PHOENIX — Unity, love, and an all-around good time were the three main focuses of the Lost in Translation Tour’s stop in Phoenix. “Don’t ever forget that each and every one of you here has the power to do anything you set your heart on,” said David Boyd, lead singer of New Politics.
New Politics, Dreamers, and The Wrecks put on an sensational sold out show at Crescent Ballroom, with each band bringing the energy of a headliner.
The Wrecks were first in the lineup with an electrifying set. Lead singer Nick Anderson’s unique voice took the crowd to a new level. The energy from the five piece band was reminiscent of early 2000’s pop punk. Their new EP Panic Vertigo, just released last month, showcased the growth of the band. The Wrecks played an unreleased song “Live”, and Anderson said the band only plays it when people in the audience have enough energy to give back. They ended with the upbeat angst filled song “Favorite Liar” which has been played frequently on 93.3 Alt AZ. The Wrecks hinted at wanting to do a headline tour with a stop in Phoenix soon.
Their band name describes their set: dreamy. The three-piece band played fan favorites such as “Painkiller” and “Sweet Disaster”, which have been on rotation on 93.3 Alt AZ as well. With catchy guitar riffs from lead singer and guitarist Nick Wold, strong rhythm from bassist and back-up vocalist Marc Nelson, and striking drums from drummer and back-up vocalist Jacob Lee Wick, the band amped up the crowd.The upbeat set proposed the feeling for New Politics’ upcoming performance. Their song “Bleed Through”, Wold explained, is about people who have jumped off the Golden Gate Bridge and coming back from that ledge; also for any who has fallen.
Inspiring the crowd to raise their hands immediately, the energy exuded by the three piece band from Copenhagen, Denmark, was mind-blowing, to say the least. With Boyd sporting pants that could have been inspired by Beetlejuice, and a John Lennon style hat, his charisma got the crowd rocking.
The trio started their set off with “Istanbul” from their latest record Lost in Translation, which was released last year (2017). Their set consisted of a variety of songs that showed how diverse they are.
“Girl Crush”, “Everywhere I Go (Kings and Queens)”, and “Dignity” were noticeably among the crowd-favorites.
“Tonight You’re Perfect”, “One of Us”, and “Harlem” are among the most well-known songs from the trio.
One of the more intimate songs played during the set was “Color Green”, which Boyd dedicated to his newborn daughter.
Guitarist and lead/backup vocalist Søren Hansen and drummer Louis Vecchio, were highly animated throughout the 20 song set. It was impressive to see the same energy that Boyd offers in Hansen and Vecchio.
Boyd knows how to perform. The lead singer engaged the crowd from all angles, and got intimate with the crowd multiple times by resting his leg in fans’ hands as he sang. It also seemed as if he would sing directly into fans’ phones. ULTIMATE FANGIRL DREAM.
By mentioning unity more than once, it was clear that Boyd places importance on giving fans a unifying experience. He showed his gratitude to the fans at the end of “One Of Us” by making bowing gestures toward them, suggesting that this experience is just as meaningful to him.
“I don’t want this to end”, Boyd exclaimed before the final song. “There’s only one thing we’re gonna have to do, is come back soon, right?”, he continued. “So what we’re gonna do right now, ‘cause endings are so sad, we’re gonna do the opposite. We’re gonna take this energy here, and we’re gonna celebrate that we f***ing did it! Alright? And we’re gonna cherish every memory of tonight, and we’re gonna even make it better, and there will be a surprise…”
The band certainly knows how to end a show with a grand finale, by playing the explosive “Yeah Yeah Yeah”, with Dreamers’ Wold singing the first verse, and The Wrecks’ Anderson coming back to rap during the second verse.
How to end a show: with Hansen crowd surfing as he plays his guitar solo. √ CHECK
PHOENIX — P!nk kicked off her Beautiful Trauma World Tour in an unreal musical experience that rocked the Valley of the Sun. Following the release of her seventh studio album, aptly named Beautiful Trauma, came the announcement that she would hit the road once again to share her exquisite sound with the world. With anticipation of her first album release in five years, it came as no surprise that the Phoenix show was completely sold out. Fans flooded Talking Stick Arena, sporting the artist’s color in everything from bedazzled wigs to homemade jumpsuits. Inside the arena KidCutUp could be heard spinning his usual mashup of hip hop and party songs in order to rouse the crowd before the main act.
From start to finish, P!nk put on a show that left the crowd wanting more, even after a 21-song setlist. Her energy is tangible as soon as she appears before the crowd, launching into the show with one of her biggest hits of all time “Get the Party Started.” What was seen as the curtain dropped at the start of the song could only be described as unbelievable. Breathtaking acrobatics featuring her in a full body sequined jumpsuit paired with incredible dance numbers involving an array of mobile props on stage and back-up dancers. It made for a mind-blowing start to what would be a truly unforgettable set.
Paying ode to her newest album release, P!nk segued straight into “Beautiful Trauma,” serenading the audience with her haunting lyrics before taking them right back in time with old favorites like “Just Like a Pill” and “Who Knew?”
