Tag Archives: Celebrity Theatre

REVIEW: Toto’s “40 Trips Around the Sun” Takes Them to Circle Inside Celebrity Theatre (9-21-19)

  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  

PHOENIX — Toto’s “40 Trips Around the Sun” world tour in support of last year’s eponymous greatest hits collection, and in celebration of their milestone 40th anniversary, came to the Celebrity Theatre. The theatre’s circular structure with its round center stage means there’s not a bad seat in the house, with every spot offering a close vantage point. This was perfect for the night’s show because it removed the feeling of barriers from the fans who so love a band that so clearly loves their fans in return. 

Joseph Williams (Lead Vocals), Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Before the show started, the audience was promised that it was going to be two hours long, “with no opening act and no intermission,” and that we wouldn’t want to miss a minute — practically an understatement for the night to come. This tour has been a well-earned victory lap for Toto. The audience was not only filled with long-time fans, but also with younger fans who were new to the band; finding them through an occurrence of events starting just as they were making plans for the then-upcoming release and tour. 

Toto’s signature song, and most enduring hit, “Africa” features one of pop music’s greatest hooks: “I bless the rains down in Africa.” A perfect storm occurred on the cusp of Toto’s 40th anniversary that reignited them, restored their proper place in popular culture, and reminded everyone exactly how incredible of a band they have always been. In December of 2017, nearly two months to the day before Toto would release their career-spanning greatest hits collection, a young Weezer fan began tweeting the band asking them to cover Toto’s “Africa.” When Weezer finally relented and performed the song on Jimmy Kimmel Live, with a guest appearance from Toto keyboardist Steve Porcaro, a new generation of fans flocked to Toto to discover what so many of us already knew: Toto is one of pop music’s most consistent bands, churning out catchy, crowd-pleasing songs for 40 years. 

As soon as Toto emerged on the ramp and took their spots at their instruments at 8 o’clock, the energy they brought to the round stage in the center of the theatre was palpable. The show’s opening number was “Devil’s Tower,” a previously unreleased gem originally recorded during the sessions for Toto IV but left off. It felt fresh and immediately energized the crowd that was ready to pop in anticipation of Toto’s arrival.

Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

The second song of the set, “Hold the Line,” from their self-titled debut, brought the crowd to their feet for the first of many times in the night. It was during this moment that the stage began to rotate, as they played through a rolling wave of audience members singing the chorus of “Hold the line, love isn’t always on time.” What made this moment truly special was to see the fans in attendance who had been with the band for all 40 of those trips around the sun, singing the song alongside their own children, who are new converts. 

Band Lineup:

  • Joseph Williams:
    Lead Vocals
  • Steve Lukather:
    Guitar and Vocals
  • Steve Porcaro:
    Keyboards
  • Lenny Castro:
    Percussion
  • Warren Ham:
    Saxophone, Harmonica, and Flute
  • Shannon Forrest:
    Drums
  • Shem von Schroeck:
    Bass
  • Dominique “Xavier” Taplin:
    Keyboards

Keeping with the tour’s mission statement, Toto’s setlist was a journey through their history with stops at every album along the way. “Lovers in the Night,” from their 1982 landmark album Toto IV, was followed by the brand new track “Alone” from last year’s greatest hits collection; a song whose foot-tapping rhythm seated it firmly alongside so many of their classic songs. 

After runs through “I Will Remember” from 95’s Tambu and “English Eyes” from 81’s Turn Back, they cut loose on the extended bluesy jam of “Jack to the Bone” from 92’s Kingdom Of Desire. With the crowd energized, and the musicians clearly having a good time on stage, they next went into “Rosanna,” also from Toto IV, and arguably Toto’s second biggest hit. With the stage turning, and the crowd rocking, singer Joseph Williams made stops with each part of the crowd to let them have their moment to sing the infectious chorus “Meet you all the way, meet you all the way, Rosanna, yeah.” They kept the song going well past its album length, so that everyone had a chance to have their moment with the band. 

