All posts by Rodrigo Izquierdo

Photographer, Author, Creative. International photo-comic book sales and museum photo displays. Entrepreneur, entertainer, motivator, animal lover, optimist, always evolving.

REVIEW: Supergroup Angels & Airwaves Plays to a Sold Out Marquee Theatre (9-4-19)

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Tempe, AZ — Supergroup Angels & Airwaves headlined an amazing night, supported by The New Regime and Charming Liars, at an absolutely full Marquee Theatre. Angels & Airwaves is led by singer Tom DeLonge (blink-182), who is accompanied by David Kennedy (Box Car Racer) on lead guitar, Matt Rubano (Taking Back Sunday) on bass, and Ilan Rubin (Nine Inch Nails, Paramore, The New Regime, Angels & Airwaves) on drums. 

Charming Liars

This show commenced with Los Angeles rock band Charming Liars, who just released their new EP, Bare Bones on August 2nd.

Kiliyan Maguire (Charming Liars)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Photo Gallery

The audience’s engagement crescendoed, beginning with a feeling of curiosity and enthusiasm and ending with full crowd participation of chanting and clapping. The pumped-up fans were rewarded by a visit in the pit from vocalist Kiliyan Maguire.

Charming Liars Photo Gallery

The New Regime

Next up was The New Regime, led by child prodigy and Guinness World Record holder Ilan Rubin. Rubin brought years of experience and tremendous talent and dedication to the stage. He served double duty as the drummer for Angels & Airwaves, and he was recently called “Nine Inch Nails’ secret weapon” (Metal Injection) and “one of rock’s most in-demand drummers” (Louder).

Ilan Rubin (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

In addition to his world record for being the youngest musician to ever play at Woodstock, Rubin contributed his talents to Beck & Paramore’s Grammy-winning albums, and he closed The Grammy Awards with Nine Inch Nails, Queens of The Stone Age, Dave Grohl, and Lindsey Buckingham. He has toured with Muse, The Killers Nine Inch Nails, Alice In Chains, The Used, and The Joy Formidable.

Ilan Rubin (The New Regime)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved
Photo Gallery

The New Regime performed tracks off of their forthcoming album Heart Mind Body & Soul, which will be released in four installments between the end of 2019 and the first quarter of 2020; Heart is part 1 of this album.

Despite technical issues during the third song of The New Regime’s set, “Turning A Blind Eye” from Heart, the band gracefully handled the hiccup with a sense of humor. They joked that the song “should sound like this” and the crowd erupted with laughter.

Closing their set, The New Regime led them in a chant of “I want your heart, mind, body, and soul,” which echoed throughout the venue above the throng of happy concertgoers.

The New Regime Photo Gallery

Angels & Airwaves

As the dark theater lit up to welcome Angels & Airwaves to the stage, Tom DeLonge appeared and the sold-out crowd sang along with him to every song.

Tom DeLonge (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

After singing their fifth song, “Everything’s Magic” from I-Empire (For Puretracks), DeLonge finally addressed the audience, making fun of himself for not yet giving an introduction. This showed how engaged and dedicated to their music the band was. He then announced the hit song “Paralyzed” and the crowd went crazy.

Matt Rubano (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

He poked fun at the heat in the Valley of the Sun by explaining that his friend visited the Sahara desert and stated that it was almost as hot as Tempe. DeLonge then began to engage the audience much more often, sharing his experiences while growing up in the punk scene and his love of his music and the opportunity to share a positive message with his fans via his lyrics. 

Tom DeLonge (Angels & Airwaves)
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Phoenix was the first stop on Angel & Airwaves’ comeback tour, their first in seven years. They performed an ambitious setlist of 21 songs with friendly crowd engagement throughout, and a quick encore of the final 2 songs: “Do It for Me Now” and “Heaven.” Angels & Airwaves demonstrated the next-level show that a culmination of great established artists brings, and it was well-worth the wait to watch them grace the stage of Marquee Theatre.

Photo Galleries

Photographer: Rodrigo Izquierdo

Openers: The New Regime | Charming Liars

Angels & Airwaves – Marquee Theatre 9-4-19

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Note: The article previously had David Kennedy incorrectly labeled as James Kennedy, which has since been corrected.

Photography © Reagle Photography
All Rights Reserved

REVIEW: The Growlers Kickoff Tour with Heaven in Hell — A Sold Out Show in Phoenix (7-17-19)

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PHOENIX — Opening their headlining Arizona show with an aptly titled track, “Heaven in Hell”, California beach goth rockers The Growlers played to a sold-out Van Buren venue that prepared them for their ambitious 2019 tour. The tour will include 52 concert nights over the next four months, finishing up in the heavenly City of Angels and Stars on Halloween night. Supporting The Growlers is Rinse & Repeat, an Orange County post-punk band.

