of inspiration for many Arizona musicians for nearly two and a half decades. There are most likely a lot of people in the audience that saw them live in one of the famed and now closed Arizona music venues from the 90’s heyday before the band made it big. So many couples are singing along and embracing with the lyrics, “Sure and certain, wander ‘til we’re old”.
Lead vocalist and guitarist Jim Adkins eventually addresses the audience admitting “We’ve actually never played here before,” later adding, “It means a lot for us to be here playing music for you tonight”.
This was surprising news to many because the venue has been a staple for live music for the last 27 years. How could they not have played the pavilion before? When it had originally opened to the public in 1990 it was the Desert Sky Pavilion. In 1996 the name was changed to the Blockbuster Desert Sky Pavilion until 2001 when it was renamed the Cricket Pavilion, which it remained… Until it was again rebranded as the Cricket Wireless Pavilion. In 2010 it was renamed yet again as Ashley Furniture HomeStore Pavilion for 3 years until things came full circle and it once again retained the name Desert Sky Pavilion. That was short lived as the Ak-Chin Indian Community purchased the naming rights later that year and it has remained Ak-Chin Pavilion ever since.
There was a chilling performance of “Pass the Baby”, and the people swayed like blades of grass in a summer’s wind, back and forth to the beat. An entire field of people moving their bodies and mouths to the lyrics, reflecting the light off of their faces, brought to mind the sharpness of the lyrics as the wind stirred palms in the distance beneath a tapestry of ever-changing clouds growing more and more menacing. A little later. the mood lightens and the versatility of the evening begins to betray the current mood with an about-face.
“I’m gonna need a lot of help with this one. Get those lights out!”
As fans activated their cell phone flashlights, the entire of the pavilion transformed into a sea of dotted illumination reminiscent of stars dancing in the night sky. “Hear You Me” trickled out of the sound system for a beautiful performance that many there will not soon forget.
Shortly afterward, Jim sang, “If you’re listening…”
His Fender Telecaster began to sing the beginning riff of “Sweetness”, and it was evident how many people were immediately transported to another place in time. They’re bobbing their heads stuffing laundry into dryclean safe bags at Delia’s cleaners. They’re skating to station 13 at Sonic Drive-Thru. A girl is scanning Eddie Bauer jackets at Target overnight for inventory while mouthing the words. The guy at the front counter is stocking parts at Autozone. The aforementioned couple is at prom again. A few of them are crying. This was a time when they were happiest. Back when mom and dad were still alive and all they had to worry about was homework. They’re all conscious that the year is 2017… But they’re all in another time. Some are in 2001. Some 2003. Some in 2005.
What’s refreshing is that there were also teenagers in the audience, all that same age as the older crowd when these beloved songs were released. This music has somehow transcended time as these few but long years have passed.
“The Middle” ended Jimmy’s set. Once again, the mood was notched up to a positive crescendo.
Incubus hit the stage after a lengthy intermission and wasted no time getting started. Amongst rolling thunder, Brandon Boyd asked, “So how you guys doin’?!”
The audience is echoing a cacophony of applause as Incubus opens with “Quicksand”, executing masterful precision. That would end up being a theme for the evening between the three bands. With the exception of Judah And The Lion, Jimmy Eat World and Incubus are veterans in their own right. This is one of thousands of shows these bands have played and their abilities haven’t diminished in the slightest after twenty plus years of touring year in and year out. Each and every song sounds studio- quality, with the perfect charm of the inequitous distribution of sound in a live setting. Everything sounds fresh, which is a true indication of each band’s maturity, and an excellent high water mark to distinguish their respective careers.
When the beginning of “I Wish You Were Here” began, people got quiet. It seemed like everyone within a mile radius is singing along loudly to the lyrics. Once again, the phones were out and that same illusion of stars dancing across the seats was visible, to the delight of observers. As they wrapped this song up, they closed it out with the intro Pink Floyd’s “Wish You Were Here”, to the same lyrical zealousness of the few who knew the lyrics.
The clouds got closer and were nearly directly overhead when Incubus began “Stellar”, which elicited audible reactions of delight. Brandon Boyd is flawless in his recitation. At 41 years of age, he’s still very much an attractive man as well as a fantastic vocalist, but now with the age and wisdom of a distinguished older gentleman. Co-founder Mike Einzeiger is still ever the lead guitar slinger, hitting every melodic scale and harmonic with deft accuracy. The original drummer Jose Pasillas nailed the beats with the impeccable timing of a metronome. It would be criminal to discount the beautiful bounce of Ben Kenney’s bass, and the power of DJ Kilmore’s scratch. On this night they were in rare form as a unit and in tight unison. By the time they played “Drive”, there was a definite shift in the atmosphere.