“Hello!”, she shouted into the mic, taking a moment to address the audience, “I can’t believe tonight’s finally here! Just like you guys, I have no idea what’s going to happen!” Her excitement rang through the arena, the frenzied crowd cheering the whole time. That energy remained, with those on stage and those in the crowd, for the entire performance. She played several more songs off of her new album such as “Revenge”, “Barbies”, and “I Am Here”, while also including additional top hits “Try” and “Just Like Fire.” Whether old fan or new, everyone in the arena was able to sing along.
P!nk collaborated with artists such as Eminem and Phoenix’s own Nate Ruess, who both made appearances in creative ways. A video of Ruess was displayed on a screen, while Eminem was made into an enormous inflatable puppet that was guided across the stage by her dancers as P!nk sang along beside it.
One thing that makes P!nk stand out as a performer amongst others is that each song is, in and of itself, like a unique mini concert. From the band to the dancers and backup vocals, there was a passion that could be felt from all of them. Beautiful costumes were accompanied by expert dance sequences and enormous, detailed props were used on and off the stage to help create a multi-level experience. With each new song came a sense of wonder as to what magic would take over the stage next.
Another thing that makes her stand out as an artist is her fierce dedication to being herself and her love for people. Throughout the show, she takes time to shed light on important messages and reminds everyone about things like love and unity, connecting with her fans on a level unlike many other music artists.
As the show neared its end, she amped the energy up to the maximum level and brought the crowd to its feet once again with her smash hits “Raise Your Glass” “Blow Me (One Last Kiss)” and “So What.” She spent a majority of that time soaring far and wide throughout the arena sporting her same sequined jumpsuit. Lights flashed in every direction as confetti shot from mini cannons on stage. Fans watched in wonder as she flipped through the air past all of the sections. “Thank you all, remember to love one another,” she said as she was lowered to the ground for the final time.
Concertgoers left amazed with the show they had just witnessed, although it was clear that they would have stayed all night if they could. P!nk puts on a performance unlike any other artist in today’s music scene, and that is partially due to the immense love she has for her fans and a driving desire to make a difference in the world. She truly is the beauty and strength that resonates in her music, and she uses that as a driving force to give her beloved fans an unforgettable experience.
Tempe, AZ — February 24th, 2018, shortly a month after Zakk Wylde’s 50th birthday, he put on a great show at the Marquee Theatre with Black Label Society, showing that he’s definitely at a different level musically and also in showmanship. Opener EyeHateGod, a band that has been playing since 1988 showed great energy, starting what was about to be a great night of rock. Corrosion of Conformity, who I remember watching their music video “Dance of the Dead” when I lived in Chile, only raised the bar and rocked the house, closing with their most popular song, “Clean My Wounds”.
Then the show became the kind of show you’d expect to see at a full stadium, opening with pyrotechnics and a classic curtain drop, to the excitement of the fans that had filled up the venue to what seemed to be absolutely max capacity. This was my first time seeing Black Label Society live, and I could not have been more pleased, as their sound and showmanship was definitely beyond what you normally see at small venues like the Marquee Theatre.
Photo Album
Photographer: Rodrigo Izquierdo
Black Label Society, Corrosion Of Conformity, & EyeHateGod – Marquee Theatre 2-24-18
Scottsdale, AZ – For 9 out of 10 years strong, a very special show has been held annually at Pub Rock – a venue formerly named Chasers Bar. A staple in the Industrial/Gothic community, Mustache Massacre is an event that brings together both new and well-known faces alike, for a night that reminds us not to take ourselves too seriously. It’s a free concert with one caveat… you’re only getting in free if you have a mustache.
“Grow it, glue it, draw it, clip it, tape it, make it…So, trim your sister’s armpit hair, shave a dead muskrat, or steal the president’s toupee. ‘Cuz we don’t care where you get the hair, as long as it’s there!…CAN YOUR FACE HANDLE IT?!!!”
The 10th Annual Mustache Massacre (& Wa’s 40th Birthday Bash) featured entertainment by Ikonoklast, 80*D, Goth Brooks, Camel Enamel, Family Secret, and DJs //SHE// & Zander. With these 5 bands bringing industrial, goth, punk, metal, and even a little bit country, 2 DJs, a crowd of characters that weren’t afraid to dance and mosh, a photo booth run by Burning Hot Events, and even a mustache contest, it made for a long, hard, and nutty night.
“Get yo’ bad-ass mo’-fro’ pho-togged to show your grand kids what a freakin’ weirdo you were!”
Check out all of the shots from the photo booth HERE!
Mustache Rules:
Must be hands-free (attached to your face somehow)
No finger mustaches! (drawing on finger and placing to face)
5 o’clock shadow does not count (add some roughage to that stubble!)
The more outrageous, the better! (get creative, there is a contest!)
TEMPE, AZ – Lights, along with special guests Chase Atlantic and DCF, illuminated Marquee Theatre last Thursday. This eclectic mix of musicians magnetized a diverse crowd to The Marquee’s doors, and together, the entire venue celebrated a night of pure joy and musical euphoria. Fans of all ages blissfully enjoyed the great sound, atmosphere, and company of each band, but Lights certainly shone brightest of all — fans were dazzled by their otherworldly sounds and gorgeous visuals on stage, and it is clear for any outside observer to understand why they command an army of such devoted fans.