Rinse & Repeat
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Rinse & Repeat

Rinse & Repeat can be best described as a space age psychedelic synth group that have a perfect mix reminiscent of The Aquabats, Divo, and maybe even some Peter Gabriel. Full of energy and theatrics, the nice commenced with their performance that was engaging, fun, and showed much dedication from the band members: Aaron Bones on bass, Riley on guitar, and Rodney on the drums. They put on a show that went beyond their songs and took us through their “space” struggles and successes. 

The Growlers

Sufficiently warmed up and likely grateful the show was in the climate-controlled venue, the crowd thoroughly enjoyed and sang along to each and every song with lead singer Brooks Nielsen, as if the lyrics popped up before them like a karaoke video.

The Growlers - Photo Credit: Rodrigo Izquierdo
Brooks Nielsen (Vocalist), The Growlers
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

The Growlers went through a total of 23 songs and 2 encore pieces, and unlike most mainstream bands, did not spend much time talking to the crowd in between songs, instead engaging them through their music. 

Setlist:

Heaven in Hell
One Million Lovers
Dope on a Rope
Orgasm of Death
Naked Kids
The Daisy Chain
Someday
Love Test
Beach Rats
Rare Hearts
Hiding Under Covers
Who Loves the Scum?
Problems III
When You Were Made
Monotonía
Pavement and the Boot
Empty Bones
Vacant Lot
Night Ride
City Club
Drop Your Phone in the Sink
Chinese Fountain
I’ll Be Around

Encore:
Humdrum Blues
Going Gets Tough

With such a jam-packed setlist, the fans got what they paid to see, The Growlers singing their favorite songs live, with an extensive sample of their successful discography. Perhaps, referencing lyrics from the opening song, their fans were able to “find a haven” in their immersion in the music and energy of one of their favorite bands. 

Nielsen seemed shy and tired, as he himself mentioned after singing just a few songs, “I’m tired, and it is only day one”, but as the show evolved, so did his energy and engagement. As their night ended, he expressed his gratitude to the audience for the boost, saying “Thank you Phoenix, we’re ready to tour now!

The lyrics from their closing song “Going Gets Tough” seemed to be applicable for The Growlers that night:

Still always remembering
When the going gets tuff
That the labor of our love
Will reward us soon enough

Photo Gallery

Photographers: Rodrigo Izquierdo (Reagle Photography) & Andrea Stoica

The Growlers And Rinse & Repeat – The Van Buren 7-17-19

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Photography © Reagle Photography & Andrea Stoica, Respectively.
All Rights Reserved

Featured (top) photo by Rodrigo Izquierdo

 

REVIEW: Chase Atlantic and A Hot Stop in the Desert With a Sold Out Show at Crescent Ballroom (6-27-19)

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PHOENIX — On the cusp of their sophomore album release, Chase Atlantic and opener Lauren Sanderson celebrated at Crescent Ballroom with contagious energy. Touring the US from coast to coast with 29 stops, and their self-produced PHASES set to release on June 28, the alt-pop three-piece have played to sold out venues in Pittsburgh, Nashville, Charlotte, Ft. Lauderdale, and now Phoenix.

This album feels as though it is truly a work of astronomical measures,” says lead vocalist, Mitchel Cave. “It’s the first time we were able to honestly and openly hone into something so monumentally special and raw without compromising even an inch of our integrity as artists. We’ve developed a completely new sound within a matter of months that has never been tapped into before. Chase Atlantic is now dwelling within a realm of its own; it’s both scarily isolating and blissfully euphoric at the same time. Welcome to a whole new era.

Lauren Sanderson

Lauren Sanderson - Photo Credit: Rodrigo Izquierdo
Lauren Sanderson
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

Lauren Sanderson, an Indiana native with a huge Twitter following of over 100,000 people, gave her first Ted Talk, titled “Stay Positive N’ Stay You”, only a year after graduating high school. She hit the stage with a bright smile and a burst of energy that set the table for the main course of the night: Chase Atlantic.

Lauren Sanderson - Photo Credit: Rodrigo Izquierdo
Lauren Sanderson
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

During the intermission between Sanderson and Chase Atlantic, the music kept the audience energized and singing along as they played one of Lauren’s songs, to the crowd’s delight. 

Chase Atlantic

Chase Atlantic - Photo Credit: Rodrigo Izquierdo
Chase Atlantic
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

When the lights went out, the crowd went wild with anticipation. The back LED screens came on, and a fantastic and electrifying drum solo by Jesse Boyle got everybody screaming. A few seconds later, the shouts intensified as frontman Cave walked onto the stage, followed by band members Christian Anthony, Clinton Cave, and Patrick Wilde.

