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Live Nation, News, Tours

Halsey Announces North American Leg Of Manic World Tour

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GRAMMY® award-nominated, multi-platinum artist Halsey will launch the North American leg of her world tour on June 2 at White River Amphitheatre in Seattle, WA. Produced by Live Nation, the headline run will include shows at the Hollywood Bowl in Los Angeles (June 10), Forest Hills Stadium in New York (July 15), Nashville’s Bridgestone Arena (July 24) and Colorado’s Red Rocks Amphitheatre (July 27). See below for itinerary. The supporting acts will be CHVRCHES and Omar Apollo (June 2 – July 5) and blackbear and PVRIS (July 12 – August 1).

Fans will have access to a chance at advance tickets during the artist presale, which begins tomorrow, January 9. Tickets go on sale to the general public beginning Friday, January 17, at 10:00 AM local time. Visit Manic World Tour HERE for more information. All tickets for the North American headline dates will include a CD copy of Halsey’s third studio album, Manic, set for January 17 release on Capitol Records.

Citi is the official presale credit card of the North American tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Monday, January 13, at 10:00 AM local time until Thursday, January 16, at 10:00 PM local time through Citi EntertainmentSM. For complete presale details visit HERE.

Halsey Manic World Tour – North American Leg

  • 6/2 | Seattle, WA | White River Amphitheatre
  • 6/4 | Portland, OR | Sunlight Supply Amphitheater
  • 6/6 | Mountain View, CA | Shoreline Amphitheatre
  • 6/7 | Sacramento, CA | Golden 1 Center
  • 6/10 | Los Angeles, CA | Hollywood Bowl
  • 6/13 | Phoenix, AZ | Ak-Chin Pavilion
  • 6/15 | Dallas, TX | Dos Equis Pavilion
  • 6/16 | Houston, TX | The Cynthia Woods Mitchell Pavilion
  • 6/18 | Charlotte, NC | PNC Music Pavilion
  • 6/21 | Cleveland, OH | Blossom Music Center
  • 6/24 | Atlanta, GA | Cellairis Amphitheatre at Lakewood
  • 6/26 | Detroit, MI | DTE Energy Music Theatre
  • 6/27 | Chicago, IL | Hollywood Casino Amphitheatre
  • 6/30 | St. Paul, MN | Xcel Energy Center
  • 7/1 | Kansas City, MO | Sprint Center
  • 7/3 | Milwaukee, WI | Milwaukee Summerfest
  • 7/5 | Boston, MA | Xfinity Center
  • 7/12 | Toronto, ON | Budweiser Stage
  • 7/15 | Forest Hills, NY | Forest Hills Stadium
  • 7/18 | Holmdel, NJ | PNC Bank Arts Center
  • 7/19 | Columbia, MD | Merriweather Post Pavilion
  • 7/22 | Tampa, FL | MIDFLORIDA Credit Union Amphitheatre
  • 7/24 | Nashville, TN | Bridgestone Arena
  • 7/25 | St. Louis, MO | Hollywood Casino Amphitheatre
  • 7/27 | Morrison, CO | Red Rocks Amphitheatre
  • 7/30 | Salt Lake City, UT | USANA Amphitheatre
  • 8/1 | Irvine, CA | FivePoint Amphitheatre

Since 2015, Halsey has amassed over 25 billion streams worldwide and sold more than 11 million adjusted albums globally. She has played sold out dates on five continents (including New York City’s Madison Square Garden), been nominated for a GRAMMY® and appeared on a wide variety of magazine covers, including Rolling Stone, Cosmopolitan, NYLON, Forbes, Playboy and Billboard. Her 2015 debut album, BADLANDS, was certified Platinum by the RIAA within one year of its release. Halsey claimed the No. 1 spot on the Billboard 200 with 2017’s Platinum-certified hopeless fountain kingdom, which contained such hits as the 2x Platinum “Now or Never” and the 4x Platinum “Bad at Love.” Watch “Bad At Love” HERE.

The success of the 6x Platinum “Without Me” has made Halsey the first and only female artist to have at least three songs chart on the Billboard Hot 100 for 50 weeks each. Rounding out the trio of songs are the 4x Platinum “Eastside,” her collaboration with Benny Blanco and Khalid, and The Chainsmokers’ 11x Platinum “Closer,” which she featured on. “Without Me,” which took Favorite Song, Pop/Rock honors at the American Music Awards, spent two weeks at No. 1 on the Hot 100 in early 2019, marking her first solo single to reach the top spot. It now ranks as the longest-running Billboard Hot 100 top 10 hit by a female artist of this century. She is the first artist to rank at Nos. 1 and 2 simultaneously on Billboard’s Hot 100 Pop Songs radio airplay chart. In March 2019, Halsey became the first artist in history to replace herself at No. 1 twice on the U.S. Pop Songs Airplay chart when “Without Me” returned to No. 1, bumping “Eastside” from the top spot. “Without Me” was the most-played song of 2019 at U.S. radio. She featured on BTS’ Platinum hit, “Boy With Luv,” and, more recently, alongside Future on “Die for Me,” a track from Post Malone’s new album.