For those who know and love Lights already, they’re aware that this is certainly not Lights’ first rodeo — they’ve been to Phoenix many times since 2008, but as lead singer Lights Valerie Poxleitner put it, they come back stronger every time. From The Nile to Warped Tour, Lights certainly know how to command a stage of any size and location, and their attention to detail certainly transfixes audiences on multiple levels. As Poxleitner is an artist in more ways than one, it is no surprise that Lights’ live performances are as much visual spectacle as they are aural extravaganza. It’s no wonder that Lights has recently received nominations for the Pop Album of the Year and Artist of the Year categories in the 2018 JUNO Awards.
DCF
The first performance of the evening was DCF, an artist who is a compelling example of contemporary pop, alternative, and indie music styles. His was a solo act, yet he projected enough energy and personality to decently command the entire stage and crowd. Concert-goers, in fact, were somewhat devastated when it came time for Prince DCF to exit the stage after an acoustic version of “Misery Business” by Paramore, letting out an audible sigh as he departed.
DCF’s interesting style, mix of genres, and unique take on what is considered pop music all went well with what could only have been a Napoleonic-era Royal Navy Admiral’s Coat. Together with his stylish hairstyle and glasses, DCF exudes confidence and mirth as he DJs, sings, cracks jokes, and finds any other way to entertain a crowd. His performance was certainly a great ice breaker for the evening, though it did end on a relatively anticlimactic note.
Chase Atlantic
Next up was Chase Atlantic, a wonderful group visiting all the way from Australia; they likely chased the Pacific in this case, but everyone at The Marquee was certainly happy to see them. They instantly took over the stage and crowd, carrying the momentum over from DCF and further building fans up for Lights later in the evening. Their high energy was contagious, and they also shared a unique take on contemporary music, just as DCF had done before them. It would be difficult to say exactly what they sound like, but all alternative musicians seem to be elusive when it comes to absolute definition.
Due to their eclectic mix of sounds, it was easy for everyone in the crowd to join in on the fun. Lead singer Mitchel Cave, who first got his big start on the world stage by performing on X-Factor Australia, must have chugged several energy drinks prior to coming out, because he was moving at the speed of light all over the stage. He also seemed to love having the audience join him in the adventure, jumping down to join them briefly, before hopping back up on stage to hype everyone up even further. Chase Atlantic was definitely a great act to follow DCF with, and these boys made the transition into Lights’ scintillating performance a flawless one.
LIGHTS
Though the performances of Chase Atlantic and DCF were fantastic, some fans simply could not contain their excitement for the main act of the evening — Lights; in fact, one young fan was spotted running all over The Marquee, seemingly unable to contain her excitement. It was clear this was likely not her first time seeing Lights, and her excitement proved to be quite the harbinger of the incredible musical and visual adventure ahead.
Lights came out on stage after quite the setup time, but the wait was certainly well worth it. Immediately, fans were greeted by lead vocalist Lights Valerie Poxleitner’s silhouette in front of a massive screen; the bright, neon lights behind her perfectly symbolized the band’s name, and the hype and tension felt throughout the crowd instantly reached a breaking point. The buildup to her full visual reveal was palpable, and her glamorous, vogue-like poses as she sang in her spectral, ethereal form brought out the best fashion week vibes. Finally, she emerged from the darkness and into the light to a feverish sea of fans.
Lights performed in 3 major acts throughout the evening. During the first act, Poxleitner kept the energy from Chase Atlantic going, with some of their most exciting, upbeat songs. During this portion of the show, she asked the audience if anyone here has seen them live before. There was a resounding, screaming yes, with the majority of hands within the crowd immediately shooting up as high as they could go. She continued, clearly pleased by this reaction, explaining that they love coming back to Phoenix, and that their first time here was at The Nile (Nile Theater) over in Mesa, AZ back in 2008, where they performed with Copeland. They’ve been back many times, including to Warped Tour, and she stated, “Year after year, we keep coming back stronger.” For fans who missed out on this tour, I think it is safe to assume that Lights will surely be back soon.
As the mood seemed to chill out a bit, Poxleitner began a new discussion: “I wrote this song when I was going through a shitty time. Who’s been through a shitty time?” The oddly enthusiastic screams from the crowd were certainly clear answer enough; “We’ve all been through shitty times. Do you know what helps get us through it? Friendship, a little bit of wine, and music.” The crowd loved this strategy, and prior to performing “Face Up,” Poxleitner gave them further inspiration: “Your weaknesses become your strengths.” This phrase would certainly make a great tattoo.