Joseph Williams (Lead Vocals), Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

As “Rosanna” closed out, chairs were brought out on stage, and the show took an intimate turn, as members told stories of the origins of a couple of the songs, in a style reminiscent of VH1’s classic series Storytellers. Founding member Steve Lukather told the story of keyboard player David Paich writing “Georgy Porgy,” and though Lukather at first thought the song was a little silly, it ended up being the first vocal he recorded for Toto and one of the staples of their live shows ever since. 

Next, keyboardist Porcaro told the story of picking his daughter up from school, on the same day Toto was recording “Africa,” and she was crying because a boy had pushed her off the slide. As he drove her home, she asked him repeatedly through her tears, “Why?,” and though he tried his best to explain to her that the boy probably liked her, she kept asking “Why?” By the time he dropped her off and got back to the studio, her question of “Why?” had given way to a chorus of, “Why? Why? It’s only human nature,” and would turn into the song “Human Nature” written by Porcaro and performed by Michael Jackson on his album Thriller. On this night, they played a lush rendition of the song, with Porcaro singing the words inspired by his heartbroken daughter. 

Dominique “Xavier” Taplin (Keys), Warren Ham (Vox), Shem von Schroeck (Bass), Steve Lukather (Guitar), Steve Porcaro (Keys); Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

At this point, the chairs went away, and the musicians ran through the thematically-linked 1-2-3 punch of “I’ll Be Over You,” “No Love,” and “Stop Loving You,” before all members briefly left the stage. Meanwhile, touring keyboard player Dominique “Xavier” Taplin, filling in for original member David Paich, played what initially felt like a piano interlude but gave way to a longer, beautiful arrangement that left the crowd in awe. Taplin had previously played in Prince’s last touring band and this solo piano performance made it evident why Prince had enlisted his talents. 

“Lion” from 1981’s Isolation was followed by a brief story of writing music for the David Lynch film Dune and trying to make the music sound “as David Lynchian” as they could. The ensuing performance of “Dune (Desert Theme”), so fitting for Arizona’s own dry landscape, showed the song was vintage Toto, even if they were trying to make it sound Lynchian. Lukather talked briefly of their 2002 album Through the Looking Glass, a collection of cover songs by artists that had either influenced the band early on or of whom they were fans. Identifying George Harrison as both his first guitar hero and later his friend, Lukather led them in a cover of The White Album classic “While My Guitar Gently Weeps” that both paid loving tribute and also featured some Toto flourishes, including Lukather adding an extended guitar solo to the end of the song. 

Steve Lukather (Guitar, Vocals), Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

After playing “Make Believe,” them gave the crowd the moment they wanted: “Africa.” It should be noted here that song’s reputation is well-earned, as it is indeed truly a pop masterpiece. On a night where it was obvious how much fun Toto was having on the tour, this was the moment you could tell they relished the most. The performance was note-perfect, and set up the final moment of goodwill and love between a band and their audience, as they turned the singing over, giving the crowd one more chance to come together and show their love for Toto. With everyone on their feet, singing and dancing, Toto played on but stepped back from their mics, and the audience took the final chorus. One by one, the founding members left the stage, leaving the touring members to keep the groove going, while the crowd sang on. Percussionist Lenny Castro, who has played with Toto from their early days, took the lead on congas to accompany the crowd. 

Lenny Castro (Drums), Toto
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

When Toto returned to the stage for the encore, a rollicking performance of “Home of the Brave” from a 1988’s The Seventh One, the end of the show and the band’s choice for a closer felt like a parting piece of advice to the crowd. Just as Toto has made their 40 trips around the sun, staying true to the ethos they established for themselves on trip number one in 1978, this moment was a reminder to all to keep themselves moving forward with each of their trips, and that we are in charge of our future and our fate with the show’s final lyrics: “You gotta remember, you don’t have to be afraid. You still have the freedom to learn and say what you wanna say. You gotta remember, don’t let ’em take away the land we call the home of the brave.