Mitchel yelled to the crowd, “Make some noise if you came with a friend!” The crowd roared and the song “Angels” began a night of jumping and motion that could practically induce seasickness. 

Chase Atlantic - Photo Credit: Rodrigo Izquierdo
Mitchel Cave (Vocalist), Chase Atlantic
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

During “What U Call That”, “Her”, “The Walls”, “Friends”, and “StuckInMyBrain”, the madness continued with nonstop singing, jumping, and partying like the world was about to end. 

As they hit the stage again, following a quick and well-earned interlude, they made the announcement everybody was waiting for: their new album PHASES was just made live a day early, and Cave encouraged the whole crowd to open up their cell phones and download the song right then and there. He even asked to get a thumbs-up once each audience member had finished the transaction. An ocean of cell phone screens lit up the inside of Crescent Ballroom as the download frenzy went on for a few moments, to the delight of the band. Thumbs started to go up enthusiastically and smiles filled the faces of the musicians. 

The crowd was rewarded for their instant downloads with one of Chase Atlantic’s most popular and well-known songs, “Swim”, followed by “Love Is Not Easy”, then by Cave and Anthony taking off their shirts suggestively right before their song “Lust”. 

Chase Atlantic - Crescent Ballroom
Mitchel Cave (Lead Vocalist) & Christian Anthony (Rhythm Guitarist, Vocalist)
Photographer:
Rodrigo Izquierdo © All Rights Reserved

Cave’s statement matched that of the opener by saying that “this has been the best show of their whole f***ing ride.

“Drugs & Money” kept the energy as high as it had been since the opening and continued with “Heaven And Back”, followed by Anthony asking the crowd, “Who feels like a rockstar?”, then pointing towards Cave and telling him, “I know you do,” then playing “Like A Rockstar”.

Chase Atlantic - Photo Credit: Rodrigo Izquierdo
Mitchel Cave (Vocalist), Chase Atlantic
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

During their last song, “Uncomfortable”, Cave took a cell phone from the audience to take a selfie with the crowd, then carefully returned it to the fan without breaking or slowing down the energetic performance. 

Chase Atlantic - Photo Credit: Rodrigo Izquierdo
Mitchel Cave (Vocalist), Chase Atlantic
| Photographer:
Rodrigo Izquierdo © All Rights Reserved

As they walked offstage, they said to the crowd, “We can play a f***ing encore if you want one more!” The crowd chanted incessantly and, over the speakers the band instructed everyone to scream “F*** yeah!” in unison. The crowd again obliged and chanted until the band returned to the stage.

Chase Atlantic - Photo Credit: Rodrigo Izquierdo
Christian Anthony (Rhythm Guitarist, Vocalist)
Photographer:
Rodrigo Izquierdo © All Rights Reserved

Chase Atlantic closed the show with their last song, “Okay”, commanding the crowd in a way seasoned musicians do. The band coerced the whole crowd get down low, almost lying on the ground, and brought them back up to dance and jump. They welcomed Lauren Sanderson back to the stage for a high-octane rock n’ roll sound with heavy guitar riffs and powerful drum beats, and the night ended by leaving the audience exhausted and excited, as only great and memorable shows can do.

Photo Gallery

Photographer: Rodrigo Izquierdo

Chase Atlantic & Lauren Sanderson – Crescent Ballroom 6-27-19

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Photography © Reagle Photography
All Rights Reserved

REVIEW: The Faim Gives a Memorable Musical Experience at The Nile Theater (4-14-19)

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Mesa, AZ — A high-rising band from down under, The Faim, is a prime example of confidence, enthusiasm, and love of the art of music and performance. Supporting headliner Andy Black on his “The Ghost Of North America” tour, alongside fellow opener KULICK, they treated fans to a performance far beyond even the most optimistic of fans’ expectations.

A young crowd, anxious and eager to see their music idols, lined the sidewalk into the alleyway entrance of The Nile Theater. Colored hair, ripped jeans, leather jackets, name-brand shoes, and fancy accessories dotted the scene, much like an amalgam of hipster and classic punk, creating a unique fashion style that may eventually define this generation, like big hair and shoulder pads defined the 80’s. This fusion of fashion is likely in part a byproduct of the union of fans of a variety of artists that were involved in this night and everything leading up to it.

Two days prior to the show, Black Veil Brides’ frontman Andy Biersack released The Ghost of Ohio — the sophomore album from his solo music project under the moniker Andy Black. A concept record, The Ghost of Ohio is meant to serve as the soundtrack for his comic book by the same name, according to Alternative Press. Andy Black and The Faim share megaproducer John Feldman (lead singer of Goldfinger), who has a massive arsenal of rock and pop artist veterans that he’s worked with, and has been able to mix them into a cocktail of contribution to recordings for these two acts. By bringing top music industry talent together, Feldman is taking the best parts of early 2000s rock and infusing it into a new generation of sound that will richly benefit from their prowess and the vitality of these artists’ spirits.