Halsey continues to push creative boundaries, expanding her influence and impact beyond music. After making her film debut in the animated 2018 summer movie Teen Titans GO! as the voice of Wonder Woman, she was seen in A Star is Born, starring Bradley Cooper and Lady Gaga. She continues to use her voice to speak up for causes she passionately believes in, including disenfranchised youth, women’s rights, mental health and the LGBTQ community. GLAAD honored her in 2018 as “Outstanding Music Artist.” In 2019, she has won an AMA, the Hal David Starlight Award, presented by the Songwriters Hall of Fame, a VMA and two Teen Choice Awards.

Halsey Online:

Website | Twitter | Facebook | Instagram

Featured photo (top) by Aidan Cullen


Concerts, Kataklizmic Design, Reviews

REVIEW: Phoenix Rises Again for CHVRCHES’ Highly-Anticipated Return (10-6-16)

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TEMPE, Ariz. — Fans of Scottish synthpop / indietronica band CHVRCHES have been saving their tickets since the April show, when Martin Doherty charismatically fronted three songs before the trio had to cut their performance short unexpectedly. The group returned with an overwhelming response this past Thursday, selling out their second show at Tempe’s Marquee Theatre within six months. Frontwoman Lauren Mayberry announced last minute openers Thursday afternoon, adding local indie-electronic duo MRCH to the lineup.

MRCH - Photo Credit: Katherine Amy Vega
Mickey Pangburn, MRCH © Kataklizmic Design
Photo Credit: Katherine Amy Vega

MRCH took the stage at 8 p.m sharp, greeting fans through a haze of vibrant blue-green lights. “We are very excited to be here!” vocalist Mickey announced. “My last time at the Marquee was to see Bone Thugs-N-Harmony,” she added through smiles. Mickey radiated an energy similar to that of Debbie Harry while energetically serenading the audience with romantic, electronically-infused vocals — although the synth and percussion were a bit overpowering, making the quality of her performance difficult to hear at times. Towards the end of their set, MRCH won over the crowd with an effervescent performance of Blondie’s ‘Heart of Glass,’ showcasing Mickey’s unique, vintage pop sound.

CHVRCHES - Photo Credit: Katherine Amy Vega
CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

CHVRCHES wasted no time getting started, drenching the audience in a mesmerizing, strobe-like display of geometric white light and signature esoteric beats. The crowd erupted as silhouettes of Iain Cook, Martin and Lauren marched across the stage, kicking off their performance with a throwback to the April show  — “Never Ending Circles,” the first track from their latest album Every Open Eye. The group immediately engaged listeners with a few fast-tempo favorites and of course, Iain’s electrifying dance moves behind the keyboard.

CHVRCHES - Photo Credit: Katherine Amy Vega
Iain Cook, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

As the audience sang along Lauren’s voice cut in, “We return to the scene of the crime!” The audience responded in applause once again. “Thank you for coming back to see CHVRCHES! I know many of you came to see us many months ago, but things didn’t go as planned,” she continued, struggling to untangle a mic cord at her feet. “Much like this,” she joked. “But this  — this I can deal with.”

She went on to give an electrifying performance before handing the mic over to bandmate Martin for “High Enough To Carry You Over” and “Under The Tide,” a nostalgic selection considering the band’s courageous performance last April, in which they continued without Lauren in order to satisfy their fans. Lauren did re-appear at the end of their shortened set during the April show, fighting extreme illness in order to give fans one final song.

The band’s dedication to their fans was not lost on the people of Phoenix. Lauren’s hypnotic stage presence combined with an impeccable sixteen track set list Thursday night colluded seamlessly with the crowd’s energy, truly making this heightened performance one for the books. CHVRCHES left the stage on a high note, leaving the audience excited and hungry for more. Spectators spottily chanted “One more song! One more song,” lingering to see if the band might continue.

CHVRCHES - Photo Credit: Katherine Amy Vega
Lauren Mayberry, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Suddenly Lauren took the stage once again, stepping forward to address the crowd. “I’m not trying to make you guys jealous,” she said coyly, “but I am going to see Beyonce tomorrow and I’ve got to make it all the way back to the east coast. So, we are going to play you a couple more songs.” The crowd exploded in ecstasy once again, vibrating the floor of the venue as they began to fist pump along to “Afterglow.”