Photo Gallery

Photographer: Rodrigo Izquierdo

Toto – Celebrity Theatre 9-21-19

Flickr Album Gallery Powered By: WP Frank

Setlist:

  • “Devil’s Tower”
  • “Hold the Line”
  • “Lovers in the Night”
  • “Alone”
  • “I Will Remember”
  • “English Eyes”
  • “Jack to the Bone”
  • “Roseanna”
  • “Georgie Porgy”
  • “Human Nature” (Michael Jackson cover)
  • “I’ll Be Over You”
  • “No Love”
  • “Stop Loving You”
  • “Goodbye Girl”
  • “Lion”
  • “Dune (Desert Theme)”
  • “While My Guitar Gently Weeps” (Beatles cover)
  • “Make Believe”
  • “Africa”
  • ENCORE
  • “Home of the Brave”

Band Lineup:

  • Joseph Williams: Lead Vocals
  • Steve Lukather: Guitar and Vocals
  • Steve Porcaro: Keyboards
  • Lenny Castro: Percussion
  • Warren Ham: Saxophone, Harmonica, and Flute
  • Shannon Forrest: Drums
  • Shem von Schroeck: Bass
  • Dominique “Xavier” Taplin: Keyboards

Photography © Reagle Photography
All Rights Reserved

REVIEW: Ringo — An All Starr Band Lead by a True Starr at Celebrity Theatre (8-26-19)

  •  
  •  
  •  
  •  
  •  
  • 1
  •  
  •  
  •  
  •  
    1
    Share

Phoenix, AZ — On June 26 of this year, Sir Paul McCartney brought an evening of legendary music to Talking Stick Resort Arena. Exactly two months later, Ringo Starr became the second Beatle to grace the stages of Arizona. This is the 30-year anniversary of this touring rock supergroup, Ringo Starr & His All Starr Band, with a shifting lineup that has included legends such as Joe Walsh, Todd Rungren, Clarence Clemons, Peter Frampton, John Entwhistle, and so many more (see list below). Starr is really the only constant member.

This year’s line up is no exception to Starr’s history of building a stellar lineup:

  • The dueling guitarists were the unlikely pairing of Steve Lukather (Toto) and Colin Hay (Men At Work). These two master songwriters brought along their biggest hits to add to the already incredible setlist. Fans were treated to Toto’s “Rosanna”, “Africa”, and “Hold The Line” and Men At Work’s “Down Under”, “Overkill”, and of course “Who Can It Be Now.”
  • On the Hammond organ was none other than Gregg Rolie (Santana, Journey) who chipped in the classic Santana songs “Evil Ways”, “Black Magic Woman / Gypsy Queen”, and “Oye Como Va”, but unfortunately nothing from his days with Journey.
  • Bassist Hamish Stuart (Average White Band) was back after his stint in the lineup from 2006 to 2008. He switched over to guitar when the band dove into the Average White Band standards “Pick Up The Pieces” and “Cut The Cake.”
  • Gregg Bissonette on drums and Warren Ham on… well, everything else (saxophone, flute, keyboards, percussion, etc.) rounded out the lineup. Both have toured extensively with major recording acts, such as Bissonette’s time with “Diamond” David Lee Roth during the “Eat ‘Em And Smile” era, and Ham’s contributions to Kansas and Toto (now that’s an ironic combo of band names).
Ringo Starr and His All Starr Band
| Photographer:
Mark Greenawalt © All Rights Reserved

All that talent on the revolving stage of the Celebrity Theater culminated in the focal point of the evening; a man who’s former band is arguably the most famous band in the history of rock & roll. And yes, Starr brought a few songs to the setlist from his days with the Fab Four, starting with the only song credited to Lennon–McCartney–Starkey, “What Goes On.” Ringo Starr is the stage name of Sir Richard Starkey, knighted by Prince William on March 20, 2018. The two most popular Beatles songs that featured Starr’s voice where the whimsical “Yellow Submarine” and the song he sang in the guise of the one-and-only Billy Shears, “With A Little Help From My Friends.”

Ringo Starr
| Photographer:
Mark Greenawalt © All Rights Reserved

Starr’s credentials make him a legendary musician, but he seemed very unassuming. There was no fabricated swagger or false bravado in his delivery. He was reverent of the talent of his bandmates while clearly letting loose to have fun on stage.  Even his attire hinted at high fashion with a jacket and black leather pants, but they were offset by a pair of comfortable sneakers and a rhinestone shirt that said “Peace Rocks”. The peace sign proved to be a prevalent theme throughout the show, from holding up the hand sign for peace to wearing peace necklaces. Starr looked spry and healthy wearing his signature sunglasses and sporting the kempt beard and mustache.  Though he is 79 years old, there was nothing lethargic or geriatric about this performance. It was quite the opposite: an energetic and youthful performance from start to finish.