Jacob Kulick, also known as KULICK, came out to a screaming crowd of fans that did not know what they were in for. KULICK set the bar high for what was about to follow: clear vocals and clean-sounding instruments, akin to a Bad Religion show, accompanied by contagious energy, great stage presence, and command of the crowd — a polished performance and band dynamic that makes you want to see them again. KULICK performed 8 songs: “Crawling”, “Hole in My Head”, “City”, “Hydroplane”, “Scatterbrain”, “Colors”, and “Ghost”; closing his set with humor and natural crowd engagement. This was only his second time touring, but with a performance like this, it would appear that many more will follow and he will continue to enrich audiences with his energy and sound.

The Faim’s explosive energy became evident within a few seconds of their opening song, “Saints Of The Sinners”. With the never-ending energy and stage presence you’d normally see from a ska band or Mick Jagger, The Faim dominated the stage and slowly began to command a crowd that once again did not know what hit them. They played “My Heart Needs to Breathe”, as if they have been performing for many years.

Sam Tye (Guitarist), Josh Raven (Vocalist), Stephen Beerkens (Bassist, Keyboardist) – The Faim
Photography:
Andrea Stoica © All Rights Reserved

Sam Tye (guitar) and Stephen Beerkens (bass, keyboard) played on each other’s moves, and Raven engaged each member, including drummer and percussionist Linden Marissen, like Bruce Dickinson does with Nicko McBrain. Marissen himself exudes a type of energy and control of the drums that demonstrates his dedication to his craft; breaking a drumstick mid-song, and grabbing a new one so quickly that most people did not even notice. A fan later came to the merchandise table to have the broken stick autographed, which Marissen gratefully obliged.

The third song was a special gift to the audience: the still unreleased song “Beautiful Drama”. Lead singer Josh Raven’s enthusiasm was evident, not merely singing the words, but performing the song from his heart and leaving it all on the stage, like this was his own Live Aid performance.

The Faim - Photo Credit: Andrea Stoica
Josh Raven (Lead Vocalist), The Faim
| Photography:
Andrea Stoica © All Rights Reserved

Setlist:

“Saints Of The Sinners”
“My Heart Needs To Breathe”
“Beautiful Drama” (Unreleased)
“When It Comes”
“Infamous”
“Midland Line”
“Fire”
“A Million Stars”
“I Can Feel You”
“Make Believe”
“Summer Is A Curse”
“Amelie”

This wasn’t just a concert, it was a musical experience, as made evident once Raven decided to join the crowd while continuing to sing, engaging everyone on the floor either by high fives, hugs, or just direct eye contact. The energy never ceased or diminished, even as he helped a crowd surfer back to safety without breaking performance. He made sure to thank the crowd for making them all feel so welcomed on their first visit to this city, and the crowd went crazy. Raven’s closing words were, “look out for yourself, look out for each other, and have a wonderful evening!

When the lights went down once again, Andy Black began to sing to a sea of screaming fans that, to his obvious and evident delight, could sing along every word of each song he played. It was a night of endless energy and flawless performances that lifted the caliber of the show above and beyond.

Featured photo (top) by Katherine Amy Vega

PHOTOS: Black Label Society & Supporting Acts at Marquee Theatre 2-24-18

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Black Label Society - Photo Credit: Rodrigo Izquierdo
Zakk Wylde (Vocalist, Guitarist), Black Label Society
Photography: Rodrigo Izquierdo © All Rights Reserved

Tempe, AZFebruary 24th, 2018, shortly a month after Zakk Wylde’s 50th birthday, he put on a great show at the Marquee Theatre with Black Label Society, showing that he’s definitely at a different level musically and also in showmanship. Opener EyeHateGod, a band that has been playing since 1988 showed great energy, starting what was about to be a great night of rock. Corrosion of Conformity, who I remember watching their music video “Dance of the Dead” when I lived in Chile, only raised the bar and rocked the house, closing with their most popular song, “Clean My Wounds”.

Then the show became the kind of show you’d expect to see at a full stadium, opening with pyrotechnics and a classic curtain drop, to the excitement of the fans that had filled up the venue to what seemed to be absolutely max capacity. This was my first time seeing Black Label Society live, and I could not have been more pleased, as their sound and showmanship was definitely beyond what you normally see at small venues like the Marquee Theatre.

Photo Album

Photos by Rodrigo Izquierdo

Black Label Society, Corrosion Of Conformity, & EyeHateGod – Marquee Theatre 2-24-18

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Photography © Reagle Photography
All Rights Reserved