“Your weaknesses become your strengths” – Lights
We Were Here Tour – Issue Two
After “Face Up,” Lights retreated off stage for a brief respite. During this time, Poxleitner displayed some of her artwork on the huge screen on stage. Since she is an artist and illustrator, it only made sense — we got to see some of her characters and settings from her Skin & Earth comic series, synonymous with Lights’ new album of the same name, which currently has 6 issues out for purchase. The images and scenes shown were quite similar to the trailer for Skin & Earth, which can be viewed here: https://youtu.be/FnbL7ZE4hmo
During this phase of the performance, Lights returned to the stage with a more somber attitude. The setup had changed during this short intermission as well — suddenly, there was a piano with lots of candles on top, helping to relax the mood even further. It was time for some calm, more acoustic songs. Poxleitner was back on stage in a new outfit, sporting an acoustic guitar. It was a pleasant change of pace, and it certainly kept the vibes fresh for the evening. It also made the grand finale that much more powerful.
After another quick break and some more stunning illustrations on the big screen, Lights was back on stage, and Poxleitner was sporting a third and final outfit. They brought back the high energy with a vengeance this time around, and Poxleitner joined the band with her own electric guitar. This guitar, she explained, represented her second character in her comic books, and it sported the beautiful Skin & Earth logo seen on stage, on the cover of her books, and all over her website and social media accounts — not to mention she also has it tattooed on her arm. She transitioned into her song “Running with the Boys” after this interesting discussion.
A highlight from this phase of the show was the video clips of Sailor Moon’s transformation and Street Fighter’s Chun Li pronouncing, “I am the strongest woman in the world!” playing in the background, which perfectly complemented the power behind Lights’ performance. Towards the end of this third act, Poxleitner brought up her song “We Were Here,” asking everyone, “When the song starts, do you hear waves or a storm?” The majority seemed to scream, “WAVES!” Poxleitner replied with, “Fuck. I always hear a storm.” She continued to discuss the music video for “We Were Here,” saying that she doesn’t recommend burning a bus, but that it was definitely a lot of fun: “Full disclosure — a pyrotech got to do it. But I got to throw the lighter.”
Bonus Issue – The Encore
Once more unto the breach, Lights came back on stage for a quick encore. They weren’t off stage long, likely because the crowd’s chants, screams, and claps were so demanding. Poxleitner picked the mic back up and asked, “Do you guys wanna hear another song?” Everyone, of course, responded with a loud “YES!” She replied, “Alright, so be it, but you guys gotta dance, and you gotta sing,” and the crowd certainly complied. To reward fans, Poxleitner jumped down into the crowd for a bit to give most people up front the best high-fives ever before jumping back on stage for a special surprise for Poxleitner’s sister.
Poxleitner pulled out her phone near the very end of the show and told everyone that it was her sister’s birthday. She wanted to get a video of herself singing “Happy Birthday” with everyone in the audience, so the lights lit the house up, and everyone sang along while she recorded. “I’ve never done one of these before!” she exclaimed after. Her sister certainly got the best little gift from that moment.
Overall, the Phoenix stop of Lights’ We Were Here Tour was an exhilarating experience for everyone, and it was clear the entire band had just as great of a time as the crowd. In fact, Poxleitner may have had the most fun of all — she truly seems to love what she does, and this shines through in her incredible displays of creativity. From the life-sized cardboard cutouts of her comic book character illustrations out in the lobby to the strange vegan pizza box introduction to some synthy song intro tunes, her contagious enthusiasm spread throughout Marquee Theatre and well beyond. This went well with her aura of power her music, and she herself exudes, in addition to her uplifting spirit. She is an inspiration in many ways — a true Renaissance Woman.
Prior to heading out for the evening, Poxleitner explained that Lights is part of Plus 1, a movement and organization that ensures $1 from every ticket sold for participating shows and artists goes to causes they believe in. Lights decided on GRID Alternatives, an organization that helps to bring solar power to places across the states. Poxleitner closed by stating we all need to “protect this little planet that we have… it’s all we got.” They left the stage to resounding cheers of joy, leaving everyone to their evenings with a little positive thinking and a lot of great memories.
Mesa, Ariz. — Stabbing Westward has been rocking out for more than 30 years, but the energy they brought to the intimate Club Red was dynamic, like they were fledglings on their first tour. They brought 90s rock nostalgia to the crowd gathered inside the dark brick walls of the venue after their 14 year hiatus. This performance was part of their 30th Reunion show, which featured local openers; Paranova, There Is No Us, Amnestic and Swindy, who all performed with stamina and grit to wow the crowd.
Stabbing Westward
Stabbing Westward keyboardist Walter Flakus and drummer Johnny Haro prepared for their set by carrying up multiple 12-packs of Coronas to the stage, and vocalist Christopher Hall walked out on stage during the sound check to record footage of the excited crowd for social media.
When Stabbing Westward took the stage, the crowd’s energy rose even more, with Hall embracing the space of the stage to engage the crowd during the opening song, “Drugstore.” During the second song, “Falls Apart,” guitarist Mark Eliopulos was playing so aggressively, pushing his guitar against the mic stand like a capo, that he broke his bottom E-string. When Hall asked him if he needed a break to replace it, Eliopulos replied, “…it was the one at the bottom, you know, the one no one uses,” and he played the rest of the show on only five strings.