At this point, the group had now performed more than double their set list from last April, and continued to pour their souls into each track making for an unforgettable display of commitment to their fans. Lauren paused, holding Martin’s drumsticks in a crisscross formation above her head as the crowd roared, begging to hear the final song of the night. CHVRCHES then concluded things with their timeless hit, “The Mother We Share” from album The Bones of What You Believe, drawing on the communal energy exhibited during the April show one last time.

Their show Thursday night was more than high enough to carry us over. In fact, we think it’s safe to say this was one of CHVRCHES’ most impressive performances to date.

PHOTO ALBUM
by Katherine Amy Vega

CHVRCHES & MRCH – Marquee Theatre 10-6-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

Concerts, Kataklizmic Design, Reviews

REVIEW: 4-24-16 CHVRCHES Cuts Its “Sermon” Early in Tempe but Saves the Faith

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TEMPE, Ariz. — CHVRCHES, Scottish synthpop / indietronica band, began their set at Marquee Theatre with the first track of their Every Open Eye album, “Never Ending Circles”. The power of their performance was a force to be reckoned with. Lauren Mayberry’s vocals were very impressive and unique, which could especially be appreciated live. The show was sold out, and the energy of the crowd was beautiful. The high-production light show behind the band was dazzling.

CHVRCHES at Marquee Theatre 4-24-16
Mobile Photo of CHVRCHES performing at Marquee Theatre

It was during only the second song, “Keep You On My Side”, that something seemed to be amiss; as Lauren’s vocals started cracking suspiciously early into the show for vocal strain to be an issue. In the midst of “Empty Threat”, Lauren stopped singing for what one might have assumed was exacerbation about an equipment failure. Her band mates continued playing a bit longer, until it was clear that she just wasn’t having it. They looked over at Lauren with clear concern and made haste to put the show on pause, explaining that she was very sick.

If a vocalist pushes to perform when they are truly too sick to be singing, they can permanently damage their voice. Any true fan, or person with a shred of compassion for that matter, should be glad that she was taking care of herself instead of running that risk. It must have sucked for the band and crew too, since they were producing a motion picture about the band at this concert; as indicated by a print-out at the box office window.

A personal opinion: The experience of the first 2 and 1/2 songs alone was enough to satisfy.

The crowd waited in anticipation for a few minutes, before CHVRCHES came back on stage. Determined to give their fans a show worth their time and effort to make it out, Lauren Mayberry and Martin Doherty traded places. Martin sang “We Sink”, which is normally sung by Lauren, and he BROUGHT IT! This was Martin’s time to shine, as he saved the night owning the performance with magical energy and ear candy vocals. Concert-goer grins were huge as they were cheering him on for taking  the role, and the roar of the crowd was deafening!

That atmosphere carried through as Martin fronted two more songs that he regularly sings – “High Enough to Carry You Over” and “Under the Tide”. We were all thrilled and united in heartfelt support, and didn’t feel shafted.

Lauren came back to sing for the last song on their set that would be cut short. She told us she would be taking measures to avoid vomiting on stage. Speaking of her performance up until then, she shamefully confessed and apologized that she didn’t have pitch due to the illness. Fans nearby could be overheard speaking in a tone of surprise about how they hadn’t noticed. She gave a heartfelt monologue expressing their gratitude to fans, and assuring that their tickets would be good when CHVRCHES comes back to Arizona in October.

CHVRCHES closed their concert with “The Mother We Share”, after which the crowd quickly funneled out. In my opinion, this wasn’t a terrible time to finish, considering it was Sunday night… Any 9-to-5ers can typically relate to this sentiment. Of course CHVRCHES was, without a doubt, worth coming out. And even though they gave us 7 songs vs. their full set, that sentiment certainly rang true to the dense crowd.

No regrets. We are grateful that CHVRCHES did everything they could to satiate hungry fans, and their live concert was incredible regardless of the length (…which really wasn’t that short). Get well soon Lauren! We appreciate your professionalism, and you don’t need to apologize. You are human – take care of yourself! Arizona will eagerly anticipate your return!

Update: The make-up show is Thursday, October 6. Your ticket from the April 24th concert will be accepted for entry.

If you would prefer to have a refund issued, contact the Marquee box office by phone at 480.829.1300 (M to F, 12p-6p) or by email at [email protected] no later than May 18 to process a refund. Have your ticket confirmation # handy.

A special thank you to Dustin Mitchell for contributing the setlist for this review.