Ringo Starr (Vocalist), Hamish Stuart (Bassist), Steve Lukather (Guitarist) –
Ringo Starr and His All-Starr Band
Photographer:
Mark Greenawalt © All Rights Reserved

Although there are some Ringo Starr hits embroidered in the fabric of our collective memory, it takes a show like this to remind us of just how many there have been. Eight songs from his solo career broke the top 10 in the US charts and two hit number one (“You’re Sixteen” and “Photograph”). Between 1970 and 2017, Ringo has released 19 solo studio records. The second song of the set started the audience down memory lane with “It Don’t Come Easy” from the 1975 album Blast From Your Past.

Gregg Rolie (Keyboardist, Vocalist), Steve Lukather (Guitarist, Vocalist), Ringo Starr (Vocalist, Drummer) –
Ringo Starr and His All-Star Band
Photographer:
Mark Greenawalt © All Rights Reserved

Starr shared the spotlight and lead vocal duties with the singers that made their respective songs famous. It was like a karaoke dream where everyone sounded exactly like the record. One highlight was hearing Rolie breathing life into “Black Magic Woman,” and then hearing Lukather shredding on the soulful solos of Carlos Santana, was magical. As the song transitioned to “Gypsy Queen”, it was Gregg Bissonette’s turn to shine as he vamped on the drumset.

A majority of the crowd were old enough to remember the quirky videos of Men At Work on MTV’s heavy rotation in the early 80’s. There were possibly a handful of people that didn’t recognize Colin Hay playing guitar on stage, but everyone recognized that distinctive voice singing “I come from the land down under,” Ham obviously broke out the flute to play the infectious solo on “Down Under” and then later in the show played the famous sax line on “Who Can It Be Now.”

Steve Lukather (Guitarist), Warren Ham (Saxophone), Ringo Starr (Vocalist) –
Ringo Starr and His All-Star Band
Photographer:
Mark Greenawalt © All Rights Reserved

While out of the spotlight, Starr was still an archetypal presence as he rose to his drum throne and commandeered the instrument that he is best known for. The bass drum of his Ludwig drum kit that once sported The Beatles logo, now has a symbolic star and lotus flower logo, presumably in support of the Ringo Starr Art Lotus Foundation.

Ringo Starr’s Ludwig drumkit
| Photographer:
Mark Greenawalt © All Rights Reserved

Being the drummer in the back typically garners less notoriety, especially when you’re standing on the shoulders of giants like Lennon, McCartney, and Harrison. But throughout his career, he has received 9 Grammys, and has twice been inducted into the Rock and Roll Hall of Fame, first as a Beatle and then as a solo artist. Starr played in perfect synchronicity with Bissonette and reminded all of the musicians in the room why he is considered by many to be included in the category of best rock drummer of all time.

Ringo Starr
| Photographer:
Mark Greenawalt © All Rights Reserved

The wonderful evening of hit music was capped off with a resounding message of peace when Ringo and the boys joined in on the anthem “Give Peace A Chance,” the anti-war chant that John Lennon and Yoko Ono voiced 50 years ago from room 1742 that still needs to be heard today.