They played “Lies” and “Nothing” off their 1994 Ungod album; “What Do I Have To Do?” and “Shame” off their 1996 album Wither, Blister, Burn & Peel; “Sometimes It Hurts” and “Save Yourself” off the 1998 Darkest Days album, in addition to six other songs from their expansive career. In between the songs, Hall poked fun at himself and his bandmates telling the crowd “old people” jokes and attributing it to their current lifestyle. However, with the way Hall strutted his stuff all over the stage and jumped down into the crowd, one could have guessed him only 25-years-old. Hall closed out the show with a proper drop-mic after announcing to the crowd, “We are Stabbing Westward bitches! Good night!”
Prior to headliner act Stabbing Westward, four local bands played opening sets to amp up the crowd. Each band brought diversity to the stage with their original songs and performance styles filled with vigor and moxie. The bands provided an eclectic, yet complimentary sampling of folk goth, industrial, metal and alt-rock styles.
Swindy
Swindy was on first playing their ethereal folk goth and industrial-rock inspired songs. They started out with “Synergy” followed by the electro-tech “iBegin,” and a new song, “Animal.”
Lead vocalist Randall Swindell’s stage presence oozed sex appeal in his black, wet-look tee shirt and ripped, black denim skinny jeans, and even more when he stopped playing guitar mid-song to run his hands through his cheek-length blond hair.
During the show, it was announced that this would be vocalist Alyson Precie’s last show for a while as she recently enlisted in the Navy. Her strong voice and harmonizing vocals will be missed. Swindy also consists of members Tamara Jenney on keyboard, Mike Jenney on bass, and drummer Steven Escalante.
Swindell’s passion really came through with the song “Reflection,” as he opened his arms to metaphorically embrace the crowd and pull them in. They finished the set with “Just Don’t Like It,” and “Ignite My Love” from their self-titled EP Swindy.
Amnestic
Amnestic took the stage with their industrial electro-hard rock, which they self-describe as “angry robot noises.” Vocalist Brook Thomas’ growlesque screams set the tone for a post-apocalyptic robot revolt. Amnestic comprises two other members, keyboardist Sarah Elizabeth and guitarist Aaron Coldblood. The dark stage and bold red lighting cast a demonic glow over the band intensifying the message of their music. The trio played “Harbringer,” “Desensitization,” “Discipline,” and “Absent Affect” from their current album Future; as well as “Nervous System” from their album Real Bad Day.
The third band to play, There Is No Us, came at the crowd no holds barred with their opening song, “Chemical Murder,” followed up by “Farewell to Humanity,” which is interspersed with snippets from tragic news broadcasts. Vocalist Jim Louvau’s aggressive vocals are a good representation of the societal angst reflected in their political lyrics.
The five person band consists of Andy Gerold (former guitarist for Marilyn Manson) and Jared Bakin on guitar, Eddie Lopez on bass and PHEET on drums. They played “Kings & Queens,” and “Angels Face with Devils Hands,” which Louvau described as a love song. Louvau finished out the set screaming at the crowd to throw their fists in the air for “In Violence We Trust,” getting the crowd pumped for the headlining band.
Paranova
Right before Stabbing Westward, Paranova took the stage. Vocalist Owen Doheny walked on with an instrument one does not usually see at a rock or metal concert, a saxophone. They opened with the song “Lazarus,” and guitarist Dylan Ewing executed a flawless guitar solo. The band followed with “Hyperhollow” and “Sanctuary.” Bass player Erin Sperduti’s intense bass lines and drummer Logan Dolezal’s punchy drumming really bring their sound full circle.
The band covered NIN’s “March of the Pigs,” then finished out with their original songs “Enfilade,” and “Headline.” During the last song, Doheny pulled out the sax and gave it a short-lived appearance playing it for 15 seconds right at the end of the song. All songs, except the cover of NIN’s “March of the Pigs,” are on their album Hyperhollow.
In Closing
The entire show was a high energy rock fest for the mid-size Club Red. Each opening band brought their original style and sound to the stage to work up the anticipation for Stabbing Westward’s performance. Thirty years together, they know how to put on one hell of a show. They’ve kept fans satiated, and gained new fans, as The Dreaming for 17 years. It’s unknown how long the guys will continue to tour as Stabbing Westward since their 2016 reunion kicked off, but it was a pleasure to have them back in Arizona playing the 90s rock that made them famous.
Photo Gallery
Photographer: Russ Broty
Stabbing Westward, Swindy, Amnestic, There Is No Us, Paranova – Club Red 1-12-18
PHOENIX — It was nearly Christmas Eve as Lindsey Stirling’s fans gathered at Comerica Theatre. Donning their Santa caps and winter scarves, they fell down the rabbit hole that is the visually stunning show on the Warmer in the Wintertour. The last show on Stirling’s tour landed here, in her hometown of Phoenix, and fans couldn’t be happier to welcome her back home for the holidays. Stirling has recently competed on “Dancing with the Stars”, and her dance partner Mark Ballus was opening for her on the tour with his band Alexander Jean. It was the last show on her tour, and she didn’t slow down for one second, inspiring the audience to follow their dreams, break boundaries and defy industry.
Stirling emerged from a curtained archway, sparkling in ruffles of metallic purple, silver and gold playing “All I Want for Christmas”. Surrounding her were snow-covered illuminated houses, straight from a children’s book. She was joined by her four dancers, and together they ignited the audience with their smiles and choreography.