The wind was now slightly oppressive and cups are blowing across the isles. The good vibes were still there but the weather really began to become more pronounced. The sprinkling began with “Pantomime”, to the dismay of the audience, and just as the band was finishing up “Sick Sad Little World” it began to pour significantly. It actually came in sideways toward the stage. As the song concluded, Boyd remarked nervously “We’ll be right back guys, I promise… We’ll be back”, as they exited view. Moments later a promoter or employee with the pavilion appears and explains that they’ll do everything they can while staff cover the electrical equipment from the elements. “We’re here for your safety.”
Giant thunderbolt and lightning (very very frightening). The crowd went wild and cheered with the revelry of a rebel yell. Masses poured out of the grass and into the stands for cover. Many beneath the ramada begin sprinting for the gates. By all appearances it looked as though this show was over. The parking lot was in shambles. Cars were scrambling toward the exit. The stack turning left at 83rd ave and Monte Vista began to congest as the downpour continued onto the policemen stopping traffic in opposite ways to assist those fleeing the venue.
…But Boyd kept good on his promise.
When the rainfall began to calm, Incubus DID come back with “Nice To Know You” and finished the show with “Warning” to close out the evening for good. Any other band could have ended the concert right then and there when conditions became dangerous and half the audience left. They must have done it just for those few fans that stayed. It was truly a rare sign of integrity to match the humbleness of Jimmy Eat World; both bands being the measure of ethics and class to the very fullest. It was a remarkable show; one that can be easily recounted for years to come for anyone who was fortunate enough to be there. Like a Strawberry Cheesecake Shake from Sonic.
Sat. night @DJKilmore got everyone dancing w/ a killer selection of songs at the @IncubusBand afterparty at @TheRebelPHX! 📷: @KataklizmicD pic.twitter.com/5vQtZmegdu
— Burning Hot Events (@BHEArizona) August 16, 2017
and played a few songs from it. It was an unusually cool night (well, as cool as Arizona in June can get), and everyone was lining up to enter into the venue. The atmosphere was filled with excitement as the Marquee was quickly filling up, and looked to be a nearly sold out show.
. The Scottsdale stop was the 15th of 27 tour dates. With a whopping 20-song setlist and tireless energy, The Birthday Massacre brought their signature animated and dark stage presence to a packed crowd on a Monday night.
, was released recently on March 31, 2017. The charismatic front-woman with teal hair, matching bustier, high-waisted shorts, and fishnet stockings easily caught the attention of The Birthday Massacre’s fans. Sumo Cyco’s song “Danger” well-represents the image of the band and it’s lead singer, with lyrics like, “If you want it, we’ll give you danger“, and “I’m young and feisty, so tongue me and try me“. At one point, Sever rode on the shoulders of the guitarist Matt Drake amongst the crowd. With her sex-appeal and aggressive movements, and the band’s lively performance, they drew in crowd and left them pleased.
. “Red Stars” is a personal favorite due to it’s raging power-chords. Following, were a couple more songs from their new release, “All of Nothing” and “Counterpane”. Then, a few songs from the 
album; “Destroyer”, “Divide”, and “Superstition”.
album came next, followed by “Happy Birthday” and “Video Kid”. These two songs were originally from 2002’s 
. They next played the new album’s title track “Under Your Spell”, and then “No Tomorrow”.
, which was released in 2012. Lastly, from the 2010 
album, “Pins and Needs” and “In the Dark”. 
,
. In the nearly 14 years since that show, they’ve come a long way. Although the lineup has changed slightly, lead vocalist Maynard James Keenan of Tool-fame and lead guitarist Billy Howerdel have remained the central force of the band since its inception. Current bassist Matt McJunkins, who joined in 2010, has played with the likes of 
and 
and 
to add a bit of variety to the setlist for the diehard fans. Spencer Chamberlain and Aaron Gillespie sounded even more in sync than on the reunion tour and proved themselves to be absolute powerhouse vocalists who have more than earned their legendary status as truly influential members of the metalcore scene who have made a lasting impact on everyone from The Devil Wears Prada to headliners Bring Me The Horizon.
seemed like a potentially risky choice given the album’s emphasis on volume and upbeat power. Thankfully, the duo effortlessly executed their career spanning setlist with more energy and precision than is often afforded by an entire tour package.
, I was impressed to see how the band had continued to expand on their signature sound while remaining true to the shredding meets dance floor aesthetic that Sleigh Bells fans have come to worship.
lead off song “Way Away”. Despite setting the bar high with such a high-octane classic track, the band showed no signs of fatigue as they powered through a massive 24-song setlist featuring tracks from most of their 10-album catalogue.