Photo Gallery

Photographer: Mark Greenawalt

Ringo Starr And His All Starr Band – Celebrity Theater 8-26-19

Flickr Album Gallery Powered By: WP Frank

Setlist for the Evening

  • Matchbox (Carl Perkins
  • It Don’t Come Easy (Ringo Starr
  • What Goes On (The Beatles
  • Evil Ways (Willie Bobo with Gregg Rolie
  • Rosanna (Toto with Steve Lukather
  • Pick Up the Pieces (Average White Band with Hamish Stuart
  • Down Under (Men at Work with Colin Hay
  • Boys (The Shirelles
  • Don’t Pass Me By (The Beatles
  • Yellow Submarine (The Beatles with ‘Day Tripper’ tease intro by Steve Lukather
  • Cut the Cake (Average White Band with Hamish Stuart
  • Black Magic Woman / Gypsy Queen (with Gregg Rolie
  • You’re Sixteen (Johnny Burnette
  • Anthem (Ringo Starr
  • Overkill (Men at Work with Colin Hay
  • Africa (Toto with Steve Lukather
  • Work to Do (The Isley Brothers with Hamish Stuart
  • Oye como va (Tito Puente with Gregg Rolie
  • I Wanna Be Your Man (The Beatles
  • Who Can It Be Now? (Men at Work with Colin Hay
  • Hold the Line (Toto with Steve Lukather
  • Photograph (Ringo Starr
  • Act Naturally (Buck Owens
  • With a Little Help From My Friends (The Beatles with ‘Give Peace a Chance’ by Plastic Ono Band chorus at the end)

Back to Top

All Starr Band Alumni

  • Joe Walsh (1989-1992, various guest appearances from 1992 onwards)
  • Nils Lofgren (1989-1992, opening act for various 1995 shows and made a guest appearance in 2013)
  • Dr. John (1989, guest appearance in 2008)
  • Billy Preston (1989, 1995)
  • Rick Danko (1989)
  • Levon Helm (1989, guest appearance in 2008)
  • Clarence Clemons (1989)
  • Jim Keltner (1989, guest appearance in 2010)
  • Todd Rundgren (1992, 1999, 2012-2016)
  • Dave Edmunds (1992, 2000)
  • Burton Cummings (1992)
  • Timothy B. Schmit (1992, guest appearance in 1997)
  • Zak Starkey (1992-1995, guest appearance in 1989 and 2010)
  • Timmy Cappello (1992, 1999)
  • Randy Bachman (1995)
  • Mark Farner (1995, guest appearance in 1997)
  • Felix Cavaliere (1995)
  • John Entwistle (1995)
  • Mark Rivera (1995-2003, 2012-2013, guest appearance in 2011)
  • Peter Frampton (1997-1998)
  • Gary Brooker (1997-1999)
  • Jack Bruce (1997-2000)
  • Simon Kirke (1997-2000, guest appearance in 2003)
  • Scott Gordon (1998)
  • Eric Carmen (2000)
  • Roger Hodgson (2001)
  • Ian Hunter (2001)
  • Howard Jones (2001)
  • Greg Lake (2001)
  • Sheila Escovedo (2001-2006)
  • Colin Hay (2003, 2008)
  • Paul Carrack (2003)
  • John Waite (2003)
  • Billy Squier (2006-2008, guest appearance in 2014)
  • Richard Marx (2006)
  • Edgar Winter (2006-2011)
  • Rod Argent (2006)
  • Hamish Stuart (2006-2008)
  • Gary Wright (2008-2011)
  • Gregg Bissonette (2008-present)
  • Wally Palmar (2010)
  • Rick Derringer (2010)
  • Richard Page (2010-present)
  • Steve Lukather (2012-present)
  • Gregg Rolie (2012-present)
  • Warren Ham (2012-present)

Back to Top

Photography © Mark Greenawalt. All Rights Reserved

REVIEW: Styx Rocking In The Round, Their First Night at Celebrity Theatre (1-11-19)

  • 360
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
    360
    Shares

PHOENIX — Celebrity Theatre was a fitting venue for the return of Styx to the Valley for a two night engagement on January 11th and 12th. Located at 32nd Street and Fillmore, the legendary theatre in the round has hosted the cream of music royalty since it first opened as the Phoenix Star Theatre in 1964. The unique circular, rotating stage and intimate atmosphere have made the Celebrity a staple music hall in Phoenix for nearly six decades. Not one seat in the venue is more than 70 feet from the stage.

The show on January 11th started a little late, most likely a result of the parking delays. The line of cars snaking southbound down the right lane of 32nd street moved at a snail’s pace leading up to the entrance. Folks of all stripes were milling around the theater, ordering drinks and chatting excitedly under the catwalk above the stage. Others lingered outside, chain smoking or vaping, listening for a sign to run back inside for the start of the concert.