For the next number, snowflakes swirled in the background as the notes to “Frosty the Snowman” and “Let it Snow” were merged. The dancers twirled with black umbrellas that sprinkled snow as they glided across the stage. The Christmas spirit was alive and swelling inside the theatre as Stirling performed “Warmer in the Winter”, in which she both sang and played violin, and the classic fiddle song “I Saw Three Ships.” Visions of the ocean and pirates flickered on the screen as dancers appeared in plaid skirts with bouncing steps.
After a short musical break, Stirling reemerged in a stunning sheer dress adorned with sparkling silver sequins. She and her bandmates sat down on the floor toward the front of the stage for a special treat. Stirling had laid out “instruments” for them all to play: two kazoos, a toy piano and a tiny violin. She told the crowd that she had an advantage because her instrument wasn’t a toy, it was the violin that most children start playing on at the age of 5. She laughed, saying “this one’s name is Pickles” as she held the tiny violin in the air. Together the group serenaded the crowd with a medley of tunes starting with “Jingle Bells”, merging into the Harry Potter theme, and winding down with a saucy “Santa Baby”.
At the end of the group’s medley, the pianist Kit challenged Stirling to play “The Devil Went Down to Georgia” on the tiny violin, claiming “it’s what the audience is really wondering.” And she smiled, rising to the challenge as she played about 20 seconds of the fast-paced classic fiddle song. The crowd erupted in cheers as they quickly cleared the little instruments from the stage.
The first few notes of “Crystalize” fell over the crowd, mesmerizing them as Stirling elegantly danced across the stage in a mist, with slivers of light casting eerily beautiful shadows over her. The audience listened as if under a spell, being broken only by Stirling herself, as she addressed the crowd before her next number. She spoke powerful words about her own experiences with anorexia and self-esteem. She reminded the crowd, as they listened to the next song, to remember that even if they don’t see the beauty in themselves “someone sees the beauty in you.” She then went on to perform “Hallelujah” with the curtain closed and only her guitarist to accompany her. The curtains then opened as dancers joined her on stage to perform “Angels We Have Heard on High”, wearing swaths of white fabric that draped and swirled around them as though they were angels themselves.
For the last part of the show, Stirling emerged once again in a different costume; a shining pink strapless dress, with her iconic marching band hat, with white feathers reaching towards the sky. The show pulsed with excitement as lights and sound were pushed to an impressive high. After a stunning rendition of “Dance of the Sugar Plum Fairy”, Stirling went right into “The Grinch”, where her dancers flowed across the stage in red sequins. They held giant red feather fans. At one point covered Stirling, who emerged from the fans in shorts after shedding her ruffled skirt, ready to dance about on the stage. They continued with “Carol of the Bells” as the stage lights flickered with the beat, a visual feast for the eyes and ears.
Before the last number, Stirling addressed the audience one more time and shared her family tradition of wearing matching PJs every year. “Christmas C’mon”, with a track of vocals by Becky G, rang through the theatre, as lights and dancers in matching pajamas spum around the stage. Once finished they left the stage, but the audience waited, clapping and yelling. Stirling reappeared to the ample applause of the crowd and shared a very personal story. She said while she usually likes to leave a crowd with a big number so she can read on their instagram that they just “went to a violin concert and got their face melted off.” This time, however, she was going to close on a more personal note. She shared the story of the loss of her father last year around this time, and that this song was very dear to her. She asked the audience to remember those they loved and hold them close, and played “Silent Night” to close out the night.
The “Warmer in the Winter” Tour was like a traveling snow globe, shaken up with a wonderland of lights, sounds, and dancing. Stirling touched hearts with her words and music, and spread smiles with her jokes and shining personality. As people poured from the theatre that night, they were ready to celebrate not just Christmas, but their family, friends and loved ones and everything that they held dear.
Scottsdale, Ariz. — Lita Ford and her band performed their last show of 2017 in Scottsdale at BLK Live on Saturday, December 16. Closing out the night after two opening acts, Dead West and Shadow and the Thrill.
Dressed to impress and complement her polished red guitar, Ford took the stage like a rock and roll queen of hearts in her silver studded, red and white ensemble. Ford sported a red velour coat with ruffled bell sleeves and a glorious train. Underneath was a red and white bustier with studs and matching flare jeans. The ruffles and bows were a gorgeous juxtaposition to her aggressively shredding metal guitar riffs in her opening song, “Gotta Let Go.”
Ford and her band followed with songs; “Larger Than Life,” “Relentless,” “Living like a Runaway,” “The Bitch is Back” (written by Sir Elton John and Bernie Taupin), “Hungry for Your Sex,” and “Play with Fire” from her Dangerous Curves album.
To amp up the energy on stage, Ford invited Micki Free, a friend of Ford’s since age 18, onstage to play guest guitar for “Can’t Catch Me”, a song co-written by the late Lemmy Kilmister from Motörhead. During this song, Ford’s drummer, Bobby Rock, relished being the center of attention; pausing to take a video of the crowd, and take a selfie from the stage during his drum solo. Bass player Marty O’Brien and lead guitarist Patrick Kennison, not wanting to be outdone, stood back-to-back playing their instruments above their heads.
Ford followed up the intensity that was “Can’t Catch Me” with two slower-paced metal ballads, “Falling In and Out of Love,” co-written by Nikki Six of Mötley Crüe, and the somberly romantic “If I Close My Eyes Forever,” originally performed by Ozzy Osbourne, in which Kennison performed in his stead.
To bring the energy back, Ford played the title track “Out for Blood” off her first album. This album was her first release after The Runaways disbanded, and the song speaks to how Ford’s personal style developed in the 80s glam metal scene.
Ford went out with a bang, playing two great hits, “Cherry Bomb” on the original guitar she used when performing with The Runaways; and “Kiss Me Deadly” off her 1988 album Lita, using a pearl white, multi-neck guitar.
Dead West is an Arizona local band formed in 2014 that performs in a mash-up style of what can only be described as cowboy metal and blues-rock. They played a lineup of original songs, and debut their newest song “Helldorado!”
Shadow and the Thrill played original songs with a mix of classic to modern covers such as “House of the Rising Sun” by The Animals and “Crazy” by Cee Lo Green. Their sound is a mash-up of blues, metal, and classic rock.
The lead singer, Tony Cardenas-Montana, has roots in Arizona. He talked fondly of visiting his grandparents who resided in Bisbee. He then played his original song, “Tombstone Shuffle” as homage to the Wild West town he would visit as a child.
All three bands performed a high-energy show from start to finish. Ford said she plans to perform another show in Arizona come 2018. No dates have been announced, but our guess is she will be back sooner rather than later!
PHOENIX — In the brisk evening air of December 1st, fans waited outside the Marquee Theatre in eager anticipation. It was Friday night and fans were ready to throw their weekday woes away and get ready to listen to the raw sounds awaiting them. On tonight’s agenda: long established metal bands Arch Enemy and Trivium.
The night opened with New Jersey’s Fit for an Autopsy whose bass lines seemed to tremble right through the floor into your very breath. The stage splashed with red and blue light as they worked up the crowd. Next up was While She Sleeps, all the way from Sheffield, England. Lead vocalist Lawrence Taylor was a whirlwind of energy headbanging and even crowd surfing. Calling to the audience, he challenged them to “meet him” by crowd surfing all the way to the pit. Needless to say, many met his challenge. Taylor was all over the stage, even standing atop the drum set. After their set, the crowd was definitely ready for Arch Enemy.
As equipment was set up and sound checks were made, more and more people crowded into the room, shouldering and squeezing into their own perfect spot. A backdrop reflecting hell itself stared back at the audience, with twisted demons and a red glowing reflection. As the music started, a laser show of lights flooded the stage and members of the Swedish band Arch Enemy descended. Vocalist Alissa White-Gluz dominated the stage with her powerful voice and energy. She was a force to behold in her skeletal ripped bodysuit and wild blue hair. Alongside her, guitarists Michael Amott and Jeff Loomis did amazing fingerwork and left the crowd screaming after their amazing guitar duo.
Arch Enemy promoted their new album Will to Power, showcasing some amazing songs such as “The World is Yours” and “The Eagle Flies Alone.” In one moment, Alissa called to the audience, before the song “Will to Power”, to shine a light – and her will was done as the audience swayed their phones in the air. She closed off the set with one of her favorite songs, “Payday.” It’s safe to assume many who came to see Trivium that night left an Arch Enemy fan as well.
After a short break for set changes, Trivium was about to take the stage. In the dim lights, the audience got so excitedly impatient that they started chanting the band’s name: “Trivium!… Trivium!…” Their chants were met with red and white flashing lights, and Trivium took the stage. The backdrop was the same as the cover of their new album, The Sin and the Sentence. Blanketing the wall was solid black with clean gold lines and iconic images, a great reflection of the band.
Lead vocalist Matt Heafy’s passionate and clean vocals were accented by the raw enraged voices of guitarist Corey Beaulieu and bassist Paolo Gregoletto. While Trivium’s sound has changed over the years, the audience was in full agreement that they sounded amazing! Many fans sang along with the lyrics, Heafy’s clear and thought provoking words making this an easy task. Songs like “The Heart from Your Hate” and “The Sin and the Sentence” are surprisingly addictive, with their fast paced melodies and powerful lyrics.
The show was five straight hours of metal. There is something about metal that is cathartic, raw, and enticing; this show was no exception. Arch Enemy and Trivium helped take the week’s stress, ball it up, grind it into the ground and just let loose in the music, allowing everyone to start their weekend refreshed.