From their humble Chicago beginnings in the early 1970’s, to their outlandish high production theatrical arena shows of the 80’s, Styx has been a familiar voice on the radio for generations, with a career spanning over half a century. As the first band to have four triple platinum albums in a row, they are an integral part of the soundtrack of many people’s lives. Their importance to rock music as a whole has been unfairly marginalized for years, and in the words of Julian ‘Frankenstein’ McGrath from Big Daddy (1999), only catching “a bad rap because most critics are cynical assholes.”

The current lineup includes veteran Tommy Shaw on lead guitar, with founding members James “J.Y.” Young and Chuck Panozzo on guitar and bass respectively, with Chuck performing on a more limited basis. Chuck’s twin brother and co-founding member of Styx, John Panozzo, originally played drums, but sadly died of cirrhosis of the liver in 1996. Since then, Todd Sucherman has been the band’s drummer. Playing backing guitar, bass, and vocals is Ricky Phillips of Bad English and The Babys, who joined the band in 2003. Vocalist and keyboard virtuoso Lawrence Gowan is a high-energy showman, but you would have to be in order to replace estranged former frontman Dennis DeYoung, as he did in 1999. A band with a history as rich as Styx merits such a historic venue as Celebrity Theatre.

The house lights suddenly dimmed, eliciting hoots and cheers from the audience. As soon as the spotlights kicked on, the band flew right into “Gone Gone Gone from their latest album The Mission, released in mid-2017. From the first frenzied notes played on the dueling guitars, the crowd was on their feet. Fans young and old danced in the aisles while others rushed to their seats, full beers in hand. The song does not sound at all unlike the old Styx — high-energy and fun.

Not a moment after the first tune ended, the iconic organ riff of “Blue Collar Man” sternly commanded the grateful crowd’s attention.  Each band member’s precision assured the crowd that Styx had not lost a step from their golden age.

Lawrence Gowan (Vocalist) and Ricky Phillips (Bassist), Styx
Photography: Mark Greenawalt © All Rights Reserved.

Next was their hit “The Grand Illusion”, the title track from their 1977 album. Every flawless note rang out true to the recording, and there is a perfectly reasonable explanation for that: Styx is a band that is perpetually on tour. According to the band themselves, they only take occasional breaks for short periods. Anybody touring that frequently is going to perform their catalogue masterfully.

After performing “Fooling Yourself,” Gowan spoke: “What a wonderful way to ring in the new year!” Standing at the foot of the stage, he remarked, “My, you’re all so close,” as he addressed the theater’s intimate layout.

The spotlight settled on him at the keyboard as and an iconic piano riff pierced the crowd, igniting their collective nostalgia. “Lady” is one of those songs that everyone imagines will be playing in the background when they lay their eyes on their soulmate for the first time. Again, it’s eerie how well Gowan embodies Dennis DeYoung, both vocally and instrumentally. It was not the first song the whole theater sang in unison, nor would it be the last.

Lawrence Gowan (Vocalist, Keyboardist), Styx
Photography: Mark Greenawalt © All Rights Reserved.

When Shaw approached the mic, he explained the origins of their 16th album, The Mission, before introducing “Radio Silence” for the waiting ears of all in attendance. The opening synth has that instantly recognizable Styx DNA. That this was not a radio single is baffling. In fact, Shaw himself has expressed frustration with the neglect that great classic rock bands experience in the new age of the music industry. It is almost prophetic of the band that you cannot hear a song called “Radio Silence” on the radio. It is a fantastic track and deserves more attention.

The next tune was off of 1975’s Equinox. “Lorelei” seems like one of those songs that everyone knows but has no idea what it is called or who sings it, like an old friend you ate lunch with at work, but never learned their name. Young absolutely nails the lead vocals in place of DeYoung’s  studio recording. Another striking revelation was that the bands harmonies were pristine. These are men in their early to late sixties, the oldest being founding member Panozzo at seventy years old.

Ricky Phillips (Bassist), Styx
Photography: Mark Greenawalt © All Rights Reserved.

Shortly after “Lorelei”, Shaw recalled a conversation he had with Young in 1975, and explained how he came to join the band. Taking Young up on his offer to come to Chicago, Shaw brought a song he had been working on. It was a great song, but “it wasn’t a Styx song” according to Young, who Shaw calls “The Godfather of Styx”. From that story, the audience learned how “Crystal Ball” was written, and Shaw was only too happy to demonstrate how beautiful his two-tone sunburst Fender 12-string acoustic sounds. With impeccable timing, a roadie hopped up onto the stage to hand over a Les Paul for the solo before swapping the Jumbo back for the outro.