Photo Gallery
Photographer: Dale Hurt
Trivium, Arch Enemy, & More – Marquee Theatre 12-1-17
PHOENIX — Visibly and audibly enthusiastic for their homecoming, and impressed by the new The Van Buren music venue, The Maine put on a show that was both charged and endearing for their close-knit fans. They are a great example of a local band that made it big, not changing who they are and their beliefs in the ever-evolving industry. The five-piece band native to Tempe, consisting of John O’Callaghan (Lead Vocalist/Guitarist), Kennedy Brock (Guitarist), Pat Kirch (Drummer), Jared Monaco (Guitarist), and Garrett Nickelsen (Bassist), rocked out with a packed crowd Wednesday night. Following opening bands Night Riots and DREAMERS, they tore it up with their two newest albums Lovely Little Lonely (2017) and American Candy (2015) in full, back-to-back.
The show began with alternative rock band Night Riots, who got the crowd excited with the powerful voice of lead singer Travis Hawley. During their set, the band played “Free Fallin” as a tribute to the late Tom Petty. Hawley said, “Holy sh*t that sounds good,” after the crowd sang the words “free fallin”.
The band engaged the crowd and hyped them up for the rest of the show. At one point in the band’s set, a person in the crowd was seen clapping with their shoe, which had neon lights at the bottom. Such innovation! It really added to the unique atmosphere of the show, which seemed to say that for one night, surrounded by strangers, everyone could be themselves and not care what anyone thinks. (View Photo Album)
Rock trio DREAMERS came on next, and the crowd exuded excitement as they danced and sang along. The band brought their name to life on stage as Nick Wold (Vocalist/Guitarist), had a dream catcher hung on his mic stand. They performed their hits “Painkiller” and “Sweet Disaster” to an eager crowd that danced and sang along. They also covered “Zombie” by the Cranberries, which segued into their own song “Drugs”.
Night Riots and DREAMERS were the perfect opening acts. Their energy and the way they commanded the stage, captivated the audience, making it an all-around solid line-up. They amped up the crowd and proved that you never want to miss the openers at shows. Night Riots’ stage presence showcased a seasoned band, while DREAMERS proved a rock trio can be just as compelling on stage as a traditional band setup. (View Photo Album)
The Van Buren did not seem full at the beginning of the show. However, as The Maine’s set approached, the venue began to fill up and one could feel the anticipation for the hometown success-story.
The Maine
The Maine started off with “Don’t Come Down” from their latest album Lovely Little Lonely, and their all white suits fit the aesthetic of the album. Hit singles “Bad Behavior” and “Black Butterflies and DéJà Vu” were played with immense reactions from the crowd.
This album portrays a sense of “oneness,” and that was felt in the room. It came off as if The Maine put everything they had into making that album for anyone who has felt different or alone. For a period of time, while they played through every track of the album, it appeared that everyone in the room felt the words being sung as if they were sung for them.
During “How Do You Feel,” the line, “You are alive, but are you living?,” was met with the crowd singing back passionately as they jumped along to the beat of the song.
Amidst the first half of the set, O’Callaghan said, “Thanks for letting us make this album right here.” Passion exuded from the band, and it was evident how much The Maine cares about their music and fans.
After finishing Lovely Little Lonely, there was a brief intermission, and before the band came back on, a man in a Christmas suit came out to declare that American Candy was next. When the band came back on stage, they surprised fans by having changed into dark blue jackets to fit the aesthetic of American Candy.
“24 Floors” and “(Un)Lost” have a similar vibe to the songs off of Lovely Little Lonely. The lyrics seemed to be aimed at those going through a tough time. They give off a feeling that in the end, everything will turn out fine.
During this portion of the set, the band’s heavier sound became prominent, with songs such as the album’s title track “American Candy,” as well as the song “Diet Soda Society.”
While gazing out into the crowd in the beginning half of the second album O’Callaghan proclaimed to the audience, “I want to remember this one, I don’t want to remember Anaheim.”
This show had a special feeling to it, where the fans and the band had a connection that could be felt. The Maine and their fans have a one-of-a-kind relationship, and every lyric sung, felt personal, as if directed to everyone individually and collectively.
O’Callaghan reminded the crowd, “Remember to tell the people that you love, that you f****ing love them.” He also thanked the fans on behalf of the band for, “making us feel less lonely.”
A highlight for the show was during “Am I Pretty” when O’Callaghan got the crowd to crouch to the floor. The crowd was together in this moment and listened carefully to O’Callaghan’s words. It’s moving to watch as a band can get a room full of strangers to bond with their words and music.
The show ended perfectly with the ever-nostalgic “Another Night On Mars”. The lyrics, “this one goes out to my closest friends, the ones who make me feel less alien,” showcase the importance of friendship and how friends allow us to be ourselves.
“With friends like ours, anywhere is home,” insinuates that everyone in the room that night, was each other’s friends, and that you don’t physically have to be at home to feel “home”.
The Maine is one of those bands that if you listen to them live, it sounds just like the album. They truly are a talented band, with a unique relationship with their fans. After each show, they make the effort to meet their fans and give them the meet-and-greet experience for FREE.
The Maine has been a band for 10 years now, and in that decade, they have grown, and made sure their fans were on the journey alongside with them. With this special relationship with their supporters, and their devotion to their music, it seems The Maine will definitely be around for a long time – and Burning Hot Events is proud to call them part of Phoenix’s artistic community! Check out our interview with them to find out about their Modern Nostalgia Tour, growing up in the band, their band culture and MORE!
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