As expected, the band played a couple more hits with “Light Up” and “Man in the Wilderness” before closing out the first half of the show with another anthem from the Paradise Theater album, “Rockin’ the Paradise.” It wasn’t long before the house lights came back up for a short intermission, when Young promised another hour of music after they returned.

The second half of the show kicked off with another Young-led hit from The Grand Illusion, “Miss America.” Styx is currently rehearsing for a special show in Las Vegas where they will play the entire The Mission album from start to finish. Fans attending this show were treated to a sampling of what is to come when they debuted six of those songs in order from the second half of the album. The suite of songs began with “Time May Bend” and continued through “The Outpost” and this night was the first time they had ever been performed live. They even welcomed the album’s producer and co-writer, Will Evankovich on stage to contribute to the instrumentation and vocals.

Tommy Shaw (Guitarist, Vocalist), Styx
Photography: Mark Greenawalt © All Rights Reserved.

Eventually a roadie produced Shaw’s vintage Fender Electric XII and it’s a dead giveaway to the guitar-savvy fans that “Suite Madame Blue” was coming, and it was impeccably played from start to finish. Immediately after, the fans were finally treated to what many were waiting for… “Too Much Time On My Hands” (watch the Paul Rudd and Jimmy Fallon shot-for-shot remake) from 1981’s Paradise Theater. The maniacal keyboard part of the song is indicative of the genius that Dennis DeYoung endowed upon the group; however, this does not imply they are lacking anything from his departure. This band is so well-oiled that his absence is hardly noticeable.

As the applause died down, most of the band left the stage, but Gowan remained and took the spotlight to turn the venue into a “piano bar” with a pair of fantastic covers. The first was a phenomenally accurate rendition of Elton John’s “Rocket Man” for the appreciative audience. The second cover was a beautiful recitation of the intricate operatic section of Queen’s “Bohemian Rhapsody”, and the entire crowd once again sang along to every word. They are truly a fortunate group to have stumbled across such a talented frontman. Gowan alone should be a major factor for anyone even considering going to a Styx show. He alone is absolutely worth the cost of admission.

Still alone on stage, Gowen started into the piano intro to possibly their most famous hit, Come Sail Away, which was also featured on The Grand Illusion. The band shuffled back out to bring it home and it seemed to be the perfect crescendo to end the show with, guitars blazing and fans jumping up and down. As the last note is struck from the guitars, and the last cymbal smashed, the band removed their straps and handed off their instruments to the roadies while they made their way off the stage before turning around amid the raucous applause and walking right back out for an encore.

To thunderous applause, they opened back up with “Mr. Roboto,” the drum fills echoing throughout the small space with noticeably fewer audience members, many of whom ran out to their vehicles when they believed the show was over. This is a big deal for one simple reason: They had never performed this song on stage with the full band before this tour. Previously, Dennis DeYoung had always sung a version of it with pre-recorded tracks. Once he left, the band abandoned it for the following decades. The fact that they are playing it as an encore now is kind of ironic.

James “J.Y.” Young (Guitarist), Styx
Photography: Mark Greenawalt © All Rights Reserved.

The fitting final number of the evening was the signature rocker song “Renegade”, Shaw’s self-penned hit from 1979’s Pieces of Eight.

“Oh, mama, I’m in fear for my life from the long arm of the law…”

The acapella opening lines beckoned the crowd once more to accompany the band, offering a fitting and crowd-unifying conclusion to a consistently powerful and nostalgic evening with a gargantuan pillar of classic rock. As any great performers are wont to do, Styx left the Phoenix audience delighted and fulfilled, yet eager for more. Fans might have had their thirst satiated if they bought tickets to the show the following night at the same venue. And if the rock gods will it, perhaps Arizona will be graced with a future performance from the legendary American musical mainstay.

Photo Gallery

Photographer: Mark Greenawalt

Styx – Celebrity Theatre 1-11-19

Flickr Album Gallery Powered By: WP Frank

Photography © Mark Greenawalt. All Rights Reserved